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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA7EB200 it is the complementary color #05814D00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA7EB200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA7EB200 shade: #FF7EAD00, #FF90C000, #FFA2D300, #FFB4E600 and #FFC6F900

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA7EB200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA7EB200 shade: #FA7EB200, #E96C9F00, #D85A8C00, #C7487900 and #B6366600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA7EB200 shade: #FA7FB3, #FA7F91 and #FA7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA7EB200 shade: #FA7FB3, #FA7FD4, #FA7FF5, #DE7FFA and #BD7FFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA7EB200 shade matches the following richer shades: #FA7FB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA7EB200 shade: #FA7FB3, #F08AB4, #E594B6, #DA9FB8 and #CFAABA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA7EB200 shade: #FA7FF6, #FA7FD5, #FA7FB4, #FA7F94 and #FA8B7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA7EB200 shade: #F72F83, #F9579B, #FA7FB3, #FCA7CA and #FDCFE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA7EB200 shade: #FA7EB2, #FADE7F and #7FE6FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA7EB200 shade: #FA7EB2, #B4FA7F and #7FB4FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA7EB200 shade: #FA7EB2, #FADE7F, #7FFAC5 and #7F9CFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA7EB200 shade: #FA7EB2, #F2FA7F, #7FFAC5 and #877FFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #FA7EB200

RGBA 250 126 178 0

HSLA 334.84, 0.93%, 0.74%, 0

LABA 68.36, 52.84, -5.33, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #05814D00

RGBA 5 129 77 0

HSLA 154.84, 0.93%, 0.26%, 0

LABA 47.32, -42.94, 19.94, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF7EAD00

RGBA 255 126 173 0

HSLA 338.14, 1%, 0.75%, 0

LABA 68.9, 53.85, -1.65, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF90C000

RGBA 255 144 192 0

HSLA 334.05, 1%, 0.78%, 0

LABA 72.9, 47.46, -6.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFA2D300

RGBA 255 162 211 0

HSLA 328.39, 1%, 0.82%, 0

LABA 77.16, 41.01, -10.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB4E600

RGBA 255 180 230 0

HSLA 320, 1%, 0.85%, 0

LABA 81.63, 34.65, -14.07, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFC6F900

RGBA 255 198 249 0

HSLA 306.32, 1%, 0.89%, 0

LABA 86.25, 28.45, -17.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FA7EB200

RGBA 250 126 178 0

HSLA 334.84, 0.93%, 0.74%, 0

LABA 68.36, 52.84, -5.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E96C9F00

RGBA 233 108 159 0

HSLA 335.52, 0.74%, 0.67%, 0

LABA 62.13, 53.59, -4, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D85A8C00

RGBA 216 90 140 0

HSLA 336.19, 0.62%, 0.6%, 0

LABA 55.89, 54.24, -2.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C7487900

RGBA 199 72 121 0

HSLA 336.85, 0.53%, 0.53%, 0

LABA 49.69, 54.72, -0.53, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B6366600

RGBA 182 54 102 0

HSLA 337.5, 0.54%, 0.46%, 0

LABA 43.57, 54.85, 1.83, 0

 

CMYK 0 / 49 / 28 / 2

HEX #FA7FB3

RGB 250 127 179

HSL 334.63, 0.92%, 0.74%

LAB 68.58, 52.49, -5.57

 

CMYK 0 / 49 / 42 / 2

HEX #FA7F91

RGB 250 127 145

HSL 351.22, 0.92%, 0.74%

LAB 67.69, 48.55, 12.31

 

CMYK 0 / 49 / 49 / 2

HEX #FA7F7F

RGB 250 127 127

HSL 0, 0.92%, 0.74%

LAB 67.3, 46.82, 21.9

 

CMYK 0 / 49 / 28 / 2

HEX #FA7FB3

RGB 250 127 179

HSL 334.63, 0.92%, 0.74%

LAB 68.58, 52.49, -5.57

 

CMYK 0 / 49 / 15 / 2

HEX #FA7FD4

RGB 250 127 212

HSL 318.54, 0.92%, 0.74%

LAB 69.65, 57.09, -22.4

 

CMYK 0 / 49 / 2 / 2

HEX #FA7FF5

RGB 250 127 245

HSL 302.44, 0.92%, 0.74%

LAB 70.94, 62.36, -38.61

 

CMYK 11 / 49 / 0 / 2

HEX #DE7FFA

RGB 222 127 250

HSL 286.34, 0.92%, 0.74%

LAB 67.73, 55.66, -46.61

 

CMYK 24 / 49 / 0 / 2

HEX #BD7FFA

RGB 189 127 250

HSL 270.24, 0.92%, 0.74%

LAB 64.08, 46.91, -52.62

 

CMYK 0 / 49 / 28 / 2

HEX #FA7FB3

RGB 250 127 179

HSL 334.63, 0.92%, 0.74%

LAB 68.58, 52.49, -5.57

 

CMYK 0 / 49 / 28 / 2

HEX #FA7FB3

RGB 250 127 179

HSL 334.63, 0.92%, 0.74%

LAB 68.58, 52.49, -5.57

 

CMYK 0 / 43 / 25 / 6

HEX #F08AB4

RGB 240 138 180

HSL 335.29, 0.77%, 0.74%

LAB 69.47, 43.82, -4.96

 

CMYK 0 / 35 / 21 / 10

HEX #E594B6

RGB 229 148 182

HSL 334.81, 0.61%, 0.74%

LAB 70.33, 35.12, -4.95

 

