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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA9B86 it is the complementary color #056479. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA9B86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA9B86 shade: #FF9B81, #FFAD94, #FFBFA7, #FFD1BA and #FFE3CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA9B86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA9B86 shade: #FA9B86, #E98973, #D87760, #C7654D and #B6533A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA9B86 shade: #FA9A85 and #FA8585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA9B86 shade: #FA9A85, #FAB985, #FAD985, #FAF985 and #DBFA85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA9B86 shade matches the following richer shades: #FA9A85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA9B86 shade: #FA9A85, #F0A08F, #E5A799, #DBAEA4 and #D1B4AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA9B86 shade: #FA85B0, #FA8590, #FA9885, #FAB785 and #FAD785

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA9B86 shade: #F75835, #F8795D, #FA9A85, #FCBBAC and #FDDBD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA9B86 shade: #FA9B86, #CFFA85 and #85A0FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA9B86 shade: #FA9B86, #85FA98 and #9885FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA9B86 shade: #FA9B86, #CFFA85, #85E6FA and #B085FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA9B86 shade: #FA9B86, #ACFA85, #85E6FA and #D385FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 46 / 2

HEX #FA9B86

RGB 250 155 134

HSL 10.86, 0.92%, 0.75%

LAB 73.21, 33.25, 26.01

 

Complementary color

CMYK 96 / 17 / 0 / 53

HEX #056479

RGB 5 100 121

HSL 190.86, 0.92%, 0.25%

LAB 38.77, -16.32, -18.67

 

CMYK 0 / 39 / 49 / 0

HEX #FF9B81

RGB 255 155 129

HSL 12.38, 1%, 0.75%

LAB 73.73, 34.68, 29.52

 

CMYK 0 / 32 / 42 / 0

HEX #FFAD94

RGB 255 173 148

HSL 14.02, 1%, 0.79%

LAB 78.04, 27.17, 25.06

 

CMYK 0 / 25 / 35 / 0

HEX #FFBFA7

RGB 255 191 167

HSL 16.36, 1%, 0.83%

LAB 82.55, 19.88, 21.07

 

CMYK 0 / 18 / 27 / 0

HEX #FFD1BA

RGB 255 209 186

HSL 20, 1%, 0.86%

LAB 87.2, 12.88, 17.49

 

CMYK 0 / 11 / 20 / 0

HEX #FFE3CD

RGB 255 227 205

HSL 26.4, 1%, 0.9%

LAB 91.96, 6.22, 14.25

 

CMYK 0 / 38 / 46 / 2

HEX #FA9B86

RGB 250 155 134

HSL 10.86, 0.92%, 0.75%

LAB 73.21, 33.25, 26.01

 

CMYK 0 / 41 / 51 / 9

HEX #E98973

RGB 233 137 115

HSL 11.19, 0.73%, 0.68%

LAB 66.86, 34.38, 27.59

 

CMYK 0 / 45 / 56 / 15

HEX #D87760

RGB 216 119 96

HSL 11.5, 0.61%, 0.61%

LAB 60.46, 35.6, 29.36

 

CMYK 0 / 49 / 61 / 22

HEX #C7654D

RGB 199 101 77

HSL 11.8, 0.52%, 0.54%

LAB 54.01, 36.93, 31.36

 

CMYK 0 / 54 / 68 / 29

HEX #B6533A

RGB 182 83 58

HSL 12.1, 0.52%, 0.47%

LAB 47.54, 38.36, 33.64

 

CMYK 0 / 38 / 47 / 2

HEX #FA9A85

RGB 250 154 133

HSL 10.77, 0.92%, 0.75%

LAB 72.98, 33.68, 26.24

 

CMYK 0 / 47 / 47 / 2

HEX #FA8585

RGB 250 133 133

HSL 0, 0.92%, 0.75%

LAB 68.6, 44.4, 20.31

 

CMYK 0 / 38 / 47 / 2

HEX #FA9A85

RGB 250 154 133

HSL 10.77, 0.92%, 0.75%

LAB 72.98, 33.68, 26.24

 

CMYK 0 / 26 / 47 / 2

HEX #FAB985

RGB 250 185 133

HSL 26.67, 0.92%, 0.75%

LAB 80.02, 17.43, 35.52

 

CMYK 0 / 13 / 47 / 2

HEX #FAD985

RGB 250 217 133

HSL 43.08, 0.92%, 0.75%

LAB 87.8, 0.82, 45.42

 

CMYK 0 / 0 / 47 / 2

HEX #FAF985

RGB 250 249 133

HSL 59.49, 0.92%, 0.75%

LAB 95.9, -15.15, 55.37

 

CMYK 12 / 0 / 47 / 2

HEX #DBFA85

RGB 219 250 133

HSL 75.9, 0.92%, 0.75%

LAB 93.94, -27.48, 52.47

 

CMYK 0 / 38 / 47 / 2

HEX #FA9A85

RGB 250 154 133

HSL 10.77, 0.92%, 0.75%

LAB 72.98, 33.68, 26.24

 

CMYK 0 / 38 / 47 / 2

HEX #FA9A85

RGB 250 154 133

HSL 10.77, 0.92%, 0.75%

LAB 72.98, 33.68, 26.24

 

CMYK 0 / 33 / 40 / 6

HEX #F0A08F

RGB 240 160 143

HSL 10.52, 0.76%, 0.75%

LAB 73.32, 27.75, 21.05

 

