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Color name
HEX #FA7F05

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA7F05 it is the complementary color #0580FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA7F05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA7F05 shade: #FF7F00, #FF9113, #FFA326, #FFB539 and #FFC74C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA7F05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA7F05 shade: #FA7F05, #E96D00, #D85B00, #C74900 and #B63700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA7F05 shade: #FA7F05, #FA3D05 and #FA0505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA7F05 shade: #FA7F05, #FAC105, #F1FA05, #AFFA05 and #6DFA05

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA7F05 shade matches the following richer shades: #FA7F05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA7F05 shade: #FA7F05, #E57F1A, #D17F2E, #BC7F43 and #A77F58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA7F05 shade: #FA0511, #FA3A05, #FA7B05, #FABD05 and #F6FA05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA7F05 shade: #A95603, #D16A04, #FA7F05, #FB942E and #FCA856

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA7F05 shade: #FA7F05, #53FA05 and #1905FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA7F05 shade: #FA7F05, #05FA7B and #7B05FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA7F05 shade: #FA7F05, #53FA05, #0584FA and #AC05FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA7F05 shade: #FA7F05, #09FA05, #0584FA and #F605FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 98 / 2

HEX #FA7F05

RGB 250 127 5

HSL 29.88, 0.96%, 0.5%

LAB 66.15, 41.42, 72.39

 

Complementary color

CMYK 98 / 49 / 0 / 2

HEX #0580FA

RGB 5 128 250

HSL 209.88, 0.96%, 0.5%

LAB 54.42, 16.98, -68.65

 

CMYK 0 / 50 / 100 / 0

HEX #FF7F00

RGB 255 127 0

HSL 29.88, 1%, 0.5%

LAB 66.85, 43.32, 73.91

 

CMYK 0 / 43 / 93 / 0

HEX #FF9113

RGB 255 145 19

HSL 32.03, 1%, 0.54%

LAB 70.56, 34.45, 73.46

 

CMYK 0 / 36 / 85 / 0

HEX #FFA326

RGB 255 163 38

HSL 34.56, 1%, 0.57%

LAB 74.57, 25.48, 71.91

 

CMYK 0 / 29 / 78 / 0

HEX #FFB539

RGB 255 181 57

HSL 37.58, 1%, 0.61%

LAB 78.81, 16.65, 69.41

 

CMYK 0 / 22 / 70 / 0

HEX #FFC74C

RGB 255 199 76

HSL 41.23, 1%, 0.65%

LAB 83.25, 8.09, 66.45

 

CMYK 0 / 49 / 98 / 2

HEX #FA7F05

RGB 250 127 5

HSL 29.88, 0.96%, 0.5%

LAB 66.15, 41.42, 72.39

 

CMYK 0 / 53 / 100 / 9

HEX #E96D00

RGB 233 109 0

HSL 28.07, 1%, 0.46%

LAB 60.12, 43.66, 68.3

 

CMYK 0 / 58 / 100 / 15

HEX #D85B00

RGB 216 91 0

HSL 25.28, 1%, 0.42%

LAB 54.11, 45.84, 63.5

 

CMYK 0 / 63 / 100 / 22

HEX #C74900

RGB 199 73 0

HSL 22.01, 1%, 0.39%

LAB 48.14, 47.83, 58.75

 

CMYK 0 / 70 / 100 / 29

HEX #B63700

RGB 182 55 0

HSL 18.13, 1%, 0.36%

LAB 42.27, 49.44, 54.09

 

CMYK 0 / 49 / 98 / 2

HEX #FA7F05

RGB 250 127 5

HSL 29.88, 0.96%, 0.5%

LAB 66.15, 41.42, 72.39

 

CMYK 0 / 76 / 98 / 2

HEX #FA3D05

RGB 250 61 5

HSL 13.71, 0.96%, 0.5%

LAB 55.76, 68.86, 66.53

 

CMYK 0 / 98 / 98 / 2

HEX #FA0505

RGB 250 5 5

HSL 0, 0.96%, 0.5%

LAB 52.33, 78.6, 64.98

 

CMYK 0 / 49 / 98 / 2

HEX #FA7F05

RGB 250 127 5

HSL 29.88, 0.96%, 0.5%

LAB 66.15, 41.42, 72.39

 

CMYK 0 / 23 / 98 / 2

HEX #FAC105

RGB 250 193 5

HSL 46.04, 0.96%, 0.5%

LAB 81, 7.25, 82.29

 

CMYK 4 / 0 / 98 / 2

HEX #F1FA05

RGB 241 250 5

HSL 62.2, 0.96%, 0.5%

LAB 94.77, -24.89, 91.91

 

CMYK 30 / 0 / 98 / 2

HEX #AFFA05

RGB 175 250 5

HSL 78.37, 0.96%, 0.5%

LAB 90.55, -50.61, 86.85

 

CMYK 56 / 0 / 98 / 2

HEX #6DFA05

RGB 109 250 5

HSL 94.53, 0.96%, 0.5%

LAB 87.79, -71.07, 83.5

 

CMYK 0 / 49 / 98 / 2

HEX #FA7F05

RGB 250 127 5

HSL 29.88, 0.96%, 0.5%

LAB 66.15, 41.42, 72.39

 

CMYK 0 / 49 / 98 / 2

HEX #FA7F05

RGB 250 127 5

HSL 29.88, 0.96%, 0.5%

LAB 66.15, 41.42, 72.39

 

CMYK 0 / 45 / 89 / 10

HEX #E57F1A

RGB 229 127 26

HSL 29.85, 0.8%, 0.5%

LAB 63.27, 33.29, 64.94

 

