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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA7C5EBF it is the complementary color #0583A1BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA7C5EBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA7C5EBF shade: #FF7C59BF, #FF8E6CBF, #FFA07FBF, #FFB292BF and #FFC4A5BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA7C5EBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA7C5EBF shade: #FA7C5EBF, #E96A4BBF, #D85838BF, #C74625BF and #B63412BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA7C5EBF shade: #FA7A5C and #FA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA7C5EBF shade: #FA7A5C, #FAA55C, #FAD05C, #FAFA5C and #CFFA5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA7C5EBF shade matches the following richer shades: #FA7A5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA7C5EBF shade: #FA7A5C, #EC8369, #DF8B77, #D19385 and #C39C92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA7C5EBF shade: #FA5C93, #FA5C69, #FA795C, #FAA35C and #FACD5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA7C5EBF shade: #F7390C, #F95A34, #FA7A5C, #FB9B84 and #FCBBAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA7C5EBF shade: #FA7C5E, #BDFA5C and #5C7EFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA7C5EBF shade: #FA7C5E, #5CFA79 and #795CFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA7C5EBF shade: #FA7C5E, #BDFA5C, #5CDDFA and #985CFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA7C5EBF shade: #FA7C5E, #8EFA5C, #5CDDFA and #C85CFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 47 / 1

HEX #FA7C5EBF

RGBA 250 124 94 0.75

HSLA 11.54, 0.94%, 0.67%, 0.75

LABA 66.17, 45.78, 38.64, 0.75

 

Complementary color

CMYK 73 / 14 / 0 / 28

HEX #0583A1BF

RGBA 5 131 161 0.75

HSLA 191.54, 0.94%, 0.33%, 0.75

LABA 50.5, -18.78, -24.39, 0.75

 

CMYK 0 / 39 / 49 / 0

HEX #FF7C59BF

RGBA 255 124 89 0.75

HSLA 12.65, 1%, 0.67%, 0.75

LABA 66.82, 47.31, 42.27, 0.75

 

CMYK 0 / 33 / 43 / 0

HEX #FF8E6CBF

RGBA 255 142 108 0.75

HSLA 13.88, 1%, 0.71%, 0.75

LABA 70.66, 39.63, 36.85, 0.75

 

CMYK 0 / 28 / 38 / 0

HEX #FFA07FBF

RGBA 255 160 127 0.75

HSLA 15.47, 1%, 0.75%, 0.75

LABA 74.78, 31.92, 31.98, 0.75

 

CMYK 0 / 23 / 32 / 0

HEX #FFB292BF

RGBA 255 178 146 0.75

HSLA 17.61, 1%, 0.79%, 0.75

LABA 79.14, 24.35, 27.61, 0.75

 

CMYK 0 / 17 / 26 / 0

HEX #FFC4A5BF

RGBA 255 196 165 0.75

HSLA 20.67, 1%, 0.82%, 0.75

LABA 83.68, 17.03, 23.7, 0.75

 

CMYK 0 / 38 / 47 / 1

HEX #FA7C5EBF

RGBA 250 124 94 0.75

HSLA 11.54, 0.94%, 0.67%, 0.75

LABA 66.17, 45.78, 38.64, 0.75

 

CMYK 0 / 41 / 51 / 6

HEX #E96A4BBF

RGBA 233 106 75 0.75

HSLA 11.77, 0.78%, 0.6%, 0.75

LABA 60.01, 47.13, 40.89, 0.75

 

CMYK 0 / 44 / 56 / 11

HEX #D85838BF

RGBA 216 88 56 0.75

HSLA 12, 0.67%, 0.53%, 0.75

LABA 53.88, 48.5, 43.35, 0.75

 

CMYK 0 / 49 / 61 / 16

HEX #C74625BF

RGBA 199 70 37 0.75

HSLA 12.22, 0.69%, 0.46%, 0.75

LABA 47.82, 49.79, 45.9, 0.75

 

