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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAAB81 it is the complementary color #05547E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAAB81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAAB81 shade: #FFAB7C, #FFBD8F, #FFCFA2, #FFE1B5 and #FFF3C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAAB81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAAB81 shade: #FAAB81, #E9996E, #D8875B, #C77548 and #B66335

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAAB81 shade: #FAAA80, #FA8980 and #FA8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAAB81 shade: #FAAA80, #FACB80, #FAEC80, #E7FA80 and #C6FA80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAAB81 shade matches the following richer shades: #FAAA80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAAB81 shade: #FAAA80, #EFAD8A, #E4B195, #DAB4A0 and #CFB7AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAAB81 shade: #FA8098, #FA8880, #FAA880, #FAC980 and #FAE980

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAAB81 shade: #F67530, #F89058, #FAAA80, #FBC4A7 and #FDDFCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAAB81 shade: #FAAB81, #B9FA80 and #8088FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAAB81 shade: #FAAB81, #80FAA8 and #A880FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAAB81 shade: #FAAB81, #B9FA80, #80D1FA and #C180FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAAB81 shade: #FAAB81, #94FA80, #80D1FA and #E580FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 48 / 2

HEX #FAAB81

RGB 250 171 129

HSL 20.83, 0.92%, 0.74%

LAB 76.7, 24.41, 33.31

 

Complementary color

CMYK 96 / 33 / 0 / 51

HEX #05547E

RGB 5 84 126

HSL 200.83, 0.92%, 0.26%

LAB 33.73, -4.78, -29.61

 

CMYK 0 / 33 / 51 / 0

HEX #FFAB7C

RGB 255 171 124

HSL 21.53, 1%, 0.74%

LAB 77.19, 25.92, 36.68

 

CMYK 0 / 26 / 44 / 0

HEX #FFBD8F

RGB 255 189 143

HSL 24.64, 1%, 0.78%

LAB 81.64, 18.28, 32.52

 

CMYK 0 / 19 / 36 / 0

HEX #FFCFA2

RGB 255 207 162

HSL 29.03, 1%, 0.82%

LAB 86.25, 10.95, 28.76

 

CMYK 0 / 12 / 29 / 0

HEX #FFE1B5

RGB 255 225 181

HSL 35.68, 1%, 0.85%

LAB 90.98, 3.97, 25.34

 

CMYK 0 / 5 / 22 / 0

HEX #FFF3C8

RGB 255 243 200

HSL 46.91, 1%, 0.89%

LAB 95.8, -2.62, 22.22

 

CMYK 0 / 32 / 48 / 2

HEX #FAAB81

RGB 250 171 129

HSL 20.83, 0.92%, 0.74%

LAB 76.7, 24.41, 33.31

 

CMYK 0 / 34 / 53 / 9

HEX #E9996E

RGB 233 153 110

HSL 20.98, 0.74%, 0.67%

LAB 70.34, 25.5, 34.81

 

CMYK 0 / 38 / 58 / 15

HEX #D8875B

RGB 216 135 91

HSL 21.12, 0.62%, 0.6%

LAB 63.9, 26.73, 36.44

 

CMYK 0 / 41 / 64 / 22

HEX #C77548

RGB 199 117 72

HSL 21.26, 0.53%, 0.53%

LAB 57.4, 28.11, 38.21

 

CMYK 0 / 46 / 71 / 29

HEX #B66335

RGB 182 99 53

HSL 21.4, 0.55%, 0.46%

LAB 50.83, 29.68, 40.09

 

CMYK 0 / 32 / 49 / 2

HEX #FAAA80

RGB 250 170 128

HSL 20.66, 0.92%, 0.74%

LAB 76.46, 24.84, 33.52

 

CMYK 0 / 45 / 49 / 2

HEX #FA8980

RGB 250 137 128

HSL 4.43, 0.92%, 0.74%

LAB 69.31, 41.93, 24.05

 

CMYK 0 / 49 / 49 / 2

HEX #FA8080

RGB 250 128 128

HSL 0, 0.92%, 0.74%

LAB 67.52, 46.42, 21.63

 

CMYK 0 / 32 / 49 / 2

HEX #FAAA80

RGB 250 170 128

HSL 20.66, 0.92%, 0.74%

LAB 76.46, 24.84, 33.52

 

CMYK 0 / 19 / 49 / 2

HEX #FACB80

RGB 250 203 128

HSL 36.89, 0.92%, 0.74%

LAB 84.27, 7.57, 43.5

 

CMYK 0 / 6 / 49 / 2

HEX #FAEC80

RGB 250 236 128

HSL 53.11, 0.92%, 0.74%

LAB 92.52, -9.2, 53.63

 

CMYK 8 / 0 / 49 / 2

HEX #E7FA80

RGB 231 250 128

HSL 69.34, 0.92%, 0.74%

LAB 94.7, -23.42, 55.91

 

CMYK 21 / 0 / 49 / 2

HEX #C6FA80

RGB 198 250 128

HSL 85.57, 0.92%, 0.74%

LAB 92.55, -35.71, 52.8

 

CMYK 0 / 32 / 49 / 2

HEX #FAAA80

RGB 250 170 128

HSL 20.66, 0.92%, 0.74%

LAB 76.46, 24.84, 33.52

 

CMYK 0 / 32 / 49 / 2

HEX #FAAA80

RGB 250 170 128

HSL 20.66, 0.92%, 0.74%

LAB 76.46, 24.84, 33.52

 

