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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA6533 it is the complementary color #059ACC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA6533. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA6533 shade: #FF652E, #FF7741, #FF8954, #FF9B67 and #FFAD7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA6533. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA6533 shade: #FA6533, #E95320, #D8410D, #C72F00 and #B61D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA6533 shade: #FA6533 and #FA3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA6533 shade: #FA6533, #FA9B33, #FAD033, #EEFA33 and #B8FA33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA6533 shade matches the following richer shades: #FA6533

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA6533 shade: #FA6533, #E96D44, #D87655, #C77E66 and #B68777

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA6533 shade: #FA336B, #FA3336, #FA6533, #FA9A33 and #FACF33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA6533 shade: #D53A05, #F9470B, #FA6533, #FB835B and #FCA284

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA6533 shade: #FA6533, #A0FA33 and #3351FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA6533 shade: #FA6533, #33FA65 and #6533FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA6533 shade: #FA6533, #A0FA33, #33C8FA and #8D33FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA6533 shade: #FA6533, #65FA33, #33C8FA and #C833FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 80 / 2

HEX #FA6533

RGB 250 101 51

HSL 15.08, 0.95%, 0.59%

LAB 61.54, 54.53, 55.36

 

Complementary color

CMYK 98 / 25 / 0 / 20

HEX #059ACC

RGB 5 154 204

HSL 195.08, 0.95%, 0.41%

LAB 59.44, -15.78, -35.03

 

CMYK 0 / 60 / 82 / 0

HEX #FF652E

RGB 255 101 46

HSL 15.79, 1%, 0.59%

LAB 62.31, 56.12, 58.58

 

CMYK 0 / 53 / 75 / 0

HEX #FF7741

RGB 255 119 65

HSL 17.05, 1%, 0.63%

LAB 65.62, 48.54, 53.11

 

CMYK 0 / 46 / 67 / 0

HEX #FF8954

RGB 255 137 84

HSL 18.6, 1%, 0.66%

LAB 69.32, 40.62, 47.77

 

CMYK 0 / 39 / 60 / 0

HEX #FF9B67

RGB 255 155 103

HSL 20.53, 1%, 0.7%

LAB 73.34, 32.61, 42.8

 

CMYK 0 / 32 / 52 / 0

HEX #FFAD7A

RGB 255 173 122

HSL 23.01, 1%, 0.74%

LAB 77.61, 24.7, 38.26

 

CMYK 0 / 60 / 80 / 2

HEX #FA6533

RGB 250 101 51

HSL 15.08, 0.95%, 0.59%

LAB 61.54, 54.53, 55.36

 

CMYK 0 / 64 / 86 / 9

HEX #E95320

RGB 233 83 32

HSL 15.22, 0.82%, 0.52%

LAB 55.7, 55.89, 57.26

 

CMYK 0 / 70 / 94 / 15

HEX #D8410D

RGB 216 65 13

HSL 15.37, 0.89%, 0.45%

LAB 49.99, 57.06, 58.18

 

CMYK 0 / 76 / 100 / 22

HEX #C72F00

RGB 199 47 0

HSL 14.17, 1%, 0.39%

LAB 44.48, 57.81, 56.97

 

CMYK 0 / 84 / 100 / 29

HEX #B61D00

RGB 182 29 0

HSL 9.56, 1%, 0.36%

LAB 39.28, 57.77, 52.75

 

CMYK 0 / 60 / 80 / 2

HEX #FA6533

RGB 250 101 51

HSL 15.08, 0.95%, 0.59%

LAB 61.54, 54.53, 55.36

 

CMYK 0 / 80 / 80 / 2

HEX #FA3333

RGB 250 51 51

HSL 0, 0.95%, 0.59%

LAB 55, 72.38, 49

 

CMYK 0 / 60 / 80 / 2

HEX #FA6533

RGB 250 101 51

HSL 15.08, 0.95%, 0.59%

LAB 61.54, 54.53, 55.36

 

CMYK 0 / 38 / 80 / 2

HEX #FA9B33

RGB 250 155 51

HSL 31.36, 0.95%, 0.59%

LAB 72.23, 27.95, 65.33

 

CMYK 0 / 17 / 80 / 2

HEX #FAD033

RGB 250 208 51

HSL 47.34, 0.95%, 0.59%

LAB 84.83, 0.36, 76.62

 

CMYK 5 / 0 / 80 / 2

HEX #EEFA33

RGB 238 250 51

HSL 63.62, 0.95%, 0.59%

LAB 94.65, -25.31, 84.81

 

CMYK 26 / 0 / 80 / 2

HEX #B8FA33

RGB 184 250 51

HSL 79.9, 0.95%, 0.59%

LAB 91.14, -46.31, 80.38

 

CMYK 0 / 60 / 80 / 2

HEX #FA6533

RGB 250 101 51

HSL 15.08, 0.95%, 0.59%

LAB 61.54, 54.53, 55.36

 

CMYK 0 / 60 / 80 / 2

HEX #FA6533

RGB 250 101 51

HSL 15.08, 0.95%, 0.59%

LAB 61.54, 54.53, 55.36

 

CMYK 0 / 53 / 71 / 9

HEX #E96D44

RGB 233 109 68

HSL 14.91, 0.79%, 0.59%

LAB 60.5, 45.33, 45.13

 