CMYK 0 / 39 / 78 / 18

HEX #D17F2E

RGB 209 127 46

HSL 29.82, 0.64%, 0.5%

LAB 60.72, 25.55, 54.69

 

CMYK 0 / 32 / 64 / 26

HEX #BC7F43

RGB 188 127 67

HSL 29.75, 0.47%, 0.5%

LAB 58.3, 17.68, 41.51

 

CMYK 0 / 24 / 47 / 35

HEX #A77F58

RGB 167 127 88

HSL 29.62, 0.31%, 0.5%

LAB 56.19, 10.43, 27.12

 

CMYK 0 / 98 / 93 / 2

HEX #FA0511

RGB 250 5 17

HSL 357.06, 0.96%, 0.5%

LAB 52.37, 78.69, 61.83

 

CMYK 0 / 77 / 98 / 2

HEX #FA3A05

RGB 250 58 5

HSL 12.98, 0.96%, 0.5%

LAB 55.44, 69.74, 66.38

 

CMYK 0 / 51 / 98 / 2

HEX #FA7B05

RGB 250 123 5

HSL 28.9, 0.96%, 0.5%

LAB 65.36, 43.4, 71.9

 

CMYK 0 / 24 / 98 / 2

HEX #FABD05

RGB 250 189 5

HSL 45.06, 0.96%, 0.5%

LAB 80.03, 9.33, 81.61

 

CMYK 2 / 0 / 98 / 2

HEX #F6FA05

RGB 246 250 5

HSL 60.98, 0.96%, 0.5%

LAB 95.15, -22.84, 92.36

 

CMYK 0 / 49 / 98 / 34

HEX #A95603

RGB 169 86 3

HSL 30, 0.97%, 0.34%

LAB 45.77, 29.7, 54.07

 

CMYK 0 / 49 / 98 / 18

HEX #D16A04

RGB 209 106 4

HSL 29.85, 0.96%, 0.42%

LAB 55.96, 35.74, 63.24

 

CMYK 0 / 49 / 98 / 2

HEX #FA7F05

RGB 250 127 5

HSL 29.88, 0.96%, 0.5%

LAB 66.15, 41.42, 72.39

 

CMYK 0 / 41 / 82 / 2

HEX #FB942E

RGB 251 148 46

HSL 29.85, 0.96%, 0.58%

LAB 70.79, 31.84, 65.91

 

CMYK 0 / 33 / 66 / 1

HEX #FCA856

RGB 252 168 86

HSL 29.64, 0.97%, 0.66%

LAB 75.68, 23.55, 53.89

 

CMYK 0 / 49 / 98 / 2

HEX #FA7F05

RGB 250 127 5

HSL 29.88, 0.96%, 0.5%

LAB 66.15, 41.42, 72.39

 

CMYK 67 / 0 / 98 / 2

HEX #53FA05

RGB 83 250 5

HSL 100.9, 0.96%, 0.5%

LAB 87.11, -76.79, 82.67

 

CMYK 90 / 98 / 0 / 2

HEX #1905FA

RGB 25 5 250

HSL 244.9, 0.96%, 0.5%

LAB 32.3, 77.41, -105.05

 

CMYK 0 / 49 / 98 / 2

HEX #FA7F05

RGB 250 127 5

HSL 29.88, 0.96%, 0.5%

LAB 66.15, 41.42, 72.39

 

CMYK 98 / 0 / 51 / 2

HEX #05FA7B

RGB 5 250 123

HSL 148.9, 0.96%, 0.5%

LAB 86.92, -75.83, 46.97

 

CMYK 51 / 98 / 0 / 2

HEX #7B05FA

RGB 123 5 250

HSL 268.9, 0.96%, 0.5%

LAB 39.95, 81.22, -92.11

 

CMYK 0 / 49 / 98 / 2

HEX #FA7F05

RGB 250 127 5

HSL 29.88, 0.96%, 0.5%

LAB 66.15, 41.42, 72.39

 

CMYK 67 / 0 / 98 / 2

HEX #53FA05

RGB 83 250 5

HSL 100.9, 0.96%, 0.5%

LAB 87.11, -76.79, 82.67

 

CMYK 98 / 47 / 0 / 2

HEX #0584FA

RGB 5 132 250

HSL 208.9, 0.96%, 0.5%

LAB 55.52, 14.5, -66.87

 

CMYK 31 / 98 / 0 / 2

HEX #AC05FA

RGB 172 5 250

HSL 280.9, 0.96%, 0.5%

LAB 46.69, 85.86, -80.78

 

CMYK 0 / 49 / 98 / 2

HEX #FA7F05

RGB 250 127 5

HSL 29.88, 0.96%, 0.5%

LAB 66.15, 41.42, 72.39

 

CMYK 96 / 0 / 98 / 2

HEX #09FA05

RGB 9 250 5

HSL 119.02, 0.96%, 0.5%

LAB 86.23, -84.56, 81.59

 

CMYK 98 / 47 / 0 / 2

HEX #0584FA

RGB 5 132 250

HSL 208.9, 0.96%, 0.5%

LAB 55.52, 14.5, -66.87

 

CMYK 2 / 98 / 0 / 2

HEX #F605FA

RGB 246 5 250

HSL 299.02, 0.96%, 0.5%

LAB 58.61, 95.88, -60.9

 

Description

Color code: HEX #FA7F05 | qconv.com Color code: HEX #FA7F05 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 127 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 127 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 98 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 98% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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