CMYK 0 / 28 / 42 / 6

HEX #EFAD8A

RGB 239 173 138

HSL 20.79, 0.76%, 0.74%

LAB 76.11, 19.94, 27.52

 

CMYK 0 / 22 / 35 / 11

HEX #E4B195

RGB 228 177 149

HSL 21.27, 0.59%, 0.74%

LAB 76.14, 14.77, 21.45

 

CMYK 0 / 17 / 27 / 15

HEX #DAB4A0

RGB 218 180 160

HSL 20.69, 0.44%, 0.74%

LAB 76.12, 10.76, 15.35

 

CMYK 0 / 12 / 17 / 19

HEX #CFB7AB

RGB 207 183 171

HSL 20, 0.27%, 0.74%

LAB 76.11, 6.63, 9.23

 

CMYK 0 / 49 / 39 / 2

HEX #FA8098

RGB 250 128 152

HSL 348.2, 0.92%, 0.74%

LAB 68.04, 48.8, 8.87

 

CMYK 0 / 46 / 49 / 2

HEX #FA8880

RGB 250 136 128

HSL 3.93, 0.92%, 0.74%

LAB 69.11, 42.43, 23.78

 

CMYK 0 / 33 / 49 / 2

HEX #FAA880

RGB 250 168 128

HSL 19.67, 0.92%, 0.74%

LAB 76, 25.89, 32.92

 

CMYK 0 / 20 / 49 / 2

HEX #FAC980

RGB 250 201 128

HSL 35.9, 0.92%, 0.74%

LAB 83.79, 8.6, 42.89

 

CMYK 0 / 7 / 49 / 2

HEX #FAE980

RGB 250 233 128

HSL 51.64, 0.92%, 0.74%

LAB 91.76, -7.71, 52.71

 

CMYK 0 / 52 / 80 / 4

HEX #F67530

RGB 246 117 48

HSL 20.91, 0.92%, 0.58%

LAB 63.78, 45.54, 58.56

 

CMYK 0 / 42 / 65 / 3

HEX #F89058

RGB 248 144 88

HSL 21, 0.92%, 0.66%

LAB 69.9, 34.57, 46.18

 

CMYK 0 / 32 / 49 / 2

HEX #FAAA80

RGB 250 170 128

HSL 20.66, 0.92%, 0.74%

LAB 76.46, 24.84, 33.52

 

CMYK 0 / 22 / 33 / 2

HEX #FBC4A7

RGB 251 196 167

HSL 20.71, 0.91%, 0.82%

LAB 83.33, 15.75, 22.09

 

CMYK 0 / 12 / 18 / 1

HEX #FDDFCF

RGB 253 223 207

HSL 20.87, 0.92%, 0.9%

LAB 90.85, 7.86, 11.62

 

CMYK 0 / 32 / 48 / 2

HEX #FAAB81

RGB 250 171 129

HSL 20.83, 0.92%, 0.74%

LAB 76.7, 24.41, 33.31

 

CMYK 26 / 0 / 49 / 2

HEX #B9FA80

RGB 185 250 128

HSL 91.97, 0.92%, 0.74%

LAB 91.79, -40.31, 51.71

 

CMYK 49 / 46 / 0 / 2

HEX #8088FA

RGB 128 136 250

HSL 236.07, 0.92%, 0.74%

LAB 60.87, 26.92, -58.05

 

CMYK 0 / 32 / 48 / 2

HEX #FAAB81

RGB 250 171 129

HSL 20.83, 0.92%, 0.74%

LAB 76.7, 24.41, 33.31

 

CMYK 49 / 0 / 33 / 2

HEX #80FAA8

RGB 128 250 168

HSL 139.67, 0.92%, 0.74%

LAB 89.76, -51.82, 29.05

 

CMYK 33 / 49 / 0 / 2

HEX #A880FA

RGB 168 128 250

HSL 259.67, 0.92%, 0.74%

LAB 62.22, 41, -55.7

 

CMYK 0 / 32 / 48 / 2

HEX #FAAB81

RGB 250 171 129

HSL 20.83, 0.92%, 0.74%

LAB 76.7, 24.41, 33.31

 

CMYK 26 / 0 / 49 / 2

HEX #B9FA80

RGB 185 250 128

HSL 91.97, 0.92%, 0.74%

LAB 91.79, -40.31, 51.71

 

CMYK 49 / 16 / 0 / 2

HEX #80D1FA

RGB 128 209 250

HSL 200.16, 0.92%, 0.74%

LAB 80.23, -13.99, -27.76

 

CMYK 23 / 49 / 0 / 2

HEX #C180FA

RGB 193 128 250

HSL 271.97, 0.92%, 0.74%

LAB 64.71, 47.42, -51.6

 

CMYK 0 / 32 / 48 / 2

HEX #FAAB81

RGB 250 171 129

HSL 20.83, 0.92%, 0.74%

LAB 76.7, 24.41, 33.31

 

CMYK 41 / 0 / 49 / 2

HEX #94FA80

RGB 148 250 128

HSL 110.16, 0.92%, 0.74%

LAB 89.96, -52.32, 49.06

 

CMYK 49 / 16 / 0 / 2

HEX #80D1FA

RGB 128 209 250

HSL 200.16, 0.92%, 0.74%

LAB 80.23, -13.99, -27.76

 

CMYK 8 / 49 / 0 / 2

HEX #E580FA

RGB 229 128 250

HSL 289.67, 0.92%, 0.74%

LAB 68.75, 57.05, -44.96

 

Description

Color code: HEX #FAAB81 | qconv.com Color code: HEX #FAAB81 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 171 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 171 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 48 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 48% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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