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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA63BA it is the complementary color #059C45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA63BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA63BA shade: #FF63B5, #FF75C8, #FF87DB, #FF99EE and #FFABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA63BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA63BA shade: #FA63BA, #E951A7, #D83F94, #C72D81 and #B61B6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA63BA shade: #FA61B9, #FA6190, #FA6166 and #FA6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA63BA shade: #FA61B9, #FA61E2, #E861FA, #BF61FA and #9661FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA63BA shade matches the following richer shades: #FA61B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA63BA shade: #FA61B9, #ED6EB7, #E07BB5, #D288B3 and #C596B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA63BA shade: #E861FA, #FA61E3, #FA61BA, #FA6191 and #FA6168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA63BA shade: #F81196, #F939A7, #FA61B9, #FB89CB and #FDB1DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA63BA shade: #FA63BA, #FABF61 and #61F8FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA63BA shade: #FA63BA, #BAFA61 and #61BAFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA63BA shade: #FA63BA, #FABF61, #61FAA1 and #619CFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA63BA shade: #FA63BA, #FAED61, #61FAA1 and #616DFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 26 / 2

HEX #FA63BA

RGB 250 99 186

HSL 325.43, 0.94%, 0.68%

LAB 63.99, 66.1, -16.39

 

Complementary color

CMYK 97 / 0 / 56 / 39

HEX #059C45

RGB 5 156 69

HSL 145.43, 0.94%, 0.32%

LAB 56.33, -53.97, 35.62

 

CMYK 0 / 61 / 29 / 0

HEX #FF63B5

RGB 255 99 181

HSL 328.46, 1%, 0.69%

LAB 64.58, 66.9, -12.58

 

CMYK 0 / 54 / 22 / 0

HEX #FF75C8

RGB 255 117 200

HSL 323.91, 1%, 0.73%

LAB 68.13, 61.52, -17.95

 

CMYK 0 / 47 / 14 / 0

HEX #FF87DB

RGB 255 135 219

HSL 318, 1%, 0.76%

LAB 72.03, 55.8, -22.59

 

CMYK 0 / 40 / 7 / 0

HEX #FF99EE

RGB 255 153 238

HSL 310, 1%, 0.8%

LAB 76.2, 49.91, -26.62

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 60 / 26 / 2

HEX #FA63BA

RGB 250 99 186

HSL 325.43, 0.94%, 0.68%

LAB 63.99, 66.1, -16.39

 

CMYK 0 / 65 / 28 / 9

HEX #E951A7

RGB 233 81 167

HSL 326.05, 0.78%, 0.62%

LAB 58.04, 66.26, -14.73

 

CMYK 0 / 71 / 31 / 15

HEX #D83F94

RGB 216 63 148

HSL 326.67, 0.66%, 0.55%

LAB 52.17, 66.07, -12.71

 

CMYK 0 / 77 / 35 / 22

HEX #C72D81

RGB 199 45 129

HSL 327.27, 0.63%, 0.48%

LAB 46.45, 65.3, -10.18

 

CMYK 0 / 85 / 40 / 29

HEX #B61B6E

RGB 182 27 110

HSL 327.87, 0.74%, 0.41%

LAB 40.98, 63.67, -6.97

 

CMYK 0 / 61 / 26 / 2

HEX #FA61B9

RGB 250 97 185

HSL 325.49, 0.94%, 0.68%

LAB 63.65, 66.8, -16.33

 

CMYK 0 / 61 / 42 / 2

HEX #FA6190

RGB 250 97 144

HSL 341.57, 0.94%, 0.68%

LAB 62.41, 62.21, 5.37

 

CMYK 0 / 61 / 59 / 2

HEX #FA6166

RGB 250 97 102

HSL 358.04, 0.94%, 0.68%

LAB 61.51, 58.75, 28.32

 

CMYK 0 / 61 / 61 / 2

HEX #FA6161

RGB 250 97 97

HSL 0, 0.94%, 0.68%

LAB 61.43, 58.42, 31.05

 

CMYK 0 / 61 / 26 / 2

HEX #FA61B9

RGB 250 97 185

HSL 325.49, 0.94%, 0.68%

LAB 63.65, 66.8, -16.33

 

CMYK 0 / 61 / 10 / 2

HEX #FA61E2

RGB 250 97 226

HSL 309.41, 0.94%, 0.68%

LAB 65.25, 72.48, -36.98

 

CMYK 7 / 61 / 0 / 2

HEX #E861FA

RGB 232 97 250

HSL 292.94, 0.94%, 0.68%

LAB 63.84, 72.03, -52.68

 

CMYK 24 / 61 / 0 / 2

HEX #BF61FA

RGB 191 97 250

HSL 276.86, 0.94%, 0.68%

LAB 58.53, 62.61, -61.45

 

CMYK 40 / 61 / 0 / 2

HEX #9661FA

RGB 150 97 250

HSL 260.78, 0.94%, 0.68%

LAB 53.96, 53.76, -69.06

 

CMYK 0 / 61 / 26 / 2

HEX #FA61B9

RGB 250 97 185

HSL 325.49, 0.94%, 0.68%

LAB 63.65, 66.8, -16.33

 

CMYK 0 / 61 / 26 / 2

HEX #FA61B9

RGB 250 97 185

HSL 325.49, 0.94%, 0.68%

LAB 63.65, 66.8, -16.33

 

CMYK 0 / 54 / 23 / 7

HEX #ED6EB7

RGB 237 110 183

HSL 325.51, 0.78%, 0.68%

LAB 63.82, 57.02, -15.13

 

