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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA93063F it is the complementary color #056CF93F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA93063F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA93063F shade: #FF93013F, #FFA5143F, #FFB7273F, #FFC93A3F and #FFDB4D3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA93063F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA93063F shade: #FA93063F, #E981003F, #D86F003F, #C75D003F and #B64B003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA93063F shade: #FA9305, #FA5105, #FA0F05 and #FA0505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA93063F shade: #FA9305, #FAD505, #DDFA05, #9BFA05 and #59FA05

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA93063F shade matches the following richer shades: #FA9305

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA93063F shade: #FA9305, #E58F1A, #D18C2E, #BC8943 and #A78658

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA93063F shade: #FA0D05, #FA4F05, #FA9005, #FAD105 and #E1FA05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA93063F shade: #A96303, #D17B04, #FA9305, #FBA42E and #FCB656

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA93063F shade: #FA9306, #3EFA05 and #2E05FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA93063F shade: #FA9306, #05FA90 and #9005FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA93063F shade: #FA9306, #3EFA05, #056FFA and #C105FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA93063F shade: #FA9306, #05FA15, #056FFA and #FA05EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 24 / 0

HEX #FA93063F

RGBA 250 147 6 0.25

HSLA 34.67, 0.96%, 0.5%, 0.25

LABA 70.32, 31.27, 74.91, 0.25

 

Complementary color

CMYK 24 / 14 / 0 / 1

HEX #056CF93F

RGBA 5 108 249 0.25

HSLA 214.67, 0.96%, 0.5%, 0.25

LABA 49, 29.23, -76.89, 0.25

 

CMYK 0 / 11 / 25 / 0

HEX #FF93013F

RGBA 255 147 1 0.25

HSLA 34.49, 1%, 0.5%, 0.25

LABA 70.96, 33.27, 76.28, 0.25

 

CMYK 0 / 9 / 23 / 0

HEX #FFA5143F

RGBA 255 165 20 0.25

HSLA 37.02, 1%, 0.54%, 0.25

LABA 74.96, 24.12, 76.41, 0.25

 

CMYK 0 / 7 / 21 / 0

HEX #FFB7273F

RGBA 255 183 39 0.25

HSLA 40, 1%, 0.58%, 0.25

LABA 79.2, 15.07, 75.42, 0.25

 

CMYK 0 / 5 / 19 / 0

HEX #FFC93A3F

RGBA 255 201 58 0.25

HSLA 43.55, 1%, 0.61%, 0.25

LABA 83.62, 6.3, 73.49, 0.25

 

CMYK 0 / 4 / 17 / 0

HEX #FFDB4D3F

RGBA 255 219 77 0.25

HSLA 47.87, 1%, 0.65%, 0.25

LABA 88.19, -2.09, 71.05, 0.25

 

CMYK 0 / 10 / 24 / 0

HEX #FA93063F

RGBA 250 147 6 0.25

HSLA 34.67, 0.96%, 0.5%, 0.25

LABA 70.32, 31.27, 74.91, 0.25

 

CMYK 0 / 11 / 25 / 2

HEX #E981003F

RGBA 233 129 0 0.25

HSLA 33.22, 1%, 0.46%, 0.25

LABA 64.18, 33.58, 70.72, 0.25

 

CMYK 0 / 12 / 25 / 4

HEX #D86F003F

RGBA 216 111 0 0.25

HSLA 30.83, 1%, 0.42%, 0.25

LABA 58.01, 35.95, 65.75, 0.25

 

CMYK 0 / 13 / 25 / 5

HEX #C75D003F

RGBA 199 93 0 0.25

HSLA 28.04, 1%, 0.39%, 0.25

LABA 51.8, 38.31, 60.77, 0.25

 

CMYK 0 / 15 / 25 / 7

HEX #B64B003F

RGBA 182 75 0 0.25

HSLA 24.73, 1%, 0.36%, 0.25

LABA 45.6, 40.57, 55.82, 0.25

 

