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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA6CBD it is the complementary color #059342. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA6CBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA6CBD shade: #FF6CB8, #FF7ECB, #FF90DE, #FFA2F1 and #FFB4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA6CBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA6CBD shade: #FA6CBD, #E95AAA, #D84897, #C73684 and #B62471

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA6CBD shade: #FA6BBD, #FA6B96, #FA6B70 and #FA6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA6CBD shade: #FA6BBD, #FA6BE3, #EA6BFA, #C46BFA and #9D6BFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA6CBD shade matches the following richer shades: #FA6BBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA6CBD shade: #FA6BBD, #ED78BB, #E184B9, #D590B7 and #C89DB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA6CBD shade: #E96BFA, #FA6BE4, #FA6BBE, #FA6B98 and #FA6B72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA6CBD shade: #F71C99, #F844AB, #FA6BBD, #FB93CE and #FDBBE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA6CBD shade: #FA6CBD, #FAC36B and #6BF7FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA6CBD shade: #FA6CBD, #BEFA6B and #6BBEFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA6CBD shade: #FA6CBD, #FAC36B, #6BFAA7 and #6BA2FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA6CBD shade: #FA6CBD, #FAEE6B, #6BFAA7 and #6B77FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 24 / 2

HEX #FA6CBD

RGB 250 108 189

HSL 325.77, 0.93%, 0.7%

LAB 65.53, 62.61, -15.76

 

Complementary color

CMYK 97 / 0 / 55 / 42

HEX #059342

RGB 5 147 66

HSL 145.77, 0.93%, 0.3%

LAB 53.27, -51.42, 33.42

 

CMYK 0 / 58 / 28 / 0

HEX #FF6CB8

RGB 255 108 184

HSL 328.98, 1%, 0.71%

LAB 66.09, 63.44, -12.01

 

CMYK 0 / 51 / 20 / 0

HEX #FF7ECB

RGB 255 126 203

HSL 324.19, 1%, 0.75%

LAB 69.82, 57.76, -17.07

 

CMYK 0 / 44 / 13 / 0

HEX #FF90DE

RGB 255 144 222

HSL 317.84, 1%, 0.78%

LAB 73.86, 51.84, -21.46

 

CMYK 0 / 36 / 5 / 0

HEX #FFA2F1

RGB 255 162 241

HSL 309.03, 1%, 0.82%

LAB 78.14, 45.83, -25.28

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 57 / 24 / 2

HEX #FA6CBD

RGB 250 108 189

HSL 325.77, 0.93%, 0.7%

LAB 65.53, 62.61, -15.76

 

CMYK 0 / 61 / 27 / 9

HEX #E95AAA

RGB 233 90 170

HSL 326.43, 0.76%, 0.63%

LAB 59.47, 63, -14.3

 

CMYK 0 / 67 / 30 / 15

HEX #D84897

RGB 216 72 151

HSL 327.08, 0.65%, 0.56%

LAB 53.46, 63.12, -12.54

 

CMYK 0 / 73 / 34 / 22

HEX #C73684

RGB 199 54 132

HSL 327.72, 0.57%, 0.5%

LAB 47.55, 62.81, -10.35

 

CMYK 0 / 80 / 38 / 29

HEX #B62471

RGB 182 36 113

HSL 328.36, 0.67%, 0.43%

LAB 41.84, 61.81, -7.56

 

CMYK 0 / 57 / 24 / 2

HEX #FA6BBD

RGB 250 107 189

HSL 325.59, 0.93%, 0.7%

LAB 65.37, 63.05, -16.01

 

CMYK 0 / 57 / 40 / 2

HEX #FA6B96

RGB 250 107 150

HSL 341.96, 0.93%, 0.7%

LAB 64.19, 58.46, 4.49

 

CMYK 0 / 57 / 55 / 2

HEX #FA6B70

RGB 250 107 112

HSL 357.9, 0.93%, 0.7%

LAB 63.35, 55.05, 25.05

 

CMYK 0 / 57 / 57 / 2

HEX #FA6B6B

RGB 250 107 107

HSL 0, 0.93%, 0.7%

LAB 63.26, 54.69, 27.77

 

CMYK 0 / 57 / 24 / 2

HEX #FA6BBD

RGB 250 107 189

HSL 325.59, 0.93%, 0.7%

LAB 65.37, 63.05, -16.01

 

CMYK 0 / 57 / 9 / 2

HEX #FA6BE3

RGB 250 107 227

HSL 309.65, 0.93%, 0.7%

LAB 66.81, 68.47, -35.1

 

CMYK 6 / 57 / 0 / 2

HEX #EA6BFA

RGB 234 107 250

HSL 293.29, 0.93%, 0.7%

LAB 65.68, 68.21, -49.75

 

CMYK 22 / 57 / 0 / 2

HEX #C46BFA

RGB 196 107 250

HSL 277.34, 0.93%, 0.7%

LAB 60.92, 58.96, -57.61

 

CMYK 37 / 57 / 0 / 2

HEX #9D6BFA

RGB 157 107 250

HSL 260.98, 0.93%, 0.7%

LAB 56.67, 49.93, -64.65

 

CMYK 0 / 57 / 24 / 2

HEX #FA6BBD

RGB 250 107 189

HSL 325.59, 0.93%, 0.7%

LAB 65.37, 63.05, -16.01

 

CMYK 0 / 57 / 24 / 2

HEX #FA6BBD

RGB 250 107 189

HSL 325.59, 0.93%, 0.7%

LAB 65.37, 63.05, -16.01

 

