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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA71B5 it is the complementary color #058E4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA71B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA71B5 shade: #FF71B0, #FF83C3, #FF95D6, #FFA7E9 and #FFB9FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA71B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA71B5 shade: #FA71B5, #E95FA2, #D84D8F, #C73B7C and #B62969

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA71B5 shade: #FA70B5, #FA708F and #FA7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA71B5 shade: #FA70B5, #FA70DA, #F570FA, #D070FA and #AB70FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA71B5 shade matches the following richer shades: #FA70B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA71B5 shade: #FA70B5, #EE7CB5, #E288B5, #D694B5 and #CAA0B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA71B5 shade: #F570FA, #FA70DA, #FA70B5, #FA7090 and #FA7570

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA71B5 shade: #F7218B, #F848A0, #FA70B5, #FB98C9 and #FDC0DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA71B5 shade: #FA71B5, #FAD170 and #70ECFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA71B5 shade: #FA71B5, #B5FA70 and #70B5FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA71B5 shade: #FA71B5, #FAD170, #70FAB5 and #709AFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA71B5 shade: #FA71B5, #FAFA70, #70FAB5 and #7070FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 28 / 2

HEX #FA71B5

RGB 250 113 181

HSL 330.22, 0.93%, 0.71%

LAB 66.11, 59.33, -10.36

 

Complementary color

CMYK 96 / 0 / 48 / 44

HEX #058E4A

RGB 5 142 74

HSL 150.22, 0.93%, 0.29%

LAB 51.69, -48.33, 27.28

 

CMYK 0 / 56 / 31 / 0

HEX #FF71B0

RGB 255 113 176

HSL 333.38, 1%, 0.72%

LAB 66.68, 60.25, -6.61

 

CMYK 0 / 49 / 24 / 0

HEX #FF83C3

RGB 255 131 195

HSL 329.03, 1%, 0.76%

LAB 70.48, 54.27, -11.62

 

CMYK 0 / 42 / 16 / 0

HEX #FF95D6

RGB 255 149 214

HSL 323.21, 1%, 0.79%

LAB 74.58, 48.11, -15.97

 

CMYK 0 / 35 / 9 / 0

HEX #FFA7E9

RGB 255 167 233

HSL 315, 1%, 0.83%

LAB 78.91, 41.92, -19.77

 

CMYK 0 / 27 / 1 / 0

HEX #FFB9FC

RGB 255 185 252

HSL 302.57, 1%, 0.86%

LAB 83.44, 35.81, -23.12

 

CMYK 0 / 55 / 28 / 2

HEX #FA71B5

RGB 250 113 181

HSL 330.22, 0.93%, 0.71%

LAB 66.11, 59.33, -10.36

 

CMYK 0 / 59 / 30 / 9

HEX #E95FA2

RGB 233 95 162

HSL 330.87, 0.76%, 0.64%

LAB 59.99, 59.87, -8.89

 

CMYK 0 / 64 / 34 / 15

HEX #D84D8F

RGB 216 77 143

HSL 331.51, 0.64%, 0.57%

LAB 53.91, 60.2, -7.13

 

CMYK 0 / 70 / 38 / 22

HEX #C73B7C

RGB 199 59 124

HSL 332.14, 0.56%, 0.51%

LAB 47.91, 60.17, -4.96

 

CMYK 0 / 77 / 42 / 29

HEX #B62969

RGB 182 41 105

HSL 332.77, 0.63%, 0.44%

LAB 42.08, 59.58, -2.22

 

CMYK 0 / 55 / 28 / 2

HEX #FA70B5

RGB 250 112 181

HSL 330, 0.93%, 0.71%

LAB 65.94, 59.79, -10.61

 

CMYK 0 / 55 / 43 / 2

HEX #FA708F

RGB 250 112 143

HSL 346.52, 0.93%, 0.71%

LAB 64.88, 55.48, 9.47

 

CMYK 0 / 55 / 55 / 2

HEX #FA7070

RGB 250 112 112

HSL 0, 0.93%, 0.71%

LAB 64.23, 52.76, 26.21

 

CMYK 0 / 55 / 28 / 2

HEX #FA70B5

RGB 250 112 181

HSL 330, 0.93%, 0.71%

LAB 65.94, 59.79, -10.61

 

CMYK 0 / 55 / 13 / 2

HEX #FA70DA

RGB 250 112 218

HSL 313.91, 0.93%, 0.71%

LAB 67.26, 64.92, -29.41

 

CMYK 2 / 55 / 0 / 2

HEX #F570FA

RGB 245 112 250

HSL 297.83, 0.93%, 0.71%

LAB 67.95, 68.74, -46.07

 

CMYK 17 / 55 / 0 / 2

HEX #D070FA

RGB 208 112 250

HSL 281.74, 0.93%, 0.71%

LAB 63.26, 59.45, -53.79

 

CMYK 32 / 55 / 0 / 2

HEX #AB70FA

RGB 171 112 250

HSL 265.65, 0.93%, 0.71%

LAB 59.11, 50.45, -60.65

 

CMYK 0 / 55 / 28 / 2

HEX #FA70B5

RGB 250 112 181

HSL 330, 0.93%, 0.71%

LAB 65.94, 59.79, -10.61

 

CMYK 0 / 55 / 28 / 2

HEX #FA70B5

RGB 250 112 181

HSL 330, 0.93%, 0.71%

LAB 65.94, 59.79, -10.61

 

