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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA704ACE it is the complementary color #058FB5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA704ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA704ACE shade: #FF7045CE, #FF8258CE, #FF946BCE, #FFA67ECE and #FFB891CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA704ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA704ACE shade: #FA704ACE, #E95E37CE, #D84C24CE, #C73A11CE and #B62800CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA704ACE shade: #FA724C and #FA4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA704ACE shade: #FA724C, #FAA14C, #FAD04C, #F6FA4C and #C7FA4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA704ACE shade matches the following richer shades: #FA724C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA704ACE shade: #FA724C, #EC7A5B, #DD836A, #CE8B79 and #BF9387

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA704ACE shade: #FA4C86, #FA4C58, #FA6F4C, #FA9D4C and #FACC4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA704ACE shade: #EE3806, #F95224, #FA724C, #FB9174 and #FCB19C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA704ACE shade: #FA704A, #B5FA4C and #4C6FFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA704ACE shade: #FA704A, #4CFA6F and #6F4CFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA704ACE shade: #FA704A, #B5FA4C, #4CD8FA and #924CFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA704ACE shade: #FA704A, #80FA4C, #4CD8FA and #C64CFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 57 / 2

HEX #FA704ACE

RGBA 250 112 74 0.81

HSLA 12.95, 0.95%, 0.64%, 0.81

LABA 63.68, 50.41, 46.29, 0.81

 

Complementary color

CMYK 79 / 17 / 0 / 24

HEX #058FB5CE

RGBA 5 143 181 0.81

HSLA 192.95, 0.95%, 0.36%, 0.81

LABA 55.09, -18.08, -28.8, 0.81

 

CMYK 0 / 45 / 59 / 0

HEX #FF7045CE

RGBA 255 112 69 0.81

HSLA 13.87, 1%, 0.64%, 0.81

LABA 64.39, 51.98, 49.83, 0.81

 

CMYK 0 / 40 / 53 / 0

HEX #FF8258CE

RGBA 255 130 88 0.81

HSLA 15.09, 1%, 0.67%, 0.81

LABA 67.97, 44.32, 44.15, 0.81

 

CMYK 0 / 34 / 47 / 0

HEX #FF946BCE

RGBA 255 148 107 0.81

HSLA 16.62, 1%, 0.71%, 0.81

LABA 71.89, 36.5, 38.93, 0.81

 

CMYK 0 / 28 / 41 / 0

HEX #FFA67ECE

RGBA 255 166 126 0.81

HSLA 18.6, 1%, 0.75%, 0.81

LABA 76.09, 28.7, 34.22, 0.81

 

CMYK 0 / 23 / 35 / 0

HEX #FFB891CE

RGBA 255 184 145 0.81

HSLA 21.27, 1%, 0.78%, 0.81

LABA 80.51, 21.1, 29.97, 0.81

 

CMYK 0 / 45 / 57 / 2

HEX #FA704ACE

RGBA 250 112 74 0.81

HSLA 12.95, 0.95%, 0.64%, 0.81

LABA 63.68, 50.41, 46.29, 0.81

 

CMYK 0 / 48 / 62 / 7

HEX #E95E37CE

RGBA 233 94 55 0.81

HSLA 13.15, 0.8%, 0.56%, 0.81

LABA 57.66, 51.8, 48.68, 0.81

 

CMYK 0 / 53 / 68 / 12

HEX #D84C24CE

RGBA 216 76 36 0.81

HSLA 13.33, 0.71%, 0.49%, 0.81

LABA 51.72, 53.1, 51.03, 0.81

 

CMYK 0 / 57 / 74 / 18

HEX #C73A11CE

RGBA 199 58 17 0.81

HSLA 13.52, 0.84%, 0.42%, 0.81

LABA 45.92, 54.18, 52.79, 0.81

 

CMYK 0 / 63 / 81 / 23

HEX #B62800CE

RGBA 182 40 0 0.81

HSLA 13.19, 1%, 0.36%, 0.81

LABA 40.35, 54.76, 53.2, 0.81

 

CMYK 0 / 54 / 70 / 2

HEX #FA724C

RGB 250 114 76

HSL 13.1, 0.95%, 0.64%

LAB 64.06, 49.57, 45.69

 

CMYK 0 / 70 / 70 / 2

HEX #FA4C4C

RGB 250 76 76

HSL 0, 0.95%, 0.64%

LAB 58.05, 65.58, 38.73

 

CMYK 0 / 54 / 70 / 2

HEX #FA724C

RGB 250 114 76

HSL 13.1, 0.95%, 0.64%

LAB 64.06, 49.57, 45.69

 

CMYK 0 / 36 / 70 / 2

HEX #FAA14C

RGB 250 161 76

HSL 29.31, 0.95%, 0.64%

LAB 73.76, 25.86, 56.38

 

CMYK 0 / 17 / 70 / 2

HEX #FAD04C

RGB 250 208 76

HSL 45.52, 0.95%, 0.64%

LAB 84.97, 1.37, 68.04

 

CMYK 2 / 0 / 70 / 2

HEX #F6FA4C

RGB 246 250 76

HSL 61.38, 0.95%, 0.64%

LAB 95.37, -21.09, 78.24

 

CMYK 20 / 0 / 70 / 2

HEX #C7FA4C

RGB 199 250 76

HSL 77.59, 0.95%, 0.64%

LAB 92.15, -39.53, 73.98

 

CMYK 0 / 54 / 70 / 2

HEX #FA724C

RGB 250 114 76

HSL 13.1, 0.95%, 0.64%

LAB 64.06, 49.57, 45.69

 

CMYK 0 / 54 / 70 / 2

HEX #FA724C

RGB 250 114 76

HSL 13.1, 0.95%, 0.64%

LAB 64.06, 49.57, 45.69

 

