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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAB2C84C it is the complementary color #054D374C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAB2C84C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAB2C84C shade: #FFB2C34C, #FFC4D64C, #FFD6E94C, #FFE8FC4C and #FFFAFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAB2C84C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAB2C84C shade: #FAB2C84C, #E9A0B54C, #D88EA24C, #C77C8F4C and #B66A7C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAB2C84C shade: #FAB2C8, #FAB2B5 and #FAB2B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAB2C84C shade: #FAB2C8, #FAB2DC, #FAB2EF, #F2B2FA and #DFB2FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAB2C84C shade matches the following richer shades: #FAB2C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAB2C84C shade: #FAB2C8, #F4B9CB, #EDBFCD, #E6C6D0 and #E0CDD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAB2C84C shade: #FAB2EF, #FAB2DC, #FAB2C9, #FAB2B6 and #FAC2B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAB2C84C shade: #F56591, #F88CAD, #FAB2C8, #FDD9E4 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAB2C84C shade: #FAB2C8, #FAF2B2 and #B2E6FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAB2C84C shade: #FAB2C8, #C9FAB2 and #B2C9FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAB2C84C shade: #FAB2C8, #FAF2B2, #B2FAE3 and #B2BBFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAB2C84C shade: #FAB2C8, #EDFAB2, #B2FAE3 and #BFB2FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 6 / 1

HEX #FAB2C84C

RGBA 250 178 200 0.3

HSLA 341.67, 0.88%, 0.84%, 0.3

LABA 79.8, 29.3, -0.64, 0.3

 

Complementary color

CMYK 28 / 0 / 9 / 21

HEX #054D374C

RGBA 5 77 55 0.3

HSLA 161.67, 0.88%, 0.16%, 0.3

LABA 28.42, -26.63, 7.34, 0.3

 

CMYK 0 / 9 / 7 / 0

HEX #FFB2C34C

RGBA 255 178 195 0.3

HSLA 346.75, 1%, 0.85%, 0.3

LABA 80.2, 30.35, 2.71, 0.3

 

CMYK 0 / 7 / 5 / 0

HEX #FFC4D64C

RGBA 255 196 214 0.3

HSLA 341.69, 1%, 0.88%, 0.3

LABA 84.79, 23.7, -0.81, 0.3

 

CMYK 0 / 5 / 3 / 0

HEX #FFD6E94C

RGBA 255 214 233 0.3

HSLA 332.2, 1%, 0.92%, 0.3

LABA 89.5, 17.32, -3.97, 0.3

 

CMYK 0 / 3 / 0 / 0

HEX #FFE8FC4C

RGBA 255 232 252 0.3

HSLA 307.83, 1%, 0.95%, 0.3

LABA 94.31, 11.22, -6.82, 0.3

 

CMYK 0 / 1 / 0 / 0

HEX #FFFAFF4C

RGBA 255 250 255 0.3

HSLA 300, 1%, 0.99%, 0.3

LABA 98.77, 2.53, -1.81, 0.3

 

CMYK 0 / 9 / 6 / 1

HEX #FAB2C84C

RGBA 250 178 200 0.3

HSLA 341.67, 0.88%, 0.84%, 0.3

LABA 79.8, 29.3, -0.64, 0.3

 

CMYK 0 / 9 / 7 / 3

HEX #E9A0B54C

RGBA 233 160 181 0.3

HSLA 342.74, 0.62%, 0.77%, 0.3

LABA 73.42, 30.01, 0.19, 0.3

 

CMYK 0 / 10 / 8 / 5

HEX #D88EA24C

RGBA 216 142 162 0.3

HSLA 343.78, 0.49%, 0.7%, 0.3

LABA 66.94, 30.79, 1.1, 0.3

 

CMYK 0 / 11 / 8 / 7

HEX #C77C8F4C

RGBA 199 124 143 0.3

HSLA 344.8, 0.4%, 0.63%, 0.3

LABA 60.37, 31.62, 2.1, 0.3

 

