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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAA73B it is the complementary color #0558C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAA73B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAA73B shade: #FFA736, #FFB949, #FFCB5C, #FFDD6F and #FFEF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAA73B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAA73B shade: #FAA73B, #E99528, #D88315, #C77102 and #B65F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAA73B shade: #FAA83D, #FA753D, #FA423D and #FA3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAA73B shade: #FAA83D, #FADB3D, #E6FA3D, #B3FA3D and #80FA3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAA73B shade matches the following richer shades: #FAA83D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAA73B shade: #FAA83D, #EAA64D, #DAA45D, #CAA26D and #BA9F7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAA73B shade: #FA403D, #FA733D, #FAA53D, #FAD73D and #EAFA3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAA73B shade: #DF8106, #F99615, #FAA83D, #FBBA65 and #FCCC8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAA73B shade: #FAA73B, #6CFA3D and #593DFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAA73B shade: #FAA73B, #3DFAA5 and #A53DFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAA73B shade: #FAA73B, #6CFA3D, #3D92FA and #CB3DFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAA73B shade: #FAA73B, #3DFA47, #3D92FA and #FA3DF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 76 / 2

HEX #FAA73B

RGB 250 167 59

HSL 33.93, 0.95%, 0.61%

LAB 75, 21.96, 64.87

 

Complementary color

CMYK 97 / 55 / 0 / 23

HEX #0558C4

RGB 5 88 196

HSL 213.93, 0.95%, 0.39%

LAB 39.58, 21.43, -62.13

 

CMYK 0 / 35 / 79 / 0

HEX #FFA736

RGB 255 167 54

HSL 33.73, 1%, 0.61%

LAB 75.55, 23.85, 67.49

 

CMYK 0 / 27 / 71 / 0

HEX #FFB949

RGB 255 185 73

HSL 36.92, 1%, 0.64%

LAB 79.86, 15.22, 64.23

 

CMYK 0 / 20 / 64 / 0

HEX #FFCB5C

RGB 255 203 92

HSL 40.86, 1%, 0.68%

LAB 84.35, 6.89, 60.83

 

CMYK 0 / 13 / 56 / 0

HEX #FFDD6F

RGB 255 221 111

HSL 45.83, 1%, 0.72%

LAB 88.98, -1.04, 57.47

 

CMYK 0 / 6 / 49 / 0

HEX #FFEF82

RGB 255 239 130

HSL 52.32, 1%, 0.75%

LAB 93.71, -8.54, 54.23

 

CMYK 0 / 33 / 76 / 2

HEX #FAA73B

RGB 250 167 59

HSL 33.93, 0.95%, 0.61%

LAB 75, 21.96, 64.87

 

CMYK 0 / 36 / 83 / 9

HEX #E99528

RGB 233 149 40

HSL 33.89, 0.81%, 0.54%

LAB 68.73, 23.71, 65.32

 

CMYK 0 / 39 / 90 / 15

HEX #D88315

RGB 216 131 21

HSL 33.85, 0.82%, 0.46%

LAB 62.41, 25.69, 64.82

 

CMYK 0 / 43 / 99 / 22

HEX #C77102

RGB 199 113 2

HSL 33.81, 0.98%, 0.39%

LAB 56.04, 27.88, 62.96

 

CMYK 0 / 48 / 100 / 29

HEX #B65F00

RGB 182 95 0

HSL 31.32, 1%, 0.36%

LAB 49.65, 30.31, 58.17

 

CMYK 0 / 33 / 76 / 2

HEX #FAA83D

RGB 250 168 61

HSL 33.97, 0.95%, 0.61%

LAB 75.24, 21.51, 64.31

 

CMYK 0 / 53 / 76 / 2

HEX #FA753D

RGB 250 117 61

HSL 17.78, 0.95%, 0.61%

LAB 64.47, 47.49, 53.6

 

CMYK 0 / 74 / 76 / 2

HEX #FA423D

RGB 250 66 61

HSL 1.59, 0.95%, 0.61%

LAB 56.64, 68.38, 45.39

 

CMYK 0 / 76 / 76 / 2

HEX #FA3D3D

RGB 250 61 61

HSL 0, 0.95%, 0.61%

LAB 56.09, 69.93, 44.79

 

CMYK 0 / 33 / 76 / 2

HEX #FAA83D

RGB 250 168 61

HSL 33.97, 0.95%, 0.61%

LAB 75.24, 21.51, 64.31

 

CMYK 0 / 12 / 76 / 2

HEX #FADB3D

RGB 250 219 61

HSL 50.16, 0.95%, 0.61%

LAB 87.64, -4.87, 76.04

 

CMYK 8 / 0 / 76 / 2

HEX #E6FA3D

RGB 230 250 61

HSL 66.35, 0.95%, 0.61%

LAB 94.11, -28.17, 81.4

 

CMYK 28 / 0 / 76 / 2

HEX #B3FA3D

RGB 179 250 61

HSL 82.54, 0.95%, 0.61%

LAB 90.91, -47.69, 77.27

 

CMYK 49 / 0 / 76 / 2

HEX #80FA3D

RGB 128 250 61

HSL 98.73, 0.95%, 0.61%

LAB 88.59, -64.23, 74.25

 

CMYK 0 / 33 / 76 / 2

HEX #FAA83D

RGB 250 168 61

HSL 33.97, 0.95%, 0.61%

LAB 75.24, 21.51, 64.31

 

CMYK 0 / 33 / 76 / 2

HEX #FAA83D

RGB 250 168 61

HSL 33.97, 0.95%, 0.61%

LAB 75.24, 21.51, 64.31

 

