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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA6B7B it is the complementary color #059484. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA6B7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA6B7B shade: #FF6B76, #FF7D89, #FF8F9C, #FFA1AF and #FFB3C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA6B7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA6B7B shade: #FA6B7B, #E95968, #D84755, #C73542 and #B6232F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA6B7B shade: #FA6B7B and #FA6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA6B7B shade: #FA6B7B, #FA6BA2, #FA6BC8, #FA6BEE and #DF6BFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA6B7B shade matches the following richer shades: #FA6B7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA6B7B shade: #FA6B7B, #ED7885, #E1848E, #D59098 and #C89DA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA6B7B shade: #FA6BC8, #FA6BA2, #FA6B7C, #FA816B and #FAA76B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA6B7B shade: #F71C34, #F84458, #FA6B7B, #FB939F and #FDBBC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA6B7B shade: #FA6B7B, #EEFA6B and #6BB5FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA6B7B shade: #FA6B7B, #7CFA6B and #6B7CFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA6B7B shade: #FA6B7B, #EEFA6B, #6BFAE9 and #776BFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA6B7B shade: #FA6B7B, #C3FA6B, #6BFAE9 and #A26BFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 51 / 2

HEX #FA6B7B

RGB 250 107 123

HSL 353.29, 0.93%, 0.7%

LAB 63.56, 55.93, 19.07

 

Complementary color

CMYK 97 / 0 / 11 / 42

HEX #059484

RGB 5 148 132

HSL 173.29, 0.93%, 0.3%

LAB 54.95, -36.7, -0.9

 

CMYK 0 / 58 / 54 / 0

HEX #FF6B76

RGB 255 107 118

HSL 355.54, 1%, 0.71%

LAB 64.23, 57.19, 22.95

 

CMYK 0 / 51 / 46 / 0

HEX #FF7D89

RGB 255 125 137

HSL 354.46, 1%, 0.75%

LAB 67.82, 50.46, 17.11

 

CMYK 0 / 44 / 39 / 0

HEX #FF8F9C

RGB 255 143 156

HSL 353.04, 1%, 0.78%

LAB 71.76, 43.52, 12

 

CMYK 0 / 37 / 31 / 0

HEX #FFA1AF

RGB 255 161 175

HSL 351.06, 1%, 0.82%

LAB 75.97, 36.54, 7.51

 

CMYK 0 / 30 / 24 / 0

HEX #FFB3C2

RGB 255 179 194

HSL 348.16, 1%, 0.85%

LAB 80.4, 29.68, 3.54

 

CMYK 0 / 57 / 51 / 2

HEX #FA6B7B

RGB 250 107 123

HSL 353.29, 0.93%, 0.7%

LAB 63.56, 55.93, 19.07

 

CMYK 0 / 62 / 55 / 9

HEX #E95968

RGB 233 89 104

HSL 353.75, 0.77%, 0.63%

LAB 57.53, 56.74, 21.41

 

CMYK 0 / 67 / 61 / 15

HEX #D84755

RGB 216 71 85

HSL 354.21, 0.65%, 0.56%

LAB 51.57, 57.37, 24.17

 

CMYK 0 / 73 / 67 / 22

HEX #C73542

RGB 199 53 66

HSL 354.66, 0.58%, 0.49%

LAB 45.75, 57.64, 27.48

 

CMYK 0 / 81 / 74 / 29

HEX #B6232F

RGB 182 35 47

HSL 355.1, 0.68%, 0.43%

LAB 40.17, 57.29, 31.45

 

CMYK 0 / 57 / 51 / 2

HEX #FA6B7B

RGB 250 107 123

HSL 353.29, 0.93%, 0.7%

LAB 63.56, 55.93, 19.07

 

CMYK 0 / 57 / 57 / 2

HEX #FA6B6B

RGB 250 107 107

HSL 0, 0.93%, 0.7%

LAB 63.26, 54.69, 27.77

 

CMYK 0 / 57 / 51 / 2

HEX #FA6B7B

RGB 250 107 123

HSL 353.29, 0.93%, 0.7%

LAB 63.56, 55.93, 19.07

 

CMYK 0 / 57 / 35 / 2

HEX #FA6BA2

RGB 250 107 162

HSL 336.92, 0.93%, 0.7%

LAB 64.52, 59.76, -1.91

 

CMYK 0 / 57 / 20 / 2

HEX #FA6BC8

RGB 250 107 200

HSL 320.98, 0.93%, 0.7%

LAB 65.76, 64.53, -21.63

 

CMYK 0 / 57 / 5 / 2

HEX #FA6BEE

RGB 250 107 238

HSL 305.03, 0.93%, 0.7%

LAB 67.29, 70.2, -40.46

 

CMYK 11 / 57 / 0 / 2

HEX #DF6BFA

RGB 223 107 250

HSL 288.67, 0.93%, 0.7%

LAB 64.25, 65.51, -52.11

 

CMYK 0 / 57 / 51 / 2

HEX #FA6B7B

RGB 250 107 123

HSL 353.29, 0.93%, 0.7%

LAB 63.56, 55.93, 19.07

 

CMYK 0 / 57 / 51 / 2

HEX #FA6B7B

RGB 250 107 123

HSL 353.29, 0.93%, 0.7%

LAB 63.56, 55.93, 19.07

 

CMYK 0 / 49 / 44 / 7

HEX #ED7885

RGB 237 120 133

HSL 353.33, 0.76%, 0.7%

LAB 64.27, 46.23, 14.05

 

