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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA95BB it is the complementary color #056A44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA95BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA95BB shade: #FF95B6, #FFA7C9, #FFB9DC, #FFCBEF and #FFDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA95BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA95BB shade: #FA95BB, #E983A8, #D87195, #C75F82 and #B64D6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA95BB shade: #FA94BA, #FA949F and #FA9494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA95BB shade: #FA94BA, #FA94D6, #FA94F1, #E794FA and #CC94FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA95BB shade matches the following richer shades: #FA94BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA95BB shade: #FA94BA, #F19DBD, #E8A6BF, #DFAFC1 and #D6B8C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA95BB shade: #FA94F1, #FA94D6, #FA94BB, #FA94A0 and #FAA394

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA95BB shade: #F64588, #F86CA1, #FA94BA, #FCBBD4 and #FEE3ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA95BB shade: #FA95BB, #FAE794 and #94E4FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA95BB shade: #FA95BB, #BBFA94 and #94BBFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA95BB shade: #FA95BB, #FAE794, #94FAD3 and #94A7FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA95BB shade: #FA95BB, #EEFA94, #94FAD3 and #A094FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 25 / 2

HEX #FA95BB

RGB 250 149 187

HSL 337.43, 0.91%, 0.78%

LAB 73.16, 42.56, -3.27

 

Complementary color

CMYK 95 / 0 / 36 / 58

HEX #056A44

RGB 5 106 68

HSL 157.43, 0.91%, 0.22%

LAB 39.17, -35.88, 14.19

 

CMYK 0 / 42 / 29 / 0

HEX #FF95B6

RGB 255 149 182

HSL 341.32, 1%, 0.79%

LAB 73.63, 43.6, 0.26

 

CMYK 0 / 35 / 21 / 0

HEX #FFA7C9

RGB 255 167 201

HSL 336.82, 1%, 0.83%

LAB 77.94, 36.95, -3.85

 

CMYK 0 / 27 / 14 / 0

HEX #FFB9DC

RGB 255 185 220

HSL 330, 1%, 0.86%

LAB 82.45, 30.41, -7.47

 

CMYK 0 / 20 / 6 / 0

HEX #FFCBEF

RGB 255 203 239

HSL 318.46, 1%, 0.9%

LAB 87.1, 24.09, -10.7

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 0 / 40 / 25 / 2

HEX #FA95BB

RGB 250 149 187

HSL 337.43, 0.91%, 0.78%

LAB 73.16, 42.56, -3.27

 

CMYK 0 / 44 / 28 / 9

HEX #E983A8

RGB 233 131 168

HSL 338.24, 0.7%, 0.71%

LAB 66.81, 43.39, -2.23

 

CMYK 0 / 48 / 31 / 15

HEX #D87195

RGB 216 113 149

HSL 339.03, 0.57%, 0.65%

LAB 60.41, 44.25, -1.04

 

CMYK 0 / 52 / 35 / 22

HEX #C75F82

RGB 199 95 130

HSL 339.81, 0.48%, 0.58%

LAB 53.96, 45.09, 0.34

 

CMYK 0 / 58 / 39 / 29

HEX #B64D6F

RGB 182 77 111

HSL 340.57, 0.42%, 0.51%

LAB 47.5, 45.88, 2

 

CMYK 0 / 41 / 26 / 2

HEX #FA94BA

RGB 250 148 186

HSL 337.65, 0.91%, 0.78%

LAB 72.92, 42.93, -3.06

 

CMYK 0 / 41 / 36 / 2

HEX #FA949F

RGB 250 148 159

HSL 353.53, 0.91%, 0.78%

LAB 72.23, 39.53, 10.91

 

CMYK 0 / 41 / 41 / 2

HEX #FA9494

RGB 250 148 148

HSL 0, 0.91%, 0.78%

LAB 71.99, 38.3, 16.66

 

CMYK 0 / 41 / 26 / 2

HEX #FA94BA

RGB 250 148 186

HSL 337.65, 0.91%, 0.78%

LAB 72.92, 42.93, -3.06

 

CMYK 0 / 41 / 14 / 2

HEX #FA94D6

RGB 250 148 214

HSL 321.18, 0.91%, 0.78%

LAB 73.78, 47.01, -17.24

 

CMYK 0 / 41 / 4 / 2

HEX #FA94F1

RGB 250 148 241

HSL 305.29, 0.91%, 0.78%

LAB 74.73, 51.43, -30.55

 

CMYK 8 / 41 / 0 / 2

HEX #E794FA

RGB 231 148 250

HSL 288.82, 0.91%, 0.78%

LAB 72.94, 47.46, -38.39

 

CMYK 18 / 41 / 0 / 2

HEX #CC94FA

RGB 204 148 250

HSL 272.94, 0.91%, 0.78%

LAB 70.12, 39.68, -43

 

CMYK 0 / 41 / 26 / 2

HEX #FA94BA

RGB 250 148 186

HSL 337.65, 0.91%, 0.78%

LAB 72.92, 42.93, -3.06

 

CMYK 0 / 41 / 26 / 2

HEX #FA94BA

RGB 250 148 186

HSL 337.65, 0.91%, 0.78%

LAB 72.92, 42.93, -3.06

 

CMYK 0 / 35 / 22 / 5

HEX #F19DBD

RGB 241 157 189

HSL 337.14, 0.75%, 0.78%

LAB 73.86, 35.59, -3.46

 