CMYK 0 / 45 / 19 / 12

HEX #E07BB5

RGB 224 123 181

HSL 325.54, 0.62%, 0.68%

LAB 64.44, 46.29, -13.22

 

CMYK 0 / 35 / 15 / 18

HEX #D288B3

RGB 210 136 179

HSL 325.14, 0.45%, 0.68%

LAB 65.41, 34.48, -10.82

 

CMYK 0 / 24 / 10 / 23

HEX #C596B1

RGB 197 150 177

HSL 325.53, 0.29%, 0.68%

LAB 67.17, 21.95, -7.22

 

CMYK 7 / 61 / 0 / 2

HEX #E861FA

RGB 232 97 250

HSL 292.94, 0.94%, 0.68%

LAB 63.84, 72.03, -52.68

 

CMYK 0 / 61 / 9 / 2

HEX #FA61E3

RGB 250 97 227

HSL 309.02, 0.94%, 0.68%

LAB 65.29, 72.63, -37.47

 

CMYK 0 / 61 / 26 / 2

HEX #FA61BA

RGB 250 97 186

HSL 325.1, 0.94%, 0.68%

LAB 63.69, 66.93, -16.85

 

CMYK 0 / 61 / 42 / 2

HEX #FA6191

RGB 250 97 145

HSL 341.18, 0.94%, 0.68%

LAB 62.44, 62.3, 4.83

 

CMYK 0 / 61 / 58 / 2

HEX #FA6168

RGB 250 97 104

HSL 357.25, 0.94%, 0.68%

LAB 61.54, 58.88, 27.22

 

CMYK 0 / 93 / 40 / 3

HEX #F81196

RGB 248 17 150

HSL 325.45, 0.94%, 0.52%

LAB 54.62, 83.63, -9.63

 

CMYK 0 / 77 / 33 / 2

HEX #F939A7

RGB 249 57 167

HSL 325.63, 0.94%, 0.6%

LAB 57.9, 78.26, -14.68

 

CMYK 0 / 61 / 26 / 2

HEX #FA61B9

RGB 250 97 185

HSL 325.49, 0.94%, 0.68%

LAB 63.65, 66.8, -16.33

 

CMYK 0 / 45 / 19 / 2

HEX #FB89CB

RGB 251 137 203

HSL 325.26, 0.93%, 0.76%

LAB 71.36, 51.2, -14.8

 

CMYK 0 / 30 / 13 / 1

HEX #FDB1DC

RGB 253 177 220

HSL 326.05, 0.95%, 0.84%

LAB 80.46, 33.93, -10.45

 

CMYK 0 / 60 / 26 / 2

HEX #FA63BA

RGB 250 99 186

HSL 325.43, 0.94%, 0.68%

LAB 63.99, 66.1, -16.39

 

CMYK 0 / 24 / 61 / 2

HEX #FABF61

RGB 250 191 97

HSL 36.86, 0.94%, 0.68%

LAB 80.99, 11.37, 54.65

 

CMYK 61 / 1 / 0 / 2

HEX #61F8FA

RGB 97 248 250

HSL 180.78, 0.94%, 0.68%

LAB 90.13, -38.9, -12.9

 

CMYK 0 / 60 / 26 / 2

HEX #FA63BA

RGB 250 99 186

HSL 325.43, 0.94%, 0.68%

LAB 63.99, 66.1, -16.39

 

CMYK 26 / 0 / 61 / 2

HEX #BAFA61

RGB 186 250 97

HSL 85.1, 0.94%, 0.68%

LAB 91.54, -42.89, 65.09

 

CMYK 61 / 26 / 0 / 2

HEX #61BAFA

RGB 97 186 250

HSL 205.1, 0.94%, 0.68%

LAB 72.6, -8.01, -39.65

 

CMYK 0 / 60 / 26 / 2

HEX #FA63BA

RGB 250 99 186

HSL 325.43, 0.94%, 0.68%

LAB 63.99, 66.1, -16.39

 

CMYK 0 / 24 / 61 / 2

HEX #FABF61

RGB 250 191 97

HSL 36.86, 0.94%, 0.68%

LAB 80.99, 11.37, 54.65

 

CMYK 61 / 0 / 36 / 2

HEX #61FAA1

RGB 97 250 161

HSL 145.1, 0.94%, 0.68%

LAB 88.68, -59.93, 30.95

 

CMYK 61 / 38 / 0 / 2

HEX #619CFA

RGB 97 156 250

HSL 216.86, 0.94%, 0.68%

LAB 64.34, 8.9, -52.63

 

CMYK 0 / 60 / 26 / 2

HEX #FA63BA

RGB 250 99 186

HSL 325.43, 0.94%, 0.68%

LAB 63.99, 66.1, -16.39

 

CMYK 0 / 5 / 61 / 2

HEX #FAED61

RGB 250 237 97

HSL 54.9, 0.94%, 0.68%

LAB 92.47, -12.02, 67.38

 

CMYK 61 / 0 / 36 / 2

HEX #61FAA1

RGB 97 250 161

HSL 145.1, 0.94%, 0.68%

LAB 88.68, -59.93, 30.95

 

CMYK 61 / 56 / 0 / 2

HEX #616DFA

RGB 97 109 250

HSL 235.29, 0.94%, 0.68%

LAB 52.27, 37.07, -72.01

 

Description

Color code: HEX #FA63BA | qconv.com Color code: HEX #FA63BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 99 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 99 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 26 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 26% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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