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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA71D1 it is the complementary color #058E2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA71D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA71D1 shade: #FF71CC, #FF83DF, #FF95F2, #FFA7FF and #FFB9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA71D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA71D1 shade: #FA71D1, #E95FBE, #D84DAB, #C73B98 and #B62985

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA71D1 shade: #FA70D1, #FA70AC, #FA7086 and #FA7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA71D1 shade: #FA70D1, #FA70F6, #D970FA, #B470FA and #8F70FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA71D1 shade matches the following richer shades: #FA70D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA71D1 shade: #FA70D1, #EE7CCC, #E288C7, #D694C2 and #CAA0BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA71D1 shade: #D770FA, #FA70F8, #FA70D3, #FA70AE and #FA7089

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA71D1 shade: #F721B7, #F848C4, #FA70D1, #FB98DE and #FDC0EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA71D1 shade: #FA71D1, #FAB370 and #70FAEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA71D1 shade: #FA71D1, #D3FA70 and #70D3FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA71D1 shade: #FA71D1, #FAB370, #70FA97 and #70B7FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA71D1 shade: #FA71D1, #FADC70, #70FA97 and #708EFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 16 / 2

HEX #FA71D1

RGB 250 113 209

HSL 317.96, 0.93%, 0.71%

LAB 67.08, 63.14, -24.66

 

Complementary color

CMYK 96 / 0 / 68 / 44

HEX #058E2E

RGB 5 142 46

HSL 137.96, 0.93%, 0.29%

LAB 51.35, -52.49, 40.77

 

CMYK 0 / 56 / 20 / 0

HEX #FF71CC

RGB 255 113 204

HSL 321.55, 1%, 0.72%

LAB 67.6, 63.87, -21

 

CMYK 0 / 49 / 13 / 0

HEX #FF83DF

RGB 255 131 223

HSL 315.48, 1%, 0.76%

LAB 71.43, 58.34, -25.71

 

CMYK 0 / 42 / 5 / 0

HEX #FF95F2

RGB 255 149 242

HSL 307.36, 1%, 0.79%

LAB 75.55, 52.59, -29.78

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 0 / 55 / 16 / 2

HEX #FA71D1

RGB 250 113 209

HSL 317.96, 0.93%, 0.71%

LAB 67.08, 63.14, -24.66

 

CMYK 0 / 59 / 18 / 9

HEX #E95FBE

RGB 233 95 190

HSL 318.7, 0.76%, 0.64%

LAB 60.98, 63.55, -23.49

 

CMYK 0 / 64 / 21 / 15

HEX #D84DAB

RGB 216 77 171

HSL 319.42, 0.64%, 0.57%

LAB 54.91, 63.72, -22.06

 

CMYK 0 / 70 / 24 / 22

HEX #C73B98

RGB 199 59 152

HSL 320.14, 0.56%, 0.51%

LAB 48.93, 63.51, -20.28

 

CMYK 0 / 77 / 27 / 29

HEX #B62985

RGB 182 41 133

HSL 320.85, 0.63%, 0.44%

LAB 43.1, 62.68, -18.01

 

CMYK 0 / 55 / 16 / 2

HEX #FA70D1

RGB 250 112 209

HSL 317.83, 0.93%, 0.71%

LAB 66.91, 63.59, -24.91

 

CMYK 0 / 55 / 31 / 2

HEX #FA70AC

RGB 250 112 172

HSL 333.91, 0.93%, 0.71%

LAB 65.66, 58.68, -5.92

 

CMYK 0 / 55 / 46 / 2

HEX #FA7086

RGB 250 112 134

HSL 350.43, 0.93%, 0.71%

LAB 64.67, 54.62, 14.32

 

CMYK 0 / 55 / 55 / 2

HEX #FA7070

RGB 250 112 112

HSL 0, 0.93%, 0.71%

LAB 64.23, 52.76, 26.21

 

CMYK 0 / 55 / 16 / 2

HEX #FA70D1

RGB 250 112 209

HSL 317.83, 0.93%, 0.71%

LAB 66.91, 63.59, -24.91

 

CMYK 0 / 55 / 2 / 2

HEX #FA70F6

RGB 250 112 246

HSL 301.74, 0.93%, 0.71%

LAB 68.44, 69.34, -43.07

 

CMYK 13 / 55 / 0 / 2

HEX #D970FA

RGB 217 112 250

HSL 285.65, 0.93%, 0.71%

LAB 64.36, 61.69, -51.98

 

CMYK 28 / 55 / 0 / 2

HEX #B470FA

RGB 180 112 250

HSL 269.57, 0.93%, 0.71%

LAB 60.06, 52.59, -59.08

 

CMYK 43 / 55 / 0 / 2

HEX #8F70FA

RGB 143 112 250

HSL 253.48, 0.93%, 0.71%

LAB 56.42, 44.1, -65.13

 

CMYK 0 / 55 / 16 / 2

HEX #FA70D1

RGB 250 112 209

HSL 317.83, 0.93%, 0.71%

LAB 66.91, 63.59, -24.91

 

CMYK 0 / 55 / 16 / 2

HEX #FA70D1

RGB 250 112 209

HSL 317.83, 0.93%, 0.71%

LAB 66.91, 63.59, -24.91

 

CMYK 0 / 48 / 14 / 7

HEX #EE7CCC

RGB 238 124 204

HSL 317.89, 0.77%, 0.71%

LAB 67.24, 53.69, -21.76

 

