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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAAC79 it is the complementary color #055386. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAAC79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAAC79 shade: #FFAC74, #FFBE87, #FFD09A, #FFE2AD and #FFF4C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAAC79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAAC79 shade: #FAAC79, #E99A66, #D88853, #C77640 and #B6642D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAAC79 shade: #FAAD7A, #FA8A7A and #FA7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAAC79 shade: #FAAD7A, #FACF7A, #FAF27A, #E0FA7A and #BDFA7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAAC79 shade matches the following richer shades: #FAAD7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAAC79 shade: #FAAD7A, #EFAF85, #E4B190, #D9B49C and #CEB6A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAAC79 shade: #FA7A8D, #FA897A, #FAAB7A, #FACD7A and #FAF07A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAAC79 shade: #F77B2A, #F99452, #FAAD7A, #FCC5A2 and #FDDECA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAAC79 shade: #FAAC79, #AFFA7A and #7A7CFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAAC79 shade: #FAAC79, #7AFAAB and #AB7AFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAAC79 shade: #FAAC79, #AFFA7A, #7AC9FA and #C57AFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAAC79 shade: #FAAC79, #89FA7A, #7AC9FA and #EB7AFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 52 / 2

HEX #FAAC79

RGB 250 172 121

HSL 23.72, 0.93%, 0.73%

LAB 76.81, 23.17, 37.65

 

Complementary color

CMYK 96 / 38 / 0 / 47

HEX #055386

RGB 5 83 134

HSL 203.72, 0.93%, 0.27%

LAB 33.86, -0.84, -34.34

 

CMYK 0 / 33 / 55 / 0

HEX #FFAC74

RGB 255 172 116

HSL 24.17, 1%, 0.73%

LAB 77.3, 24.73, 40.98

 

CMYK 0 / 25 / 47 / 0

HEX #FFBE87

RGB 255 190 135

HSL 27.5, 1%, 0.76%

LAB 81.75, 16.97, 36.82

 

CMYK 0 / 18 / 40 / 0

HEX #FFD09A

RGB 255 208 154

HSL 32.08, 1%, 0.8%

LAB 86.36, 9.54, 33.04

 

CMYK 0 / 11 / 32 / 0

HEX #FFE2AD

RGB 255 226 173

HSL 38.78, 1%, 0.84%

LAB 91.08, 2.47, 29.6

 

CMYK 0 / 4 / 25 / 0

HEX #FFF4C0

RGB 255 244 192

HSL 49.52, 1%, 0.88%

LAB 95.9, -4.21, 26.44

 

CMYK 0 / 31 / 52 / 2

HEX #FAAC79

RGB 250 172 121

HSL 23.72, 0.93%, 0.73%

LAB 76.81, 23.17, 37.65

 

CMYK 0 / 34 / 56 / 9

HEX #E99A66

RGB 233 154 102

HSL 23.82, 0.75%, 0.66%

LAB 70.45, 24.31, 39.18

 

CMYK 0 / 37 / 62 / 15

HEX #D88853

RGB 216 136 83

HSL 23.91, 0.63%, 0.59%

LAB 64.02, 25.61, 40.82

 

CMYK 0 / 41 / 68 / 22

HEX #C77640

RGB 199 118 64

HSL 24, 0.55%, 0.52%

LAB 57.53, 27.08, 42.54

 

CMYK 0 / 45 / 75 / 29

HEX #B6642D

RGB 182 100 45

HSL 24.09, 0.6%, 0.45%

LAB 50.98, 28.74, 44.26

 

CMYK 0 / 31 / 51 / 2

HEX #FAAD7A

RGB 250 173 122

HSL 23.91, 0.93%, 0.73%

LAB 77.05, 22.73, 37.44

 

CMYK 0 / 45 / 51 / 2

HEX #FA8A7A

RGB 250 138 122

HSL 7.5, 0.93%, 0.73%

LAB 69.4, 40.89, 27.49

 

CMYK 0 / 51 / 51 / 2

HEX #FA7A7A

RGB 250 122 122

HSL 0, 0.93%, 0.73%

LAB 66.25, 48.82, 23.28

 

CMYK 0 / 31 / 51 / 2

HEX #FAAD7A

RGB 250 173 122

HSL 23.91, 0.93%, 0.73%

LAB 77.05, 22.73, 37.44

 

CMYK 0 / 17 / 51 / 2

HEX #FACF7A

RGB 250 207 122

HSL 39.84, 0.93%, 0.73%

LAB 85.18, 4.97, 47.59

 

CMYK 0 / 3 / 51 / 2

HEX #FAF27A

RGB 250 242 122

HSL 56.25, 0.93%, 0.73%

LAB 93.98, -12.67, 58.16

 

CMYK 10 / 0 / 51 / 2

HEX #E0FA7A

RGB 224 250 122

HSL 72.19, 0.93%, 0.73%

LAB 94.15, -26.64, 57.88

 

CMYK 24 / 0 / 51 / 2

HEX #BDFA7A

RGB 189 250 122

HSL 88.59, 0.93%, 0.73%

LAB 91.95, -39.55, 54.73

 

CMYK 0 / 31 / 51 / 2

HEX #FAAD7A

RGB 250 173 122

HSL 23.91, 0.93%, 0.73%

LAB 77.05, 22.73, 37.44

 

CMYK 0 / 31 / 51 / 2

HEX #FAAD7A

RGB 250 173 122

HSL 23.91, 0.93%, 0.73%

LAB 77.05, 22.73, 37.44

 

CMYK 0 / 27 / 44 / 6

HEX #EFAF85

RGB 239 175 133

HSL 23.77, 0.77%, 0.73%

LAB 76.5, 18.36, 30.7

 

