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Color name
HEX #FAAAB8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAAAB8 it is the complementary color #055547. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAAAB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAAAB8 shade: #FFAAB3, #FFBCC6, #FFCED9, #FFE0EC and #FFF2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAAAB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAAAB8 shade: #FAAAB8, #E998A5, #D88692, #C7747F and #B6626C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAAAB8 shade: #FAA8B7 and #FAA8A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAAAB8 shade: #FAA8B7, #FAA8CD, #FAA8E3, #FAA8F9 and #E5A8FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAAAB8 shade matches the following richer shades: #FAA8B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAAAB8 shade: #FAA8B7, #F3B0BB, #EBB7C0, #E4BFC5 and #DCC6CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAAAB8 shade: #FAA8E3, #FAA8CD, #FAA8B7, #FAAFA8 and #FAC5A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAAAB8 shade: #F55A75, #F88196, #FAA8B7, #FCCFD7 and #FEF6F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAAAB8 shade: #FAAAB8, #F9FAA8 and #A8D8FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAAAB8 shade: #FAAAB8, #B7FAA8 and #A8B7FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAAAB8 shade: #FAAAB8, #F9FAA8, #A8FAEB and #AAA8FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAAAB8 shade: #FAAAB8, #E0FAA8, #A8FAEB and #C2A8FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 26 / 2

HEX #FAAAB8

RGB 250 170 184

HSL 349.5, 0.89%, 0.82%

LAB 77.6, 31.24, 4.85

 

Complementary color

CMYK 94 / 0 / 16 / 67

HEX #055547

RGB 5 85 71

HSL 169.5, 0.89%, 0.18%

LAB 31.77, -25.72, 1.96

 

CMYK 0 / 33 / 30 / 0

HEX #FFAAB3

RGB 255 170 179

HSL 353.65, 1%, 0.83%

LAB 78.03, 32.37, 8.27

 

CMYK 0 / 26 / 22 / 0

HEX #FFBCC6

RGB 255 188 198

HSL 351.04, 1%, 0.87%

LAB 82.54, 25.53, 4.49

 

CMYK 0 / 19 / 15 / 0

HEX #FFCED9

RGB 255 206 217

HSL 346.53, 1%, 0.9%

LAB 87.2, 18.93, 1.11

 

CMYK 0 / 12 / 7 / 0

HEX #FFE0EC

RGB 255 224 236

HSL 336.77, 1%, 0.94%

LAB 91.97, 12.61, -1.93

 

CMYK 0 / 5 / 0 / 0

HEX #FFF2FF

RGB 255 242 255

HSL 300, 1%, 0.97%

LAB 96.81, 6.61, -4.68

 

CMYK 0 / 32 / 26 / 2

HEX #FAAAB8

RGB 250 170 184

HSL 349.5, 0.89%, 0.82%

LAB 77.6, 31.24, 4.85

 

CMYK 0 / 35 / 29 / 9

HEX #E998A5

RGB 233 152 165

HSL 350.37, 0.65%, 0.75%

LAB 71.21, 32.04, 5.85

 

CMYK 0 / 38 / 32 / 15

HEX #D88692

RGB 216 134 146

HSL 351.22, 0.51%, 0.69%

LAB 64.74, 32.9, 6.95

 

CMYK 0 / 42 / 36 / 22

HEX #C7747F

RGB 199 116 127

HSL 352.05, 0.43%, 0.62%

LAB 58.19, 33.84, 8.2

 

CMYK 0 / 46 / 41 / 29

HEX #B6626C

RGB 182 98 108

HSL 352.86, 0.37%, 0.55%

LAB 51.57, 34.85, 9.63

 

CMYK 0 / 33 / 27 / 2

HEX #FAA8B7

RGB 250 168 183

HSL 349.02, 0.89%, 0.82%

LAB 77.13, 32.15, 4.72

 

CMYK 0 / 33 / 33 / 2

HEX #FAA8A8

RGB 250 168 168

HSL 0, 0.89%, 0.82%

LAB 76.77, 30.21, 12.39

 

CMYK 0 / 33 / 27 / 2

HEX #FAA8B7

RGB 250 168 183

HSL 349.02, 0.89%, 0.82%

LAB 77.13, 32.15, 4.72

 

CMYK 0 / 33 / 18 / 2

HEX #FAA8CD

RGB 250 168 205

HSL 332.93, 0.89%, 0.82%

LAB 77.72, 35.3, -6.42

 

CMYK 0 / 33 / 9 / 2

HEX #FAA8E3

RGB 250 168 227

HSL 316.83, 0.89%, 0.82%

LAB 78.39, 38.79, -17.37

 

CMYK 0 / 33 / 0 / 2

HEX #FAA8F9

RGB 250 168 249

HSL 300.73, 0.89%, 0.82%

LAB 79.14, 42.58, -28.12

 

CMYK 8 / 33 / 0 / 2

HEX #E5A8FA

RGB 229 168 250

HSL 284.63, 0.89%, 0.82%

LAB 77.02, 36.31, -32.09

 

CMYK 0 / 33 / 27 / 2

HEX #FAA8B7

RGB 250 168 183

HSL 349.02, 0.89%, 0.82%

LAB 77.13, 32.15, 4.72

 

CMYK 0 / 33 / 27 / 2

HEX #FAA8B7

RGB 250 168 183

HSL 349.02, 0.89%, 0.82%

LAB 77.13, 32.15, 4.72

 

CMYK 0 / 28 / 23 / 5

HEX #F3B0BB

RGB 243 176 187

HSL 350.15, 0.74%, 0.82%

LAB 78.28, 25.97, 4.11

 

