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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA9099 it is the complementary color #056F66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA9099. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA9099 shade: #FF9094, #FFA2A7, #FFB4BA, #FFC6CD and #FFD8E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA9099. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA9099 shade: #FA9099, #E97E86, #D86C73, #C75A60 and #B6484D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA9099 shade: #FA8F98 and #FA8F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA9099 shade: #FA8F98, #FA8FB5, #FA8FD2, #FA8FEE and #E88FFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA9099 shade matches the following richer shades: #FA8F98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA9099 shade: #FA8F98, #F098A0, #E7A2A8, #DDABB0 and #D4B5B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA9099 shade: #FA8FD3, #FA8FB6, #FA8F9A, #FAA18F and #FABD8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA9099 shade: #F64050, #F86874, #FA8F98, #FCB6BC and #FDDEE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA9099 shade: #FA9099, #EFFA8F and #8FC4FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA9099 shade: #FA9099, #9AFA8F and #8F9AFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA9099 shade: #FA9099, #EFFA8F, #8FFAEF and #9A8FFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA9099 shade: #FA9099, #CFFA8F, #8FFAEF and #BA8FFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 39 / 2

HEX #FA9099

RGB 250 144 153

HSL 354.91, 0.91%, 0.77%

LAB 71.26, 40.9, 12.87

 

Complementary color

CMYK 95 / 0 / 8 / 56

HEX #056F66

RGB 5 111 102

HSL 174.91, 0.91%, 0.23%

LAB 41.78, -28.62, -2.57

 

CMYK 0 / 44 / 42 / 0

HEX #FF9094

RGB 255 144 148

HSL 357.84, 1%, 0.78%

LAB 71.79, 42.16, 16.47

 

CMYK 0 / 36 / 35 / 0

HEX #FFA2A7

RGB 255 162 167

HSL 356.77, 1%, 0.82%

LAB 76, 35.05, 11.93

 

CMYK 0 / 29 / 27 / 0

HEX #FFB4BA

RGB 255 180 186

HSL 355.2, 1%, 0.85%

LAB 80.43, 28.06, 7.91

 

CMYK 0 / 22 / 20 / 0

HEX #FFC6CD

RGB 255 198 205

HSL 352.63, 1%, 0.89%

LAB 85.02, 21.3, 4.33

 

CMYK 0 / 15 / 12 / 0

HEX #FFD8E0

RGB 255 216 224

HSL 347.69, 1%, 0.92%

LAB 89.74, 14.81, 1.12

 

CMYK 0 / 42 / 39 / 2

HEX #FA9099

RGB 250 144 153

HSL 354.91, 0.91%, 0.77%

LAB 71.26, 40.9, 12.87

 

CMYK 0 / 46 / 42 / 9

HEX #E97E86

RGB 233 126 134

HSL 355.51, 0.71%, 0.7%

LAB 64.94, 41.9, 14.33

 

CMYK 0 / 50 / 47 / 15

HEX #D86C73

RGB 216 108 115

HSL 356.11, 0.58%, 0.64%

LAB 58.57, 42.94, 16.01

 

CMYK 0 / 55 / 52 / 22

HEX #C75A60

RGB 199 90 96

HSL 356.7, 0.49%, 0.57%

LAB 52.17, 43.99, 17.96

 

CMYK 0 / 60 / 58 / 29

HEX #B6484D

RGB 182 72 77

HSL 357.27, 0.43%, 0.5%

LAB 45.79, 45, 20.3

 

CMYK 0 / 43 / 39 / 2

HEX #FA8F98

RGB 250 143 152

HSL 354.95, 0.91%, 0.77%

LAB 71.03, 41.3, 13.1

 

CMYK 0 / 43 / 43 / 2

HEX #FA8F8F

RGB 250 143 143

HSL 0, 0.91%, 0.77%

LAB 70.84, 40.34, 17.83

 

CMYK 0 / 43 / 39 / 2

HEX #FA8F98

RGB 250 143 152

HSL 354.95, 0.91%, 0.77%

LAB 71.03, 41.3, 13.1

 

CMYK 0 / 43 / 28 / 2

HEX #FA8FB5

RGB 250 143 181

HSL 338.69, 0.91%, 0.77%

LAB 71.76, 44.81, -1.99

 

CMYK 0 / 43 / 16 / 2

HEX #FA8FD2

RGB 250 143 210

HSL 322.43, 0.91%, 0.77%

LAB 72.64, 48.92, -16.75

 

CMYK 0 / 43 / 5 / 2

HEX #FA8FEE

RGB 250 143 238

HSL 306.73, 0.91%, 0.77%

LAB 73.64, 53.42, -30.6

 

CMYK 7 / 43 / 0 / 2

HEX #E88FFA

RGB 232 143 250

HSL 289.91, 0.91%, 0.77%

LAB 72.03, 50.33, -39.8

 

CMYK 0 / 43 / 39 / 2

HEX #FA8F98

RGB 250 143 152

HSL 354.95, 0.91%, 0.77%

LAB 71.03, 41.3, 13.1

 

CMYK 0 / 43 / 39 / 2

HEX #FA8F98

RGB 250 143 152

HSL 354.95, 0.91%, 0.77%

LAB 71.03, 41.3, 13.1

 

CMYK 0 / 37 / 33 / 6

HEX #F098A0

RGB 240 152 160

HSL 354.55, 0.75%, 0.77%

LAB 71.91, 33.95, 9.72

 