CMYK 0 / 48 / 24 / 7

HEX #EE7CB5

RGB 238 124 181

HSL 330, 0.77%, 0.71%

LAB 66.47, 50.34, -10

 

CMYK 0 / 40 / 20 / 11

HEX #E288B5

RGB 226 136 181

HSL 330, 0.61%, 0.71%

LAB 67.36, 40.26, -8.83

 

CMYK 0 / 31 / 15 / 16

HEX #D694B5

RGB 214 148 181

HSL 330, 0.45%, 0.71%

LAB 68.61, 29.72, -7.11

 

CMYK 0 / 21 / 10 / 21

HEX #CAA0B5

RGB 202 160 181

HSL 330, 0.28%, 0.71%

LAB 70.2, 18.92, -4.9

 

CMYK 2 / 55 / 0 / 2

HEX #F570FA

RGB 245 112 250

HSL 297.83, 0.93%, 0.71%

LAB 67.95, 68.74, -46.07

 

CMYK 0 / 55 / 13 / 2

HEX #FA70DA

RGB 250 112 218

HSL 313.91, 0.93%, 0.71%

LAB 67.26, 64.92, -29.41

 

CMYK 0 / 55 / 28 / 2

HEX #FA70B5

RGB 250 112 181

HSL 330, 0.93%, 0.71%

LAB 65.94, 59.79, -10.61

 

CMYK 0 / 55 / 42 / 2

HEX #FA7090

RGB 250 112 144

HSL 346.09, 0.93%, 0.71%

LAB 64.9, 55.58, 8.94

 

CMYK 0 / 53 / 55 / 2

HEX #FA7570

RGB 250 117 112

HSL 2.17, 0.93%, 0.71%

LAB 65.13, 50.41, 27.41

 

CMYK 0 / 87 / 44 / 3

HEX #F7218B

RGB 247 33 139

HSL 330.28, 0.93%, 0.55%

LAB 54.79, 80.38, -2.85

 

CMYK 0 / 71 / 35 / 3

HEX #F848A0

RGB 248 72 160

HSL 330, 0.93%, 0.63%

LAB 59.09, 72.75, -8.82

 

CMYK 0 / 55 / 28 / 2

HEX #FA70B5

RGB 250 112 181

HSL 330, 0.93%, 0.71%

LAB 65.94, 59.79, -10.61

 

CMYK 0 / 39 / 20 / 2

HEX #FB98C9

RGB 251 152 201

HSL 330.3, 0.93%, 0.79%

LAB 74.31, 43.34, -9.28

 

CMYK 0 / 24 / 12 / 1

HEX #FDC0DE

RGB 253 192 222

HSL 330.49, 0.94%, 0.87%

LAB 83.89, 26.37, -6.43

 

CMYK 0 / 55 / 28 / 2

HEX #FA71B5

RGB 250 113 181

HSL 330.22, 0.93%, 0.71%

LAB 66.11, 59.33, -10.36

 

CMYK 0 / 16 / 55 / 2

HEX #FAD170

RGB 250 209 112

HSL 42.17, 0.93%, 0.71%

LAB 85.55, 3.13, 52.87

 

CMYK 55 / 6 / 0 / 2

HEX #70ECFA

RGB 112 236 250

HSL 186.09, 0.93%, 0.71%

LAB 87.16, -30.72, -17.3

 

CMYK 0 / 55 / 28 / 2

HEX #FA71B5

RGB 250 113 181

HSL 330.22, 0.93%, 0.71%

LAB 66.11, 59.33, -10.36

 

CMYK 28 / 0 / 55 / 2

HEX #B5FA70

RGB 181 250 112

HSL 90, 0.93%, 0.71%

LAB 91.4, -43.35, 58.46

 

CMYK 55 / 28 / 0 / 2

HEX #70B5FA

RGB 112 181 250

HSL 210, 0.93%, 0.71%

LAB 71.82, -2.41, -40.82

 

CMYK 0 / 55 / 28 / 2

HEX #FA71B5

RGB 250 113 181

HSL 330.22, 0.93%, 0.71%

LAB 66.11, 59.33, -10.36

 

CMYK 0 / 16 / 55 / 2

HEX #FAD170

RGB 250 209 112

HSL 42.17, 0.93%, 0.71%

LAB 85.55, 3.13, 52.87

 

CMYK 55 / 0 / 28 / 2

HEX #70FAB5

RGB 112 250 181

HSL 150, 0.93%, 0.71%

LAB 89.46, -53.1, 21.95

 

CMYK 55 / 38 / 0 / 2

HEX #709AFA

RGB 112 154 250

HSL 221.74, 0.93%, 0.71%

LAB 64.53, 12.94, -52.29

 

CMYK 0 / 55 / 28 / 2

HEX #FA71B5

RGB 250 113 181

HSL 330.22, 0.93%, 0.71%

LAB 66.11, 59.33, -10.36

 

CMYK 0 / 0 / 55 / 2

HEX #FAFA70

RGB 250 250 112

HSL 60, 0.93%, 0.71%

LAB 95.94, -17.34, 64.85

 

CMYK 55 / 0 / 28 / 2

HEX #70FAB5

RGB 112 250 181

HSL 150, 0.93%, 0.71%

LAB 89.46, -53.1, 21.95

 

CMYK 55 / 55 / 0 / 2

HEX #7070FA

RGB 112 112 250

HSL 240, 0.93%, 0.71%

LAB 53.96, 37.87, -69.22

 

Description

Color code: HEX #FA71B5 | qconv.com Color code: HEX #FA71B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 113 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 113 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 28 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 28% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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