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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA85FB it is the complementary color #057A04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA85FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA85FB shade: #FF85F6, #FF97FF, #FFA9FF, #FFBBFF and #FFCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA85FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA85FB shade: #FA85FB, #E973E8, #D861D5, #C74FC2 and #B63DAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA85FB shade: #FA83FB, #FB83DC, #FB83BC, #FB839B and #FB8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA85FB shade: #FA83FB, #DA83FB, #BA83FB, #9983FB and #8383FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA85FB shade matches the following richer shades: #FA83FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA85FB shade: #FA83FB, #F08EF1, #E698E7, #DCA2DC and #D2ADD2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA85FB shade: #B983FB, #D983FB, #F983FB, #FB83DD and #FB83BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA85FB shade: #F733F9, #F95BFA, #FA83FB, #FCABFC and #FDD3FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA85FB shade: #FA85FB, #FB9983 and #83FBC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA85FB shade: #FA85FB, #FBF983 and #83FBF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA85FB shade: #FA85FB, #FB9983, #85FB83 and #83E5FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA85FB shade: #FA85FB, #FBBD83, #85FB83 and #83C1FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 0 / 2

HEX #FA85FB

RGB 250 133 251

HSL 299.49, 0.94%, 0.75%

LAB 72.27, 60.54, -39.81

 

Complementary color

CMYK 96 / 0 / 97 / 52

HEX #057A04

RGB 5 122 4

HSL 119.49, 0.94%, 0.25%

LAB 44.18, -49.36, 47.38

 

CMYK 0 / 48 / 4 / 0

HEX #FF85F6

RGB 255 133 246

HSL 304.43, 1%, 0.76%

LAB 72.69, 61.08, -36.39

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 0 / 47 / 0 / 2

HEX #FA85FB

RGB 250 133 251

HSL 299.49, 0.94%, 0.75%

LAB 72.27, 60.54, -39.81

 

CMYK 0 / 51 / 0 / 9

HEX #E973E8

RGB 233 115 232

HSL 300.51, 0.73%, 0.68%

LAB 66.07, 61.14, -39.21

 

CMYK 0 / 55 / 1 / 15

HEX #D861D5

RGB 216 97 213

HSL 301.51, 0.6%, 0.61%

LAB 59.85, 61.63, -38.49

 

CMYK 0 / 60 / 3 / 22

HEX #C74FC2

RGB 199 79 194

HSL 302.5, 0.52%, 0.55%

LAB 53.63, 61.92, -37.58

 

CMYK 0 / 66 / 4 / 29

HEX #B63DAF

RGB 182 61 175

HSL 303.47, 0.5%, 0.48%

LAB 47.47, 61.87, -36.4

 

CMYK 0 / 48 / 0 / 2

HEX #FA83FB

RGB 250 131 251

HSL 299.5, 0.94%, 0.75%

LAB 71.91, 61.5, -40.38

 

CMYK 0 / 48 / 12 / 2

HEX #FB83DC

RGB 251 131 220

HSL 315.5, 0.94%, 0.75%

LAB 70.81, 56.69, -25.05

 

CMYK 0 / 48 / 25 / 2

HEX #FB83BC

RGB 251 131 188

HSL 331.5, 0.94%, 0.75%

LAB 69.73, 52.05, -8.88

 

CMYK 0 / 48 / 38 / 2

HEX #FB839B

RGB 251 131 155

HSL 348, 0.94%, 0.75%

LAB 68.83, 48, 8.32

 

CMYK 0 / 48 / 48 / 2

HEX #FB8383

RGB 251 131 131

HSL 0, 0.94%, 0.75%

LAB 68.3, 45.57, 21.04

 

CMYK 0 / 48 / 0 / 2

HEX #FA83FB

RGB 250 131 251

HSL 299.5, 0.94%, 0.75%

LAB 71.91, 61.5, -40.38

 

CMYK 13 / 48 / 0 / 2

HEX #DA83FB

RGB 218 131 251

HSL 283.5, 0.94%, 0.75%

LAB 68.1, 52.76, -46.62

 

CMYK 26 / 48 / 0 / 2

HEX #BA83FB

RGB 186 131 251

HSL 267.5, 0.94%, 0.75%

LAB 64.67, 44.2, -52.25

 

CMYK 39 / 48 / 0 / 2

HEX #9983FB

RGB 153 131 251

HSL 251, 0.94%, 0.75%

LAB 61.63, 35.88, -57.28

 

CMYK 48 / 48 / 0 / 2

HEX #8383FB

RGB 131 131 251

HSL 240, 0.94%, 0.75%

LAB 59.91, 30.81, -60.12

 

CMYK 0 / 48 / 0 / 2

HEX #FA83FB

RGB 250 131 251

HSL 299.5, 0.94%, 0.75%

LAB 71.91, 61.5, -40.38

 

CMYK 0 / 48 / 0 / 2

HEX #FA83FB

RGB 250 131 251

HSL 299.5, 0.94%, 0.75%

LAB 71.91, 61.5, -40.38

 

CMYK 0 / 41 / 0 / 5

HEX #F08EF1

RGB 240 142 241

HSL 299.39, 0.78%, 0.75%

LAB 72.38, 51.49, -34.28

 

