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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA7ECDCE it is the complementary color #058132CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA7ECDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA7ECDCE shade: #FF7EC8CE, #FF90DBCE, #FFA2EECE, #FFB4FFCE and #FFC6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA7ECDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA7ECDCE shade: #FA7ECDCE, #E96CBACE, #D85AA7CE, #C74894CE and #B63681CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA7ECDCE shade: #FA7FCE, #FA7FAC, #FA7F8B and #FA7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA7ECDCE shade: #FA7FCE, #FA7FEF, #E57FFA, #C37FFA and #A27FFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA7ECDCE shade matches the following richer shades: #FA7FCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA7ECDCE shade: #FA7FCE, #F08ACB, #E594C8, #DA9FC5 and #CFAAC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA7ECDCE shade: #E47FFA, #FA7FF0, #FA7FCF, #FA7FAE and #FA7F8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA7ECDCE shade: #F72FAF, #F957BE, #FA7FCE, #FCA7DD and #FDCFEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA7ECDCE shade: #FA7ECD, #FAC37F and #7FFAF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA7ECDCE shade: #FA7ECD, #CFFA7F and #7FCFFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA7ECDCE shade: #FA7ECD, #FAC37F, #7FFAAA and #7FB7FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA7ECDCE shade: #FA7ECD, #FAE87F, #7FFAAA and #7F92FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 15 / 2

HEX #FA7ECDCE

RGBA 250 126 205 0.81

HSLA 321.77, 0.93%, 0.74%, 0.81

LABA 69.22, 56.53, -19.16, 0.81

 

Complementary color

CMYK 78 / 0 / 50 / 40

HEX #058132CE

RGBA 5 129 50 0.81

HSLA 141.77, 0.93%, 0.26%, 0.81

LABA 46.93, -47.74, 33.89, 0.81

 

CMYK 0 / 41 / 17 / 0

HEX #FF7EC8CE

RGBA 255 126 200 0.81

HSLA 325.58, 1%, 0.75%, 0.81

LABA 69.72, 57.35, -15.55, 0.81

 

CMYK 0 / 35 / 11 / 0

HEX #FF90DBCE

RGBA 255 144 219 0.81

HSLA 319.46, 1%, 0.78%, 0.81

LABA 73.75, 51.38, -19.97, 0.81

 

CMYK 0 / 30 / 5 / 0

HEX #FFA2EECE

RGBA 255 162 238 0.81

HSLA 310.97, 1%, 0.82%, 0.81

LABA 78.04, 45.33, -23.81, 0.81

 

CMYK 0 / 24 / 0 / 0

HEX #FFB4FFCE

RGBA 255 180 255 0.81

HSLA 300, 1%, 0.85%, 0.81

LABA 82.44, 38.96, -26.23, 0.81

 

CMYK 0 / 18 / 0 / 0

HEX #FFC6FFCE

RGBA 255 198 255 0.81

HSLA 300, 1%, 0.89%, 0.81

LABA 86.44, 29.52, -20.16, 0.81

 

CMYK 0 / 40 / 15 / 2

HEX #FA7ECDCE

RGBA 250 126 205 0.81

HSLA 321.77, 0.93%, 0.74%, 0.81

LABA 69.22, 56.53, -19.16, 0.81

 

CMYK 0 / 43 / 16 / 7

HEX #E96CBACE

RGBA 233 108 186 0.81

HSLA 322.56, 0.74%, 0.67%, 0.81

LABA 63.01, 57.16, -18.12, 0.81

 

CMYK 0 / 47 / 18 / 12

HEX #D85AA7CE

RGBA 216 90 167 0.81

HSLA 323.33, 0.62%, 0.6%, 0.81

LABA 56.78, 57.67, -16.88, 0.81

 

CMYK 0 / 52 / 21 / 18

HEX #C74894CE

RGBA 199 72 148 0.81

HSLA 324.09, 0.53%, 0.53%, 0.81

LABA 50.59, 57.96, -15.37, 0.81

 

