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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAAEB53F it is the complementary color #05514A3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAAEB53F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAAEB53F shade: #FFAEB03F, #FFC0C33F, #FFD2D63F, #FFE4E93F and #FFF6FC3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAAEB53F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAAEB53F shade: #FAAEB53F, #E99CA23F, #D88A8F3F, #C7787C3F and #B666693F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAAEB53F shade: #FAAEB5 and #FAAEAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAAEB53F shade: #FAAEB5, #FAAEC9, #FAAEDE, #FAAEF2 and #EDAEFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAAEB53F shade matches the following richer shades: #FAAEB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAAEB53F shade: #FAAEB5, #F3B5BA, #ECBCC0, #E5C3C6 and #DECACB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAAEB53F shade: #FAAEDE, #FAAEC9, #FAAEB5, #FABAAE and #FACFAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAAEB53F shade: #F5606E, #F78791, #FAAEB5, #FCD4D8 and #FFFBFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAAEB53F shade: #FAAEB5, #F2FAAE and #AED4FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAAEB53F shade: #FAAEB5, #B5FAAE and #AEB5FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAAEB53F shade: #FAAEB5, #F2FAAE, #AEFAF2 and #B5AEFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAAEB53F shade: #FAAEB5, #DBFAAE, #AEFAF2 and #CCAEFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 7 / 0

HEX #FAAEB53F

RGBA 250 174 181 0.25

HSLA 354.47, 0.88%, 0.83%, 0.25

LABA 78.42, 28.73, 7.67, 0.25

 

Complementary color

CMYK 23 / 0 / 2 / 17

HEX #05514A3F

RGBA 5 81 74 0.25

HSLA 174.47, 0.88%, 0.17%, 0.25

LABA 30.43, -22.78, -1.91, 0.25

 

CMYK 0 / 8 / 8 / 0

HEX #FFAEB03F

RGBA 255 174 176 0.25

HSLA 358.52, 1%, 0.84%, 0.25

LABA 78.85, 29.9, 11.06, 0.25

 

CMYK 0 / 6 / 6 / 0

HEX #FFC0C33F

RGBA 255 192 195 0.25

HSLA 357.14, 1%, 0.88%, 0.25

LABA 83.39, 23, 7.32, 0.25

 

CMYK 0 / 4 / 4 / 0

HEX #FFD2D63F

RGBA 255 210 214 0.25

HSLA 354.67, 1%, 0.91%, 0.25

LABA 88.07, 16.37, 3.96, 0.25

 

CMYK 0 / 3 / 2 / 0

HEX #FFE4E93F

RGBA 255 228 233 0.25

HSLA 348.89, 1%, 0.95%, 0.25

LABA 92.85, 10.05, 0.94, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF6FC3F

RGBA 255 246 252 0.25

HSLA 320, 1%, 0.98%, 0.25

LABA 97.71, 4.04, -1.81, 0.25

 

CMYK 0 / 8 / 7 / 0

HEX #FAAEB53F

RGBA 250 174 181 0.25

HSLA 354.47, 0.88%, 0.83%, 0.25

LABA 78.42, 28.73, 7.67, 0.25

 

CMYK 0 / 8 / 8 / 2

HEX #E99CA23F

RGBA 233 156 162 0.25

HSLA 355.32, 0.64%, 0.76%, 0.25

LABA 72.03, 29.52, 8.69, 0.25

 

CMYK 0 / 9 / 8 / 4

HEX #D88A8F3F

RGBA 216 138 143 0.25

HSLA 356.15, 0.5%, 0.69%, 0.25

LABA 65.56, 30.38, 9.81, 0.25

 

CMYK 0 / 10 / 9 / 5

HEX #C7787C3F

RGBA 199 120 124 0.25

HSLA 356.96, 0.41%, 0.63%, 0.25

LABA 59, 31.33, 11.07, 0.25

 