CMYK 0 / 54 / 68 / 21

HEX #B63412BF

RGBA 182 52 18 0.75

HSLA 12.44, 0.82%, 0.39%, 0.75

LABA 41.91, 50.85, 48.09, 0.75

 

CMYK 0 / 51 / 63 / 2

HEX #FA7A5C

RGB 250 122 92

HSL 11.39, 0.94%, 0.67%

LAB 65.76, 46.63, 39.22

 

CMYK 0 / 63 / 63 / 2

HEX #FA5C5C

RGB 250 92 92

HSL 0, 0.94%, 0.67%

LAB 60.56, 60.22, 32.78

 

CMYK 0 / 51 / 63 / 2

HEX #FA7A5C

RGB 250 122 92

HSL 11.39, 0.94%, 0.67%

LAB 65.76, 46.63, 39.22

 

CMYK 0 / 34 / 63 / 2

HEX #FAA55C

RGB 250 165 92

HSL 27.72, 0.94%, 0.67%

LAB 74.83, 24.67, 49.97

 

CMYK 0 / 17 / 63 / 2

HEX #FAD05C

RGB 250 208 92

HSL 44.05, 0.94%, 0.67%

LAB 85.1, 2.26, 61.51

 

CMYK 0 / 0 / 63 / 2

HEX #FAFA5C

RGB 250 250 92

HSL 60, 0.94%, 0.67%

LAB 95.78, -18.64, 72.9

 

CMYK 17 / 0 / 63 / 2

HEX #CFFA5C

RGB 207 250 92

HSL 76.33, 0.94%, 0.67%

LAB 92.76, -35.49, 68.79

 

CMYK 0 / 51 / 63 / 2

HEX #FA7A5C

RGB 250 122 92

HSL 11.39, 0.94%, 0.67%

LAB 65.76, 46.63, 39.22

 

CMYK 0 / 51 / 63 / 2

HEX #FA7A5C

RGB 250 122 92

HSL 11.39, 0.94%, 0.67%

LAB 65.76, 46.63, 39.22

 

CMYK 0 / 44 / 56 / 7

HEX #EC8369

RGB 236 131 105

HSL 11.91, 0.78%, 0.67%

LAB 65.82, 37.79, 31.8

 

CMYK 0 / 38 / 47 / 13

HEX #DF8B77

RGB 223 139 119

HSL 11.54, 0.62%, 0.67%

LAB 66.12, 29.83, 24.17

 

CMYK 0 / 30 / 36 / 18

HEX #D19385

RGB 209 147 133

HSL 11.05, 0.45%, 0.67%

LAB 66.61, 21.6, 16.77

 

CMYK 0 / 20 / 25 / 24

HEX #C39C92

RGB 195 156 146

HSL 12.24, 0.29%, 0.67%

LAB 67.62, 12.97, 10.73

 

CMYK 0 / 63 / 41 / 2

HEX #FA5C93

RGB 250 92 147

HSL 339.11, 0.94%, 0.67%

LAB 61.73, 64.57, 2.65

 

CMYK 0 / 63 / 58 / 2

HEX #FA5C69

RGB 250 92 105

HSL 355.06, 0.94%, 0.67%

LAB 60.78, 61.05, 25.65

 

CMYK 0 / 52 / 63 / 2

HEX #FA795C

RGB 250 121 92

HSL 11.01, 0.94%, 0.67%

LAB 65.57, 47.11, 38.99

 

CMYK 0 / 35 / 63 / 2

HEX #FAA35C

RGB 250 163 92

HSL 26.96, 0.94%, 0.67%

LAB 74.38, 25.72, 49.44

 

CMYK 0 / 18 / 63 / 2

HEX #FACD5C

RGB 250 205 92

HSL 42.91, 0.94%, 0.67%

LAB 84.36, 3.8, 60.7

 

