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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAAC3F it is the complementary color #0553C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAAC3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAAC3F shade: #FFAC3A, #FFBE4D, #FFD060, #FFE273 and #FFF486

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAAC3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAAC3F shade: #FAAC3F, #E99A2C, #D88819, #C77606 and #B66400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAAC3F shade: #FAAB3D, #FA783D, #FA453D and #FA3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAAC3F shade: #FAAB3D, #FADE3D, #E3FA3D, #B0FA3D and #7DFA3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAAC3F shade matches the following richer shades: #FAAB3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAAC3F shade: #FAAB3D, #EAA94D, #DAA65D, #CAA36D and #BAA17D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAAC3F shade: #FA433D, #FA763D, #FAA83D, #FADB3D and #E7FA3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAAC3F shade: #DF8406, #F99A15, #FAAB3D, #FBBD65 and #FCCE8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAAC3F shade: #FAAC3F, #69FA3D and #5D3DFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAAC3F shade: #FAAC3F, #3DFAA8 and #A83DFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAAC3F shade: #FAAC3F, #69FA3D, #3D8FFA and #CE3DFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAAC3F shade: #FAAC3F, #3DFA4A, #3D8FFA and #FA3DED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 75 / 2

HEX #FAAC3F

RGB 250 172 63

HSL 34.97, 0.95%, 0.61%

LAB 76.18, 19.5, 64.44

 

Complementary color

CMYK 97 / 57 / 0 / 25

HEX #0553C0

RGB 5 83 192

HSL 214.97, 0.95%, 0.39%

LAB 37.89, 23.15, -62.55

 

CMYK 0 / 33 / 77 / 0

HEX #FFAC3A

RGB 255 172 58

HSL 34.72, 1%, 0.61%

LAB 76.72, 21.38, 67.09

 

CMYK 0 / 25 / 70 / 0

HEX #FFBE4D

RGB 255 190 77

HSL 38.09, 1%, 0.65%

LAB 81.08, 12.81, 63.81

 

CMYK 0 / 18 / 62 / 0

HEX #FFD060

RGB 255 208 96

HSL 42.26, 1%, 0.69%

LAB 85.61, 4.57, 60.44

 

CMYK 0 / 11 / 55 / 0

HEX #FFE273

RGB 255 226 115

HSL 47.57, 1%, 0.73%

LAB 90.27, -3.26, 57.13

 

CMYK 0 / 4 / 47 / 0

HEX #FFF486

RGB 255 244 134

HSL 54.55, 1%, 0.76%

LAB 95.03, -10.66, 53.94

 

CMYK 0 / 31 / 75 / 2

HEX #FAAC3F

RGB 250 172 63

HSL 34.97, 0.95%, 0.61%

LAB 76.18, 19.5, 64.44

 

CMYK 0 / 34 / 81 / 9

HEX #E99A2C

RGB 233 154 44

HSL 34.92, 0.81%, 0.54%

LAB 69.91, 21.18, 64.99

 

CMYK 0 / 37 / 88 / 15

HEX #D88819

RGB 216 136 25

HSL 34.87, 0.79%, 0.47%

LAB 63.57, 23.08, 64.7

 

CMYK 0 / 41 / 97 / 22

HEX #C77606

RGB 199 118 6

HSL 34.82, 0.94%, 0.4%

LAB 57.18, 25.23, 62.99

 

CMYK 0 / 45 / 100 / 29

HEX #B66400

RGB 182 100 0

HSL 32.97, 1%, 0.36%

LAB 50.76, 27.62, 58.85

 

CMYK 0 / 32 / 76 / 2

HEX #FAAB3D

RGB 250 171 61

HSL 34.92, 0.95%, 0.61%

LAB 75.94, 19.94, 64.99

 

CMYK 0 / 52 / 76 / 2

HEX #FA783D

RGB 250 120 61

HSL 18.73, 0.95%, 0.61%

LAB 65.04, 46.04, 54.18

 

CMYK 0 / 72 / 76 / 2

HEX #FA453D

RGB 250 69 61

HSL 2.54, 0.95%, 0.61%

LAB 56.99, 67.4, 45.77

 

CMYK 0 / 76 / 76 / 2

HEX #FA3D3D

RGB 250 61 61

HSL 0, 0.95%, 0.61%

LAB 56.09, 69.93, 44.79

 

CMYK 0 / 32 / 76 / 2

HEX #FAAB3D

RGB 250 171 61

HSL 34.92, 0.95%, 0.61%

LAB 75.94, 19.94, 64.99

 

CMYK 0 / 11 / 76 / 2

HEX #FADE3D

RGB 250 222 61

HSL 51.11, 0.95%, 0.61%

LAB 88.4, -6.38, 76.74

 

CMYK 9 / 0 / 76 / 2

HEX #E3FA3D

RGB 227 250 61

HSL 67.3, 0.95%, 0.61%

LAB 93.9, -29.37, 81.13

 

CMYK 30 / 0 / 76 / 2

HEX #B0FA3D

RGB 176 250 61

HSL 83.49, 0.95%, 0.61%

LAB 90.75, -48.77, 77.06

 

CMYK 50 / 0 / 76 / 2

HEX #7DFA3D

RGB 125 250 61

HSL 99.68, 0.95%, 0.61%

LAB 88.48, -65.07, 74.1

 

CMYK 0 / 32 / 76 / 2

HEX #FAAB3D

RGB 250 171 61

HSL 34.92, 0.95%, 0.61%

LAB 75.94, 19.94, 64.99

 

CMYK 0 / 32 / 76 / 2

HEX #FAAB3D

RGB 250 171 61

HSL 34.92, 0.95%, 0.61%

LAB 75.94, 19.94, 64.99

 

