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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA83584C it is the complementary color #057CA74C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA83584C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA83584C shade: #FF83534C, #FF95664C, #FFA7794C, #FFB98C4C and #FFCB9F4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA83584C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA83584C shade: #FA83584C, #E971454C, #D85F324C, #C74D1F4C and #B63B0C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA83584C shade: #FA8257 and #FA5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA83584C shade: #FA8257, #FAAE57, #FADA57, #EEFA57 and #C2FA57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA83584C shade matches the following richer shades: #FA8257

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA83584C shade: #FA8257, #EC8965, #DE8F73, #D09681 and #C29C8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA83584C shade: #FA5785, #FA575A, #FA8057, #FAAB57 and #FAD657

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA83584C shade: #F64708, #F9642F, #FA8257, #FBA07F and #FCBEA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA83584C shade: #FA8358, #B0FA57 and #576FFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA83584C shade: #FA8358, #57FA80 and #8057FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA83584C shade: #FA8358, #B0FA57, #57D1FA and #A057FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA83584C shade: #FA8358, #80FA57, #57D1FA and #D157FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 19 / 1

HEX #FA83584C

RGBA 250 131 88 0.3

HSLA 15.93, 0.94%, 0.66%, 0.3

LABA 67.47, 41.95, 43.39, 0.3

 

Complementary color

CMYK 29 / 8 / 0 / 10

HEX #057CA74C

RGBA 5 124 167 0.3

HSLA 195.93, 0.94%, 0.34%, 0.3

LABA 48.56, -12.68, -30.89, 0.3

 

CMYK 0 / 15 / 20 / 0

HEX #FF83534C

RGBA 255 131 83 0.3

HSLA 16.74, 1%, 0.66%, 0.3

LABA 68.11, 43.55, 46.89, 0.3

 

CMYK 0 / 12 / 18 / 0

HEX #FF95664C

RGBA 255 149 102 0.3

HSLA 18.43, 1%, 0.7%, 0.3

LABA 72.04, 35.63, 41.74, 0.3

 

CMYK 0 / 10 / 16 / 0

HEX #FFA7794C

RGBA 255 167 121 0.3

HSLA 20.6, 1%, 0.74%, 0.3

LABA 76.24, 27.75, 37.04, 0.3

 

CMYK 0 / 8 / 14 / 0

HEX #FFB98C4C

RGBA 255 185 140 0.3

HSLA 23.48, 1%, 0.77%, 0.3

LABA 80.66, 20.07, 32.8, 0.3

 

CMYK 0 / 6 / 11 / 0

HEX #FFCB9F4C

RGBA 255 203 159 0.3

HSLA 27.5, 1%, 0.81%, 0.3

LABA 85.24, 12.68, 28.96, 0.3

 

CMYK 0 / 14 / 19 / 1

HEX #FA83584C

RGBA 250 131 88 0.3

HSLA 15.93, 0.94%, 0.66%, 0.3

LABA 67.47, 41.95, 43.39, 0.3

 

CMYK 0 / 15 / 21 / 3

HEX #E971454C

RGBA 233 113 69 0.3

HSLA 16.1, 0.79%, 0.59%, 0.3

LABA 61.28, 43.42, 45.48, 0.3

 

CMYK 0 / 17 / 23 / 5

HEX #D85F324C

RGBA 216 95 50 0.3

HSLA 16.27, 0.68%, 0.52%, 0.3

LABA 55.09, 44.97, 47.65, 0.3

 

CMYK 0 / 18 / 25 / 7

HEX #C74D1F4C

RGBA 199 77 31 0.3

HSLA 16.43, 0.73%, 0.45%, 0.3

LABA 48.94, 46.52, 49.68, 0.3

 

CMYK 0 / 20 / 28 / 9

HEX #B63B0C4C

RGBA 182 59 12 0.3

HSLA 16.59, 0.88%, 0.38%, 0.3

LABA 42.91, 47.96, 50.88, 0.3

 

CMYK 0 / 48 / 65 / 2

HEX #FA8257

RGB 250 130 87

HSL 15.83, 0.94%, 0.66%

LAB 67.26, 42.39, 43.66

 

CMYK 0 / 65 / 65 / 2

HEX #FA5757

RGB 250 87 87

HSL 0, 0.94%, 0.66%

LAB 59.73, 61.97, 34.58

 

CMYK 0 / 48 / 65 / 2

HEX #FA8257

RGB 250 130 87

HSL 15.83, 0.94%, 0.66%

LAB 67.26, 42.39, 43.66

 

CMYK 0 / 30 / 65 / 2

HEX #FAAE57

RGB 250 174 87

HSL 32.02, 0.94%, 0.66%

LAB 76.85, 19.65, 54.66

 

CMYK 0 / 13 / 65 / 2

HEX #FADA57

RGB 250 218 87

HSL 48.22, 0.94%, 0.66%

LAB 87.56, -3.13, 66.28

 

CMYK 5 / 0 / 65 / 2

HEX #EEFA57

RGB 238 250 87

HSL 64.42, 0.94%, 0.66%

LAB 94.84, -23.73, 73.56

 

CMYK 22 / 0 / 65 / 2

HEX #C2FA57

RGB 194 250 87

HSL 80.61, 0.94%, 0.66%

LAB 91.92, -40.71, 69.62

 

CMYK 0 / 48 / 65 / 2

HEX #FA8257

RGB 250 130 87

HSL 15.83, 0.94%, 0.66%

LAB 67.26, 42.39, 43.66

 

CMYK 0 / 48 / 65 / 2

HEX #FA8257

RGB 250 130 87

HSL 15.83, 0.94%, 0.66%

LAB 67.26, 42.39, 43.66

 