CMYK 0 / 27 / 33 / 10

HEX #E5A799

RGB 229 167 153

HSL 11.05, 0.59%, 0.75%

LAB 73.93, 21, 16.25

 

CMYK 0 / 21 / 25 / 14

HEX #DBAEA4

RGB 219 174 164

HSL 10.91, 0.43%, 0.75%

LAB 74.83, 14.91, 11.37

 

CMYK 0 / 14 / 17 / 18

HEX #D1B4AE

RGB 209 180 174

HSL 10.29, 0.28%, 0.75%

LAB 75.61, 9.45, 6.9

 

CMYK 0 / 47 / 30 / 2

HEX #FA85B0

RGB 250 133 176

HSL 337.95, 0.92%, 0.75%

LAB 69.64, 49.17, -2.32

 

CMYK 0 / 47 / 42 / 2

HEX #FA8590

RGB 250 133 144

HSL 354.36, 0.92%, 0.75%

LAB 68.83, 45.49, 14.48

 

CMYK 0 / 39 / 47 / 2

HEX #FA9885

RGB 250 152 133

HSL 9.74, 0.92%, 0.75%

LAB 72.54, 34.71, 25.66

 

CMYK 0 / 27 / 47 / 2

HEX #FAB785

RGB 250 183 133

HSL 25.64, 0.92%, 0.75%

LAB 79.55, 18.48, 34.91

 

CMYK 0 / 14 / 47 / 2

HEX #FAD785

RGB 250 215 133

HSL 42.05, 0.92%, 0.75%

LAB 87.3, 1.84, 44.8

 

CMYK 0 / 64 / 79 / 3

HEX #F75835

RGB 247 88 53

HSL 10.82, 0.92%, 0.59%

LAB 58.98, 59.11, 51.76

 

CMYK 0 / 51 / 63 / 3

HEX #F8795D

RGB 248 121 93

HSL 10.84, 0.92%, 0.67%

LAB 65.3, 46.44, 38.04

 

CMYK 0 / 38 / 47 / 2

HEX #FA9A85

RGB 250 154 133

HSL 10.77, 0.92%, 0.75%

LAB 72.98, 33.68, 26.24

 

CMYK 0 / 26 / 32 / 1

HEX #FCBBAC

RGB 252 187 172

HSL 11.25, 0.93%, 0.83%

LAB 81.41, 21.46, 16.78

 

CMYK 0 / 13 / 16 / 1

HEX #FDDBD4

RGB 253 219 212

HSL 10.24, 0.91%, 0.91%

LAB 90, 10.68, 7.78

 

CMYK 0 / 38 / 46 / 2

HEX #FA9B86

RGB 250 155 134

HSL 10.86, 0.92%, 0.75%

LAB 73.21, 33.25, 26.01

 

CMYK 17 / 0 / 47 / 2

HEX #CFFA85

RGB 207 250 133

HSL 82.05, 0.92%, 0.75%

LAB 93.16, -31.92, 51.34

 

CMYK 47 / 36 / 0 / 2

HEX #85A0FA

RGB 133 160 250

HSL 226.15, 0.92%, 0.75%

LAB 67.3, 14.07, -47.83

 

CMYK 0 / 38 / 46 / 2

HEX #FA9B86

RGB 250 155 134

HSL 10.86, 0.92%, 0.75%

LAB 73.21, 33.25, 26.01

 

CMYK 47 / 0 / 39 / 2

HEX #85FA98

RGB 133 250 152

HSL 129.74, 0.92%, 0.75%

LAB 89.68, -53.19, 36.98

 

CMYK 39 / 47 / 0 / 2

HEX #9885FA

RGB 152 133 250

HSL 249.74, 0.92%, 0.75%

LAB 61.96, 34.22, -56.21

 

CMYK 0 / 38 / 46 / 2

HEX #FA9B86

RGB 250 155 134

HSL 10.86, 0.92%, 0.75%

LAB 73.21, 33.25, 26.01

 

CMYK 17 / 0 / 47 / 2

HEX #CFFA85

RGB 207 250 133

HSL 82.05, 0.92%, 0.75%

LAB 93.16, -31.92, 51.34

 

CMYK 47 / 8 / 0 / 2

HEX #85E6FA

RGB 133 230 250

HSL 190.26, 0.92%, 0.75%

LAB 86.25, -23.5, -18.6

 

CMYK 30 / 47 / 0 / 2

HEX #B085FA

RGB 176 133 250

HSL 262.05, 0.92%, 0.75%

LAB 64.09, 40.26, -52.7

 

CMYK 0 / 38 / 46 / 2

HEX #FA9B86

RGB 250 155 134

HSL 10.86, 0.92%, 0.75%

LAB 73.21, 33.25, 26.01

 

CMYK 31 / 0 / 47 / 2

HEX #ACFA85

RGB 172 250 133

HSL 100, 0.92%, 0.75%

LAB 91.16, -44.15, 48.43

 

CMYK 47 / 8 / 0 / 2

HEX #85E6FA

RGB 133 230 250

HSL 190.26, 0.92%, 0.75%

LAB 86.25, -23.5, -18.6

 

CMYK 16 / 47 / 0 / 2

HEX #D385FA

RGB 211 133 250

HSL 280, 0.92%, 0.75%

LAB 67.67, 49.62, -46.8

 

Description

Color code: HEX #FA9B86 | qconv.com Color code: HEX #FA9B86 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 155 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 155 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 46 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 46% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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