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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA7DD5 it is the complementary color #05822A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA7DD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA7DD5 shade: #FF7DD0, #FF8FE3, #FFA1F6, #FFB3FF and #FFC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA7DD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA7DD5 shade: #FA7DD5, #E96BC2, #D859AF, #C7479C and #B63589

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA7DD5 shade: #FA7FD6, #FA7FB5, #FA7F93 and #FA7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA7DD5 shade: #FA7FD6, #FA7FF7, #DC7FFA, #BB7FFA and #9A7FFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA7DD5 shade matches the following richer shades: #FA7FD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA7DD5 shade: #FA7FD6, #F08AD1, #E594CD, #DA9FC9 and #CFAAC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA7DD5 shade: #DC7FFA, #FA7FF8, #FA7FD7, #FA7FB7 and #FA7F96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA7DD5 shade: #F72FBC, #F957C9, #FA7FD6, #FCA7E3 and #FDCFEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA7DD5 shade: #FA7DD5, #FABB7F and #7FFAEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA7DD5 shade: #FA7DD5, #D7FA7F and #7FD7FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA7DD5 shade: #FA7DD5, #FABB7F, #7FFAA2 and #7FBFFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA7DD5 shade: #FA7DD5, #FAE07F, #7FFAA2 and #7F9AFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 15 / 2

HEX #FA7DD5

RGB 250 125 213

HSL 317.76, 0.93%, 0.74%

LAB 69.32, 58.19, -23.45

 

Complementary color

CMYK 96 / 0 / 68 / 49

HEX #05822A

RGB 5 130 42

HSL 137.76, 0.93%, 0.26%

LAB 47.19, -49.1, 37.98

 

CMYK 0 / 51 / 18 / 0

HEX #FF7DD0

RGB 255 125 208

HSL 321.69, 1%, 0.75%

LAB 69.81, 58.94, -19.87

 

CMYK 0 / 44 / 11 / 0

HEX #FF8FE3

RGB 255 143 227

HSL 315, 1%, 0.78%

LAB 73.84, 53.12, -24.23

 

CMYK 0 / 37 / 4 / 0

HEX #FFA1F6

RGB 255 161 246

HSL 305.74, 1%, 0.82%

LAB 78.11, 47.2, -28.02

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 0 / 50 / 15 / 2

HEX #FA7DD5

RGB 250 125 213

HSL 317.76, 0.93%, 0.74%

LAB 69.32, 58.19, -23.45

 

CMYK 0 / 54 / 17 / 9

HEX #E96BC2

RGB 233 107 194

HSL 318.57, 0.74%, 0.67%

LAB 63.12, 58.78, -22.48

 

CMYK 0 / 59 / 19 / 15

HEX #D859AF

RGB 216 89 175

HSL 319.37, 0.62%, 0.6%

LAB 56.92, 59.23, -21.31

 

CMYK 0 / 64 / 22 / 22

HEX #C7479C

RGB 199 71 156

HSL 320.16, 0.53%, 0.53%

LAB 50.74, 59.44, -19.88

 

CMYK 0 / 71 / 25 / 29

HEX #B63589

RGB 182 53 137

HSL 320.93, 0.55%, 0.46%

LAB 44.66, 59.25, -18.06

 

CMYK 0 / 49 / 14 / 2

HEX #FA7FD6

RGB 250 127 214

HSL 317.56, 0.92%, 0.74%

LAB 69.72, 57.39, -23.4

 

CMYK 0 / 49 / 28 / 2

HEX #FA7FB5

RGB 250 127 181

HSL 333.66, 0.92%, 0.74%

LAB 68.63, 52.75, -6.6

 

CMYK 0 / 49 / 41 / 2

HEX #FA7F93

RGB 250 127 147

HSL 350.24, 0.92%, 0.74%

LAB 67.73, 48.76, 11.24

 

CMYK 0 / 49 / 49 / 2

HEX #FA7F7F

RGB 250 127 127

HSL 0, 0.92%, 0.74%

LAB 67.3, 46.82, 21.9

 

CMYK 0 / 49 / 14 / 2

HEX #FA7FD6

RGB 250 127 214

HSL 317.56, 0.92%, 0.74%

LAB 69.72, 57.39, -23.4

 

CMYK 0 / 49 / 1 / 2

HEX #FA7FF7

RGB 250 127 247

HSL 301.46, 0.92%, 0.74%

LAB 71.02, 62.7, -39.58

 

CMYK 12 / 49 / 0 / 2

HEX #DC7FFA

RGB 220 127 250

HSL 285.37, 0.92%, 0.74%

LAB 67.5, 55.12, -47

 

CMYK 25 / 49 / 0 / 2

HEX #BB7FFA

RGB 187 127 250

HSL 269.27, 0.92%, 0.74%

LAB 63.87, 46.39, -52.96

 

CMYK 38 / 49 / 0 / 2

HEX #9A7FFA

RGB 154 127 250

HSL 253.17, 0.92%, 0.74%

LAB 60.74, 38.13, -58.14

 

CMYK 0 / 49 / 14 / 2

HEX #FA7FD6

RGB 250 127 214

HSL 317.56, 0.92%, 0.74%

LAB 69.72, 57.39, -23.4

 

CMYK 0 / 49 / 14 / 2

HEX #FA7FD6

RGB 250 127 214

HSL 317.56, 0.92%, 0.74%

LAB 69.72, 57.39, -23.4

 

CMYK 0 / 43 / 13 / 6

HEX #F08AD1

RGB 240 138 209

HSL 318.24, 0.77%, 0.74%

LAB 70.39, 48.12, -19.73

 