CMYK 0 / 27 / 16 / 15

HEX #DA9FB8

RGB 218 159 184

HSL 334.58, 0.44%, 0.74%

LAB 71.67, 25.66, -4.22

 

CMYK 0 / 18 / 10 / 19

HEX #CFAABA

RGB 207 170 186

HSL 334.05, 0.28%, 0.74%

LAB 73.26, 16.1, -3.1

 

CMYK 0 / 49 / 2 / 2

HEX #FA7FF6

RGB 250 127 246

HSL 301.95, 0.92%, 0.74%

LAB 70.98, 62.53, -39.09

 

CMYK 0 / 49 / 15 / 2

HEX #FA7FD5

RGB 250 127 213

HSL 318.05, 0.92%, 0.74%

LAB 69.69, 57.24, -22.9

 

CMYK 0 / 49 / 28 / 2

HEX #FA7FB4

RGB 250 127 180

HSL 334.15, 0.92%, 0.74%

LAB 68.6, 52.62, -6.09

 

CMYK 0 / 49 / 41 / 2

HEX #FA7F94

RGB 250 127 148

HSL 349.76, 0.92%, 0.74%

LAB 67.76, 48.86, 10.71

 

CMYK 0 / 44 / 49 / 2

HEX #FA8B7F

RGB 250 139 127

HSL 5.85, 0.92%, 0.74%

LAB 69.7, 40.83, 25.13

 

CMYK 0 / 81 / 47 / 3

HEX #F72F83

RGB 247 47 131

HSL 334.8, 0.93%, 0.58%

LAB 55.53, 76.92, 3.01

 

CMYK 0 / 65 / 38 / 2

HEX #F9579B

RGB 249 87 155

HSL 334.81, 0.93%, 0.66%

LAB 61.07, 67.07, -2.97

 

CMYK 0 / 49 / 28 / 2

HEX #FA7FB3

RGB 250 127 179

HSL 334.63, 0.92%, 0.74%

LAB 68.58, 52.49, -5.57

 

CMYK 0 / 34 / 20 / 1

HEX #FCA7CA

RGB 252 167 202

HSL 335.29, 0.93%, 0.82%

LAB 77.64, 36.06, -4.88

 

CMYK 0 / 18 / 11 / 1

HEX #FDCFE2

RGB 253 207 226

HSL 335.22, 0.92%, 0.9%

LAB 87.48, 19.14, -3.26

 

CMYK 0 / 50 / 29 / 2

HEX #FA7EB2

RGB 250 126 178

HSL 334.84, 0.93%, 0.74%

LAB 68.36, 52.84, -5.33

 

CMYK 0 / 11 / 49 / 2

HEX #FADE7F

RGB 250 222 127

HSL 46.34, 0.92%, 0.74%

LAB 88.97, -2.26, 49.8

 

CMYK 49 / 8 / 0 / 2

HEX #7FE6FA

RGB 127 230 250

HSL 189.76, 0.92%, 0.74%

LAB 86.01, -24.81, -18.98

 

CMYK 0 / 50 / 29 / 2

HEX #FA7EB2

RGB 250 126 178

HSL 334.84, 0.93%, 0.74%

LAB 68.36, 52.84, -5.33

 

CMYK 28 / 0 / 49 / 2

HEX #B4FA7F

RGB 180 250 127

HSL 94.15, 0.92%, 0.74%

LAB 91.51, -42.15, 51.77

 

CMYK 49 / 28 / 0 / 2

HEX #7FB4FA

RGB 127 180 250

HSL 214.15, 0.92%, 0.74%

LAB 72.27, 1.37, -40.07

 

CMYK 0 / 50 / 29 / 2

HEX #FA7EB2

RGB 250 126 178

HSL 334.84, 0.93%, 0.74%

LAB 68.36, 52.84, -5.33

 

CMYK 0 / 11 / 49 / 2

HEX #FADE7F

RGB 250 222 127

HSL 46.34, 0.92%, 0.74%

LAB 88.97, -2.26, 49.8

 

CMYK 49 / 0 / 21 / 2

HEX #7FFAC5

RGB 127 250 197

HSL 154.15, 0.92%, 0.74%

LAB 90.28, -46.53, 14.95

 

CMYK 49 / 38 / 0 / 2

HEX #7F9CFA

RGB 127 156 250

HSL 225.85, 0.92%, 0.74%

LAB 65.9, 15, -50.07

 

CMYK 0 / 50 / 29 / 2

HEX #FA7EB2

RGB 250 126 178

HSL 334.84, 0.93%, 0.74%

LAB 68.36, 52.84, -5.33

 

CMYK 3 / 0 / 49 / 2

HEX #F2FA7F

RGB 242 250 127

HSL 63.9, 0.92%, 0.74%

LAB 95.49, -19.27, 57.5

 

CMYK 49 / 0 / 21 / 2

HEX #7FFAC5

RGB 127 250 197

HSL 154.15, 0.92%, 0.74%

LAB 90.28, -46.53, 14.95

 

CMYK 46 / 49 / 0 / 2

HEX #877FFA

RGB 135 127 250

HSL 243.9, 0.92%, 0.74%

LAB 59.19, 33.74, -60.71

 

Description

Color code: HEX #FA7EB200 | qconv.com Color code: HEX #FA7EB200 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 126 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 126 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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