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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA8A7F it is the complementary color #057580. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA8A7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA8A7F shade: #FF8A7A, #FF9C8D, #FFAEA0, #FFC0B3 and #FFD2C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA8A7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA8A7F shade: #FA8A7F, #E9786C, #D86659, #C75446 and #B64233

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA8A7F shade: #FA8B80 and #FA8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA8A7F shade: #FA8B80, #FAAC80, #FACC80, #FAED80 and #E5FA80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA8A7F shade matches the following richer shades: #FA8B80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA8A7F shade: #FA8B80, #EF938A, #E49C95, #DAA5A0 and #CFAEAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA8A7F shade: #FA80B7, #FA8096, #FA8A80, #FAAA80 and #FACB80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA8A7F shade: #F64230, #F86658, #FA8B80, #FBAFA7 and #FDD3CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA8A7F shade: #FA8A7F, #D7FA80 and #80A6FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA8A7F shade: #FA8A7F, #80FA8A and #8A80FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA8A7F shade: #FA8A7F, #D7FA80, #80F0FA and #A280FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA8A7F shade: #FA8A7F, #B3FA80, #80F0FA and #C780FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 49 / 2

HEX #FA8A7F

RGB 250 138 127

HSL 5.37, 0.92%, 0.74%

LAB 69.49, 41.33, 24.86

 

Complementary color

CMYK 96 / 9 / 0 / 50

HEX #057580

RGB 5 117 128

HSL 185.37, 0.92%, 0.26%

LAB 44.68, -23.01, -13.87

 

CMYK 0 / 46 / 52 / 0

HEX #FF8A7A

RGB 255 138 122

HSL 7.22, 1%, 0.74%

LAB 70.07, 42.74, 28.49

 

CMYK 0 / 39 / 45 / 0

HEX #FF9C8D

RGB 255 156 141

HSL 7.89, 1%, 0.78%

LAB 74.16, 35.3, 23.59

 

CMYK 0 / 32 / 37 / 0

HEX #FFAEA0

RGB 255 174 160

HSL 8.84, 1%, 0.81%

LAB 78.5, 27.97, 19.23

 

CMYK 0 / 25 / 30 / 0

HEX #FFC0B3

RGB 255 192 179

HSL 10.26, 1%, 0.85%

LAB 83.03, 20.85, 15.35

 

CMYK 0 / 18 / 22 / 0

HEX #FFD2C6

RGB 255 210 198

HSL 12.63, 1%, 0.89%

LAB 87.69, 14.01, 11.87

 

CMYK 0 / 45 / 49 / 2

HEX #FA8A7F

RGB 250 138 127

HSL 5.37, 0.92%, 0.74%

LAB 69.49, 41.33, 24.86

 

CMYK 0 / 48 / 54 / 9

HEX #E9786C

RGB 233 120 108

HSL 5.76, 0.74%, 0.67%

LAB 63.21, 42.5, 26.67

 

CMYK 0 / 53 / 59 / 15

HEX #D86659

RGB 216 102 89

HSL 6.14, 0.62%, 0.6%

LAB 56.9, 43.71, 28.74

 

CMYK 0 / 58 / 65 / 22

HEX #C75446

RGB 199 84 70

HSL 6.51, 0.54%, 0.53%

LAB 50.6, 44.95, 31.13

 

CMYK 0 / 64 / 72 / 29

HEX #B64233

RGB 182 66 51

HSL 6.87, 0.56%, 0.46%

LAB 44.35, 46.11, 33.9

 

CMYK 0 / 44 / 49 / 2

HEX #FA8B80

RGB 250 139 128

HSL 5.41, 0.92%, 0.74%

LAB 69.72, 40.92, 24.6

 

CMYK 0 / 49 / 49 / 2

HEX #FA8080

RGB 250 128 128

HSL 0, 0.92%, 0.74%

LAB 67.52, 46.42, 21.63

 

CMYK 0 / 44 / 49 / 2

HEX #FA8B80

RGB 250 139 128

HSL 5.41, 0.92%, 0.74%

LAB 69.72, 40.92, 24.6

 

CMYK 0 / 31 / 49 / 2

HEX #FAAC80

RGB 250 172 128

HSL 21.64, 0.92%, 0.74%

LAB 76.91, 23.79, 34.11

 

CMYK 0 / 18 / 49 / 2

HEX #FACC80

RGB 250 204 128

HSL 37.38, 0.92%, 0.74%

LAB 84.52, 7.05, 43.81

 

CMYK 0 / 5 / 49 / 2

HEX #FAED80

RGB 250 237 128

HSL 53.61, 0.92%, 0.74%

LAB 92.77, -9.7, 53.94

 

CMYK 8 / 0 / 49 / 2

HEX #E5FA80

RGB 229 250 128

HSL 70.33, 0.92%, 0.74%

LAB 94.56, -24.18, 55.71

 

CMYK 0 / 44 / 49 / 2

HEX #FA8B80

RGB 250 139 128

HSL 5.41, 0.92%, 0.74%

LAB 69.72, 40.92, 24.6

 

CMYK 0 / 44 / 49 / 2

HEX #FA8B80

RGB 250 139 128

HSL 5.41, 0.92%, 0.74%

LAB 69.72, 40.92, 24.6

 

CMYK 0 / 38 / 42 / 6

HEX #EF938A

RGB 239 147 138

HSL 5.35, 0.76%, 0.74%

LAB 70.21, 33.67, 19.52

 