CMYK 0 / 45 / 61 / 15

HEX #D87655

RGB 216 118 85

HSL 15.11, 0.63%, 0.59%

LAB 60.08, 35.29, 34.97

 

CMYK 0 / 37 / 49 / 22

HEX #C77E66

RGB 199 126 102

HSL 14.85, 0.46%, 0.59%

LAB 59.91, 25.68, 24.86

 

CMYK 0 / 26 / 35 / 29

HEX #B68777

RGB 182 135 119

HSL 15.24, 0.3%, 0.59%

LAB 60.43, 15.78, 15.63

 

CMYK 0 / 80 / 57 / 2

HEX #FA336B

RGB 250 51 107

HSL 343.12, 0.95%, 0.59%

LAB 55.84, 74.96, 17.85

 

CMYK 0 / 80 / 78 / 2

HEX #FA3336

RGB 250 51 54

HSL 359.1, 0.95%, 0.59%

LAB 55.03, 72.47, 47.45

 

CMYK 0 / 60 / 80 / 2

HEX #FA6533

RGB 250 101 51

HSL 15.08, 0.95%, 0.59%

LAB 61.54, 54.53, 55.36

 

CMYK 0 / 38 / 80 / 2

HEX #FA9A33

RGB 250 154 51

HSL 31.06, 0.95%, 0.59%

LAB 72.01, 28.47, 65.13

 

CMYK 0 / 17 / 80 / 2

HEX #FACF33

RGB 250 207 51

HSL 47.04, 0.95%, 0.59%

LAB 84.58, 0.87, 76.4

 

CMYK 0 / 73 / 98 / 16

HEX #D53A05

RGB 213 58 5

HSL 15.29, 0.95%, 0.43%

LAB 48.49, 58.56, 59.02

 

CMYK 0 / 71 / 96 / 2

HEX #F9470B

RGB 249 71 11

HSL 15.13, 0.95%, 0.51%

LAB 56.75, 65.37, 65.73

 

CMYK 0 / 60 / 80 / 2

HEX #FA6533

RGB 250 101 51

HSL 15.08, 0.95%, 0.59%

LAB 61.54, 54.53, 55.36

 

CMYK 0 / 48 / 64 / 2

HEX #FB835B

RGB 251 131 91

HSL 15, 0.95%, 0.67%

LAB 67.65, 42.5, 42.06

 

CMYK 0 / 36 / 48 / 1

HEX #FCA284

RGB 252 162 132

HSL 15, 0.95%, 0.75%

LAB 74.95, 30.18, 29.45

 

CMYK 0 / 60 / 80 / 2

HEX #FA6533

RGB 250 101 51

HSL 15.08, 0.95%, 0.59%

LAB 61.54, 54.53, 55.36

 

CMYK 36 / 0 / 80 / 2

HEX #A0FA33

RGB 160 250 51

HSL 87.14, 0.95%, 0.59%

LAB 89.9, -54.78, 78.79

 

CMYK 80 / 68 / 0 / 2

HEX #3351FA

RGB 51 81 250

HSL 230.95, 0.95%, 0.59%

LAB 43.49, 48.51, -86.44

 

CMYK 0 / 60 / 80 / 2

HEX #FA6533

RGB 250 101 51

HSL 15.08, 0.95%, 0.59%

LAB 61.54, 54.53, 55.36

 

CMYK 80 / 0 / 60 / 2

HEX #33FA65

RGB 51 250 101

HSL 135.08, 0.95%, 0.59%

LAB 87, -75.96, 57.07

 

CMYK 60 / 80 / 0 / 2

HEX #6533FA

RGB 101 51 250

HSL 255.08, 0.95%, 0.59%

LAB 41.27, 68.3, -89.99

 

CMYK 0 / 60 / 80 / 2

HEX #FA6533

RGB 250 101 51

HSL 15.08, 0.95%, 0.59%

LAB 61.54, 54.53, 55.36

 

CMYK 36 / 0 / 80 / 2

HEX #A0FA33

RGB 160 250 51

HSL 87.14, 0.95%, 0.59%

LAB 89.9, -54.78, 78.79

 

CMYK 80 / 20 / 0 / 2

HEX #33C8FA

RGB 51 200 250

HSL 195.08, 0.95%, 0.59%

LAB 75.4, -21.54, -35.4

 

CMYK 44 / 80 / 0 / 2

HEX #8D33FA

RGB 141 51 250

HSL 267.14, 0.95%, 0.59%

LAB 45.54, 72.97, -82.82

 

CMYK 0 / 60 / 80 / 2

HEX #FA6533

RGB 250 101 51

HSL 15.08, 0.95%, 0.59%

LAB 61.54, 54.53, 55.36

 

CMYK 60 / 0 / 80 / 2

HEX #65FA33

RGB 101 250 51

HSL 104.92, 0.95%, 0.59%

LAB 87.67, -71.68, 75.92

 

CMYK 80 / 20 / 0 / 2

HEX #33C8FA

RGB 51 200 250

HSL 195.08, 0.95%, 0.59%

LAB 75.4, -21.54, -35.4

 

CMYK 20 / 80 / 0 / 2

HEX #C833FA

RGB 200 51 250

HSL 284.92, 0.95%, 0.59%

LAB 53.55, 81.85, -69.43

 

Description

Color code: HEX #FA6533 | qconv.com Color code: HEX #FA6533 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 101 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 101 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 80 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 80% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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