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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAA59ACE it is the complementary color #055A65CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAA59ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAA59ACE shade: #FFA595CE, #FFB7A8CE, #FFC9BBCE, #FFDBCECE and #FFEDE1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAA59ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAA59ACE shade: #FAA59ACE, #E99387CE, #D88174CE, #C76F61CE and #B65D4ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAA59ACE shade: #FAA499 and #FA9999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAA59ACE shade: #FAA499, #FABE99, #FAD899, #FAF399 and #E7FA99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAA59ACE shade matches the following richer shades: #FAA499

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAA59ACE shade: #FAA499, #F2ABA1, #E9B1AA, #E0B8B3 and #D8BFBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAA59ACE shade: #FA99C3, #FA99A9, #FAA299, #FABC99 and #FAD699

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAA59ACE shade: #F65E4A, #F88171, #FAA499, #FCC7C0 and #FEEAE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAA59ACE shade: #FAA59A, #DDFA99 and #99B6FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAA59ACE shade: #FAA59A, #99FAA2 and #A299FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAA59ACE shade: #FAA59A, #DDFA99, #99F0FA and #B699FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAA59ACE shade: #FAA59A, #C0FA99, #99F0FA and #D399FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 31 / 2

HEX #FAA59ACE

RGBA 250 165 154 0.81

HSLA 6.88, 0.91%, 0.79%, 0.81

LABA 75.8, 30.12, 18.66, 0.81

 

Complementary color

CMYK 77 / 9 / 0 / 49

HEX #055A65CE

RGBA 5 90 101 0.81

HSLA 186.88, 0.91%, 0.21%, 0.81

LABA 34.57, -18.13, -12.77, 0.81

 

CMYK 0 / 29 / 34 / 0

HEX #FFA595CE

RGBA 255 165 149 0.81

HSLA 9.06, 1%, 0.79%, 0.81

LABA 76.28, 31.46, 22.12, 0.81

 

CMYK 0 / 23 / 28 / 0

HEX #FFB7A8CE

RGBA 255 183 168 0.81

HSLA 10.34, 1%, 0.83%, 0.81

LABA 80.71, 24.19, 18, 0.81

 

CMYK 0 / 17 / 22 / 0

HEX #FFC9BBCE

RGBA 255 201 187 0.81

HSLA 12.35, 1%, 0.87%, 0.81

LABA 85.31, 17.19, 14.32, 0.81

 

CMYK 0 / 11 / 16 / 0

HEX #FFDBCECE

RGBA 255 219 206 0.81

HSLA 15.92, 1%, 0.9%, 0.81

LABA 90.04, 10.49, 11, 0.81

 

CMYK 0 / 6 / 10 / 0

HEX #FFEDE1CE

RGBA 255 237 225 0.81

HSLA 24, 1%, 0.94%, 0.81

LABA 94.85, 4.14, 7.99, 0.81

 

CMYK 0 / 28 / 31 / 2

HEX #FAA59ACE

RGBA 250 165 154 0.81

HSLA 6.88, 0.91%, 0.79%, 0.81

LABA 75.8, 30.12, 18.66, 0.81

 

CMYK 0 / 30 / 34 / 7

HEX #E99387CE

RGBA 233 147 135 0.81

HSLA 7.35, 0.69%, 0.72%, 0.81

LABA 69.43, 31.09, 19.98, 0.81

 

CMYK 0 / 33 / 38 / 12

HEX #D88174CE

RGBA 216 129 116 0.81

HSLA 7.8, 0.56%, 0.65%, 0.81

LABA 62.98, 32.14, 21.46, 0.81

 

CMYK 0 / 36 / 42 / 18

HEX #C76F61CE

RGBA 199 111 97 0.81

HSLA 8.24, 0.48%, 0.58%, 0.81

LABA 56.46, 33.3, 23.13, 0.81

 

CMYK 0 / 40 / 46 / 23

HEX #B65D4ECE

RGBA 182 93 78 0.81

HSLA 8.65, 0.42%, 0.51%, 0.81

LABA 49.89, 34.57, 25.05, 0.81

 

CMYK 0 / 34 / 39 / 2

HEX #FAA499

RGB 250 164 153

HSL 6.8, 0.91%, 0.79%

LAB 75.56, 30.54, 18.87

 

CMYK 0 / 39 / 39 / 2

HEX #FA9999

RGB 250 153 153

HSL 0, 0.91%, 0.79%

LAB 73.16, 36.27, 15.53

 

CMYK 0 / 34 / 39 / 2

HEX #FAA499

RGB 250 164 153

HSL 6.8, 0.91%, 0.79%

LAB 75.56, 30.54, 18.87

 

CMYK 0 / 24 / 39 / 2

HEX #FABE99

RGB 250 190 153

HSL 22.89, 0.91%, 0.79%

LAB 81.54, 16.88, 27.04

 

CMYK 0 / 14 / 39 / 2

HEX #FAD899

RGB 250 216 153

HSL 38.97, 0.91%, 0.79%

LAB 87.84, 3.36, 35.43

 

CMYK 0 / 3 / 39 / 2

HEX #FAF399

RGB 250 243 153

HSL 55.67, 0.91%, 0.79%

LAB 94.62, -10.25, 44.21

 

CMYK 8 / 0 / 39 / 2

HEX #E7FA99

RGB 231 250 153

HSL 71.75, 0.91%, 0.79%

LAB 95.02, -20.86, 44.43

 

CMYK 0 / 34 / 39 / 2

HEX #FAA499

RGB 250 164 153

HSL 6.8, 0.91%, 0.79%

LAB 75.56, 30.54, 18.87

 

CMYK 0 / 34 / 39 / 2

HEX #FAA499

RGB 250 164 153

HSL 6.8, 0.91%, 0.79%

LAB 75.56, 30.54, 18.87

 