CMYK 0 / 35 / 10 / 10

HEX #E594CD

RGB 229 148 205

HSL 317.78, 0.61%, 0.74%

LAB 71.04, 38.75, -16.65

 

CMYK 0 / 27 / 8 / 15

HEX #DA9FC9

RGB 218 159 201

HSL 317.29, 0.44%, 0.74%

LAB 72.17, 28.5, -12.85

 

CMYK 0 / 18 / 5 / 19

HEX #CFAAC4

RGB 207 170 196

HSL 317.84, 0.28%, 0.74%

LAB 73.55, 17.84, -8.17

 

CMYK 12 / 49 / 0 / 2

HEX #DC7FFA

RGB 220 127 250

HSL 285.37, 0.92%, 0.74%

LAB 67.5, 55.12, -47

 

CMYK 0 / 49 / 1 / 2

HEX #FA7FF8

RGB 250 127 248

HSL 300.98, 0.92%, 0.74%

LAB 71.06, 62.87, -40.06

 

CMYK 0 / 49 / 14 / 2

HEX #FA7FD7

RGB 250 127 215

HSL 317.07, 0.92%, 0.74%

LAB 69.76, 57.54, -23.9

 

CMYK 0 / 49 / 27 / 2

HEX #FA7FB7

RGB 250 127 183

HSL 332.68, 0.92%, 0.74%

LAB 68.69, 53.01, -7.64

 

CMYK 0 / 49 / 40 / 2

HEX #FA7F96

RGB 250 127 150

HSL 348.78, 0.92%, 0.74%

LAB 67.8, 49.08, 9.65

 

CMYK 0 / 81 / 24 / 3

HEX #F72FBC

RGB 247 47 188

HSL 317.7, 0.93%, 0.58%

LAB 57.5, 82.61, -27.51

 

CMYK 0 / 65 / 19 / 2

HEX #F957C9

RGB 249 87 201

HSL 317.78, 0.93%, 0.66%

LAB 62.65, 72.57, -26.96

 

CMYK 0 / 49 / 14 / 2

HEX #FA7FD6

RGB 250 127 214

HSL 317.56, 0.92%, 0.74%

LAB 69.72, 57.39, -23.4

 

CMYK 0 / 34 / 10 / 1

HEX #FCA7E3

RGB 252 167 227

HSL 317.65, 0.93%, 0.82%

LAB 78.39, 39.96, -17.35

 

CMYK 0 / 18 / 6 / 1

HEX #FDCFEF

RGB 253 207 239

HSL 318.26, 0.92%, 0.9%

LAB 87.84, 21.32, -9.61

 

CMYK 0 / 50 / 15 / 2

HEX #FA7DD5

RGB 250 125 213

HSL 317.76, 0.93%, 0.74%

LAB 69.32, 58.19, -23.45

 

CMYK 0 / 25 / 49 / 2

HEX #FABB7F

RGB 250 187 127

HSL 29.27, 0.92%, 0.74%

LAB 80.4, 15.82, 39.12

 

CMYK 49 / 0 / 6 / 2

HEX #7FFAEC

RGB 127 250 236

HSL 173.17, 0.92%, 0.74%

LAB 91.21, -37.81, -3.92

 

CMYK 0 / 50 / 15 / 2

HEX #FA7DD5

RGB 250 125 213

HSL 317.76, 0.93%, 0.74%

LAB 69.32, 58.19, -23.45

 

CMYK 14 / 0 / 49 / 2

HEX #D7FA7F

RGB 215 250 127

HSL 77.07, 0.92%, 0.74%

LAB 93.6, -29.57, 54.79

 

CMYK 49 / 14 / 0 / 2

HEX #7FD7FA

RGB 127 215 250

HSL 197.07, 0.92%, 0.74%

LAB 81.85, -17.3, -25.3

 

CMYK 0 / 50 / 15 / 2

HEX #FA7DD5

RGB 250 125 213

HSL 317.76, 0.93%, 0.74%

LAB 69.32, 58.19, -23.45

 

CMYK 0 / 25 / 49 / 2

HEX #FABB7F

RGB 250 187 127

HSL 29.27, 0.92%, 0.74%

LAB 80.4, 15.82, 39.12

 

CMYK 49 / 0 / 35 / 2

HEX #7FFAA2

RGB 127 250 162

HSL 137.07, 0.92%, 0.74%

LAB 89.62, -53.1, 31.88

 

CMYK 49 / 24 / 0 / 2

HEX #7FBFFA

RGB 127 191 250

HSL 208.78, 0.92%, 0.74%

LAB 75.25, -4.66, -35.44

 

CMYK 0 / 50 / 15 / 2

HEX #FA7DD5

RGB 250 125 213

HSL 317.76, 0.93%, 0.74%

LAB 69.32, 58.19, -23.45

 

CMYK 0 / 10 / 49 / 2

HEX #FAE07F

RGB 250 224 127

HSL 47.32, 0.92%, 0.74%

LAB 89.47, -3.28, 50.41

 

CMYK 49 / 0 / 35 / 2

HEX #7FFAA2

RGB 127 250 162

HSL 137.07, 0.92%, 0.74%

LAB 89.62, -53.1, 31.88

 

CMYK 49 / 38 / 0 / 2

HEX #7F9AFA

RGB 127 154 250

HSL 226.83, 0.92%, 0.74%

LAB 65.38, 16.16, -50.89

 

Description

Color code: HEX #FA7DD5 | qconv.com Color code: HEX #FA7DD5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 125 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 125 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 15 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 15% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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