CMYK 0 / 30 / 27 / 9

HEX #E7A2A8

RGB 231 162 168

HSL 354.78, 0.59%, 0.77%

LAB 73.32, 26.39, 7.19

 

CMYK 0 / 23 / 20 / 13

HEX #DDABB0

RGB 221 171 176

HSL 354, 0.42%, 0.77%

LAB 74.59, 19.02, 4.49

 

CMYK 0 / 15 / 13 / 17

HEX #D4B5B8

RGB 212 181 184

HSL 354.19, 0.26%, 0.77%

LAB 76.38, 11.61, 2.6

 

CMYK 0 / 43 / 16 / 2

HEX #FA8FD3

RGB 250 143 211

HSL 321.87, 0.91%, 0.77%

LAB 72.68, 49.08, -17.25

 

CMYK 0 / 43 / 27 / 2

HEX #FA8FB6

RGB 250 143 182

HSL 338.13, 0.91%, 0.77%

LAB 71.79, 44.94, -2.51

 

CMYK 0 / 43 / 38 / 2

HEX #FA8F9A

RGB 250 143 154

HSL 353.83, 0.91%, 0.77%

LAB 71.08, 41.52, 12.05

 

CMYK 0 / 36 / 43 / 2

HEX #FAA18F

RGB 250 161 143

HSL 10.09, 0.91%, 0.77%

LAB 74.7, 31.03, 23.12

 

CMYK 0 / 24 / 43 / 2

HEX #FABD8F

RGB 250 189 143

HSL 25.79, 0.91%, 0.77%

LAB 81.13, 16.33, 31.75

 

CMYK 0 / 74 / 67 / 4

HEX #F64050

RGB 246 64 80

HSL 354.73, 0.91%, 0.61%

LAB 55.93, 68.65, 33.73

 

CMYK 0 / 58 / 53 / 3

HEX #F86874

RGB 248 104 116

HSL 355, 0.91%, 0.69%

LAB 62.61, 56.04, 21.72

 

CMYK 0 / 43 / 39 / 2

HEX #FA8F98

RGB 250 143 152

HSL 354.95, 0.91%, 0.77%

LAB 71.03, 41.3, 13.1

 

CMYK 0 / 28 / 25 / 1

HEX #FCB6BC

RGB 252 182 188

HSL 354.86, 0.92%, 0.85%

LAB 80.62, 26.2, 7.06

 

CMYK 0 / 12 / 11 / 1

HEX #FDDEE0

RGB 253 222 224

HSL 356.13, 0.89%, 0.93%

LAB 91.01, 11, 2.94

 

CMYK 0 / 42 / 39 / 2

HEX #FA9099

RGB 250 144 153

HSL 354.91, 0.91%, 0.77%

LAB 71.26, 40.9, 12.87

 

CMYK 4 / 0 / 43 / 2

HEX #EFFA8F

RGB 239 250 143

HSL 66.17, 0.91%, 0.77%

LAB 95.46, -18.91, 49.93

 

CMYK 43 / 22 / 0 / 2

HEX #8FC4FA

RGB 143 196 250

HSL 210.28, 0.91%, 0.77%

LAB 77.41, -3.58, -32.03

 

CMYK 0 / 42 / 39 / 2

HEX #FA9099

RGB 250 144 153

HSL 354.91, 0.91%, 0.77%

LAB 71.26, 40.9, 12.87

 

CMYK 38 / 0 / 43 / 2

HEX #9AFA8F

RGB 154 250 143

HSL 113.83, 0.91%, 0.77%

LAB 90.42, -48.56, 42.52

 

CMYK 43 / 38 / 0 / 2

HEX #8F9AFA

RGB 143 154 250

HSL 233.83, 0.91%, 0.77%

LAB 66.41, 19.92, -49.19

 

CMYK 0 / 42 / 39 / 2

HEX #FA9099

RGB 250 144 153

HSL 354.91, 0.91%, 0.77%

LAB 71.26, 40.9, 12.87

 

CMYK 4 / 0 / 43 / 2

HEX #EFFA8F

RGB 239 250 143

HSL 66.17, 0.91%, 0.77%

LAB 95.46, -18.91, 49.93

 

CMYK 43 / 0 / 4 / 2

HEX #8FFAEF

RGB 143 250 239

HSL 173.83, 0.91%, 0.77%

LAB 91.88, -33.51, -4.41

 

CMYK 38 / 43 / 0 / 2

HEX #9A8FFA

RGB 154 143 250

HSL 246.17, 0.91%, 0.77%

LAB 64.5, 28.98, -52.16

 

CMYK 0 / 42 / 39 / 2

HEX #FA9099

RGB 250 144 153

HSL 354.91, 0.91%, 0.77%

LAB 71.26, 40.9, 12.87

 

CMYK 17 / 0 / 43 / 2

HEX #CFFA8F

RGB 207 250 143

HSL 84.11, 0.91%, 0.77%

LAB 93.29, -30.82, 46.74

 

CMYK 43 / 0 / 4 / 2

HEX #8FFAEF

RGB 143 250 239

HSL 173.83, 0.91%, 0.77%

LAB 91.88, -33.51, -4.41

 

CMYK 26 / 43 / 0 / 2

HEX #BA8FFA

RGB 186 143 250

HSL 264.11, 0.91%, 0.77%

LAB 67.27, 37.4, -47.61

 

Description

Color code: HEX #FA9099 | qconv.com Color code: HEX #FA9099 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 144 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 144 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 39 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 39% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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