CMYK 0 / 29 / 33 / 5

HEX #F2ABA1

RGB 242 171 161

HSL 7.41, 0.76%, 0.79%

LAB 76.42, 24.79, 15.58

 

CMYK 0 / 24 / 27 / 9

HEX #E9B1AA

RGB 233 177 170

HSL 6.67, 0.59%, 0.79%

LAB 77.08, 19.39, 11.49

 

CMYK 0 / 18 / 20 / 12

HEX #E0B8B3

RGB 224 184 179

HSL 6.67, 0.42%, 0.79%

LAB 78.1, 13.6, 7.94

 

CMYK 0 / 12 / 13 / 15

HEX #D8BFBB

RGB 216 191 187

HSL 8.28, 0.27%, 0.79%

LAB 79.3, 8.19, 5.25

 

CMYK 0 / 39 / 22 / 2

HEX #FA99C3

RGB 250 153 195

HSL 334.02, 0.91%, 0.79%

LAB 74.22, 41.62, -6.12

 

CMYK 0 / 39 / 32 / 2

HEX #FA99A9

RGB 250 153 169

HSL 350.1, 0.91%, 0.79%

LAB 73.53, 38.15, 7.22

 

CMYK 0 / 35 / 39 / 2

HEX #FAA299

RGB 250 162 153

HSL 5.57, 0.91%, 0.79%

LAB 75.12, 31.58, 18.25

 

CMYK 0 / 25 / 39 / 2

HEX #FABC99

RGB 250 188 153

HSL 21.65, 0.91%, 0.79%

LAB 81.07, 17.93, 26.4

 

CMYK 0 / 14 / 39 / 2

HEX #FAD699

RGB 250 214 153

HSL 37.73, 0.91%, 0.79%

LAB 87.35, 4.39, 34.78

 

CMYK 0 / 62 / 70 / 4

HEX #F65E4A

RGB 246 94 74

HSL 6.98, 0.91%, 0.63%

LAB 59.97, 57.1, 41.9

 

CMYK 0 / 48 / 54 / 3

HEX #F88171

RGB 248 129 113

HSL 7.11, 0.91%, 0.71%

LAB 67.16, 43.93, 29.46

 

CMYK 0 / 34 / 39 / 2

HEX #FAA499

RGB 250 164 153

HSL 6.8, 0.91%, 0.79%

LAB 75.56, 30.54, 18.87

 

CMYK 0 / 21 / 24 / 1

HEX #FCC7C0

RGB 252 199 192

HSL 7, 0.91%, 0.87%

LAB 84.66, 17.82, 10.7

 

CMYK 0 / 8 / 9 / 0

HEX #FEEAE8

RGB 254 234 232

HSL 5.45, 0.92%, 0.95%

LAB 94.2, 6.45, 3.41

 

CMYK 0 / 34 / 38 / 2

HEX #FAA59A

RGB 250 165 154

HSL 6.88, 0.91%, 0.79%

LAB 75.8, 30.12, 18.66

 

CMYK 12 / 0 / 39 / 2

HEX #DDFA99

RGB 221 250 153

HSL 77.94, 0.91%, 0.79%

LAB 94.33, -24.56, 43.41

 

CMYK 39 / 27 / 0 / 2

HEX #99B6FA

RGB 153 182 250

HSL 222.06, 0.91%, 0.79%

LAB 74.27, 6.62, -36.84

 

CMYK 0 / 34 / 38 / 2

HEX #FAA59A

RGB 250 165 154

HSL 6.88, 0.91%, 0.79%

LAB 75.8, 30.12, 18.66

 

CMYK 39 / 0 / 35 / 2

HEX #99FAA2

RGB 153 250 162

HSL 125.57, 0.91%, 0.79%

LAB 90.67, -46.05, 33.46

 

CMYK 35 / 39 / 0 / 2

HEX #A299FA

RGB 162 153 250

HSL 245.57, 0.91%, 0.79%

LAB 67.55, 25.32, -47.3

 

CMYK 0 / 34 / 38 / 2

HEX #FAA59A

RGB 250 165 154

HSL 6.88, 0.91%, 0.79%

LAB 75.8, 30.12, 18.66

 

CMYK 12 / 0 / 39 / 2

HEX #DDFA99

RGB 221 250 153

HSL 77.94, 0.91%, 0.79%

LAB 94.33, -24.56, 43.41

 

CMYK 39 / 4 / 0 / 2

HEX #99F0FA

RGB 153 240 250

HSL 186.19, 0.91%, 0.79%

LAB 89.86, -23.69, -13.1

 

CMYK 27 / 39 / 0 / 2

HEX #B699FA

RGB 182 153 250

HSL 257.94, 0.91%, 0.79%

LAB 69.2, 30.74, -44.58

 

CMYK 0 / 34 / 38 / 2

HEX #FAA59A

RGB 250 165 154

HSL 6.88, 0.91%, 0.79%

LAB 75.8, 30.12, 18.66

 

CMYK 23 / 0 / 39 / 2

HEX #C0FA99

RGB 192 250 153

HSL 95.88, 0.91%, 0.79%

LAB 92.52, -34.89, 40.72

 

CMYK 39 / 4 / 0 / 2

HEX #99F0FA

RGB 153 240 250

HSL 186.19, 0.91%, 0.79%

LAB 89.86, -23.69, -13.1

 

CMYK 16 / 39 / 0 / 2

HEX #D399FA

RGB 211 153 250

HSL 275.88, 0.91%, 0.79%

LAB 71.92, 39, -40.15

 

Description

Color code: HEX #FAA59ACE | qconv.com Color code: HEX #FAA59ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 165 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 165 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 31 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 31% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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