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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAB86ACE it is the complementary color #054795CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAB86ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAB86ACE shade: #FFB865CE, #FFCA78CE, #FFDC8BCE, #FFEE9ECE and #FFFFB1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAB86ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAB86ACE shade: #FAB86ACE, #E9A657CE, #D89444CE, #C78231CE and #B6701ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAB86ACE shade: #FAB86B, #FA926B and #FA6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAB86ACE shade: #FAB86B, #FADF6B, #EFFA6B, #C8FA6B and #A1FA6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAB86ACE shade matches the following richer shades: #FAB86B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAB86ACE shade: #FAB86B, #EEB777, #E2B683, #D5B590 and #C9B49C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAB86ACE shade: #FA6B6B, #FA916B, #FAB76B, #FADE6B and #F1FA6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAB86ACE shade: #F8921B, #F9A543, #FAB86B, #FCCC93 and #FDDFBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAB86ACE shade: #FAB86A, #91FA6B and #7E6BFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAB86ACE shade: #FAB86A, #6BFAB7 and #B76BFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAB86ACE shade: #FAB86A, #91FA6B, #6BAEFA and #D46BFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAB86ACE shade: #FAB86A, #6BFA6F, #6BAEFA and #FA6BF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 47 / 2

HEX #FAB86ACE

RGBA 250 184 106 0.81

HSLA 32.5, 0.94%, 0.7%, 0.81

LABA 79.41, 15.67, 48.48, 0.81

 

Complementary color

CMYK 78 / 42 / 0 / 34

HEX #054795CE

RGBA 5 71 149 0.81

HSLA 212.5, 0.94%, 0.3%, 0.81

LABA 31.13, 13.56, -47.89, 0.81

 

CMYK 0 / 23 / 49 / 0

HEX #FFB865CE

RGBA 255 184 101 0.81

HSLA 32.34, 1%, 0.7%, 0.81

LABA 79.89, 17.35, 51.61, 0.81

 

CMYK 0 / 17 / 43 / 0

HEX #FFCA78CE

RGBA 255 202 120 0.81

HSLA 36.44, 1%, 0.74%, 0.81

LABA 84.41, 9.4, 47.75, 0.81

 

CMYK 0 / 11 / 37 / 0

HEX #FFDC8BCE

RGBA 255 220 139 0.81

HSLA 41.9, 1%, 0.77%, 0.81

LABA 89.07, 1.84, 44.15, 0.81

 

CMYK 0 / 5 / 31 / 0

HEX #FFEE9ECE

RGBA 255 238 158 0.81

HSLA 49.48, 1%, 0.81%, 0.81

LABA 93.83, -5.32, 40.81, 0.81

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFB1CE

RGBA 255 255 177 0.81

HSLA 60, 1%, 0.85%, 0.81

LABA 98.41, -11.56, 37.37, 0.81

 

CMYK 0 / 21 / 47 / 2

HEX #FAB86ACE

RGBA 250 184 106 0.81

HSLA 32.5, 0.94%, 0.7%, 0.81

LABA 79.41, 15.67, 48.48, 0.81

 

CMYK 0 / 23 / 51 / 7

HEX #E9A657CE

RGBA 233 166 87 0.81

HSLA 32.47, 0.77%, 0.63%, 0.81

LABA 73.08, 16.85, 49.89, 0.81

 

CMYK 0 / 26 / 56 / 12

HEX #D89444CE

RGBA 216 148 68 0.81

HSLA 32.43, 0.65%, 0.56%, 0.81

LABA 66.67, 18.21, 51.26, 0.81

 

CMYK 0 / 28 / 61 / 18

HEX #C78231CE

RGBA 199 130 49 0.81

HSLA 32.4, 0.6%, 0.49%, 0.81

LABA 60.18, 19.78, 52.46, 0.81

 