CMYK 0 / 41 / 98 / 2

HEX #FA9305

RGB 250 147 5

HSL 34.78, 0.96%, 0.5%

LAB 70.32, 31.26, 75.04

 

CMYK 0 / 68 / 98 / 2

HEX #FA5105

RGB 250 81 5

HSL 18.61, 0.96%, 0.5%

LAB 58.25, 62, 67.8

 

CMYK 0 / 94 / 98 / 2

HEX #FA0F05

RGB 250 15 5

HSL 2.45, 0.96%, 0.5%

LAB 52.59, 77.85, 65.09

 

CMYK 0 / 98 / 98 / 2

HEX #FA0505

RGB 250 5 5

HSL 0, 0.96%, 0.5%

LAB 52.33, 78.6, 64.98

 

CMYK 0 / 41 / 98 / 2

HEX #FA9305

RGB 250 147 5

HSL 34.78, 0.96%, 0.5%

LAB 70.32, 31.26, 75.04

 

CMYK 0 / 15 / 98 / 2

HEX #FAD505

RGB 250 213 5

HSL 50.94, 0.96%, 0.5%

LAB 85.97, -3, 85.81

 

CMYK 12 / 0 / 98 / 2

HEX #DDFA05

RGB 221 250 5

HSL 67.1, 0.96%, 0.5%

LAB 93.34, -32.99, 90.21

 

CMYK 38 / 0 / 98 / 2

HEX #9BFA05

RGB 155 250 5

HSL 83.27, 0.96%, 0.5%

LAB 89.56, -57.56, 85.65

 

CMYK 64 / 0 / 98 / 2

HEX #59FA05

RGB 89 250 5

HSL 99.43, 0.96%, 0.5%

LAB 87.24, -75.6, 82.84

 

CMYK 0 / 41 / 98 / 2

HEX #FA9305

RGB 250 147 5

HSL 34.78, 0.96%, 0.5%

LAB 70.32, 31.26, 75.04

 

CMYK 0 / 41 / 98 / 2

HEX #FA9305

RGB 250 147 5

HSL 34.78, 0.96%, 0.5%

LAB 70.32, 31.26, 75.04

 

CMYK 0 / 38 / 89 / 10

HEX #E58F1A

RGB 229 143 26

HSL 34.58, 0.8%, 0.5%

LAB 66.81, 24.88, 67.66

 

CMYK 0 / 33 / 78 / 18

HEX #D18C2E

RGB 209 140 46

HSL 34.6, 0.64%, 0.5%

LAB 63.76, 18.52, 57.58

 

CMYK 0 / 27 / 64 / 26

HEX #BC8943

RGB 188 137 67

HSL 34.71, 0.47%, 0.5%

LAB 60.77, 12.14, 44.32

 

CMYK 0 / 20 / 47 / 35

HEX #A78658

RGB 167 134 88

HSL 34.94, 0.31%, 0.5%

LAB 58.01, 6.5, 29.47

 

CMYK 0 / 95 / 98 / 2

HEX #FA0D05

RGB 250 13 5

HSL 1.96, 0.96%, 0.5%

LAB 52.53, 78.02, 65.07

 

CMYK 0 / 68 / 98 / 2

HEX #FA4F05

RGB 250 79 5

HSL 18.12, 0.96%, 0.5%

LAB 57.97, 62.76, 67.66

 

CMYK 0 / 42 / 98 / 2

HEX #FA9005

RGB 250 144 5

HSL 34.04, 0.96%, 0.5%

LAB 69.67, 32.81, 74.62

 

CMYK 0 / 16 / 98 / 2

HEX #FAD105

RGB 250 209 5

HSL 49.96, 0.96%, 0.5%

LAB 84.96, -0.97, 85.09

 

CMYK 10 / 0 / 98 / 2

HEX #E1FA05

RGB 225 250 5

HSL 66.12, 0.96%, 0.5%

LAB 93.62, -31.39, 90.54

 