CMYK 0 / 11 / 11 / 7

HEX #B666693F

RGBA 182 102 105 0.25

HSLA 357.75, 0.35%, 0.56%, 0.25

LABA 52.36, 32.36, 12.52, 0.25

 

CMYK 0 / 30 / 28 / 2

HEX #FAAEB5

RGB 250 174 181

HSL 354.47, 0.88%, 0.83%

LAB 78.42, 28.73, 7.67

 

CMYK 0 / 30 / 30 / 2

HEX #FAAEAE

RGB 250 174 174

HSL 0, 0.88%, 0.83%

LAB 78.26, 27.81, 11.23

 

CMYK 0 / 30 / 28 / 2

HEX #FAAEB5

RGB 250 174 181

HSL 354.47, 0.88%, 0.83%

LAB 78.42, 28.73, 7.67

 

CMYK 0 / 30 / 20 / 2

HEX #FAAEC9

RGB 250 174 201

HSL 338.68, 0.88%, 0.83%

LAB 78.93, 31.55, -2.45

 

CMYK 0 / 30 / 11 / 2

HEX #FAAEDE

RGB 250 174 222

HSL 322.11, 0.88%, 0.83%

LAB 79.54, 34.82, -12.94

 

CMYK 0 / 30 / 3 / 2

HEX #FAAEF2

RGB 250 174 242

HSL 306.32, 0.88%, 0.83%

LAB 80.18, 38.21, -22.75

 

CMYK 5 / 30 / 0 / 2

HEX #EDAEFA

RGB 237 174 250

HSL 289.74, 0.88%, 0.83%

LAB 79.14, 35.58, -28.76

 

CMYK 0 / 30 / 28 / 2

HEX #FAAEB5

RGB 250 174 181

HSL 354.47, 0.88%, 0.83%

LAB 78.42, 28.73, 7.67

 

CMYK 0 / 30 / 28 / 2

HEX #FAAEB5

RGB 250 174 181

HSL 354.47, 0.88%, 0.83%

LAB 78.42, 28.73, 7.67

 

CMYK 0 / 26 / 23 / 5

HEX #F3B5BA

RGB 243 181 186

HSL 355.16, 0.72%, 0.83%

LAB 79.41, 23.18, 6.28

 

CMYK 0 / 20 / 19 / 7

HEX #ECBCC0

RGB 236 188 192

HSL 355, 0.56%, 0.83%

LAB 80.52, 17.81, 4.55

 

CMYK 0 / 15 / 14 / 10

HEX #E5C3C6

RGB 229 195 198

HSL 354.71, 0.4%, 0.83%

LAB 81.71, 12.52, 2.97

 

CMYK 0 / 9 / 9 / 13

HEX #DECACB

RGB 222 202 203

HSL 357, 0.23%, 0.83%

LAB 82.96, 7.15, 2.03

 

CMYK 0 / 30 / 11 / 2

HEX #FAAEDE

RGB 250 174 222

HSL 322.11, 0.88%, 0.83%

LAB 79.54, 34.82, -12.94

 

CMYK 0 / 30 / 20 / 2

HEX #FAAEC9

RGB 250 174 201

HSL 338.68, 0.88%, 0.83%

LAB 78.93, 31.55, -2.45

 

CMYK 0 / 30 / 28 / 2

HEX #FAAEB5

RGB 250 174 181

HSL 354.47, 0.88%, 0.83%

LAB 78.42, 28.73, 7.67

 

CMYK 0 / 26 / 30 / 2

HEX #FABAAE

RGB 250 186 174

HSL 9.47, 0.88%, 0.83%

LAB 81.01, 21.5, 15.13

 

CMYK 0 / 17 / 30 / 2

HEX #FACFAE

RGB 250 207 174

HSL 26.05, 0.88%, 0.83%

LAB 86.01, 10.5, 22.08

 