CMYK 0 / 28 / 18 / 9

HEX #E8A6BF

RGB 232 166 191

HSL 337.27, 0.59%, 0.78%

LAB 74.94, 27.96, -3.08

 

CMYK 0 / 22 / 13 / 13

HEX #DFAFC1

RGB 223 175 193

HSL 337.5, 0.43%, 0.78%

LAB 76.19, 20.26, -2.45

 

CMYK 0 / 14 / 9 / 16

HEX #D6B8C3

RGB 214 184 195

HSL 338, 0.27%, 0.78%

LAB 77.59, 12.55, -1.58

 

CMYK 0 / 41 / 4 / 2

HEX #FA94F1

RGB 250 148 241

HSL 305.29, 0.91%, 0.78%

LAB 74.73, 51.43, -30.55

 

CMYK 0 / 41 / 14 / 2

HEX #FA94D6

RGB 250 148 214

HSL 321.18, 0.91%, 0.78%

LAB 73.78, 47.01, -17.24

 

CMYK 0 / 41 / 25 / 2

HEX #FA94BB

RGB 250 148 187

HSL 337.06, 0.91%, 0.78%

LAB 72.95, 43.07, -3.57

 

CMYK 0 / 41 / 36 / 2

HEX #FA94A0

RGB 250 148 160

HSL 352.94, 0.91%, 0.78%

LAB 72.26, 39.65, 10.39

 

CMYK 0 / 35 / 41 / 2

HEX #FAA394

RGB 250 163 148

HSL 8.82, 0.91%, 0.78%

LAB 75.24, 30.51, 21.14

 

CMYK 0 / 72 / 45 / 4

HEX #F64588

RGB 246 69 136

HSL 337.29, 0.91%, 0.62%

LAB 57.68, 70.89, 3.13

 

CMYK 0 / 56 / 35 / 3

HEX #F86CA1

RGB 248 108 161

HSL 337.29, 0.91%, 0.7%

LAB 64.37, 58.58, -1.6

 

CMYK 0 / 41 / 26 / 2

HEX #FA94BA

RGB 250 148 186

HSL 337.65, 0.91%, 0.78%

LAB 72.92, 42.93, -3.06

 

CMYK 0 / 26 / 16 / 1

HEX #FCBBD4

RGB 252 187 212

HSL 336.92, 0.92%, 0.86%

LAB 82.37, 27.08, -3.32

 

CMYK 0 / 11 / 7 / 0

HEX #FEE3ED

RGB 254 227 237

HSL 337.78, 0.93%, 0.94%

LAB 92.63, 10.89, -1.49

 

CMYK 0 / 40 / 25 / 2

HEX #FA95BB

RGB 250 149 187

HSL 337.43, 0.91%, 0.78%

LAB 73.16, 42.56, -3.27

 

CMYK 0 / 8 / 41 / 2

HEX #FAE794

RGB 250 231 148

HSL 48.82, 0.91%, 0.78%

LAB 91.51, -4.8, 42.7

 

CMYK 41 / 9 / 0 / 2

HEX #94E4FA

RGB 148 228 250

HSL 192.94, 0.91%, 0.78%

LAB 86.35, -18.99, -18.39

 

CMYK 0 / 40 / 25 / 2

HEX #FA95BB

RGB 250 149 187

HSL 337.43, 0.91%, 0.78%

LAB 73.16, 42.56, -3.27

 

CMYK 25 / 0 / 41 / 2

HEX #BBFA94

RGB 187 250 148

HSL 97.06, 0.91%, 0.78%

LAB 92.16, -37.25, 42.65

 

CMYK 41 / 25 / 0 / 2

HEX #94BBFA

RGB 148 187 250

HSL 217.06, 0.91%, 0.78%

LAB 75.29, 2.57, -35.29

 

CMYK 0 / 40 / 25 / 2

HEX #FA95BB

RGB 250 149 187

HSL 337.43, 0.91%, 0.78%

LAB 73.16, 42.56, -3.27

 

CMYK 0 / 8 / 41 / 2

HEX #FAE794

RGB 250 231 148

HSL 48.82, 0.91%, 0.78%

LAB 91.51, -4.8, 42.7

 

CMYK 41 / 0 / 16 / 2

HEX #94FAD3

RGB 148 250 211

HSL 157.06, 0.91%, 0.78%

LAB 91.4, -38.46, 9.43

 

CMYK 41 / 33 / 0 / 2

HEX #94A7FA

RGB 148 167 250

HSL 228.82, 0.91%, 0.78%

LAB 70.06, 13.74, -43.43

 

CMYK 0 / 40 / 25 / 2

HEX #FA95BB

RGB 250 149 187

HSL 337.43, 0.91%, 0.78%

LAB 73.16, 42.56, -3.27

 

CMYK 5 / 0 / 41 / 2

HEX #EEFA94

RGB 238 250 148

HSL 67.06, 0.91%, 0.78%

LAB 95.45, -18.78, 47.5

 

CMYK 41 / 0 / 16 / 2

HEX #94FAD3

RGB 148 250 211

HSL 157.06, 0.91%, 0.78%

LAB 91.4, -38.46, 9.43

 

CMYK 36 / 41 / 0 / 2

HEX #A094FA

RGB 160 148 250

HSL 247.06, 0.91%, 0.78%

LAB 66.18, 27.65, -49.47

 

Description

Color code: HEX #FA95BB | qconv.com Color code: HEX #FA95BB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 149 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 149 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 25 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 25% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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