CMYK 0 / 42 / 57 / 7

HEX #EC8965

RGB 236 137 101

HSL 16, 0.78%, 0.66%

LAB 67.02, 34.38, 35.51

 

CMYK 0 / 36 / 48 / 13

HEX #DE8F73

RGB 222 143 115

HSL 15.7, 0.62%, 0.66%

LAB 66.83, 26.92, 27.3

 

CMYK 0 / 28 / 38 / 18

HEX #D09681

RGB 208 150 129

HSL 15.95, 0.46%, 0.66%

LAB 67.13, 19.1, 19.7

 

CMYK 0 / 20 / 26 / 24

HEX #C29C8F

RGB 194 156 143

HSL 15.29, 0.29%, 0.66%

LAB 67.45, 12.15, 12.15

 

CMYK 0 / 65 / 47 / 2

HEX #FA5785

RGB 250 87 133

HSL 343.07, 0.94%, 0.66%

LAB 60.63, 65.25, 9.21

 

CMYK 0 / 65 / 64 / 2

HEX #FA575A

RGB 250 87 90

HSL 358.9, 0.94%, 0.66%

LAB 59.78, 62.13, 32.94

 

CMYK 0 / 49 / 65 / 2

HEX #FA8057

RGB 250 128 87

HSL 15.09, 0.94%, 0.66%

LAB 66.86, 43.38, 43.19

 

CMYK 0 / 32 / 65 / 2

HEX #FAAB57

RGB 250 171 87

HSL 30.92, 0.94%, 0.66%

LAB 76.15, 21.22, 53.88

 

CMYK 0 / 14 / 65 / 2

HEX #FAD657

RGB 250 214 87

HSL 46.75, 0.94%, 0.66%

LAB 86.56, -1.1, 65.22

 

CMYK 0 / 71 / 97 / 4

HEX #F64708

RGB 246 71 8

HSL 15.88, 0.94%, 0.5%

LAB 56.2, 64.41, 65.74

 

CMYK 0 / 60 / 81 / 2

HEX #F9642F

RGB 249 100 47

HSL 15.74, 0.94%, 0.58%

LAB 61.18, 54.5, 56.76

 

CMYK 0 / 48 / 65 / 2

HEX #FA8257

RGB 250 130 87

HSL 15.83, 0.94%, 0.66%

LAB 67.26, 42.39, 43.66

 

CMYK 0 / 36 / 49 / 2

HEX #FBA07F

RGB 251 160 127

HSL 15.97, 0.94%, 0.74%

LAB 74.31, 30.37, 31.27

 

CMYK 0 / 25 / 34 / 1

HEX #FCBEA7

RGB 252 190 167

HSL 16.24, 0.93%, 0.82%

LAB 82.01, 19.27, 20.28

 

CMYK 0 / 48 / 65 / 2

HEX #FA8358

RGB 250 131 88

HSL 15.93, 0.94%, 0.66%

LAB 67.47, 41.95, 43.39

 

CMYK 30 / 0 / 65 / 2

HEX #B0FA57

RGB 176 250 87

HSL 87.24, 0.94%, 0.66%

LAB 90.91, -47.2, 68.24

 

CMYK 65 / 56 / 0 / 2

HEX #576FFA

RGB 87 111 250

HSL 231.17, 0.94%, 0.66%

LAB 52.17, 34.31, -72.18

 

CMYK 0 / 48 / 65 / 2

HEX #FA8358

RGB 250 131 88

HSL 15.93, 0.94%, 0.66%

LAB 67.47, 41.95, 43.39

 

CMYK 65 / 0 / 49 / 2

HEX #57FA80

RGB 87 250 128

HSL 135.09, 0.94%, 0.66%

LAB 87.95, -67.17, 46.11

 

CMYK 49 / 65 / 0 / 2

HEX #8057FA

RGB 128 87 250

HSL 255.09, 0.94%, 0.66%

LAB 49.87, 54.87, -75.8

 

CMYK 0 / 48 / 65 / 2

HEX #FA8358

RGB 250 131 88

HSL 15.93, 0.94%, 0.66%

LAB 67.47, 41.95, 43.39

 

CMYK 30 / 0 / 65 / 2

HEX #B0FA57

RGB 176 250 87

HSL 87.24, 0.94%, 0.66%

LAB 90.91, -47.2, 68.24

 

CMYK 65 / 16 / 0 / 2

HEX #57D1FA

RGB 87 209 250

HSL 195.09, 0.94%, 0.66%

LAB 78.77, -21.74, -30.13

 

CMYK 36 / 65 / 0 / 2

HEX #A057FA

RGB 160 87 250

HSL 266.87, 0.94%, 0.66%

LAB 53.16, 60.83, -70.3

 

CMYK 0 / 48 / 65 / 2

HEX #FA8358

RGB 250 131 88

HSL 15.93, 0.94%, 0.66%

LAB 67.47, 41.95, 43.39

 

CMYK 49 / 0 / 65 / 2

HEX #80FA57

RGB 128 250 87

HSL 104.91, 0.94%, 0.66%

LAB 88.76, -62.39, 65.3

 

CMYK 65 / 16 / 0 / 2

HEX #57D1FA

RGB 87 209 250

HSL 195.09, 0.94%, 0.66%

LAB 78.77, -21.74, -30.13

 

CMYK 16 / 65 / 0 / 2

HEX #D157FA

RGB 209 87 250

HSL 284.91, 0.94%, 0.66%

LAB 59.23, 71.02, -60.22

 

Description

Color code: HEX #FA83584C | qconv.com Color code: HEX #FA83584C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 131 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 131 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 19 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 19% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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