CMYK 0 / 57 / 24 / 23

HEX #B63681CE

RGBA 182 54 129 0.81

HSLA 324.84, 0.54%, 0.46%, 0.81

LABA 44.47, 57.86, -13.46, 0.81

 

CMYK 0 / 49 / 18 / 2

HEX #FA7FCE

RGB 250 127 206

HSL 321.46, 0.92%, 0.74%

LAB 69.44, 56.2, -19.38

 

CMYK 0 / 49 / 31 / 2

HEX #FA7FAC

RGB 250 127 172

HSL 338.05, 0.92%, 0.74%

LAB 68.37, 51.61, -1.93

 

CMYK 0 / 49 / 44 / 2

HEX #FA7F8B

RGB 250 127 139

HSL 354.15, 0.92%, 0.74%

LAB 67.55, 47.95, 15.5

 

CMYK 0 / 49 / 49 / 2

HEX #FA7F7F

RGB 250 127 127

HSL 0, 0.92%, 0.74%

LAB 67.3, 46.82, 21.9

 

CMYK 0 / 49 / 18 / 2

HEX #FA7FCE

RGB 250 127 206

HSL 321.46, 0.92%, 0.74%

LAB 69.44, 56.2, -19.38

 

CMYK 0 / 49 / 4 / 2

HEX #FA7FEF

RGB 250 127 239

HSL 305.37, 0.92%, 0.74%

LAB 70.69, 61.36, -35.71

 

CMYK 8 / 49 / 0 / 2

HEX #E57FFA

RGB 229 127 250

HSL 289.76, 0.92%, 0.74%

LAB 68.56, 57.55, -45.25

 

CMYK 22 / 49 / 0 / 2

HEX #C37FFA

RGB 195 127 250

HSL 273.17, 0.92%, 0.74%

LAB 64.71, 48.48, -51.58

 

CMYK 35 / 49 / 0 / 2

HEX #A27FFA

RGB 162 127 250

HSL 257.07, 0.92%, 0.74%

LAB 61.45, 40.07, -56.97

 

CMYK 0 / 49 / 18 / 2

HEX #FA7FCE

RGB 250 127 206

HSL 321.46, 0.92%, 0.74%

LAB 69.44, 56.2, -19.38

 

CMYK 0 / 49 / 18 / 2

HEX #FA7FCE

RGB 250 127 206

HSL 321.46, 0.92%, 0.74%

LAB 69.44, 56.2, -19.38

 

CMYK 0 / 43 / 15 / 6

HEX #F08ACB

RGB 240 138 203

HSL 321.76, 0.77%, 0.74%

LAB 70.19, 47.18, -16.71

 

CMYK 0 / 35 / 13 / 10

HEX #E594C8

RGB 229 148 200

HSL 321.48, 0.61%, 0.74%

LAB 70.88, 37.92, -14.13

 

CMYK 0 / 27 / 10 / 15

HEX #DA9FC5

RGB 218 159 197

HSL 321.36, 0.44%, 0.74%

LAB 72.05, 27.81, -10.83

 

CMYK 0 / 18 / 6 / 19

HEX #CFAAC2

RGB 207 170 194

HSL 321.08, 0.28%, 0.74%

LAB 73.49, 17.49, -7.16

 

CMYK 9 / 49 / 0 / 2

HEX #E47FFA

RGB 228 127 250

HSL 289.27, 0.92%, 0.74%

LAB 68.44, 57.28, -45.45

 

CMYK 0 / 49 / 4 / 2

HEX #FA7FF0

RGB 250 127 240

HSL 304.88, 0.92%, 0.74%

LAB 70.73, 61.52, -36.2

 

CMYK 0 / 49 / 17 / 2

HEX #FA7FCF

RGB 250 127 207

HSL 320.98, 0.92%, 0.74%

LAB 69.48, 56.34, -19.89

 

CMYK 0 / 49 / 30 / 2

HEX #FA7FAE

RGB 250 127 174

HSL 337.07, 0.92%, 0.74%

LAB 68.43, 51.86, -2.97

 