CMYK 0 / 29 / 67 / 8

HEX #EAA64D

RGB 234 166 77

HSL 34.01, 0.79%, 0.61%

LAB 73.09, 16.66, 54.65

 

CMYK 0 / 25 / 57 / 15

HEX #DAA45D

RGB 218 164 93

HSL 34.08, 0.63%, 0.61%

LAB 71.04, 12.1, 44.13

 

CMYK 0 / 20 / 46 / 21

HEX #CAA26D

RGB 202 162 109

HSL 34.19, 0.47%, 0.61%

LAB 69.11, 7.95, 33.09

 

CMYK 0 / 15 / 33 / 27

HEX #BA9F7D

RGB 186 159 125

HSL 33.44, 0.31%, 0.61%

LAB 67.06, 4.9, 21.45

 

CMYK 0 / 74 / 76 / 2

HEX #FA403D

RGB 250 64 61

HSL 0.95, 0.95%, 0.61%

LAB 56.41, 69.01, 45.15

 

CMYK 0 / 54 / 76 / 2

HEX #FA733D

RGB 250 115 61

HSL 17.14, 0.95%, 0.61%

LAB 64.1, 48.44, 53.22

 

CMYK 0 / 34 / 76 / 2

HEX #FAA53D

RGB 250 165 61

HSL 33.02, 0.95%, 0.61%

LAB 74.55, 23.09, 63.65

 

CMYK 0 / 14 / 76 / 2

HEX #FAD73D

RGB 250 215 61

HSL 48.89, 0.95%, 0.61%

LAB 86.63, -2.85, 75.1

 

CMYK 6 / 0 / 76 / 2

HEX #EAFA3D

RGB 234 250 61

HSL 65.08, 0.95%, 0.61%

LAB 94.4, -26.57, 81.77

 

CMYK 0 / 42 / 97 / 13

HEX #DF8106

RGB 223 129 6

HSL 34.01, 0.95%, 0.45%

LAB 62.85, 29.51, 68.29

 

CMYK 0 / 40 / 92 / 2

HEX #F99615

RGB 249 150 21

HSL 33.95, 0.95%, 0.53%

LAB 70.88, 29.46, 72.94

 

CMYK 0 / 33 / 76 / 2

HEX #FAA83D

RGB 250 168 61

HSL 33.97, 0.95%, 0.61%

LAB 75.24, 21.51, 64.31

 

CMYK 0 / 26 / 60 / 2

HEX #FBBA65

RGB 251 186 101

HSL 34, 0.95%, 0.69%

LAB 79.94, 14.67, 51.56

 

CMYK 0 / 19 / 44 / 1

HEX #FCCC8E

RGB 252 204 142

HSL 33.82, 0.95%, 0.77%

LAB 84.91, 9.18, 37.26

 

CMYK 0 / 33 / 76 / 2

HEX #FAA73B

RGB 250 167 59

HSL 33.93, 0.95%, 0.61%

LAB 75, 21.96, 64.87

 

CMYK 57 / 0 / 76 / 2

HEX #6CFA3D

RGB 108 250 61

HSL 105.08, 0.95%, 0.61%

LAB 87.92, -69.48, 73.37

 

CMYK 64 / 76 / 0 / 2

HEX #593DFA

RGB 89 61 250

HSL 248.89, 0.95%, 0.61%

LAB 41.79, 62.69, -89.18

 

CMYK 0 / 33 / 76 / 2

HEX #FAA73B

RGB 250 167 59

HSL 33.93, 0.95%, 0.61%

LAB 75, 21.96, 64.87

 

CMYK 76 / 0 / 34 / 2

HEX #3DFAA5

RGB 61 250 165

HSL 153.02, 0.95%, 0.61%

LAB 88.01, -64.76, 27.91

 

CMYK 34 / 76 / 0 / 2

HEX #A53DFA

RGB 165 61 250

HSL 273.02, 0.95%, 0.61%

LAB 49.78, 72.91, -75.76

 

CMYK 0 / 33 / 76 / 2

HEX #FAA73B

RGB 250 167 59

HSL 33.93, 0.95%, 0.61%

LAB 75, 21.96, 64.87

 

CMYK 57 / 0 / 76 / 2

HEX #6CFA3D

RGB 108 250 61

HSL 105.08, 0.95%, 0.61%

LAB 87.92, -69.48, 73.37

 

CMYK 76 / 42 / 0 / 2

HEX #3D92FA

RGB 61 146 250

HSL 213.02, 0.95%, 0.61%

LAB 60.29, 9.52, -59.15

 

CMYK 19 / 76 / 0 / 2

HEX #CB3DFA

RGB 203 61 250

HSL 285.08, 0.95%, 0.61%

LAB 55.01, 79.41, -67.04

 

CMYK 0 / 33 / 76 / 2

HEX #FAA73B

RGB 250 167 59

HSL 33.93, 0.95%, 0.61%

LAB 75, 21.96, 64.87

 

CMYK 76 / 0 / 72 / 2

HEX #3DFA47

RGB 61 250 71

HSL 123.17, 0.95%, 0.61%

LAB 86.91, -77.67, 68.74

 

CMYK 76 / 42 / 0 / 2

HEX #3D92FA

RGB 61 146 250

HSL 213.02, 0.95%, 0.61%

LAB 60.29, 9.52, -59.15

 

CMYK 0 / 76 / 4 / 2

HEX #FA3DF1

RGB 250 61 241

HSL 302.86, 0.95%, 0.61%

LAB 61.66, 86.81, -50.98

 

Description

Color code: HEX #FAA73B | qconv.com Color code: HEX #FAA73B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 167 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 167 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 76 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 76% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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