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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAA19ACE it is the complementary color #055E65CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAA19ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAA19ACE shade: #FFA195CE, #FFB3A8CE, #FFC5BBCE, #FFD7CECE and #FFE9E1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAA19ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAA19ACE shade: #FAA19ACE, #E98F87CE, #D87D74CE, #C76B61CE and #B6594ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAA19ACE shade: #FAA099 and #FA9999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAA19ACE shade: #FAA099, #FABA99, #FAD499, #FAEF99 and #EBFA99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAA19ACE shade matches the following richer shades: #FAA099

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAA19ACE shade: #FAA099, #F2A7A1, #E9AFAA, #E0B6B3 and #D8BDBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAA19ACE shade: #FA99C6, #FA99AC, #FA9F99, #FAB999 and #FAD399

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAA19ACE shade: #F6574A, #F87B71, #FAA099, #FCC4C0 and #FEE9E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAA19ACE shade: #FAA19A, #E0FA99 and #99B9FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAA19ACE shade: #FAA19A, #99FA9F and #9F99FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAA19ACE shade: #FAA19A, #E0FA99, #99F4FA and #B399FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAA19ACE shade: #FAA19A, #C3FA99, #99F4FA and #D099FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 31 / 2

HEX #FAA19ACE

RGBA 250 161 154 0.81

HSLA 4.38, 0.91%, 0.79%, 0.81

LABA 74.92, 32.22, 17.43, 0.81

 

Complementary color

CMYK 77 / 6 / 0 / 49

HEX #055E65CE

RGBA 5 94 101 0.81

HSLA 184.38, 0.91%, 0.21%, 0.81

LABA 35.94, -20.32, -10.68, 0.81

 

CMYK 0 / 30 / 34 / 0

HEX #FFA195CE

RGBA 255 161 149 0.81

HSLA 6.79, 1%, 0.79%, 0.81

LABA 75.4, 33.54, 20.92, 0.81

 

CMYK 0 / 24 / 28 / 0

HEX #FFB3A8CE

RGBA 255 179 168 0.81

HSLA 7.59, 1%, 0.83%, 0.81

LABA 79.8, 26.29, 16.73, 0.81

 

CMYK 0 / 18 / 22 / 0

HEX #FFC5BBCE

RGBA 255 197 187 0.81

HSLA 8.82, 1%, 0.87%, 0.81

LABA 84.37, 19.28, 12.98, 0.81

 

CMYK 0 / 13 / 16 / 0

HEX #FFD7CECE

RGBA 255 215 206 0.81

HSLA 11.02, 1%, 0.9%, 0.81

LABA 89.07, 12.57, 9.62, 0.81

 

CMYK 0 / 7 / 10 / 0

HEX #FFE9E1CE

RGBA 255 233 225 0.81

HSLA 16, 1%, 0.94%, 0.81

LABA 93.87, 6.18, 6.58, 0.81

 

CMYK 0 / 29 / 31 / 2

HEX #FAA19ACE

RGBA 250 161 154 0.81

HSLA 4.38, 0.91%, 0.79%, 0.81

LABA 74.92, 32.22, 17.43, 0.81

 

CMYK 0 / 31 / 34 / 7

HEX #E98F87CE

RGBA 233 143 135 0.81

HSLA 4.9, 0.69%, 0.72%, 0.81

LABA 68.55, 33.19, 18.78, 0.81

 

CMYK 0 / 34 / 38 / 12

HEX #D87D74CE

RGBA 216 125 116 0.81

HSLA 5.4, 0.56%, 0.65%, 0.81

LABA 62.11, 34.26, 20.28, 0.81

 

CMYK 0 / 37 / 42 / 18

HEX #C76B61CE

RGBA 199 107 97 0.81

HSLA 5.88, 0.48%, 0.58%, 0.81

LABA 55.6, 35.42, 21.99, 0.81

 

CMYK 0 / 41 / 46 / 23

HEX #B6594ECE

RGBA 182 89 78 0.81

HSLA 6.35, 0.42%, 0.51%, 0.81

LABA 49.06, 36.66, 23.98, 0.81

 

CMYK 0 / 36 / 39 / 2

HEX #FAA099

RGB 250 160 153

HSL 4.33, 0.91%, 0.79%

LAB 74.68, 32.63, 17.64

 

CMYK 0 / 39 / 39 / 2

HEX #FA9999

RGB 250 153 153

HSL 0, 0.91%, 0.79%

LAB 73.16, 36.27, 15.53

 

CMYK 0 / 36 / 39 / 2

HEX #FAA099

RGB 250 160 153

HSL 4.33, 0.91%, 0.79%

LAB 74.68, 32.63, 17.64

 

CMYK 0 / 26 / 39 / 2

HEX #FABA99

RGB 250 186 153

HSL 20.41, 0.91%, 0.79%

LAB 80.59, 18.98, 25.76

 

CMYK 0 / 15 / 39 / 2

HEX #FAD499

RGB 250 212 153

HSL 36.49, 0.91%, 0.79%

LAB 86.85, 5.42, 34.13

 

CMYK 0 / 4 / 39 / 2

HEX #FAEF99

RGB 250 239 153

HSL 53.2, 0.91%, 0.79%

LAB 93.61, -8.27, 42.91

 

CMYK 6 / 0 / 39 / 2

HEX #EBFA99

RGB 235 250 153

HSL 69.28, 0.91%, 0.79%

LAB 95.3, -19.36, 44.85

 

CMYK 0 / 36 / 39 / 2

HEX #FAA099

RGB 250 160 153

HSL 4.33, 0.91%, 0.79%

LAB 74.68, 32.63, 17.64

 

CMYK 0 / 36 / 39 / 2

HEX #FAA099

RGB 250 160 153

HSL 4.33, 0.91%, 0.79%

LAB 74.68, 32.63, 17.64

 