CMYK 0 / 77 / 95 / 3

HEX #F7390C

RGB 247 57 12

HSL 11.49, 0.94%, 0.51%

LAB 54.79, 69.21, 64.22

 

CMYK 0 / 64 / 79 / 2

HEX #F95A34

RGB 249 90 52

HSL 11.57, 0.94%, 0.59%

LAB 59.62, 58.92, 52.97

 

CMYK 0 / 51 / 63 / 2

HEX #FA7A5C

RGB 250 122 92

HSL 11.39, 0.94%, 0.67%

LAB 65.76, 46.63, 39.22

 

CMYK 0 / 38 / 47 / 2

HEX #FB9B84

RGB 251 155 132

HSL 11.6, 0.94%, 0.75%

LAB 73.3, 33.44, 27.23

 

CMYK 0 / 26 / 32 / 1

HEX #FCBBAC

RGB 252 187 172

HSL 11.25, 0.93%, 0.83%

LAB 81.41, 21.46, 16.78

 

CMYK 0 / 50 / 62 / 2

HEX #FA7C5E

RGB 250 124 94

HSL 11.54, 0.94%, 0.67%

LAB 66.17, 45.78, 38.64

 

CMYK 24 / 0 / 63 / 2

HEX #BDFA5C

RGB 189 250 92

HSL 83.16, 0.94%, 0.67%

LAB 91.67, -42.18, 67.31

 

CMYK 63 / 50 / 0 / 2

HEX #5C7EFA

RGB 92 126 250

HSL 227.09, 0.94%, 0.67%

LAB 56.19, 25.96, -65.68

 

CMYK 0 / 50 / 62 / 2

HEX #FA7C5E

RGB 250 124 94

HSL 11.54, 0.94%, 0.67%

LAB 66.17, 45.78, 38.64

 

CMYK 63 / 0 / 52 / 2

HEX #5CFA79

RGB 92 250 121

HSL 131.01, 0.94%, 0.67%

LAB 87.98, -67.21, 49.46

 

CMYK 52 / 63 / 0 / 2

HEX #795CFA

RGB 121 92 250

HSL 251.01, 0.94%, 0.67%

LAB 50.24, 50.96, -75.22

 

CMYK 0 / 50 / 62 / 2

HEX #FA7C5E

RGB 250 124 94

HSL 11.54, 0.94%, 0.67%

LAB 66.17, 45.78, 38.64

 

CMYK 24 / 0 / 63 / 2

HEX #BDFA5C

RGB 189 250 92

HSL 83.16, 0.94%, 0.67%

LAB 91.67, -42.18, 67.31

 

CMYK 63 / 12 / 0 / 2

HEX #5CDDFA

RGB 92 221 250

HSL 191.01, 0.94%, 0.67%

LAB 82.32, -26.94, -24.69

 

CMYK 39 / 63 / 0 / 2

HEX #985CFA

RGB 152 92 250

HSL 262.78, 0.94%, 0.67%

LAB 53.2, 56.76, -70.27

 

CMYK 0 / 50 / 62 / 2

HEX #FA7C5E

RGB 250 124 94

HSL 11.54, 0.94%, 0.67%

LAB 66.17, 45.78, 38.64

 

CMYK 43 / 0 / 63 / 2

HEX #8EFA5C

RGB 142 250 92

HSL 101.01, 0.94%, 0.67%

LAB 89.34, -57.92, 64.11

 

CMYK 63 / 12 / 0 / 2

HEX #5CDDFA

RGB 92 221 250

HSL 191.01, 0.94%, 0.67%

LAB 82.32, -26.94, -24.69

 

CMYK 20 / 63 / 0 / 2

HEX #C85CFA

RGB 200 92 250

HSL 281.01, 0.94%, 0.67%

LAB 58.82, 66.91, -60.93

 

Description

Color code: HEX #FA7C5EBF | qconv.com Color code: HEX #FA7C5EBF | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 124 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 124 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 47 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 47% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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