CMYK 0 / 32 / 35 / 11

HEX #E49C95

RGB 228 156 149

HSL 5.32, 0.59%, 0.74%

LAB 71.17, 26.01, 14.58

 

CMYK 0 / 24 / 27 / 15

HEX #DAA5A0

RGB 218 165 160

HSL 5.17, 0.44%, 0.74%

LAB 72.46, 18.82, 10.18

 

CMYK 0 / 16 / 17 / 19

HEX #CFAEAB

RGB 207 174 171

HSL 5, 0.27%, 0.74%

LAB 73.85, 11.47, 5.99

 

CMYK 0 / 49 / 27 / 2

HEX #FA80B7

RGB 250 128 183

HSL 332.95, 0.92%, 0.74%

LAB 68.88, 52.52, -7.36

 

CMYK 0 / 49 / 40 / 2

HEX #FA8096

RGB 250 128 150

HSL 349.18, 0.92%, 0.74%

LAB 67.99, 48.59, 9.92

 

CMYK 0 / 45 / 49 / 2

HEX #FA8A80

RGB 250 138 128

HSL 4.92, 0.92%, 0.74%

LAB 69.51, 41.42, 24.33

 

CMYK 0 / 32 / 49 / 2

HEX #FAAA80

RGB 250 170 128

HSL 20.66, 0.92%, 0.74%

LAB 76.46, 24.84, 33.52

 

CMYK 0 / 19 / 49 / 2

HEX #FACB80

RGB 250 203 128

HSL 36.89, 0.92%, 0.74%

LAB 84.27, 7.57, 43.5

 

CMYK 0 / 73 / 80 / 4

HEX #F64230

RGB 246 66 48

HSL 5.45, 0.92%, 0.58%

LAB 55.79, 66.78, 51.04

 

CMYK 0 / 59 / 65 / 3

HEX #F86658

RGB 248 102 88

HSL 5.25, 0.92%, 0.66%

LAB 61.8, 55.02, 36.49

 

CMYK 0 / 44 / 49 / 2

HEX #FA8B80

RGB 250 139 128

HSL 5.41, 0.92%, 0.74%

LAB 69.72, 40.92, 24.6

 

CMYK 0 / 30 / 33 / 2

HEX #FBAFA7

RGB 251 175 167

HSL 5.71, 0.91%, 0.82%

LAB 78.44, 26.78, 15.3

 

CMYK 0 / 17 / 18 / 1

HEX #FDD3CF

RGB 253 211 207

HSL 5.22, 0.92%, 0.9%

LAB 87.96, 14.08, 7.47

 

CMYK 0 / 45 / 49 / 2

HEX #FA8A7F

RGB 250 138 127

HSL 5.37, 0.92%, 0.74%

LAB 69.49, 41.33, 24.86

 

CMYK 14 / 0 / 49 / 2

HEX #D7FA80

RGB 215 250 128

HSL 77.21, 0.92%, 0.74%

LAB 93.61, -29.47, 54.34

 

CMYK 49 / 34 / 0 / 2

HEX #80A6FA

RGB 128 166 250

HSL 221.31, 0.92%, 0.74%

LAB 68.58, 9.48, -45.84

 

CMYK 0 / 45 / 49 / 2

HEX #FA8A7F

RGB 250 138 127

HSL 5.37, 0.92%, 0.74%

LAB 69.49, 41.33, 24.86

 

CMYK 49 / 0 / 45 / 2

HEX #80FA8A

RGB 128 250 138

HSL 124.92, 0.92%, 0.74%

LAB 89.3, -56.59, 43.29

 

CMYK 45 / 49 / 0 / 2

HEX #8A80FA

RGB 138 128 250

HSL 244.92, 0.92%, 0.74%

LAB 59.66, 33.83, -59.95

 

CMYK 0 / 45 / 49 / 2

HEX #FA8A7F

RGB 250 138 127

HSL 5.37, 0.92%, 0.74%

LAB 69.49, 41.33, 24.86

 

CMYK 14 / 0 / 49 / 2

HEX #D7FA80

RGB 215 250 128

HSL 77.21, 0.92%, 0.74%

LAB 93.61, -29.47, 54.34

 

CMYK 49 / 4 / 0 / 2

HEX #80F0FA

RGB 128 240 250

HSL 184.92, 0.92%, 0.74%

LAB 88.83, -29.44, -14.73

 

CMYK 35 / 49 / 0 / 2

HEX #A280FA

RGB 162 128 250

HSL 256.72, 0.92%, 0.74%

LAB 61.67, 39.51, -56.61

 

CMYK 0 / 45 / 49 / 2

HEX #FA8A7F

RGB 250 138 127

HSL 5.37, 0.92%, 0.74%

LAB 69.49, 41.33, 24.86

 

CMYK 28 / 0 / 49 / 2

HEX #B3FA80

RGB 179 250 128

HSL 94.92, 0.92%, 0.74%

LAB 91.47, -42.38, 51.24

 

CMYK 49 / 4 / 0 / 2

HEX #80F0FA

RGB 128 240 250

HSL 184.92, 0.92%, 0.74%

LAB 88.83, -29.44, -14.73

 

CMYK 20 / 49 / 0 / 2

HEX #C780FA

RGB 199 128 250

HSL 274.92, 0.92%, 0.74%

LAB 65.34, 49.01, -50.55

 

Description

Color code: HEX #FA8A7F | qconv.com Color code: HEX #FA8A7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 138 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 138 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 49 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 49% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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