CMYK 0 / 40 / 12 / 11

HEX #E288C7

RGB 226 136 199

HSL 318, 0.61%, 0.71%

LAB 67.95, 43.07, -18.03

 

CMYK 0 / 31 / 9 / 16

HEX #D694C2

RGB 214 148 194

HSL 318.18, 0.45%, 0.71%

LAB 69.02, 31.87, -13.76

 

CMYK 0 / 21 / 6 / 21

HEX #CAA0BD

RGB 202 160 189

HSL 318.57, 0.28%, 0.71%

LAB 70.44, 20.32, -8.99

 

CMYK 14 / 55 / 0 / 2

HEX #D770FA

RGB 215 112 250

HSL 284.78, 0.93%, 0.71%

LAB 64.11, 61.19, -52.39

 

CMYK 0 / 55 / 1 / 2

HEX #FA70F8

RGB 250 112 248

HSL 300.87, 0.93%, 0.71%

LAB 68.53, 69.67, -44.02

 

CMYK 0 / 55 / 16 / 2

HEX #FA70D3

RGB 250 112 211

HSL 316.96, 0.93%, 0.71%

LAB 66.99, 63.88, -25.92

 

CMYK 0 / 55 / 30 / 2

HEX #FA70AE

RGB 250 112 174

HSL 333.04, 0.93%, 0.71%

LAB 65.72, 58.92, -6.97

 

CMYK 0 / 55 / 45 / 2

HEX #FA7089

RGB 250 112 137

HSL 349.13, 0.93%, 0.71%

LAB 64.74, 54.9, 12.7

 

CMYK 0 / 87 / 26 / 3

HEX #F721B7

RGB 247 33 183

HSL 317.94, 0.93%, 0.55%

LAB 56.37, 84.71, -26.36

 

CMYK 0 / 71 / 21 / 3

HEX #F848C4

RGB 248 72 196

HSL 317.73, 0.93%, 0.63%

LAB 60.41, 76.94, -27.6

 

CMYK 0 / 55 / 16 / 2

HEX #FA70D1

RGB 250 112 209

HSL 317.83, 0.93%, 0.71%

LAB 66.91, 63.59, -24.91

 

CMYK 0 / 39 / 12 / 2

HEX #FB98DE

RGB 251 152 222

HSL 317.58, 0.93%, 0.79%

LAB 74.98, 46.56, -19.8

 

CMYK 0 / 24 / 7 / 1

HEX #FDC0EB

RGB 253 192 235

HSL 317.7, 0.94%, 0.87%

LAB 84.27, 28.52, -12.82

 

CMYK 0 / 55 / 16 / 2

HEX #FA71D1

RGB 250 113 209

HSL 317.96, 0.93%, 0.71%

LAB 67.08, 63.14, -24.66

 

CMYK 0 / 28 / 55 / 2

HEX #FAB370

RGB 250 179 112

HSL 29.13, 0.93%, 0.71%

LAB 78.31, 18.75, 44.15

 

CMYK 55 / 0 / 6 / 2

HEX #70FAEA

RGB 112 250 234

HSL 173.04, 0.93%, 0.71%

LAB 90.67, -41.31, -3.73

 

CMYK 0 / 55 / 16 / 2

HEX #FA71D1

RGB 250 113 209

HSL 317.96, 0.93%, 0.71%

LAB 67.08, 63.14, -24.66

 

CMYK 16 / 0 / 55 / 2

HEX #D3FA70

RGB 211 250 112

HSL 76.96, 0.93%, 0.71%

LAB 93.18, -32.44, 60.99

 

CMYK 55 / 16 / 0 / 2

HEX #70D3FA

RGB 112 211 250

HSL 196.96, 0.93%, 0.71%

LAB 80.14, -18.37, -27.95

 

CMYK 0 / 55 / 16 / 2

HEX #FA71D1

RGB 250 113 209

HSL 317.96, 0.93%, 0.71%

LAB 67.08, 63.14, -24.66

 

CMYK 0 / 28 / 55 / 2

HEX #FAB370

RGB 250 179 112

HSL 29.13, 0.93%, 0.71%

LAB 78.31, 18.75, 44.15

 

CMYK 55 / 0 / 40 / 2

HEX #70FA97

RGB 112 250 151

HSL 136.96, 0.93%, 0.71%

LAB 88.95, -58.51, 36.37

 

CMYK 55 / 27 / 0 / 2

HEX #70B7FA

RGB 112 183 250

HSL 209.13, 0.93%, 0.71%

LAB 72.37, -3.52, -39.96

 

CMYK 0 / 55 / 16 / 2

HEX #FA71D1

RGB 250 113 209

HSL 317.96, 0.93%, 0.71%

LAB 67.08, 63.14, -24.66

 

CMYK 0 / 12 / 55 / 2

HEX #FADC70

RGB 250 220 112

HSL 46.96, 0.93%, 0.71%

LAB 88.29, -2.48, 56.09

 

CMYK 55 / 0 / 40 / 2

HEX #70FA97

RGB 112 250 151

HSL 136.96, 0.93%, 0.71%

LAB 88.95, -58.51, 36.37

 

CMYK 55 / 43 / 0 / 2

HEX #708EFA

RGB 112 142 250

HSL 226.96, 0.93%, 0.71%

LAB 61.39, 20, -57.28

 

Description

Color code: HEX #FA71D1 | qconv.com Color code: HEX #FA71D1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 113 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 113 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 16 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 16% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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