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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAA06C it is the complementary color #055F93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAA06C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAA06C shade: #FFA067, #FFB27A, #FFC48D, #FFD6A0 and #FFE8B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAA06C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAA06C shade: #FAA06C, #E98E59, #D87C46, #C76A33 and #B65820

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAA06C shade: #FA9F6B, #FA796B and #FA6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAA06C shade: #FA9F6B, #FAC66B, #FAEC6B, #E1FA6B and #BAFA6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAA06C shade matches the following richer shades: #FA9F6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAA06C shade: #FA9F6B, #EDA378, #E1A684, #D5A990 and #C8AD9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAA06C shade: #FA6B85, #FA776B, #FA9D6B, #FAC36B and #FAE96B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAA06C shade: #F76C1C, #F88644, #FA9F6B, #FBB993 and #FDD3BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAA06C shade: #FAA06C, #ABFA6B and #6B72FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAA06C shade: #FAA06C, #6BFA9D and #9D6BFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAA06C shade: #FAA06C, #ABFA6B, #6BC8FA and #BA6BFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAA06C shade: #FAA06C, #81FA6B, #6BC8FA and #E46BFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 57 / 2

HEX #FAA06C

RGB 250 160 108

HSL 21.97, 0.93%, 0.7%

LAB 73.9, 28.4, 40.77

 

Complementary color

CMYK 97 / 35 / 0 / 42

HEX #055F93

RGB 5 95 147

HSL 201.97, 0.93%, 0.3%

LAB 38.42, -3.16, -35.01

 

CMYK 0 / 37 / 60 / 0

HEX #FFA067

RGB 255 160 103

HSL 22.5, 1%, 0.7%

LAB 74.43, 30.02, 44.13

 

CMYK 0 / 30 / 52 / 0

HEX #FFB27A

RGB 255 178 122

HSL 25.26, 1%, 0.74%

LAB 78.76, 22.09, 39.71

 

CMYK 0 / 23 / 45 / 0

HEX #FFC48D

RGB 255 196 141

HSL 28.95, 1%, 0.78%

LAB 83.26, 14.42, 35.69

 

CMYK 0 / 16 / 37 / 0

HEX #FFD6A0

RGB 255 214 160

HSL 34.11, 1%, 0.81%

LAB 87.92, 7.1, 32.02

 

CMYK 0 / 9 / 30 / 0

HEX #FFE8B3

RGB 255 232 179

HSL 41.84, 1%, 0.85%

LAB 92.68, 0.16, 28.68

 

CMYK 0 / 36 / 57 / 2

HEX #FAA06C

RGB 250 160 108

HSL 21.97, 0.93%, 0.7%

LAB 73.9, 28.4, 40.77

 

CMYK 0 / 39 / 62 / 9

HEX #E98E59

RGB 233 142 89

HSL 22.08, 0.77%, 0.63%

LAB 67.57, 29.72, 42.44

 

CMYK 0 / 43 / 68 / 15

HEX #D87C46

RGB 216 124 70

HSL 22.19, 0.65%, 0.56%

LAB 61.18, 31.19, 44.21

 

CMYK 0 / 47 / 74 / 22

HEX #C76A33

RGB 199 106 51

HSL 22.3, 0.59%, 0.49%

LAB 54.75, 32.82, 46.02

 

CMYK 0 / 52 / 82 / 29

HEX #B65820

RGB 182 88 32

HSL 22.4, 0.7%, 0.42%

LAB 48.3, 34.63, 47.64

 

CMYK 0 / 36 / 57 / 2

HEX #FA9F6B

RGB 250 159 107

HSL 21.82, 0.93%, 0.7%

LAB 73.66, 28.85, 40.99

 

CMYK 0 / 52 / 57 / 2

HEX #FA796B

RGB 250 121 107

HSL 5.87, 0.93%, 0.7%

LAB 65.8, 48.12, 31.06

 

CMYK 0 / 57 / 57 / 2

HEX #FA6B6B

RGB 250 107 107

HSL 0, 0.93%, 0.7%

LAB 63.26, 54.69, 27.77

 

CMYK 0 / 36 / 57 / 2

HEX #FA9F6B

RGB 250 159 107

HSL 21.82, 0.93%, 0.7%

LAB 73.66, 28.85, 40.99

 

CMYK 0 / 21 / 57 / 2

HEX #FAC66B

RGB 250 198 107

HSL 38.18, 0.93%, 0.7%

LAB 82.79, 8.43, 52

 

CMYK 0 / 6 / 57 / 2

HEX #FAEC6B

RGB 250 236 107

HSL 54.13, 0.93%, 0.7%

LAB 92.3, -10.86, 62.93

 

CMYK 10 / 0 / 57 / 2

HEX #E1FA6B

RGB 225 250 107

HSL 70.49, 0.93%, 0.7%

LAB 94.07, -27.5, 64.4

 

CMYK 26 / 0 / 57 / 2

HEX #BAFA6B

RGB 186 250 107

HSL 86.85, 0.93%, 0.7%

LAB 91.63, -42.04, 60.98

 

CMYK 0 / 36 / 57 / 2

HEX #FA9F6B

RGB 250 159 107

HSL 21.82, 0.93%, 0.7%

LAB 73.66, 28.85, 40.99

 

CMYK 0 / 36 / 57 / 2

HEX #FA9F6B

RGB 250 159 107

HSL 21.82, 0.93%, 0.7%

LAB 73.66, 28.85, 40.99

 

CMYK 0 / 31 / 49 / 7

HEX #EDA378

RGB 237 163 120

HSL 22.05, 0.76%, 0.7%

LAB 73.26, 22.67, 33.32

 