CMYK 0 / 34 / 0 / 9

HEX #E698E7

RGB 230 152 231

HSL 299.24, 0.62%, 0.75%

LAB 72.92, 41.5, -28.07

 

CMYK 0 / 26 / 0 / 14

HEX #DCA2DC

RGB 220 162 220

HSL 300, 0.45%, 0.75%

LAB 73.69, 30.95, -20.98

 

CMYK 0 / 18 / 0 / 18

HEX #D2ADD2

RGB 210 173 210

HSL 300, 0.29%, 0.75%

LAB 74.98, 19.8, -13.66

 

CMYK 26 / 48 / 0 / 2

HEX #B983FB

RGB 185 131 251

HSL 267, 0.94%, 0.75%

LAB 64.57, 43.94, -52.42

 

CMYK 14 / 48 / 0 / 2

HEX #D983FB

RGB 217 131 251

HSL 283, 0.94%, 0.75%

LAB 67.98, 52.49, -46.81

 

CMYK 1 / 48 / 0 / 2

HEX #F983FB

RGB 249 131 251

HSL 299, 0.94%, 0.75%

LAB 71.78, 61.22, -40.58

 

CMYK 0 / 48 / 12 / 2

HEX #FB83DD

RGB 251 131 221

HSL 315, 0.94%, 0.75%

LAB 70.84, 56.84, -25.55

 

CMYK 0 / 48 / 25 / 2

HEX #FB83BD

RGB 251 131 189

HSL 331, 0.94%, 0.75%

LAB 69.76, 52.18, -9.39

 

CMYK 1 / 80 / 0 / 2

HEX #F733F9

RGB 247 51 249

HSL 299.39, 0.94%, 0.59%

LAB 60.77, 89.87, -56.88

 

CMYK 0 / 64 / 0 / 2

HEX #F95BFA

RGB 249 91 250

HSL 299.62, 0.94%, 0.67%

LAB 65.38, 78.31, -50.09

 

CMYK 0 / 48 / 0 / 2

HEX #FA83FB

RGB 250 131 251

HSL 299.5, 0.94%, 0.75%

LAB 71.91, 61.5, -40.38

 

CMYK 0 / 32 / 0 / 1

HEX #FCABFC

RGB 252 171 252

HSL 300, 0.93%, 0.83%

LAB 80.09, 42.18, -28.24

 

CMYK 0 / 17 / 0 / 0

HEX #FDD3FE

RGB 253 211 254

HSL 298.6, 0.96%, 0.91%

LAB 89.22, 21.86, -15.47

 

CMYK 0 / 47 / 0 / 2

HEX #FA85FB

RGB 250 133 251

HSL 299.49, 0.94%, 0.75%

LAB 72.27, 60.54, -39.81

 

CMYK 0 / 39 / 48 / 2

HEX #FB9983

RGB 251 153 131

HSL 11, 0.94%, 0.75%

LAB 72.85, 34.38, 27.17

 

CMYK 48 / 0 / 20 / 2

HEX #83FBC9

RGB 131 251 201

HSL 155, 0.94%, 0.75%

LAB 90.8, -45.19, 13.64

 

CMYK 0 / 47 / 0 / 2

HEX #FA85FB

RGB 250 133 251

HSL 299.49, 0.94%, 0.75%

LAB 72.27, 60.54, -39.81

 

CMYK 0 / 1 / 48 / 2

HEX #FBF983

RGB 251 249 131

HSL 59, 0.94%, 0.75%

LAB 95.95, -14.93, 56.38

 

CMYK 48 / 0 / 1 / 2

HEX #83FBF9

RGB 131 251 249

HSL 179, 0.94%, 0.75%

LAB 91.98, -34.25, -9.51

 

CMYK 0 / 47 / 0 / 2

HEX #FA85FB

RGB 250 133 251

HSL 299.49, 0.94%, 0.75%

LAB 72.27, 60.54, -39.81

 

CMYK 0 / 39 / 48 / 2

HEX #FB9983

RGB 251 153 131

HSL 11, 0.94%, 0.75%

LAB 72.85, 34.38, 27.17

 

CMYK 47 / 0 / 48 / 2

HEX #85FB83

RGB 133 251 131

HSL 119, 0.94%, 0.75%

LAB 89.68, -56.62, 47.16

 

CMYK 48 / 9 / 0 / 2

HEX #83E5FB

RGB 131 229 251

HSL 191, 0.94%, 0.75%

LAB 85.92, -23.18, -19.63

 

CMYK 0 / 47 / 0 / 2

HEX #FA85FB

RGB 250 133 251

HSL 299.49, 0.94%, 0.75%

LAB 72.27, 60.54, -39.81

 

CMYK 0 / 25 / 48 / 2

HEX #FBBD83

RGB 251 189 131

HSL 29, 0.94%, 0.75%

LAB 81.04, 15.54, 37.89

 

CMYK 47 / 0 / 48 / 2

HEX #85FB83

RGB 133 251 131

HSL 119, 0.94%, 0.75%

LAB 89.68, -56.62, 47.16

 

CMYK 48 / 23 / 0 / 2

HEX #83C1FB

RGB 131 193 251

HSL 209, 0.94%, 0.75%

LAB 76.03, -4.55, -34.76

 

Description

Color code: HEX #FA85FB | qconv.com Color code: HEX #FA85FB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 133 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 133 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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