CMYK 0 / 28 / 67 / 8

HEX #EAA94D

RGB 234 169 77

HSL 35.16, 0.79%, 0.61%

LAB 73.81, 15.07, 55.43

 

CMYK 0 / 24 / 57 / 15

HEX #DAA65D

RGB 218 166 93

HSL 35.04, 0.63%, 0.61%

LAB 71.53, 11.02, 44.72

 

CMYK 0 / 19 / 46 / 21

HEX #CAA36D

RGB 202 163 109

HSL 34.84, 0.47%, 0.61%

LAB 69.37, 7.41, 33.42

 

CMYK 0 / 13 / 33 / 27

HEX #BAA17D

RGB 186 161 125

HSL 35.41, 0.31%, 0.61%

LAB 67.58, 3.81, 22.15

 

CMYK 0 / 73 / 76 / 2

HEX #FA433D

RGB 250 67 61

HSL 1.9, 0.95%, 0.61%

LAB 56.76, 68.05, 45.52

 

CMYK 0 / 53 / 76 / 2

HEX #FA763D

RGB 250 118 61

HSL 18.1, 0.95%, 0.61%

LAB 64.66, 47.01, 53.79

 

CMYK 0 / 33 / 76 / 2

HEX #FAA83D

RGB 250 168 61

HSL 33.97, 0.95%, 0.61%

LAB 75.24, 21.51, 64.31

 

CMYK 0 / 12 / 76 / 2

HEX #FADB3D

RGB 250 219 61

HSL 50.16, 0.95%, 0.61%

LAB 87.64, -4.87, 76.04

 

CMYK 8 / 0 / 76 / 2

HEX #E7FA3D

RGB 231 250 61

HSL 66.03, 0.95%, 0.61%

LAB 94.18, -27.77, 81.49

 

CMYK 0 / 41 / 97 / 13

HEX #DF8406

RGB 223 132 6

HSL 34.84, 0.95%, 0.45%

LAB 63.51, 27.92, 68.73

 

CMYK 0 / 38 / 92 / 2

HEX #F99A15

RGB 249 154 21

HSL 35, 0.95%, 0.53%

LAB 71.76, 27.37, 73.58

 

CMYK 0 / 32 / 76 / 2

HEX #FAAB3D

RGB 250 171 61

HSL 34.92, 0.95%, 0.61%

LAB 75.94, 19.94, 64.99

 

CMYK 0 / 25 / 60 / 2

HEX #FBBD65

RGB 251 189 101

HSL 35.2, 0.95%, 0.69%

LAB 80.65, 13.1, 52.39

 

CMYK 0 / 18 / 44 / 1

HEX #FCCE8E

RGB 252 206 142

HSL 34.91, 0.95%, 0.77%

LAB 85.4, 8.15, 37.89

 

CMYK 0 / 31 / 75 / 2

HEX #FAAC3F

RGB 250 172 63

HSL 34.97, 0.95%, 0.61%

LAB 76.18, 19.5, 64.44

 

CMYK 58 / 0 / 76 / 2

HEX #69FA3D

RGB 105 250 61

HSL 106.03, 0.95%, 0.61%

LAB 87.83, -70.2, 73.25

 

CMYK 63 / 76 / 0 / 2

HEX #5D3DFA

RGB 93 61 250

HSL 250.16, 0.95%, 0.61%

LAB 42.1, 63.1, -88.65

 

CMYK 0 / 31 / 75 / 2

HEX #FAAC3F

RGB 250 172 63

HSL 34.97, 0.95%, 0.61%

LAB 76.18, 19.5, 64.44

 

CMYK 76 / 0 / 33 / 2

HEX #3DFAA8

RGB 61 250 168

HSL 153.97, 0.95%, 0.61%

LAB 88.06, -64.17, 26.46

 

CMYK 33 / 76 / 0 / 2

HEX #A83DFA

RGB 168 61 250

HSL 273.97, 0.95%, 0.61%

LAB 50.17, 73.4, -75.11

 

CMYK 0 / 31 / 75 / 2

HEX #FAAC3F

RGB 250 172 63

HSL 34.97, 0.95%, 0.61%

LAB 76.18, 19.5, 64.44

 

CMYK 58 / 0 / 76 / 2

HEX #69FA3D

RGB 105 250 61

HSL 106.03, 0.95%, 0.61%

LAB 87.83, -70.2, 73.25

 

CMYK 76 / 43 / 0 / 2

HEX #3D8FFA

RGB 61 143 250

HSL 213.97, 0.95%, 0.61%

LAB 59.47, 11.31, -60.47

 

CMYK 18 / 76 / 0 / 2

HEX #CE3DFA

RGB 206 61 250

HSL 286.03, 0.95%, 0.61%

LAB 55.44, 79.95, -66.32

 

CMYK 0 / 31 / 75 / 2

HEX #FAAC3F

RGB 250 172 63

HSL 34.97, 0.95%, 0.61%

LAB 76.18, 19.5, 64.44

 

CMYK 76 / 0 / 70 / 2

HEX #3DFA4A

RGB 61 250 74

HSL 124.13, 0.95%, 0.61%

LAB 86.93, -77.43, 67.71

 

CMYK 76 / 43 / 0 / 2

HEX #3D8FFA

RGB 61 143 250

HSL 213.97, 0.95%, 0.61%

LAB 59.47, 11.31, -60.47

 

CMYK 0 / 76 / 5 / 2

HEX #FA3DED

RGB 250 61 237

HSL 304.13, 0.95%, 0.61%

LAB 61.46, 86.23, -49.07

 

Description

Color code: HEX #FAAC3F | qconv.com Color code: HEX #FAAC3F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 172 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 172 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 75 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 75% 2% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

60% - ぷらり
Link: https://kanko.rs-cloud.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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