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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAB44D it is the complementary color #054BB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAB44D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAB44D shade: #FFB448, #FFC65B, #FFD86E, #FFEA81 and #FFFC94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAB44D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAB44D shade: #FAB44D, #E9A23A, #D89027, #C77E14 and #B66C01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAB44D shade: #FAB44C, #FA854C, #FA564C and #FA4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAB44D shade: #FAB44C, #FAE34C, #E3FA4C, #B4FA4C and #85FA4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAB44D shade matches the following richer shades: #FAB44C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAB44D shade: #FAB44C, #ECB15B, #DDAE6A, #CEAB79 and #BFA887

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAB44D shade: #FA554C, #FA834C, #FAB24C, #FAE04C and #E6FA4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAB44D shade: #EE9006, #F9A324, #FAB44C, #FBC574 and #FCD69C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAB44D shade: #FAB44D, #72FA4C and #6C4CFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAB44D shade: #FAB44D, #4CFAB2 and #B24CFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAB44D shade: #FAB44D, #72FA4C, #4C95FA and #D54CFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAB44D shade: #FAB44D, #4CFA5B, #4C95FA and #FA4CEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 69 / 2

HEX #FAB44D

RGB 250 180 77

HSL 35.72, 0.95%, 0.64%

LAB 78.17, 15.95, 60.61

 

Complementary color

CMYK 97 / 58 / 0 / 30

HEX #054BB2

RGB 5 75 178

HSL 215.72, 0.95%, 0.36%

LAB 34.56, 22.86, -59.75

 

CMYK 0 / 29 / 72 / 0

HEX #FFB448

RGB 255 180 72

HSL 35.41, 1%, 0.64%

LAB 78.68, 17.78, 63.43

 

CMYK 0 / 22 / 64 / 0

HEX #FFC65B

RGB 255 198 91

HSL 39.15, 1%, 0.68%

LAB 83.13, 9.42, 59.93

 

CMYK 0 / 15 / 57 / 0

HEX #FFD86E

RGB 255 216 110

HSL 43.86, 1%, 0.72%

LAB 87.73, 1.43, 56.47

 

CMYK 0 / 8 / 49 / 0

HEX #FFEA81

RGB 255 234 129

HSL 50, 1%, 0.75%

LAB 92.44, -6.14, 53.16

 

CMYK 0 / 1 / 42 / 0

HEX #FFFC94

RGB 255 252 148

HSL 58.32, 1%, 0.79%

LAB 97.24, -13.27, 50.01

 

CMYK 0 / 28 / 69 / 2

HEX #FAB44D

RGB 250 180 77

HSL 35.72, 0.95%, 0.64%

LAB 78.17, 15.95, 60.61

 

CMYK 0 / 30 / 75 / 9

HEX #E9A23A

RGB 233 162 58

HSL 35.66, 0.8%, 0.57%

LAB 71.87, 17.43, 61.57

 

CMYK 0 / 33 / 82 / 15

HEX #D89027

RGB 216 144 39

HSL 35.59, 0.69%, 0.5%

LAB 65.51, 19.13, 62.05

 

CMYK 0 / 37 / 90 / 22

HEX #C77E14

RGB 199 126 20

HSL 35.53, 0.82%, 0.43%

LAB 59.08, 21.07, 61.58

 

CMYK 0 / 41 / 99 / 29

HEX #B66C01

RGB 182 108 1

HSL 35.47, 0.99%, 0.36%

LAB 52.59, 23.26, 59.8

 

CMYK 0 / 28 / 70 / 2

HEX #FAB44C

RGB 250 180 76

HSL 35.86, 0.95%, 0.64%

LAB 78.16, 15.9, 61.03

 

CMYK 0 / 47 / 70 / 2

HEX #FA854C

RGB 250 133 76

HSL 19.66, 0.95%, 0.64%

LAB 67.74, 40.29, 49.81

 

CMYK 0 / 66 / 70 / 2

HEX #FA564C

RGB 250 86 76

HSL 3.45, 0.95%, 0.64%

LAB 59.44, 61.8, 40.36

 

CMYK 0 / 70 / 70 / 2

HEX #FA4C4C

RGB 250 76 76

HSL 0, 0.95%, 0.64%

LAB 58.05, 65.58, 38.73

 

CMYK 0 / 28 / 70 / 2

HEX #FAB44C

RGB 250 180 76

HSL 35.86, 0.95%, 0.64%

LAB 78.16, 15.9, 61.03

 

CMYK 0 / 9 / 70 / 2

HEX #FAE34C

RGB 250 227 76

HSL 52.07, 0.95%, 0.64%

LAB 89.76, -8.23, 72.84

 

CMYK 9 / 0 / 70 / 2

HEX #E3FA4C

RGB 227 250 76

HSL 67.93, 0.95%, 0.64%

LAB 93.98, -28.69, 76.41

 

CMYK 28 / 0 / 70 / 2

HEX #B4FA4C

RGB 180 250 76

HSL 84.14, 0.95%, 0.64%

LAB 91.05, -46.52, 72.52

 

CMYK 47 / 0 / 70 / 2

HEX #85FA4C

RGB 133 250 76

HSL 100.34, 0.95%, 0.64%

LAB 88.87, -61.84, 69.6

 

CMYK 0 / 28 / 70 / 2

HEX #FAB44C

RGB 250 180 76

HSL 35.86, 0.95%, 0.64%

LAB 78.16, 15.9, 61.03

 

CMYK 0 / 28 / 70 / 2

HEX #FAB44C

RGB 250 180 76

HSL 35.86, 0.95%, 0.64%

LAB 78.16, 15.9, 61.03

 