CMYK 0 / 31 / 68 / 23

HEX #B6701ECE

RGBA 182 112 30 0.81

HSLA 32.37, 0.72%, 0.42%, 0.81

LABA 53.63, 21.59, 53.19, 0.81

 

CMYK 0 / 26 / 57 / 2

HEX #FAB86B

RGB 250 184 107

HSL 32.31, 0.93%, 0.7%

LAB 79.42, 15.74, 48

 

CMYK 0 / 42 / 57 / 2

HEX #FA926B

RGB 250 146 107

HSL 16.36, 0.93%, 0.7%

LAB 70.83, 35.6, 37.47

 

CMYK 0 / 57 / 57 / 2

HEX #FA6B6B

RGB 250 107 107

HSL 0, 0.93%, 0.7%

LAB 63.26, 54.69, 27.77

 

CMYK 0 / 26 / 57 / 2

HEX #FAB86B

RGB 250 184 107

HSL 32.31, 0.93%, 0.7%

LAB 79.42, 15.74, 48

 

CMYK 0 / 11 / 57 / 2

HEX #FADF6B

RGB 250 223 107

HSL 48.67, 0.93%, 0.7%

LAB 89, -4.37, 59.19

 

CMYK 4 / 0 / 57 / 2

HEX #EFFA6B

RGB 239 250 107

HSL 64.62, 0.93%, 0.7%

LAB 95.07, -22.04, 65.79

 

CMYK 20 / 0 / 57 / 2

HEX #C8FA6B

RGB 200 250 107

HSL 80.98, 0.93%, 0.7%

LAB 92.45, -36.96, 62.13

 

CMYK 36 / 0 / 57 / 2

HEX #A1FA6B

RGB 161 250 107

HSL 97.34, 0.93%, 0.7%

LAB 90.33, -50.58, 59.15

 

CMYK 0 / 26 / 57 / 2

HEX #FAB86B

RGB 250 184 107

HSL 32.31, 0.93%, 0.7%

LAB 79.42, 15.74, 48

 

CMYK 0 / 26 / 57 / 2

HEX #FAB86B

RGB 250 184 107

HSL 32.31, 0.93%, 0.7%

LAB 79.42, 15.74, 48

 

CMYK 0 / 23 / 50 / 7

HEX #EEB777

RGB 238 183 119

HSL 32.27, 0.78%, 0.7%

LAB 78.1, 12.39, 40.05

 

CMYK 0 / 19 / 42 / 11

HEX #E2B683

RGB 226 182 131

HSL 32.21, 0.62%, 0.7%

LAB 76.84, 9.27, 31.96

 

CMYK 0 / 15 / 32 / 16

HEX #D5B590

RGB 213 181 144

HSL 32.17, 0.45%, 0.7%

LAB 75.58, 6.17, 23.15

 

CMYK 0 / 10 / 22 / 21

HEX #C9B49C

RGB 201 180 156

HSL 32, 0.29%, 0.7%

LAB 74.48, 3.71, 14.99

 

CMYK 0 / 57 / 57 / 2

HEX #FA6B6B

RGB 250 107 107

HSL 0, 0.93%, 0.7%

LAB 63.26, 54.69, 27.77

 

CMYK 0 / 42 / 57 / 2

HEX #FA916B

RGB 250 145 107

HSL 15.94, 0.93%, 0.7%

LAB 70.62, 36.11, 37.2

 

CMYK 0 / 27 / 57 / 2

HEX #FAB76B

RGB 250 183 107

HSL 31.89, 0.93%, 0.7%

LAB 79.19, 16.26, 47.72

 

CMYK 0 / 11 / 57 / 2

HEX #FADE6B

RGB 250 222 107

HSL 48.25, 0.93%, 0.7%

LAB 88.75, -3.86, 58.91

 

CMYK 4 / 0 / 57 / 2

HEX #F1FA6B

RGB 241 250 107

HSL 63.78, 0.93%, 0.7%

LAB 95.22, -21.25, 66

 