CMYK 0 / 26 / 41 / 12

HEX #E1A684

RGB 225 166 132

HSL 21.94, 0.61%, 0.7%

LAB 72.86, 17.51, 26.12

 

CMYK 0 / 21 / 32 / 16

HEX #D5A990

RGB 213 169 144

HSL 21.74, 0.45%, 0.7%

LAB 72.59, 12.61, 19.04

 

CMYK 0 / 14 / 22 / 22

HEX #C8AD9D

RGB 200 173 157

HSL 22.33, 0.28%, 0.7%

LAB 72.63, 7.24, 11.82

 

CMYK 0 / 57 / 47 / 2

HEX #FA6B85

RGB 250 107 133

HSL 349.09, 0.93%, 0.7%

LAB 63.78, 56.81, 13.65

 

CMYK 0 / 52 / 57 / 2

HEX #FA776B

RGB 250 119 107

HSL 5.03, 0.93%, 0.7%

LAB 65.42, 49.08, 30.57

 

CMYK 0 / 37 / 57 / 2

HEX #FA9D6B

RGB 250 157 107

HSL 20.98, 0.93%, 0.7%

LAB 73.22, 29.89, 40.44

 

CMYK 0 / 22 / 57 / 2

HEX #FAC36B

RGB 250 195 107

HSL 36.92, 0.93%, 0.7%

LAB 82.06, 9.99, 51.14

 

CMYK 0 / 7 / 57 / 2

HEX #FAE96B

RGB 250 233 107

HSL 52.87, 0.93%, 0.7%

LAB 91.53, -9.37, 62.07

 

CMYK 0 / 56 / 89 / 3

HEX #F76C1C

RGB 247 108 28

HSL 21.92, 0.93%, 0.54%

LAB 62.15, 49.71, 64.66

 

CMYK 0 / 46 / 73 / 3

HEX #F88644

RGB 248 134 68

HSL 22, 0.93%, 0.62%

LAB 67.59, 38.63, 53.45

 

CMYK 0 / 36 / 57 / 2

HEX #FA9F6B

RGB 250 159 107

HSL 21.82, 0.93%, 0.7%

LAB 73.66, 28.85, 40.99

 

CMYK 0 / 26 / 41 / 2

HEX #FBB993

RGB 251 185 147

HSL 21.92, 0.93%, 0.78%

LAB 80.36, 19.23, 28.64

 

CMYK 0 / 17 / 26 / 1

HEX #FDD3BB

RGB 253 211 187

HSL 21.82, 0.94%, 0.86%

LAB 87.51, 11.24, 17.38

 

CMYK 0 / 36 / 57 / 2

HEX #FAA06C

RGB 250 160 108

HSL 21.97, 0.93%, 0.7%

LAB 73.9, 28.4, 40.77

 

CMYK 32 / 0 / 57 / 2

HEX #ABFA6B

RGB 171 250 107

HSL 93.15, 0.93%, 0.7%

LAB 90.82, -47.26, 59.85

 

CMYK 57 / 54 / 0 / 2

HEX #6B72FA

RGB 107 114 250

HSL 237.06, 0.93%, 0.7%

LAB 54.09, 35.78, -69.01

 

CMYK 0 / 36 / 57 / 2

HEX #FAA06C

RGB 250 160 108

HSL 21.97, 0.93%, 0.7%

LAB 73.9, 28.4, 40.77

 

CMYK 57 / 0 / 37 / 2

HEX #6BFA9D

RGB 107 250 157

HSL 140.98, 0.93%, 0.7%

LAB 88.89, -58.6, 33.29

 

CMYK 37 / 57 / 0 / 2

HEX #9D6BFA

RGB 157 107 250

HSL 260.98, 0.93%, 0.7%

LAB 56.67, 49.93, -64.65

 

CMYK 0 / 36 / 57 / 2

HEX #FAA06C

RGB 250 160 108

HSL 21.97, 0.93%, 0.7%

LAB 73.9, 28.4, 40.77

 

CMYK 32 / 0 / 57 / 2

HEX #ABFA6B

RGB 171 250 107

HSL 93.15, 0.93%, 0.7%

LAB 90.82, -47.26, 59.85

 

CMYK 57 / 20 / 0 / 2

HEX #6BC8FA

RGB 107 200 250

HSL 200.98, 0.93%, 0.7%

LAB 76.88, -13.64, -32.98

 

CMYK 26 / 57 / 0 / 2

HEX #BA6BFA

RGB 186 107 250

HSL 273.15, 0.93%, 0.7%

LAB 59.76, 56.58, -59.52

 

CMYK 0 / 36 / 57 / 2

HEX #FAA06C

RGB 250 160 108

HSL 21.97, 0.93%, 0.7%

LAB 73.9, 28.4, 40.77

 

CMYK 48 / 0 / 57 / 2

HEX #81FA6B

RGB 129 250 107

HSL 110.77, 0.93%, 0.7%

LAB 88.97, -60.2, 57.23

 

CMYK 57 / 20 / 0 / 2

HEX #6BC8FA

RGB 107 200 250

HSL 200.98, 0.93%, 0.7%

LAB 76.88, -13.64, -32.98

 

CMYK 9 / 57 / 0 / 2

HEX #E46BFA

RGB 228 107 250

HSL 290.77, 0.93%, 0.7%

LAB 64.89, 66.74, -51.05

 

Description

Color code: HEX #FAA06C | qconv.com Color code: HEX #FAA06C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 160 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 160 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 57 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 57% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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