CMYK 0 / 22 / 18 / 8

HEX #EBB7C0

RGB 235 183 192

HSL 349.62, 0.57%, 0.82%

LAB 79.23, 20.11, 2.68

 

CMYK 0 / 16 / 14 / 11

HEX #E4BFC5

RGB 228 191 197

HSL 350.27, 0.41%, 0.82%

LAB 80.62, 14.12, 1.91

 

CMYK 0 / 10 / 8 / 14

HEX #DCC6CA

RGB 220 198 202

HSL 349.09, 0.24%, 0.82%

LAB 81.77, 8.39, 0.81

 

CMYK 0 / 33 / 9 / 2

HEX #FAA8E3

RGB 250 168 227

HSL 316.83, 0.89%, 0.82%

LAB 78.39, 38.79, -17.37

 

CMYK 0 / 33 / 18 / 2

HEX #FAA8CD

RGB 250 168 205

HSL 332.93, 0.89%, 0.82%

LAB 77.72, 35.3, -6.42

 

CMYK 0 / 33 / 27 / 2

HEX #FAA8B7

RGB 250 168 183

HSL 349.02, 0.89%, 0.82%

LAB 77.13, 32.15, 4.72

 

CMYK 0 / 30 / 33 / 2

HEX #FAAFA8

RGB 250 175 168

HSL 5.12, 0.89%, 0.82%

LAB 78.35, 26.53, 14.62

 

CMYK 0 / 21 / 33 / 2

HEX #FAC5A8

RGB 250 197 168

HSL 21.22, 0.89%, 0.82%

LAB 83.49, 14.97, 21.76

 

CMYK 0 / 63 / 52 / 4

HEX #F55A75

RGB 245 90 117

HSL 349.55, 0.89%, 0.66%

LAB 59.9, 61.17, 17.38

 

CMYK 0 / 48 / 40 / 3

HEX #F88196

RGB 248 129 150

HSL 349.41, 0.89%, 0.74%

LAB 67.92, 47.4, 9.78

 

CMYK 0 / 33 / 27 / 2

HEX #FAA8B7

RGB 250 168 183

HSL 349.02, 0.89%, 0.82%

LAB 77.13, 32.15, 4.72

 

CMYK 0 / 18 / 15 / 1

HEX #FCCFD7

RGB 252 207 215

HSL 349.33, 0.88%, 0.9%

LAB 87.11, 17.04, 2.01

 

CMYK 0 / 3 / 2 / 0

HEX #FEF6F8

RGB 254 246 248

HSL 345, 0.8%, 0.98%

LAB 97.54, 3.01, -0.02

 

CMYK 0 / 32 / 26 / 2

HEX #FAAAB8

RGB 250 170 184

HSL 349.5, 0.89%, 0.82%

LAB 77.6, 31.24, 4.85

 

CMYK 0 / 0 / 33 / 2

HEX #F9FAA8

RGB 249 250 168

HSL 60.73, 0.89%, 0.82%

LAB 96.55, -12.41, 39.3

 

CMYK 33 / 14 / 0 / 2

HEX #A8D8FA

RGB 168 216 250

HSL 204.88, 0.89%, 0.82%

LAB 84.14, -7.65, -21.62

 

CMYK 0 / 32 / 26 / 2

HEX #FAAAB8

RGB 250 170 184

HSL 349.5, 0.89%, 0.82%

LAB 77.6, 31.24, 4.85

 

CMYK 27 / 0 / 33 / 2

HEX #B7FAA8

RGB 183 250 168

HSL 109.02, 0.89%, 0.82%

LAB 92.25, -35.82, 32.82

 

CMYK 33 / 27 / 0 / 2

HEX #A8B7FA

RGB 168 183 250

HSL 229.02, 0.89%, 0.82%

LAB 75.51, 10.09, -34.84

 

CMYK 0 / 32 / 26 / 2

HEX #FAAAB8

RGB 250 170 184

HSL 349.5, 0.89%, 0.82%

LAB 77.6, 31.24, 4.85

 

CMYK 0 / 0 / 33 / 2

HEX #F9FAA8

RGB 249 250 168

HSL 60.73, 0.89%, 0.82%

LAB 96.55, -12.41, 39.3

 

CMYK 33 / 0 / 6 / 2

HEX #A8FAEB

RGB 168 250 235

HSL 169.02, 0.89%, 0.82%

LAB 92.88, -28.05, -0.74

 

CMYK 32 / 33 / 0 / 2

HEX #AAA8FA

RGB 170 168 250

HSL 241.46, 0.89%, 0.82%

LAB 71.86, 19, -40.5

 

CMYK 0 / 32 / 26 / 2

HEX #FAAAB8

RGB 250 170 184

HSL 349.5, 0.89%, 0.82%

LAB 77.6, 31.24, 4.85

 

CMYK 10 / 0 / 33 / 2

HEX #E0FAA8

RGB 224 250 168

HSL 79.02, 0.89%, 0.82%

LAB 94.76, -21.62, 36.61

 

CMYK 33 / 0 / 6 / 2

HEX #A8FAEB

RGB 168 250 235

HSL 169.02, 0.89%, 0.82%

LAB 92.88, -28.05, -0.74

 

CMYK 22 / 33 / 0 / 2

HEX #C2A8FA

RGB 194 168 250

HSL 259.02, 0.89%, 0.82%

LAB 73.79, 25.83, -37.35

 

Description

Color code: HEX #FAAAB8 | qconv.com Color code: HEX #FAAAB8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 170 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 170 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 26 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 26% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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