CMYK 0 / 49 / 21 / 7

HEX #ED78BB

RGB 237 120 187

HSL 325.64, 0.76%, 0.7%

LAB 65.77, 52.82, -14.45

 

CMYK 0 / 41 / 18 / 12

HEX #E184B9

RGB 225 132 185

HSL 325.81, 0.61%, 0.7%

LAB 66.53, 42.61, -12.33

 

CMYK 0 / 32 / 14 / 16

HEX #D590B7

RGB 213 144 183

HSL 326.09, 0.45%, 0.7%

LAB 67.66, 31.85, -9.67

 

CMYK 0 / 22 / 9 / 22

HEX #C89DB6

RGB 200 157 182

HSL 325.12, 0.28%, 0.7%

LAB 69.31, 20.03, -6.8

 

CMYK 7 / 57 / 0 / 2

HEX #E96BFA

RGB 233 107 250

HSL 292.87, 0.93%, 0.7%

LAB 65.55, 67.96, -49.97

 

CMYK 0 / 57 / 9 / 2

HEX #FA6BE4

RGB 250 107 228

HSL 309.23, 0.93%, 0.7%

LAB 66.86, 68.63, -35.59

 

CMYK 0 / 57 / 24 / 2

HEX #FA6BBE

RGB 250 107 190

HSL 325.17, 0.93%, 0.7%

LAB 65.4, 63.18, -16.52

 

CMYK 0 / 57 / 39 / 2

HEX #FA6B98

RGB 250 107 152

HSL 341.12, 0.93%, 0.7%

LAB 64.25, 58.67, 3.42

 

CMYK 0 / 57 / 54 / 2

HEX #FA6B72

RGB 250 107 114

HSL 357.06, 0.93%, 0.7%

LAB 63.39, 55.21, 23.97

 

CMYK 0 / 89 / 38 / 3

HEX #F71C99

RGB 247 28 153

HSL 325.75, 0.93%, 0.54%

LAB 54.97, 82.39, -10.9

 

CMYK 0 / 73 / 31 / 3

HEX #F844AB

RGB 248 68 171

HSL 325.67, 0.93%, 0.62%

LAB 59, 75.24, -15.35

 

CMYK 0 / 57 / 24 / 2

HEX #FA6BBD

RGB 250 107 189

HSL 325.59, 0.93%, 0.7%

LAB 65.37, 63.05, -16.01

 

CMYK 0 / 41 / 18 / 2

HEX #FB93CE

RGB 251 147 206

HSL 325.96, 0.93%, 0.78%

LAB 73.44, 46.63, -13.34

 

CMYK 0 / 26 / 11 / 1

HEX #FDBBE0

RGB 253 187 224

HSL 326.36, 0.94%, 0.86%

LAB 82.81, 29.33, -9.1

 

CMYK 0 / 57 / 24 / 2

HEX #FA6CBD

RGB 250 108 189

HSL 325.77, 0.93%, 0.7%

LAB 65.53, 62.61, -15.76

 

CMYK 0 / 22 / 57 / 2

HEX #FAC36B

RGB 250 195 107

HSL 36.92, 0.93%, 0.7%

LAB 82.06, 9.99, 51.14

 

CMYK 57 / 1 / 0 / 2

HEX #6BF7FA

RGB 107 247 250

HSL 181.26, 0.93%, 0.7%

LAB 90.11, -36.78, -12.89

 

CMYK 0 / 57 / 24 / 2

HEX #FA6CBD

RGB 250 108 189

HSL 325.77, 0.93%, 0.7%

LAB 65.53, 62.61, -15.76

 

CMYK 24 / 0 / 57 / 2

HEX #BEFA6B

RGB 190 250 107

HSL 85.17, 0.93%, 0.7%

LAB 91.86, -40.61, 61.3

 

CMYK 57 / 24 / 0 / 2

HEX #6BBEFA

RGB 107 190 250

HSL 205.17, 0.93%, 0.7%

LAB 74.1, -8.32, -37.29

 

CMYK 0 / 57 / 24 / 2

HEX #FA6CBD

RGB 250 108 189

HSL 325.77, 0.93%, 0.7%

LAB 65.53, 62.61, -15.76

 

CMYK 0 / 22 / 57 / 2

HEX #FAC36B

RGB 250 195 107

HSL 36.92, 0.93%, 0.7%

LAB 82.06, 9.99, 51.14

 

CMYK 57 / 0 / 33 / 2

HEX #6BFAA7

RGB 107 250 167

HSL 145.17, 0.93%, 0.7%

LAB 89.06, -56.82, 28.49

 

CMYK 57 / 35 / 0 / 2

HEX #6BA2FA

RGB 107 162 250

HSL 216.92, 0.93%, 0.7%

LAB 66.42, 7.31, -49.31

 

CMYK 0 / 57 / 24 / 2

HEX #FA6CBD

RGB 250 108 189

HSL 325.77, 0.93%, 0.7%

LAB 65.53, 62.61, -15.76

 

CMYK 0 / 5 / 57 / 2

HEX #FAEE6B

RGB 250 238 107

HSL 54.97, 0.93%, 0.7%

LAB 92.81, -11.84, 63.51

 

CMYK 57 / 0 / 33 / 2

HEX #6BFAA7

RGB 107 250 167

HSL 145.17, 0.93%, 0.7%

LAB 89.06, -56.82, 28.49

 

CMYK 57 / 52 / 0 / 2

HEX #6B77FA

RGB 107 119 250

HSL 234.97, 0.93%, 0.7%

LAB 55.3, 32.79, -67.07

 

Description

Color code: HEX #FA6CBD | qconv.com Color code: HEX #FA6CBD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 108 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 108 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 24 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 24% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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