CMYK 0 / 41 / 98 / 34

HEX #A96303

RGB 169 99 3

HSL 34.7, 0.97%, 0.34%

LAB 48.72, 22.55, 55.98

 

CMYK 0 / 41 / 98 / 18

HEX #D17B04

RGB 209 123 4

HSL 34.83, 0.96%, 0.42%

LAB 59.64, 26.78, 65.6

 

CMYK 0 / 41 / 98 / 2

HEX #FA9305

RGB 250 147 5

HSL 34.78, 0.96%, 0.5%

LAB 70.32, 31.26, 75.04

 

CMYK 0 / 35 / 82 / 2

HEX #FBA42E

RGB 251 164 46

HSL 34.54, 0.96%, 0.58%

LAB 74.35, 23.51, 69.04

 

CMYK 0 / 28 / 66 / 1

HEX #FCB656

RGB 252 182 86

HSL 34.7, 0.97%, 0.66%

LAB 78.94, 16.22, 57.49

 

CMYK 0 / 41 / 98 / 2

HEX #FA9306

RGB 250 147 6

HSL 34.67, 0.96%, 0.5%

LAB 70.32, 31.27, 74.91

 

CMYK 75 / 0 / 98 / 2

HEX #3EFA05

RGB 62 250 5

HSL 106.04, 0.96%, 0.5%

LAB 86.7, -80.26, 82.18

 

CMYK 82 / 98 / 0 / 2

HEX #2E05FA

RGB 46 5 250

HSL 250.04, 0.96%, 0.5%

LAB 33.12, 77.72, -103.66

 

CMYK 0 / 41 / 98 / 2

HEX #FA9306

RGB 250 147 6

HSL 34.67, 0.96%, 0.5%

LAB 70.32, 31.27, 74.91

 

CMYK 98 / 0 / 42 / 2

HEX #05FA90

RGB 5 250 144

HSL 154.04, 0.96%, 0.5%

LAB 87.2, -72.39, 37.24

 

CMYK 42 / 98 / 0 / 2

HEX #9005FA

RGB 144 5 250

HSL 274.04, 0.96%, 0.5%

LAB 42.67, 82.98, -87.52

 

CMYK 0 / 41 / 98 / 2

HEX #FA9306

RGB 250 147 6

HSL 34.67, 0.96%, 0.5%

LAB 70.32, 31.27, 74.91

 

CMYK 75 / 0 / 98 / 2

HEX #3EFA05

RGB 62 250 5

HSL 106.04, 0.96%, 0.5%

LAB 86.7, -80.26, 82.18

 

CMYK 98 / 56 / 0 / 2

HEX #056FFA

RGB 5 111 250

HSL 214.04, 0.96%, 0.5%

LAB 49.86, 27.7, -76.04

 

CMYK 23 / 98 / 0 / 2

HEX #C105FA

RGB 193 5 250

HSL 286.04, 0.96%, 0.5%

LAB 49.92, 88.38, -75.37

 

CMYK 0 / 41 / 98 / 2

HEX #FA9306

RGB 250 147 6

HSL 34.67, 0.96%, 0.5%

LAB 70.32, 31.27, 74.91

 

CMYK 98 / 0 / 92 / 2

HEX #05FA15

RGB 5 250 21

HSL 123.92, 0.96%, 0.5%

LAB 86.23, -84.4, 80.08

 

CMYK 98 / 56 / 0 / 2

HEX #056FFA

RGB 5 111 250

HSL 214.04, 0.96%, 0.5%

LAB 49.86, 27.7, -76.04

 

CMYK 0 / 98 / 6 / 2

HEX #FA05EA

RGB 250 5 234

HSL 303.92, 0.96%, 0.5%

LAB 58.39, 94.31, -52.26

 

Description

Color code: HEX #FA93063F | qconv.com Color code: HEX #FA93063F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 147 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 147 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 24 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 24% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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