CMYK 0 / 25 / 61 / 7

HEX #ECB15B

RGB 236 177 91

HSL 35.59, 0.79%, 0.64%

LAB 76.09, 12.53, 51.5

 

CMYK 0 / 21 / 52 / 13

HEX #DDAE6A

RGB 221 174 106

HSL 35.48, 0.63%, 0.64%

LAB 73.99, 9.06, 41.2

 

CMYK 0 / 17 / 41 / 19

HEX #CEAB79

RGB 206 171 121

HSL 35.29, 0.46%, 0.64%

LAB 71.98, 6, 30.51

 

CMYK 0 / 12 / 29 / 25

HEX #BFA887

RGB 191 168 135

HSL 35.36, 0.3%, 0.64%

LAB 70.06, 3.33, 20.14

 

CMYK 0 / 66 / 70 / 2

HEX #FA554C

RGB 250 85 76

HSL 3.1, 0.95%, 0.64%

LAB 59.29, 62.2, 40.19

 

CMYK 0 / 48 / 70 / 2

HEX #FA834C

RGB 250 131 76

HSL 18.97, 0.95%, 0.64%

LAB 67.34, 41.29, 49.36

 

CMYK 0 / 29 / 70 / 2

HEX #FAB24C

RGB 250 178 76

HSL 35.17, 0.95%, 0.64%

LAB 77.69, 16.95, 60.54

 

CMYK 0 / 10 / 70 / 2

HEX #FAE04C

RGB 250 224 76

HSL 51.03, 0.95%, 0.64%

LAB 89, -6.73, 72.08

 

CMYK 8 / 0 / 70 / 2

HEX #E6FA4C

RGB 230 250 76

HSL 66.9, 0.95%, 0.64%

LAB 94.19, -27.5, 76.69

 

CMYK 0 / 39 / 97 / 7

HEX #EE9006

RGB 238 144 6

HSL 35.69, 0.95%, 0.48%

LAB 68.12, 27.87, 72.72

 

CMYK 0 / 35 / 86 / 2

HEX #F9A324

RGB 249 163 36

HSL 35.77, 0.95%, 0.56%

LAB 73.84, 22.94, 71.59

 

CMYK 0 / 28 / 70 / 2

HEX #FAB44C

RGB 250 180 76

HSL 35.86, 0.95%, 0.64%

LAB 78.16, 15.9, 61.03

 

CMYK 0 / 22 / 54 / 2

HEX #FBC574

RGB 251 197 116

HSL 36, 0.94%, 0.72%

LAB 82.76, 10.06, 47.61

 

CMYK 0 / 15 / 38 / 1

HEX #FCD69C

RGB 252 214 156

HSL 36.25, 0.94%, 0.8%

LAB 87.58, 5.5, 33.58

 

CMYK 0 / 28 / 69 / 2

HEX #FAB44D

RGB 250 180 77

HSL 35.72, 0.95%, 0.64%

LAB 78.17, 15.95, 60.61

 

CMYK 54 / 0 / 70 / 2

HEX #72FA4C

RGB 114 250 76

HSL 106.9, 0.95%, 0.64%

LAB 88.19, -66.98, 68.69

 

CMYK 57 / 70 / 0 / 2

HEX #6C4CFA

RGB 108 76 250

HSL 251.03, 0.95%, 0.64%

LAB 45.99, 57.49, -82.21

 

CMYK 0 / 28 / 69 / 2

HEX #FAB44D

RGB 250 180 77

HSL 35.72, 0.95%, 0.64%

LAB 78.17, 15.95, 60.61

 

CMYK 70 / 0 / 29 / 2

HEX #4CFAB2

RGB 76 250 178

HSL 155.17, 0.95%, 0.64%

LAB 88.51, -60.18, 22.02

 

CMYK 29 / 70 / 0 / 2

HEX #B24CFA

RGB 178 76 250

HSL 275.17, 0.95%, 0.64%

LAB 53.53, 69.28, -69.6

 

CMYK 0 / 28 / 69 / 2

HEX #FAB44D

RGB 250 180 77

HSL 35.72, 0.95%, 0.64%

LAB 78.17, 15.95, 60.61

 

CMYK 54 / 0 / 70 / 2

HEX #72FA4C

RGB 114 250 76

HSL 106.9, 0.95%, 0.64%

LAB 88.19, -66.98, 68.69

 

CMYK 70 / 40 / 0 / 2

HEX #4C95FA

RGB 76 149 250

HSL 214.83, 0.95%, 0.64%

LAB 61.6, 9.64, -57.05

 

CMYK 15 / 70 / 0 / 2

HEX #D54CFA

RGB 213 76 250

HSL 287.24, 0.95%, 0.64%

LAB 58.24, 76.16, -61.76

 

CMYK 0 / 28 / 69 / 2

HEX #FAB44D

RGB 250 180 77

HSL 35.72, 0.95%, 0.64%

LAB 78.17, 15.95, 60.61

 

CMYK 70 / 0 / 64 / 2

HEX #4CFA5B

RGB 76 250 91

HSL 125.17, 0.95%, 0.64%

LAB 87.32, -73.63, 61.72

 

CMYK 70 / 40 / 0 / 2

HEX #4C95FA

RGB 76 149 250

HSL 214.83, 0.95%, 0.64%

LAB 61.6, 9.64, -57.05

 

CMYK 0 / 70 / 6 / 2

HEX #FA4CEC

RGB 250 76 236

HSL 304.83, 0.95%, 0.64%

LAB 62.97, 81.63, -46.13

 

Description

Color code: HEX #FAB44D | qconv.com Color code: HEX #FAB44D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 180 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 180 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 69 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 69% 2% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

64% - | 우체국예금우체국보험
Link: http://www.epostbank.go.kr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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