CMYK 0 / 22 / 37 / 11

HEX #E4B190

RGB 228 177 144

HSL 23.57, 0.61%, 0.73%

LAB 76.04, 14.18, 24.01

 

CMYK 0 / 17 / 28 / 15

HEX #D9B49C

RGB 217 180 156

HSL 23.61, 0.45%, 0.73%

LAB 75.94, 9.83, 17.24

 

CMYK 0 / 12 / 19 / 19

HEX #CEB6A7

RGB 206 182 167

HSL 23.08, 0.28%, 0.73%

LAB 75.68, 6.17, 10.77

 

CMYK 0 / 51 / 44 / 2

HEX #FA7A8D

RGB 250 122 141

HSL 351.09, 0.93%, 0.73%

LAB 66.65, 50.57, 13.11

 

CMYK 0 / 45 / 51 / 2

HEX #FA897A

RGB 250 137 122

HSL 7.03, 0.93%, 0.73%

LAB 69.2, 41.4, 27.22

 

CMYK 0 / 32 / 51 / 2

HEX #FAAB7A

RGB 250 171 122

HSL 22.97, 0.93%, 0.73%

LAB 76.59, 23.78, 36.85

 

CMYK 0 / 18 / 51 / 2

HEX #FACD7A

RGB 250 205 122

HSL 38.91, 0.93%, 0.73%

LAB 84.69, 6, 46.99

 

CMYK 0 / 4 / 51 / 2

HEX #FAF07A

RGB 250 240 122

HSL 55.31, 0.93%, 0.73%

LAB 93.47, -11.68, 57.56

 

CMYK 0 / 50 / 83 / 3

HEX #F77B2A

RGB 247 123 42

HSL 23.71, 0.93%, 0.57%

LAB 65.05, 42.82, 62.15

 

CMYK 0 / 41 / 67 / 2

HEX #F99452

RGB 249 148 82

HSL 23.71, 0.93%, 0.65%

LAB 70.82, 32.55, 50.26

 

CMYK 0 / 31 / 51 / 2

HEX #FAAD7A

RGB 250 173 122

HSL 23.91, 0.93%, 0.73%

LAB 77.05, 22.73, 37.44

 

CMYK 0 / 22 / 36 / 1

HEX #FCC5A2

RGB 252 197 162

HSL 23.33, 0.94%, 0.81%

LAB 83.57, 15.01, 25.07

 

CMYK 0 / 12 / 20 / 1

HEX #FDDECA

RGB 253 222 202

HSL 23.53, 0.93%, 0.89%

LAB 90.5, 7.64, 13.73

 

CMYK 0 / 31 / 52 / 2

HEX #FAAC79

RGB 250 172 121

HSL 23.72, 0.93%, 0.73%

LAB 76.81, 23.17, 37.65

 

CMYK 30 / 0 / 51 / 2

HEX #AFFA7A

RGB 175 250 122

HSL 95.16, 0.93%, 0.73%

LAB 91.18, -44.39, 53.62

 

CMYK 51 / 50 / 0 / 2

HEX #7A7CFA

RGB 122 124 250

HSL 239.06, 0.93%, 0.73%

LAB 57.52, 32.72, -63.44

 

CMYK 0 / 31 / 52 / 2

HEX #FAAC79

RGB 250 172 121

HSL 23.72, 0.93%, 0.73%

LAB 76.81, 23.17, 37.65

 

CMYK 51 / 0 / 32 / 2

HEX #7AFAAB

RGB 122 250 171

HSL 142.97, 0.93%, 0.73%

LAB 89.6, -52.74, 27.28

 

CMYK 32 / 51 / 0 / 2

HEX #AB7AFA

RGB 171 122 250

HSL 262.97, 0.93%, 0.73%

LAB 61.2, 45.05, -57.31

 

CMYK 0 / 31 / 52 / 2

HEX #FAAC79

RGB 250 172 121

HSL 23.72, 0.93%, 0.73%

LAB 76.81, 23.17, 37.65

 

CMYK 30 / 0 / 51 / 2

HEX #AFFA7A

RGB 175 250 122

HSL 95.16, 0.93%, 0.73%

LAB 91.18, -44.39, 53.62

 

CMYK 51 / 20 / 0 / 2

HEX #7AC9FA

RGB 122 201 250

HSL 202.97, 0.93%, 0.73%

LAB 77.76, -11.12, -31.57

 

CMYK 21 / 51 / 0 / 2

HEX #C57AFA

RGB 197 122 250

HSL 275.16, 0.93%, 0.73%

LAB 63.91, 51.62, -52.84

 

CMYK 0 / 31 / 52 / 2

HEX #FAAC79

RGB 250 172 121

HSL 23.72, 0.93%, 0.73%

LAB 76.81, 23.17, 37.65

 

CMYK 45 / 0 / 51 / 2

HEX #89FA7A

RGB 137 250 122

HSL 112.97, 0.93%, 0.73%

LAB 89.44, -56.26, 51.1

 

CMYK 51 / 20 / 0 / 2

HEX #7AC9FA

RGB 122 201 250

HSL 202.97, 0.93%, 0.73%

LAB 77.76, -11.12, -31.57

 

CMYK 6 / 51 / 0 / 2

HEX #EB7AFA

RGB 235 122 250

HSL 292.97, 0.93%, 0.73%

LAB 68.38, 61.57, -45.49

 

Description

Color code: HEX #FAAC79 | qconv.com Color code: HEX #FAAC79 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 172 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 172 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 52 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 52% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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