CMYK 0 / 13 / 10 / 9

HEX #B66A7C4C

RGBA 182 106 124 0.3

HSLA 345.79, 0.34%, 0.56%, 0.3

LABA 53.72, 32.52, 3.24, 0.3

 

CMYK 0 / 29 / 20 / 2

HEX #FAB2C8

RGB 250 178 200

HSL 341.67, 0.88%, 0.84%

LAB 79.8, 29.3, -0.64

 

CMYK 0 / 29 / 28 / 2

HEX #FAB2B5

RGB 250 178 181

HSL 357.5, 0.88%, 0.84%

LAB 79.33, 26.62, 8.96

 

CMYK 0 / 29 / 29 / 2

HEX #FAB2B2

RGB 250 178 178

HSL 0, 0.88%, 0.84%

LAB 79.26, 26.23, 10.49

 

CMYK 0 / 29 / 20 / 2

HEX #FAB2C8

RGB 250 178 200

HSL 341.67, 0.88%, 0.84%

LAB 79.8, 29.3, -0.64

 

CMYK 0 / 29 / 12 / 2

HEX #FAB2DC

RGB 250 178 220

HSL 325, 0.88%, 0.84%

LAB 80.37, 32.4, -10.62

 

CMYK 0 / 29 / 4 / 2

HEX #FAB2EF

RGB 250 178 239

HSL 309.17, 0.88%, 0.84%

LAB 80.96, 35.59, -19.97

 

CMYK 3 / 29 / 0 / 2

HEX #F2B2FA

RGB 242 178 250

HSL 293.33, 0.88%, 0.84%

LAB 80.53, 35.02, -26.6

 

CMYK 11 / 29 / 0 / 2

HEX #DFB2FA

RGB 223 178 250

HSL 277.5, 0.88%, 0.84%

LAB 78.71, 29.1, -29.54

 

CMYK 0 / 29 / 20 / 2

HEX #FAB2C8

RGB 250 178 200

HSL 341.67, 0.88%, 0.84%

LAB 79.8, 29.3, -0.64

 

CMYK 0 / 29 / 20 / 2

HEX #FAB2C8

RGB 250 178 200

HSL 341.67, 0.88%, 0.84%

LAB 79.8, 29.3, -0.64

 

CMYK 0 / 24 / 17 / 4

HEX #F4B9CB

RGB 244 185 203

HSL 341.69, 0.73%, 0.84%

LAB 80.87, 23.94, -0.77

 

CMYK 0 / 19 / 14 / 7

HEX #EDBFCD

RGB 237 191 205

HSL 341.74, 0.56%, 0.84%

LAB 81.66, 18.6, -0.77

 

CMYK 0 / 14 / 10 / 10

HEX #E6C6D0

RGB 230 198 208

HSL 341.25, 0.39%, 0.84%

LAB 82.79, 12.92, -0.81

 

CMYK 0 / 8 / 6 / 12

HEX #E0CDD3

RGB 224 205 211

HSL 341.05, 0.23%, 0.84%

LAB 84.08, 7.63, -0.59

 

CMYK 0 / 29 / 4 / 2

HEX #FAB2EF

RGB 250 178 239

HSL 309.17, 0.88%, 0.84%

LAB 80.96, 35.59, -19.97

 

CMYK 0 / 29 / 12 / 2

HEX #FAB2DC

RGB 250 178 220

HSL 325, 0.88%, 0.84%

LAB 80.37, 32.4, -10.62

 

CMYK 0 / 29 / 20 / 2

HEX #FAB2C9

RGB 250 178 201

HSL 340.83, 0.88%, 0.84%

LAB 79.83, 29.45, -1.14

 

CMYK 0 / 29 / 27 / 2

HEX #FAB2B6

RGB 250 178 182

HSL 356.67, 0.88%, 0.84%

LAB 79.35, 26.76, 8.46

 