CMYK 0 / 41 / 37 / 12

HEX #E1848E

RGB 225 132 142

HSL 353.55, 0.61%, 0.7%

LAB 65.33, 36.78, 10.2

 

CMYK 0 / 32 / 29 / 16

HEX #D59098

RGB 213 144 152

HSL 353.04, 0.45%, 0.7%

LAB 66.79, 27.21, 6.46

 

CMYK 0 / 22 / 19 / 22

HEX #C89DA2

RGB 200 157 162

HSL 353.02, 0.28%, 0.7%

LAB 68.75, 16.72, 3.51

 

CMYK 0 / 57 / 20 / 2

HEX #FA6BC8

RGB 250 107 200

HSL 320.98, 0.93%, 0.7%

LAB 65.76, 64.53, -21.63

 

CMYK 0 / 57 / 35 / 2

HEX #FA6BA2

RGB 250 107 162

HSL 336.92, 0.93%, 0.7%

LAB 64.52, 59.76, -1.91

 

CMYK 0 / 57 / 50 / 2

HEX #FA6B7C

RGB 250 107 124

HSL 352.87, 0.93%, 0.7%

LAB 63.59, 56.01, 18.53

 

CMYK 0 / 48 / 57 / 2

HEX #FA816B

RGB 250 129 107

HSL 9.23, 0.93%, 0.7%

LAB 67.34, 44.2, 33.05

 

CMYK 0 / 33 / 57 / 2

HEX #FAA76B

RGB 250 167 107

HSL 25.17, 0.93%, 0.7%

LAB 75.47, 24.66, 43.21

 

CMYK 0 / 89 / 79 / 3

HEX #F71C34

RGB 247 28 52

HSL 353.42, 0.93%, 0.54%

LAB 52.79, 76.29, 46.05

 

CMYK 0 / 73 / 65 / 3

HEX #F84458

RGB 248 68 88

HSL 353.33, 0.93%, 0.62%

LAB 56.88, 68.35, 30.36

 

CMYK 0 / 57 / 51 / 2

HEX #FA6B7B

RGB 250 107 123

HSL 353.29, 0.93%, 0.7%

LAB 63.56, 55.93, 19.07

 

CMYK 0 / 41 / 37 / 2

HEX #FB939F

RGB 251 147 159

HSL 353.08, 0.93%, 0.78%

LAB 72.15, 40.4, 10.81

 

CMYK 0 / 26 / 23 / 1

HEX #FDBBC2

RGB 253 187 194

HSL 353.64, 0.94%, 0.86%

LAB 82.01, 24.77, 5.84

 

CMYK 0 / 57 / 51 / 2

HEX #FA6B7B

RGB 250 107 123

HSL 353.29, 0.93%, 0.7%

LAB 63.56, 55.93, 19.07

 

CMYK 5 / 0 / 57 / 2

HEX #EEFA6B

RGB 238 250 107

HSL 65.03, 0.93%, 0.7%

LAB 95, -22.43, 65.69

 

CMYK 57 / 28 / 0 / 2

HEX #6BB5FA

RGB 107 181 250

HSL 208.95, 0.93%, 0.7%

LAB 71.61, -3.41, -41.17

 

CMYK 0 / 57 / 51 / 2

HEX #FA6B7B

RGB 250 107 123

HSL 353.29, 0.93%, 0.7%

LAB 63.56, 55.93, 19.07

 

CMYK 50 / 0 / 57 / 2

HEX #7CFA6B

RGB 124 250 107

HSL 112.87, 0.93%, 0.7%

LAB 88.79, -61.54, 56.98

 

CMYK 57 / 50 / 0 / 2

HEX #6B7CFA

RGB 107 124 250

HSL 232.87, 0.93%, 0.7%

LAB 56.53, 29.79, -65.08

 

CMYK 0 / 57 / 51 / 2

HEX #FA6B7B

RGB 250 107 123

HSL 353.29, 0.93%, 0.7%

LAB 63.56, 55.93, 19.07

 

CMYK 5 / 0 / 57 / 2

HEX #EEFA6B

RGB 238 250 107

HSL 65.03, 0.93%, 0.7%

LAB 95, -22.43, 65.69

 

CMYK 57 / 0 / 7 / 2

HEX #6BFAE9

RGB 107 250 233

HSL 172.87, 0.93%, 0.7%

LAB 90.5, -42.49, -3.48

 

CMYK 52 / 57 / 0 / 2

HEX #776BFA

RGB 119 107 250

HSL 245.03, 0.93%, 0.7%

LAB 53.32, 42.1, -70.23

 

CMYK 0 / 57 / 51 / 2

HEX #FA6B7B

RGB 250 107 123

HSL 353.29, 0.93%, 0.7%

LAB 63.56, 55.93, 19.07

 

CMYK 22 / 0 / 57 / 2

HEX #C3FA6B

RGB 195 250 107

HSL 83.08, 0.93%, 0.7%

LAB 92.15, -38.8, 61.71

 

CMYK 57 / 0 / 7 / 2

HEX #6BFAE9

RGB 107 250 233

HSL 172.87, 0.93%, 0.7%

LAB 90.5, -42.49, -3.48

 

CMYK 35 / 57 / 0 / 2

HEX #A26BFA

RGB 162 107 250

HSL 263.08, 0.93%, 0.7%

LAB 57.17, 51.04, -63.82

 

Description

Color code: HEX #FA6B7B | qconv.com Color code: HEX #FA6B7B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 107 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 107 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 51 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 51% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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