CMYK 0 / 41 / 89 / 3

HEX #F8921B

RGB 248 146 27

HSL 32.31, 0.94%, 0.54%

LAB 69.89, 31.21, 70.81

 

CMYK 0 / 34 / 73 / 2

HEX #F9A543

RGB 249 165 67

HSL 32.31, 0.94%, 0.62%

LAB 74.48, 22.92, 61.06

 

CMYK 0 / 26 / 57 / 2

HEX #FAB86B

RGB 250 184 107

HSL 32.31, 0.93%, 0.7%

LAB 79.42, 15.74, 48

 

CMYK 0 / 19 / 42 / 1

HEX #FCCC93

RGB 252 204 147

HSL 32.57, 0.95%, 0.78%

LAB 84.99, 9.7, 34.8

 

CMYK 0 / 12 / 26 / 1

HEX #FDDFBB

RGB 253 223 187

HSL 32.73, 0.94%, 0.86%

LAB 90.43, 5.04, 21.45

 

CMYK 0 / 26 / 58 / 2

HEX #FAB86A

RGB 250 184 106

HSL 32.5, 0.94%, 0.7%

LAB 79.41, 15.67, 48.48

 

CMYK 42 / 0 / 57 / 2

HEX #91FA6B

RGB 145 250 107

HSL 104.06, 0.93%, 0.7%

LAB 89.6, -55.6, 58.13

 

CMYK 50 / 57 / 0 / 2

HEX #7E6BFA

RGB 126 107 250

HSL 247.97, 0.93%, 0.7%

LAB 53.87, 43.44, -69.31

 

CMYK 0 / 26 / 58 / 2

HEX #FAB86A

RGB 250 184 106

HSL 32.5, 0.94%, 0.7%

LAB 79.41, 15.67, 48.48

 

CMYK 57 / 0 / 27 / 2

HEX #6BFAB7

RGB 107 250 183

HSL 151.89, 0.93%, 0.7%

LAB 89.35, -53.75, 20.75

 

CMYK 27 / 57 / 0 / 2

HEX #B76BFA

RGB 183 107 250

HSL 271.89, 0.93%, 0.7%

LAB 59.42, 55.88, -60.09

 

CMYK 0 / 26 / 58 / 2

HEX #FAB86A

RGB 250 184 106

HSL 32.5, 0.94%, 0.7%

LAB 79.41, 15.67, 48.48

 

CMYK 42 / 0 / 57 / 2

HEX #91FA6B

RGB 145 250 107

HSL 104.06, 0.93%, 0.7%

LAB 89.6, -55.6, 58.13

 

CMYK 57 / 30 / 0 / 2

HEX #6BAEFA

RGB 107 174 250

HSL 211.89, 0.93%, 0.7%

LAB 69.68, 0.48, -44.18

 

CMYK 15 / 57 / 0 / 2

HEX #D46BFA

RGB 212 107 250

HSL 284.06, 0.93%, 0.7%

LAB 62.86, 62.83, -54.4

 

CMYK 0 / 26 / 58 / 2

HEX #FAB86A

RGB 250 184 106

HSL 32.5, 0.94%, 0.7%

LAB 79.41, 15.67, 48.48

 

CMYK 57 / 0 / 56 / 2

HEX #6BFA6F

RGB 107 250 111

HSL 121.68, 0.93%, 0.7%

LAB 88.28, -65.29, 54.47

 

CMYK 57 / 30 / 0 / 2

HEX #6BAEFA

RGB 107 174 250

HSL 211.89, 0.93%, 0.7%

LAB 69.68, 0.48, -44.18

 

CMYK 0 / 57 / 2 / 2

HEX #FA6BF6

RGB 250 107 246

HSL 301.68, 0.93%, 0.7%

LAB 67.65, 71.49, -44.31

 

Description

Color code: HEX #FAB86ACE | qconv.com Color code: HEX #FAB86ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 184 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 184 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 47 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 47% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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