CMYK 0 / 48 / 61 / 7

HEX #EC7A5B

RGB 236 122 91

HSL 12.83, 0.79%, 0.64%

LAB 63.76, 41.35, 36.86

 

CMYK 0 / 41 / 52 / 13

HEX #DD836A

RGB 221 131 106

HSL 13.04, 0.63%, 0.64%

LAB 63.87, 32.08, 28.35

 

CMYK 0 / 33 / 41 / 19

HEX #CE8B79

RGB 206 139 121

HSL 12.71, 0.46%, 0.64%

LAB 64.13, 23.38, 20.02

 

CMYK 0 / 23 / 29 / 25

HEX #BF9387

RGB 191 147 135

HSL 12.86, 0.3%, 0.64%

LAB 64.72, 14.82, 12.73

 

CMYK 0 / 70 / 46 / 2

HEX #FA4C86

RGB 250 76 134

HSL 340, 0.95%, 0.64%

LAB 59.17, 69.43, 6.54

 

CMYK 0 / 70 / 65 / 2

HEX #FA4C58

RGB 250 76 88

HSL 355.86, 0.95%, 0.64%

LAB 58.22, 66.18, 32.13

 

CMYK 0 / 56 / 70 / 2

HEX #FA6F4C

RGB 250 111 76

HSL 12.07, 0.95%, 0.64%

LAB 63.52, 50.98, 45.07

 

CMYK 0 / 37 / 70 / 2

HEX #FA9D4C

RGB 250 157 76

HSL 27.93, 0.95%, 0.64%

LAB 72.87, 27.95, 55.41

 

CMYK 0 / 18 / 70 / 2

HEX #FACC4C

RGB 250 204 76

HSL 44.14, 0.95%, 0.64%

LAB 83.98, 3.42, 67.04

 

CMYK 0 / 76 / 97 / 7

HEX #EE3806

RGB 238 56 6

HSL 12.93, 0.95%, 0.48%

LAB 52.97, 66.83, 63.67

 

CMYK 0 / 67 / 86 / 2

HEX #F95224

RGB 249 82 36

HSL 12.96, 0.95%, 0.56%

LAB 58.32, 61.7, 58.94

 

CMYK 0 / 54 / 70 / 2

HEX #FA724C

RGB 250 114 76

HSL 13.1, 0.95%, 0.64%

LAB 64.06, 49.57, 45.69

 

CMYK 0 / 42 / 54 / 2

HEX #FB9174

RGB 251 145 116

HSL 12.89, 0.94%, 0.72%

LAB 70.89, 37.2, 32.73

 

CMYK 0 / 30 / 38 / 1

HEX #FCB19C

RGB 252 177 156

HSL 13.13, 0.94%, 0.8%

LAB 78.78, 24.81, 21.71

 

CMYK 0 / 55 / 70 / 2

HEX #FA704A

RGB 250 112 74

HSL 12.95, 0.95%, 0.64%

LAB 63.68, 50.41, 46.29

 

CMYK 28 / 0 / 70 / 2

HEX #B5FA4C

RGB 181 250 76

HSL 83.79, 0.95%, 0.64%

LAB 91.11, -46.16, 72.6

 

CMYK 70 / 56 / 0 / 2

HEX #4C6FFA

RGB 76 111 250

HSL 227.93, 0.95%, 0.64%

LAB 51.62, 32.78, -73.11

 

CMYK 0 / 55 / 70 / 2

HEX #FA704A

RGB 250 112 74

HSL 12.95, 0.95%, 0.64%

LAB 63.68, 50.41, 46.29

 

CMYK 70 / 0 / 56 / 2

HEX #4CFA6F

RGB 76 250 111

HSL 132.07, 0.95%, 0.64%

LAB 87.51, -71.37, 53.37

 

CMYK 56 / 70 / 0 / 2

HEX #6F4CFA

RGB 111 76 250

HSL 252.07, 0.95%, 0.64%

LAB 46.25, 57.91, -81.78

 

CMYK 0 / 55 / 70 / 2

HEX #FA704A

RGB 250 112 74

HSL 12.95, 0.95%, 0.64%

LAB 63.68, 50.41, 46.29

 

CMYK 28 / 0 / 70 / 2

HEX #B5FA4C

RGB 181 250 76

HSL 83.79, 0.95%, 0.64%

LAB 91.11, -46.16, 72.6

 

CMYK 70 / 14 / 0 / 2

HEX #4CD8FA

RGB 76 216 250

HSL 191.72, 0.95%, 0.64%

LAB 80.49, -26.8, -27.52

 

CMYK 42 / 70 / 0 / 2

HEX #924CFA

RGB 146 76 250

HSL 264.14, 0.95%, 0.64%

LAB 49.72, 63.46, -75.97

 

CMYK 0 / 55 / 70 / 2

HEX #FA704A

RGB 250 112 74

HSL 12.95, 0.95%, 0.64%

LAB 63.68, 50.41, 46.29

 

CMYK 49 / 0 / 70 / 2

HEX #80FA4C

RGB 128 250 76

HSL 102.07, 0.95%, 0.64%

LAB 88.68, -63.26, 69.34

 

CMYK 70 / 14 / 0 / 2

HEX #4CD8FA

RGB 76 216 250

HSL 191.72, 0.95%, 0.64%

LAB 80.49, -26.8, -27.52

 

CMYK 21 / 70 / 0 / 2

HEX #C64CFA

RGB 198 76 250

HSL 282.07, 0.95%, 0.64%

LAB 56.16, 73.16, -65.21

 

Description

Color code: HEX #FA704ACE | qconv.com Color code: HEX #FA704ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 112 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 112 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 57 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 57% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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