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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAAF49 it is the complementary color #0550B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAAF49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAAF49 shade: #FFAF44, #FFC157, #FFD36A, #FFE57D and #FFF790

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAAF49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAAF49 shade: #FAAF49, #E99D36, #D88B23, #C77910 and #B66700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAAF49 shade: #FAAE47, #FA7E47, #FA4E47 and #FA4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAAF49 shade: #FAAE47, #FADF47, #E6FA47, #B5FA47 and #85FA47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAAF49 shade matches the following richer shades: #FAAE47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAAF49 shade: #FAAE47, #EBAC56, #DCAA66, #CCA775 and #BDA584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAAF49 shade: #FA4D47, #FA7D47, #FAAD47, #FADC47 and #E8FA47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAAF49 shade: #E98906, #F99D1F, #FAAE47, #FBC06F and #FCD297

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAAF49 shade: #FAAF49, #71FA47 and #6547FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAAF49 shade: #FAAF49, #47FAAD and #AD47FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAAF49 shade: #FAAF49, #71FA47, #4795FA and #D047FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAAF49 shade: #FAAF49, #47FA53, #4795FA and #FA47EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 71 / 2

HEX #FAAF49

RGB 250 175 73

HSL 34.58, 0.95%, 0.63%

LAB 76.96, 18.37, 61.07

 

Complementary color

CMYK 97 / 56 / 0 / 29

HEX #0550B6

RGB 5 80 182

HSL 214.58, 0.95%, 0.37%

LAB 36.27, 21.11, -59.33

 

CMYK 0 / 31 / 73 / 0

HEX #FFAF44

RGB 255 175 68

HSL 34.33, 1%, 0.63%

LAB 77.48, 20.21, 63.88

 

CMYK 0 / 24 / 66 / 0

HEX #FFC157

RGB 255 193 87

HSL 37.86, 1%, 0.67%

LAB 81.89, 11.78, 60.35

 

CMYK 0 / 17 / 58 / 0

HEX #FFD36A

RGB 255 211 106

HSL 42.28, 1%, 0.71%

LAB 86.45, 3.7, 56.85

 

CMYK 0 / 10 / 51 / 0

HEX #FFE57D

RGB 255 229 125

HSL 48, 1%, 0.75%

LAB 91.13, -3.97, 53.48

 

CMYK 0 / 3 / 44 / 0

HEX #FFF790

RGB 255 247 144

HSL 55.68, 1%, 0.78%

LAB 95.91, -11.21, 50.28

 

CMYK 0 / 30 / 71 / 2

HEX #FAAF49

RGB 250 175 73

HSL 34.58, 0.95%, 0.63%

LAB 76.96, 18.37, 61.07

 

CMYK 0 / 33 / 77 / 9

HEX #E99D36

RGB 233 157 54

HSL 34.53, 0.8%, 0.56%

LAB 70.67, 19.93, 61.99

 

CMYK 0 / 36 / 84 / 15

HEX #D88B23

RGB 216 139 35

HSL 34.48, 0.72%, 0.49%

LAB 64.31, 21.71, 62.36

 

CMYK 0 / 39 / 92 / 22

HEX #C77910

RGB 199 121 16

HSL 34.43, 0.85%, 0.42%

LAB 57.9, 23.73, 61.63

 

CMYK 0 / 43 / 100 / 29

HEX #B66700

RGB 182 103 0

HSL 33.96, 1%, 0.36%

LAB 51.43, 25.99, 59.27

 

CMYK 0 / 30 / 72 / 2

HEX #FAAE47

RGB 250 174 71

HSL 34.53, 0.95%, 0.63%

LAB 76.71, 18.8, 61.67

 

CMYK 0 / 50 / 72 / 2

HEX #FA7E47

RGB 250 126 71

HSL 18.44, 0.95%, 0.63%

LAB 66.29, 43.53, 50.69

 

CMYK 0 / 69 / 72 / 2

HEX #FA4E47

RGB 250 78 71

HSL 2.35, 0.95%, 0.63%

LAB 58.25, 64.63, 41.74

 

CMYK 0 / 72 / 72 / 2

HEX #FA4747

RGB 250 71 71

HSL 0, 0.95%, 0.63%

LAB 57.35, 67.11, 40.71

 

CMYK 0 / 30 / 72 / 2

HEX #FAAE47

RGB 250 174 71

HSL 34.53, 0.95%, 0.63%

LAB 76.71, 18.8, 61.67

 

CMYK 0 / 11 / 72 / 2

HEX #FADF47

RGB 250 223 71

HSL 50.95, 0.95%, 0.63%

LAB 88.71, -6.47, 73.63

 

CMYK 8 / 0 / 72 / 2

HEX #E6FA47

RGB 230 250 71

HSL 66.7, 0.95%, 0.63%

LAB 94.16, -27.74, 78.35

 

CMYK 28 / 0 / 72 / 2

HEX #B5FA47

RGB 181 250 71

HSL 83.13, 0.95%, 0.63%

LAB 91.08, -46.45, 74.29

 

CMYK 47 / 0 / 72 / 2

HEX #85FA47

RGB 133 250 71

HSL 99.22, 0.95%, 0.63%

LAB 88.83, -62.18, 71.31

 

CMYK 0 / 30 / 72 / 2

HEX #FAAE47

RGB 250 174 71

HSL 34.53, 0.95%, 0.63%

LAB 76.71, 18.8, 61.67

 

CMYK 0 / 30 / 72 / 2

HEX #FAAE47

RGB 250 174 71

HSL 34.53, 0.95%, 0.63%

LAB 76.71, 18.8, 61.67

 