CMYK 0 / 61 / 55 / 4

HEX #F5606E

RGB 245 96 110

HSL 354.36, 0.88%, 0.67%

LAB 60.7, 58.11, 22.52

 

CMYK 0 / 45 / 41 / 3

HEX #F78791

RGB 247 135 145

HSL 354.64, 0.88%, 0.75%

LAB 68.86, 43.52, 13.9

 

CMYK 0 / 30 / 28 / 2

HEX #FAAEB5

RGB 250 174 181

HSL 354.47, 0.88%, 0.83%

LAB 78.42, 28.73, 7.67

 

CMYK 0 / 16 / 14 / 1

HEX #FCD4D8

RGB 252 212 216

HSL 354, 0.87%, 0.91%

LAB 88.32, 14.58, 3.24

 

CMYK 0 / 2 / 2 / 0

HEX #FFFBFB

RGB 255 251 251

HSL 0, 1%, 0.99%

LAB 98.91, 1.33, 0.46

 

CMYK 0 / 30 / 28 / 2

HEX #FAAEB5

RGB 250 174 181

HSL 354.47, 0.88%, 0.83%

LAB 78.42, 28.73, 7.67

 

CMYK 3 / 0 / 30 / 2

HEX #F2FAAE

RGB 242 250 174

HSL 66.32, 0.88%, 0.83%

LAB 96.12, -14.28, 35.65

 

CMYK 30 / 15 / 0 / 2

HEX #AED4FA

RGB 174 212 250

HSL 210, 0.88%, 0.83%

LAB 83.44, -3.89, -22.66

 

CMYK 0 / 30 / 28 / 2

HEX #FAAEB5

RGB 250 174 181

HSL 354.47, 0.88%, 0.83%

LAB 78.42, 28.73, 7.67

 

CMYK 28 / 0 / 30 / 2

HEX #B5FAAE

RGB 181 250 174

HSL 114.47, 0.88%, 0.83%

LAB 92.24, -35.56, 29.78

 

CMYK 30 / 28 / 0 / 2

HEX #AEB5FA

RGB 174 181 250

HSL 234.47, 0.88%, 0.83%

LAB 75.42, 12.87, -34.95

 

CMYK 0 / 30 / 28 / 2

HEX #FAAEB5

RGB 250 174 181

HSL 354.47, 0.88%, 0.83%

LAB 78.42, 28.73, 7.67

 

CMYK 3 / 0 / 30 / 2

HEX #F2FAAE

RGB 242 250 174

HSL 66.32, 0.88%, 0.83%

LAB 96.12, -14.28, 35.65

 

CMYK 30 / 0 / 3 / 2

HEX #AEFAF2

RGB 174 250 242

HSL 173.68, 0.88%, 0.83%

LAB 93.36, -24.9, -3.64

 

CMYK 28 / 30 / 0 / 2

HEX #B5AEFA

RGB 181 174 250

HSL 245.53, 0.88%, 0.83%

LAB 74.19, 18.74, -36.81

 

CMYK 0 / 30 / 28 / 2

HEX #FAAEB5

RGB 250 174 181

HSL 354.47, 0.88%, 0.83%

LAB 78.42, 28.73, 7.67

 

CMYK 12 / 0 / 30 / 2

HEX #DBFAAE

RGB 219 250 174

HSL 84.47, 0.88%, 0.83%

LAB 94.52, -22.62, 33.23

 

CMYK 30 / 0 / 3 / 2

HEX #AEFAF2

RGB 174 250 242

HSL 173.68, 0.88%, 0.83%

LAB 93.36, -24.9, -3.64

 

CMYK 18 / 30 / 0 / 2

HEX #CCAEFA

RGB 204 174 250

HSL 263.68, 0.88%, 0.83%

LAB 76.08, 25.49, -33.74

 

Description

Color code: HEX #FAAEB53F | qconv.com Color code: HEX #FAAEB53F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 174 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 174 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 7 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 7% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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