CMYK 0 / 31 / 33 / 5

HEX #F2A7A1

RGB 242 167 161

HSL 4.44, 0.76%, 0.79%

LAB 75.51, 26.9, 14.3

 

CMYK 0 / 25 / 27 / 9

HEX #E9AFAA

RGB 233 175 170

HSL 4.76, 0.59%, 0.79%

LAB 76.61, 20.46, 10.82

 

CMYK 0 / 19 / 20 / 12

HEX #E0B6B3

RGB 224 182 179

HSL 4, 0.42%, 0.79%

LAB 77.61, 14.67, 7.24

 

CMYK 0 / 13 / 13 / 15

HEX #D8BDBB

RGB 216 189 187

HSL 4.14, 0.27%, 0.79%

LAB 78.8, 9.26, 4.53

 

CMYK 0 / 39 / 21 / 2

HEX #FA99C6

RGB 250 153 198

HSL 332.16, 0.91%, 0.79%

LAB 74.31, 42.05, -7.64

 

CMYK 0 / 39 / 31 / 2

HEX #FA99AC

RGB 250 153 172

HSL 348.25, 0.91%, 0.79%

LAB 73.6, 38.53, 5.67

 

CMYK 0 / 36 / 39 / 2

HEX #FA9F99

RGB 250 159 153

HSL 3.71, 0.91%, 0.79%

LAB 74.46, 33.15, 17.34

 

CMYK 0 / 26 / 39 / 2

HEX #FAB999

RGB 250 185 153

HSL 19.79, 0.91%, 0.79%

LAB 80.36, 19.5, 25.44

 

CMYK 0 / 16 / 39 / 2

HEX #FAD399

RGB 250 211 153

HSL 35.88, 0.91%, 0.79%

LAB 86.61, 5.94, 33.81

 

CMYK 0 / 65 / 70 / 4

HEX #F6574A

RGB 246 87 74

HSL 4.53, 0.91%, 0.63%

LAB 58.89, 60.01, 40.65

 

CMYK 0 / 50 / 54 / 3

HEX #F87B71

RGB 248 123 113

HSL 4.44, 0.91%, 0.71%

LAB 65.99, 46.89, 27.93

 

CMYK 0 / 36 / 39 / 2

HEX #FAA099

RGB 250 160 153

HSL 4.33, 0.91%, 0.79%

LAB 74.68, 32.63, 17.64

 

CMYK 0 / 22 / 24 / 1

HEX #FCC4C0

RGB 252 196 192

HSL 4, 0.91%, 0.87%

LAB 83.96, 19.39, 9.69

 

CMYK 0 / 8 / 9 / 0

HEX #FEE9E8

RGB 254 233 232

HSL 2.73, 0.92%, 0.95%

LAB 93.96, 6.96, 3.06

 

CMYK 0 / 36 / 38 / 2

HEX #FAA19A

RGB 250 161 154

HSL 4.38, 0.91%, 0.79%

LAB 74.92, 32.22, 17.43

 

CMYK 10 / 0 / 39 / 2

HEX #E0FA99

RGB 224 250 153

HSL 76.08, 0.91%, 0.79%

LAB 94.53, -23.46, 43.71

 

CMYK 39 / 26 / 0 / 2

HEX #99B9FA

RGB 153 185 250

HSL 220.21, 0.91%, 0.79%

LAB 75.06, 4.96, -35.62

 

CMYK 0 / 36 / 38 / 2

HEX #FAA19A

RGB 250 161 154

HSL 4.38, 0.91%, 0.79%

LAB 74.92, 32.22, 17.43

 

CMYK 39 / 0 / 36 / 2

HEX #99FA9F

RGB 153 250 159

HSL 123.71, 0.91%, 0.79%

LAB 90.62, -46.52, 34.89

 

CMYK 36 / 39 / 0 / 2

HEX #9F99FA

RGB 159 153 250

HSL 243.71, 0.91%, 0.79%

LAB 67.32, 24.54, -47.68

 

CMYK 0 / 36 / 38 / 2

HEX #FAA19A

RGB 250 161 154

HSL 4.38, 0.91%, 0.79%

LAB 74.92, 32.22, 17.43

 

CMYK 10 / 0 / 39 / 2

HEX #E0FA99

RGB 224 250 153

HSL 76.08, 0.91%, 0.79%

LAB 94.53, -23.46, 43.71

 

CMYK 39 / 2 / 0 / 2

HEX #99F4FA

RGB 153 244 250

HSL 183.71, 0.91%, 0.79%

LAB 90.95, -25.64, -11.46

 

CMYK 28 / 39 / 0 / 2

HEX #B399FA

RGB 179 153 250

HSL 256.08, 0.91%, 0.79%

LAB 68.95, 29.91, -45.01

 

CMYK 0 / 36 / 38 / 2

HEX #FAA19A

RGB 250 161 154

HSL 4.38, 0.91%, 0.79%

LAB 74.92, 32.22, 17.43

 

CMYK 22 / 0 / 39 / 2

HEX #C3FA99

RGB 195 250 153

HSL 94.02, 0.91%, 0.79%

LAB 92.7, -33.86, 40.98

 

CMYK 39 / 2 / 0 / 2

HEX #99F4FA

RGB 153 244 250

HSL 183.71, 0.91%, 0.79%

LAB 90.95, -25.64, -11.46

 

CMYK 17 / 39 / 0 / 2

HEX #D099FA

RGB 208 153 250

HSL 274.02, 0.91%, 0.79%

LAB 71.62, 38.13, -40.63

 

Description

Color code: HEX #FAA19ACE | qconv.com Color code: HEX #FAA19ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 161 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 161 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 31 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 31% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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