CMYK 0 / 49 / 44 / 2

HEX #FA7F8D

RGB 250 127 141

HSL 353.17, 0.92%, 0.74%

LAB 67.6, 48.15, 14.43

 

CMYK 0 / 81 / 29 / 3

HEX #F72FAF

RGB 247 47 175

HSL 321.6, 0.93%, 0.58%

LAB 56.98, 81.13, -20.77

 

CMYK 0 / 65 / 24 / 2

HEX #F957BE

RGB 249 87 190

HSL 321.85, 0.93%, 0.66%

LAB 62.23, 71.13, -21.36

 

CMYK 0 / 49 / 18 / 2

HEX #FA7FCE

RGB 250 127 206

HSL 321.46, 0.92%, 0.74%

LAB 69.44, 56.2, -19.38

 

CMYK 0 / 34 / 12 / 1

HEX #FCA7DD

RGB 252 167 221

HSL 321.88, 0.93%, 0.82%

LAB 78.2, 38.98, -14.38

 

CMYK 0 / 18 / 7 / 1

HEX #FDCFEC

RGB 253 207 236

HSL 322.17, 0.92%, 0.9%

LAB 87.76, 20.81, -8.15

 

CMYK 0 / 50 / 18 / 2

HEX #FA7ECD

RGB 250 126 205

HSL 321.77, 0.93%, 0.74%

LAB 69.22, 56.53, -19.16

 

CMYK 0 / 22 / 49 / 2

HEX #FAC37F

RGB 250 195 127

HSL 33.17, 0.92%, 0.74%

LAB 82.32, 11.64, 41.54

 

CMYK 49 / 0 / 2 / 2

HEX #7FFAF4

RGB 127 250 244

HSL 177.07, 0.92%, 0.74%

LAB 91.42, -35.86, -7.76

 

CMYK 0 / 50 / 18 / 2

HEX #FA7ECD

RGB 250 126 205

HSL 321.77, 0.93%, 0.74%

LAB 69.22, 56.53, -19.16

 

CMYK 17 / 0 / 49 / 2

HEX #CFFA7F

RGB 207 250 127

HSL 80.98, 0.92%, 0.74%

LAB 93.09, -32.54, 54.05

 

CMYK 49 / 17 / 0 / 2

HEX #7FCFFA

RGB 127 207 250

HSL 200.98, 0.92%, 0.74%

LAB 79.64, -13.17, -28.68

 

CMYK 0 / 50 / 18 / 2

HEX #FA7ECD

RGB 250 126 205

HSL 321.77, 0.93%, 0.74%

LAB 69.22, 56.53, -19.16

 

CMYK 0 / 22 / 49 / 2

HEX #FAC37F

RGB 250 195 127

HSL 33.17, 0.92%, 0.74%

LAB 82.32, 11.64, 41.54

 

CMYK 49 / 0 / 32 / 2

HEX #7FFAAA

RGB 127 250 170

HSL 140.98, 0.92%, 0.74%

LAB 89.76, -51.71, 28.03

 

CMYK 49 / 27 / 0 / 2

HEX #7FB7FA

RGB 127 183 250

HSL 212.68, 0.92%, 0.74%

LAB 73.08, -0.29, -38.81

 

CMYK 0 / 50 / 18 / 2

HEX #FA7ECD

RGB 250 126 205

HSL 321.77, 0.93%, 0.74%

LAB 69.22, 56.53, -19.16

 

CMYK 0 / 7 / 49 / 2

HEX #FAE87F

RGB 250 232 127

HSL 51.22, 0.92%, 0.74%

LAB 91.49, -7.3, 52.86

 

CMYK 49 / 0 / 32 / 2

HEX #7FFAAA

RGB 127 250 170

HSL 140.98, 0.92%, 0.74%

LAB 89.76, -51.71, 28.03

 

CMYK 49 / 42 / 0 / 2

HEX #7F92FA

RGB 127 146 250

HSL 230.73, 0.92%, 0.74%

LAB 63.32, 20.83, -54.15

 

Description

Color code: HEX #FA7ECDCE | qconv.com Color code: HEX #FA7ECDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 126 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 126 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 15 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 15% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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