CMYK 0 / 22 / 29 / 2

HEX #FAC2B2

RGB 250 194 178

HSL 13.33, 0.88%, 0.84%

LAB 82.98, 17.81, 15.75

 

CMYK 0 / 59 / 41 / 4

HEX #F56591

RGB 245 101 145

HSL 341.67, 0.88%, 0.68%

LAB 62.31, 59.03, 4.54

 

CMYK 0 / 44 / 30 / 3

HEX #F88CAD

RGB 248 140 173

HSL 341.67, 0.89%, 0.76%

LAB 70.68, 44.61, 0.86

 

CMYK 0 / 29 / 20 / 2

HEX #FAB2C8

RGB 250 178 200

HSL 341.67, 0.88%, 0.84%

LAB 79.8, 29.3, -0.64

 

CMYK 0 / 14 / 10 / 1

HEX #FDD9E4

RGB 253 217 228

HSL 341.67, 0.9%, 0.92%

LAB 89.91, 14.24, -0.76

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 29 / 20 / 2

HEX #FAB2C8

RGB 250 178 200

HSL 341.67, 0.88%, 0.84%

LAB 79.8, 29.3, -0.64

 

CMYK 0 / 3 / 29 / 2

HEX #FAF2B2

RGB 250 242 178

HSL 53.33, 0.88%, 0.84%

LAB 94.76, -6.87, 31.92

 

CMYK 29 / 8 / 0 / 2

HEX #B2E6FA

RGB 178 230 250

HSL 196.67, 0.88%, 0.84%

LAB 88.43, -12.08, -15.1

 

CMYK 0 / 29 / 20 / 2

HEX #FAB2C8

RGB 250 178 200

HSL 341.67, 0.88%, 0.84%

LAB 79.8, 29.3, -0.64

 

CMYK 20 / 0 / 29 / 2

HEX #C9FAB2

RGB 201 250 178

HSL 100.83, 0.88%, 0.84%

LAB 93.45, -28.32, 29.58

 

CMYK 29 / 20 / 0 / 2

HEX #B2C9FA

RGB 178 201 250

HSL 220.83, 0.88%, 0.84%

LAB 80.82, 3.1, -26.63

 

CMYK 0 / 29 / 20 / 2

HEX #FAB2C8

RGB 250 178 200

HSL 341.67, 0.88%, 0.84%

LAB 79.8, 29.3, -0.64

 

CMYK 0 / 3 / 29 / 2

HEX #FAF2B2

RGB 250 242 178

HSL 53.33, 0.88%, 0.84%

LAB 94.76, -6.87, 31.92

 

CMYK 29 / 0 / 9 / 2

HEX #B2FAE3

RGB 178 250 227

HSL 160.83, 0.88%, 0.84%

LAB 93.18, -26.93, 3.9

 

CMYK 29 / 25 / 0 / 2

HEX #B2BBFA

RGB 178 187 250

HSL 232.5, 0.88%, 0.84%

LAB 77.23, 10.7, -32.14

 

CMYK 0 / 29 / 20 / 2

HEX #FAB2C8

RGB 250 178 200

HSL 341.67, 0.88%, 0.84%

LAB 79.8, 29.3, -0.64

 

CMYK 5 / 0 / 29 / 2

HEX #EDFAB2

RGB 237 250 178

HSL 70.83, 0.88%, 0.84%

LAB 95.83, -15.61, 33.19

 

CMYK 29 / 0 / 9 / 2

HEX #B2FAE3

RGB 178 250 227

HSL 160.83, 0.88%, 0.84%

LAB 93.18, -26.93, 3.9

 

CMYK 24 / 29 / 0 / 2

HEX #BFB2FA

RGB 191 178 250

HSL 250.83, 0.88%, 0.84%

LAB 75.96, 19.43, -34.01

 

Description

Color code: HEX #FAB2C84C | qconv.com Color code: HEX #FAB2C84C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 178 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 178 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 6 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 6% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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