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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA819ACE it is the complementary color #057E65CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA819ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA819ACE shade: #FF8195CE, #FF93A8CE, #FFA5BBCE, #FFB7CECE and #FFC9E1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA819ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA819ACE shade: #FA819ACE, #E96F87CE, #D85D74CE, #C74B61CE and #B6394ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA819ACE shade: #FA8099 and #FA8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA819ACE shade: #FA8099, #FA80BA, #FA80DB, #F880FA and #D780FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA819ACE shade matches the following richer shades: #FA8099

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA819ACE shade: #FA8099, #EF8A9F, #E495A6, #DAA0AC and #CFABB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA819ACE shade: #FA80DB, #FA80BB, #FA809A, #FA8680 and #FAA680

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA819ACE shade: #F63059, #F85879, #FA8099, #FBA7B9 and #FDCFD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA819ACE shade: #FA819A, #FAF880 and #80CBFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA819ACE shade: #FA819A, #9AFA80 and #809AFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA819ACE shade: #FA819A, #FAF880, #80FADF and #8082FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA819ACE shade: #FA819A, #D7FA80, #80FADF and #A280FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 31 / 2

HEX #FA819ACE

RGBA 250 129 154 0.81

HSLA 347.6, 0.92%, 0.74%, 0.81

LABA 68.28, 48.53, 8.08, 0.81

 

Complementary color

CMYK 78 / 0 / 16 / 41

HEX #057E65CE

RGBA 5 126 101 0.81

HSLA 167.6, 0.92%, 0.26%, 0.81

LABA 46.83, -35.8, 5.37, 0.81

 

CMYK 0 / 40 / 34 / 0

HEX #FF8195CE

RGBA 255 129 149 0.81

HSLA 350.48, 1%, 0.75%, 0.81

LABA 68.85, 49.71, 11.79, 0.81

 

CMYK 0 / 34 / 28 / 0

HEX #FF93A8CE

RGBA 255 147 168 0.81

HSLA 348.33, 1%, 0.79%, 0.81

LABA 72.86, 42.87, 6.9, 0.81

 

CMYK 0 / 29 / 22 / 0

HEX #FFA5BBCE

RGBA 255 165 187 0.81

HSLA 345.33, 1%, 0.82%, 0.81

LABA 77.14, 36.03, 2.61, 0.81

 

CMYK 0 / 23 / 16 / 0

HEX #FFB7CECE

RGBA 255 183 206 0.81

HSLA 340.83, 1%, 0.86%, 0.81

LABA 81.61, 29.32, -1.17, 0.81

 

CMYK 0 / 17 / 10 / 0

HEX #FFC9E1CE

RGBA 255 201 225 0.81

HSLA 333.33, 1%, 0.89%, 0.81

LABA 86.24, 22.81, -4.54, 0.81

 

CMYK 0 / 39 / 31 / 2

HEX #FA819ACE

RGBA 250 129 154 0.81

HSLA 347.6, 0.92%, 0.74%, 0.81

LABA 68.28, 48.53, 8.08, 0.81

 

CMYK 0 / 42 / 34 / 7

HEX #E96F87CE

RGBA 233 111 135 0.81

HSLA 348.2, 0.73%, 0.67%, 0.81

LABA 62.03, 49.44, 9.68, 0.81

 

CMYK 0 / 46 / 38 / 12

HEX #D85D74CE

RGBA 216 93 116 0.81

HSLA 348.78, 0.61%, 0.61%, 0.81

LABA 55.77, 50.32, 11.54, 0.81

 

CMYK 0 / 50 / 42 / 18

HEX #C74B61CE

RGBA 199 75 97 0.81

HSLA 349.35, 0.53%, 0.54%, 0.81

LABA 49.54, 51.08, 13.76, 0.81

 

CMYK 0 / 56 / 46 / 23

HEX #B6394ECE

RGBA 182 57 78 0.81

HSLA 349.92, 0.52%, 0.47%, 0.81

LABA 43.39, 51.6, 16.48, 0.81

 

CMYK 0 / 49 / 39 / 2

HEX #FA8099

RGB 250 128 153

HSL 347.7, 0.92%, 0.74%

LAB 68.07, 48.91, 8.34

 

CMYK 0 / 49 / 49 / 2

HEX #FA8080

RGB 250 128 128

HSL 0, 0.92%, 0.74%

LAB 67.52, 46.42, 21.63

 

CMYK 0 / 49 / 39 / 2

HEX #FA8099

RGB 250 128 153

HSL 347.7, 0.92%, 0.74%

LAB 68.07, 48.91, 8.34

 

CMYK 0 / 49 / 26 / 2

HEX #FA80BA

RGB 250 128 186

HSL 331.48, 0.92%, 0.74%

LAB 68.97, 52.92, -8.91

 

CMYK 0 / 49 / 12 / 2

HEX #FA80DB

RGB 250 128 219

HSL 315.25, 0.92%, 0.74%

LAB 70.09, 57.67, -25.61

 

CMYK 1 / 49 / 0 / 2

HEX #F880FA

RGB 248 128 250

HSL 299.02, 0.92%, 0.74%

LAB 71.08, 62.2, -41.15

 

CMYK 14 / 49 / 0 / 2

HEX #D780FA

RGB 215 128 250

HSL 282.79, 0.92%, 0.74%

LAB 67.12, 53.28, -47.64

 

CMYK 0 / 49 / 39 / 2

HEX #FA8099

RGB 250 128 153

HSL 347.7, 0.92%, 0.74%

LAB 68.07, 48.91, 8.34

 

CMYK 0 / 49 / 39 / 2

HEX #FA8099

RGB 250 128 153

HSL 347.7, 0.92%, 0.74%

LAB 68.07, 48.91, 8.34

 