CMYK 0 / 27 / 63 / 8

HEX #EBAC56

RGB 235 172 86

HSL 34.63, 0.79%, 0.63%

LAB 74.72, 14.44, 52.29

 

CMYK 0 / 23 / 54 / 14

HEX #DCAA66

RGB 220 170 102

HSL 34.58, 0.63%, 0.63%

LAB 72.84, 10.44, 41.8

 

CMYK 0 / 18 / 43 / 20

HEX #CCA775

RGB 204 167 117

HSL 34.48, 0.46%, 0.63%

LAB 70.7, 6.9, 30.93

 

CMYK 0 / 13 / 30 / 26

HEX #BDA584

RGB 189 165 132

HSL 34.74, 0.3%, 0.63%

LAB 69.04, 3.75, 20.35

 

CMYK 0 / 69 / 72 / 2

HEX #FA4D47

RGB 250 77 71

HSL 2.01, 0.95%, 0.63%

LAB 58.12, 65, 41.59

 

CMYK 0 / 50 / 72 / 2

HEX #FA7D47

RGB 250 125 71

HSL 18.1, 0.95%, 0.63%

LAB 66.09, 44.03, 50.48

 

CMYK 0 / 31 / 72 / 2

HEX #FAAD47

RGB 250 173 71

HSL 34.19, 0.95%, 0.63%

LAB 76.48, 19.32, 61.43

 

CMYK 0 / 12 / 72 / 2

HEX #FADC47

RGB 250 220 71

HSL 49.94, 0.95%, 0.63%

LAB 87.95, -4.96, 72.89

 

CMYK 7 / 0 / 72 / 2

HEX #E8FA47

RGB 232 250 71

HSL 66.03, 0.95%, 0.63%

LAB 94.3, -26.94, 78.53

 

CMYK 0 / 41 / 97 / 9

HEX #E98906

RGB 233 137 6

HSL 34.63, 0.95%, 0.47%

LAB 65.93, 29.46, 70.96

 

CMYK 0 / 37 / 88 / 2

HEX #F99D1F

RGB 249 157 31

HSL 34.68, 0.95%, 0.55%

LAB 72.46, 25.98, 71.84

 

CMYK 0 / 30 / 72 / 2

HEX #FAAE47

RGB 250 174 71

HSL 34.53, 0.95%, 0.63%

LAB 76.71, 18.8, 61.67

 

CMYK 0 / 24 / 56 / 2

HEX #FBC06F

RGB 251 192 111

HSL 34.71, 0.95%, 0.71%

LAB 81.49, 12.27, 48.53

 

CMYK 0 / 17 / 40 / 1

HEX #FCD297

RGB 252 210 151

HSL 35.05, 0.94%, 0.79%

LAB 86.52, 7.01, 34.74

 

CMYK 0 / 30 / 71 / 2

HEX #FAAF49

RGB 250 175 73

HSL 34.58, 0.95%, 0.63%

LAB 76.96, 18.37, 61.07

 

CMYK 55 / 0 / 72 / 2

HEX #71FA47

RGB 113 250 71

HSL 105.92, 0.95%, 0.63%

LAB 88.13, -67.6, 70.38

 

CMYK 60 / 72 / 0 / 2

HEX #6547FA

RGB 101 71 250

HSL 250.06, 0.95%, 0.63%

LAB 44.48, 59.12, -84.7

 

CMYK 0 / 30 / 71 / 2

HEX #FAAF49

RGB 250 175 73

HSL 34.58, 0.95%, 0.63%

LAB 76.96, 18.37, 61.07

 

CMYK 72 / 0 / 31 / 2

HEX #47FAAD

RGB 71 250 173

HSL 154.19, 0.95%, 0.63%

LAB 88.32, -61.9, 24.3

 

CMYK 31 / 72 / 0 / 2

HEX #AD47FA

RGB 173 71 250

HSL 274.19, 0.95%, 0.63%

LAB 52.17, 70.41, -71.84

 

CMYK 0 / 30 / 71 / 2

HEX #FAAF49

RGB 250 175 73

HSL 34.58, 0.95%, 0.63%

LAB 76.96, 18.37, 61.07

 

CMYK 55 / 0 / 72 / 2

HEX #71FA47

RGB 113 250 71

HSL 105.92, 0.95%, 0.63%

LAB 88.13, -67.6, 70.38

 

CMYK 72 / 40 / 0 / 2

HEX #4795FA

RGB 71 149 250

HSL 213.85, 0.95%, 0.63%

LAB 61.43, 8.96, -57.33

 

CMYK 17 / 72 / 0 / 2

HEX #D047FA

RGB 208 71 250

HSL 285.92, 0.95%, 0.63%

LAB 56.9, 76.98, -63.96

 

CMYK 0 / 30 / 71 / 2

HEX #FAAF49

RGB 250 175 73

HSL 34.58, 0.95%, 0.63%

LAB 76.96, 18.37, 61.07

 

CMYK 72 / 0 / 67 / 2

HEX #47FA53

RGB 71 250 83

HSL 124.02, 0.95%, 0.63%

LAB 87.16, -75.2, 64.67

 

CMYK 72 / 40 / 0 / 2

HEX #4795FA

RGB 71 149 250

HSL 213.85, 0.95%, 0.63%

LAB 61.43, 8.96, -57.33

 

CMYK 0 / 72 / 5 / 2

HEX #FA47EE

RGB 250 71 238

HSL 304.02, 0.95%, 0.63%

LAB 62.51, 83.51, -47.97

 

Description

Color code: HEX #FAAF49 | qconv.com Color code: HEX #FAAF49 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 175 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 175 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 71 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 71% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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