CMYK 0 / 42 / 33 / 6

HEX #EF8A9F

RGB 239 138 159

HSL 347.52, 0.76%, 0.74%

LAB 68.77, 40.75, 5.78

 

CMYK 0 / 35 / 27 / 11

HEX #E495A6

RGB 228 149 166

HSL 347.09, 0.59%, 0.74%

LAB 69.99, 31.95, 3.46

 

CMYK 0 / 27 / 21 / 15

HEX #DAA0AC

RGB 218 160 172

HSL 347.59, 0.44%, 0.74%

LAB 71.57, 23.26, 2.28

 

CMYK 0 / 17 / 14 / 19

HEX #CFABB2

RGB 207 171 178

HSL 348.33, 0.27%, 0.74%

LAB 73.29, 14.22, 1.34

 

CMYK 0 / 49 / 12 / 2

HEX #FA80DB

RGB 250 128 219

HSL 315.25, 0.92%, 0.74%

LAB 70.09, 57.67, -25.61

 

CMYK 0 / 49 / 25 / 2

HEX #FA80BB

RGB 250 128 187

HSL 330.98, 0.92%, 0.74%

LAB 69, 53.05, -9.42

 

CMYK 0 / 49 / 38 / 2

HEX #FA809A

RGB 250 128 154

HSL 347.21, 0.92%, 0.74%

LAB 68.09, 49.02, 7.81

 

CMYK 0 / 46 / 49 / 2

HEX #FA8680

RGB 250 134 128

HSL 2.95, 0.92%, 0.74%

LAB 68.7, 43.44, 23.24

 

CMYK 0 / 34 / 49 / 2

HEX #FAA680

RGB 250 166 128

HSL 18.69, 0.92%, 0.74%

LAB 75.55, 26.94, 32.33

 

CMYK 0 / 80 / 64 / 4

HEX #F63059

RGB 246 48 89

HSL 347.58, 0.92%, 0.58%

LAB 54.48, 73.59, 26.63

 

CMYK 0 / 65 / 51 / 3

HEX #F85879

RGB 248 88 121

HSL 347.63, 0.92%, 0.66%

LAB 60.17, 63.24, 15.51

 

CMYK 0 / 49 / 39 / 2

HEX #FA8099

RGB 250 128 153

HSL 347.7, 0.92%, 0.74%

LAB 68.07, 48.91, 8.34

 

CMYK 0 / 33 / 26 / 2

HEX #FBA7B9

RGB 251 167 185

HSL 347.14, 0.91%, 0.82%

LAB 77.07, 33.3, 3.56

 

CMYK 0 / 18 / 15 / 1

HEX #FDCFD8

RGB 253 207 216

HSL 348.26, 0.92%, 0.9%

LAB 87.22, 17.54, 1.66

 

CMYK 0 / 48 / 38 / 2

HEX #FA819A

RGB 250 129 154

HSL 347.6, 0.92%, 0.74%

LAB 68.28, 48.53, 8.08

 

CMYK 0 / 1 / 49 / 2

HEX #FAF880

RGB 250 248 128

HSL 59.02, 0.92%, 0.74%

LAB 95.59, -15.1, 57.31

 

CMYK 49 / 19 / 0 / 2

HEX #80CBFA

RGB 128 203 250

HSL 203.11, 0.92%, 0.74%

LAB 78.58, -10.85, -30.29

 

CMYK 0 / 48 / 38 / 2

HEX #FA819A

RGB 250 129 154

HSL 347.6, 0.92%, 0.74%

LAB 68.28, 48.53, 8.08

 

CMYK 38 / 0 / 49 / 2

HEX #9AFA80

RGB 154 250 128

HSL 107.21, 0.92%, 0.74%

LAB 90.23, -50.5, 49.44

 

CMYK 49 / 38 / 0 / 2

HEX #809AFA

RGB 128 154 250

HSL 227.21, 0.92%, 0.74%

LAB 65.44, 16.39, -50.79

 

CMYK 0 / 48 / 38 / 2

HEX #FA819A

RGB 250 129 154

HSL 347.6, 0.92%, 0.74%

LAB 68.28, 48.53, 8.08

 

CMYK 0 / 1 / 49 / 2

HEX #FAF880

RGB 250 248 128

HSL 59.02, 0.92%, 0.74%

LAB 95.59, -15.1, 57.31

 

CMYK 49 / 0 / 11 / 2

HEX #80FADF

RGB 128 250 223

HSL 166.72, 0.92%, 0.74%

LAB 90.91, -40.64, 2.4

 

CMYK 49 / 48 / 0 / 2

HEX #8082FA

RGB 128 130 250

HSL 239.02, 0.92%, 0.74%

LAB 59.39, 30.45, -60.41

 

CMYK 0 / 48 / 38 / 2

HEX #FA819A

RGB 250 129 154

HSL 347.6, 0.92%, 0.74%

LAB 68.28, 48.53, 8.08

 

CMYK 14 / 0 / 49 / 2

HEX #D7FA80

RGB 215 250 128

HSL 77.21, 0.92%, 0.74%

LAB 93.61, -29.47, 54.34

 

CMYK 49 / 0 / 11 / 2

HEX #80FADF

RGB 128 250 223

HSL 166.72, 0.92%, 0.74%

LAB 90.91, -40.64, 2.4

 

CMYK 35 / 49 / 0 / 2

HEX #A280FA

RGB 162 128 250

HSL 256.72, 0.92%, 0.74%

LAB 61.67, 39.51, -56.61

 

Description

Color code: HEX #FA819ACE | qconv.com Color code: HEX #FA819ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 129 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 129 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 31 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 31% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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