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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA61FD it is the complementary color #059E02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA61FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA61FD shade: #FF61F8, #FF73FF, #FF85FF, #FF97FF and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA61FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA61FD shade: #FA61FD, #E94FEA, #D83DD7, #C72BC4 and #B619B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA61FD shade: #FA62FD, #FD62D7, #FD62AD, #FD6283 and #FD6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA61FD shade: #FA62FD, #D162FD, #A762FD, #7D62FD and #6262FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA61FD shade matches the following richer shades: #FA62FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA61FD shade: #FA62FD, #EE6FF1, #E27CE4, #D689D7 and #C996CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA61FD shade: #A662FD, #CF62FD, #F862FD, #FD62D9 and #FD62B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA61FD shade: #F811FD, #F93AFD, #FA62FD, #FC8BFE and #FDB4FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA61FD shade: #FA61FD, #FD7C62 and #62FDBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA61FD shade: #FA61FD, #FDF862 and #62FDF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA61FD shade: #FA61FD, #FD7C62, #68FD62 and #62E4FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA61FD shade: #FA61FD, #FDAB62, #68FD62 and #62B5FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 62 / 0 / 1

HEX #FA61FD

RGB 250 97 253

HSL 298.85, 0.98%, 0.69%

LAB 66.49, 76.72, -49.97

 

Complementary color

CMYK 97 / 0 / 99 / 38

HEX #059E02

RGB 5 158 2

HSL 118.85, 0.98%, 0.31%

LAB 56.58, -59.92, 57.9

 

CMYK 0 / 62 / 3 / 0

HEX #FF61F8

RGB 255 97 248

HSL 302.66, 1%, 0.69%

LAB 66.97, 77.09, -46.43

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 1 / 62 / 0 / 1

HEX #FA61FD

RGB 250 97 253

HSL 298.85, 0.98%, 0.69%

LAB 66.49, 76.72, -49.97

 

CMYK 0 / 66 / 0 / 8

HEX #E94FEA

RGB 233 79 234

HSL 299.61, 0.79%, 0.61%

LAB 60.65, 76.56, -48.84

 

CMYK 0 / 72 / 0 / 15

HEX #D83DD7

RGB 216 61 215

HSL 300.39, 0.67%, 0.54%

LAB 54.91, 75.96, -47.41

 

CMYK 0 / 78 / 2 / 22

HEX #C72BC4

RGB 199 43 196

HSL 301.15, 0.64%, 0.47%

LAB 49.32, 74.7, -45.55

 

CMYK 0 / 86 / 3 / 29

HEX #B619B1

RGB 182 25 177

HSL 301.91, 0.76%, 0.41%

LAB 43.97, 72.53, -43.13

 

CMYK 1 / 61 / 0 / 1

HEX #FA62FD

RGB 250 98 253

HSL 298.84, 0.97%, 0.69%

LAB 66.64, 76.33, -49.75

 

CMYK 0 / 61 / 15 / 1

HEX #FD62D7

RGB 253 98 215

HSL 314.71, 0.97%, 0.69%

LAB 65.38, 71.23, -30.6

 

CMYK 0 / 61 / 32 / 1

HEX #FD62AD

RGB 253 98 173

HSL 330.97, 0.97%, 0.69%

LAB 63.86, 65.79, -9.12

 

CMYK 0 / 61 / 48 / 1

HEX #FD6283

RGB 253 98 131

HSL 347.23, 0.97%, 0.69%

LAB 62.72, 61.52, 13.39

 

CMYK 0 / 61 / 61 / 1

HEX #FD6262

RGB 253 98 98

HSL 0, 0.97%, 0.69%

LAB 62.08, 59.05, 31.42

 

CMYK 1 / 61 / 0 / 1

HEX #FA62FD

RGB 250 98 253

HSL 298.84, 0.97%, 0.69%

LAB 66.64, 76.33, -49.75

 

CMYK 17 / 61 / 0 / 1

HEX #D162FD

RGB 209 98 253

HSL 282.97, 0.97%, 0.69%

LAB 61.12, 66.85, -58.85

 

CMYK 34 / 61 / 0 / 1

HEX #A762FD

RGB 167 98 253

HSL 266.71, 0.97%, 0.69%

LAB 56.13, 57.54, -67.13

 

CMYK 51 / 61 / 0 / 1

HEX #7D62FD

RGB 125 98 253

HSL 250.45, 0.97%, 0.69%

LAB 52.05, 49.21, -73.93

 

CMYK 61 / 61 / 0 / 1

HEX #6262FD

RGB 98 98 253

HSL 240, 0.97%, 0.69%

LAB 50.01, 44.72, -77.34

 

CMYK 1 / 61 / 0 / 1

HEX #FA62FD

RGB 250 98 253

HSL 298.84, 0.97%, 0.69%

LAB 66.64, 76.33, -49.75

 

CMYK 1 / 61 / 0 / 1

HEX #FA62FD

RGB 250 98 253

HSL 298.84, 0.97%, 0.69%

LAB 66.64, 76.33, -49.75

 

CMYK 1 / 54 / 0 / 5

HEX #EE6FF1

RGB 238 111 241

HSL 298.62, 0.82%, 0.69%

LAB 66.44, 65.86, -43.56

 

CMYK 1 / 46 / 0 / 11

HEX #E27CE4

RGB 226 124 228

HSL 298.85, 0.66%, 0.69%

LAB 66.66, 54.14, -36.14

 

CMYK 0 / 36 / 0 / 16

HEX #D689D7

RGB 214 137 215

HSL 299.23, 0.49%, 0.69%

LAB 67.35, 41.51, -27.98

 

CMYK 0 / 26 / 0 / 21

HEX #C996CA

RGB 201 150 202

HSL 298.85, 0.33%, 0.69%

LAB 68.38, 27.86, -19.3

 

CMYK 34 / 61 / 0 / 1

HEX #A662FD

RGB 166 98 253

HSL 266.32, 0.97%, 0.69%

LAB 56.02, 57.33, -67.31

 

CMYK 18 / 61 / 0 / 1

HEX #CF62FD

RGB 207 98 253

HSL 282.19, 0.97%, 0.69%

LAB 60.86, 66.39, -59.27

 

CMYK 2 / 61 / 0 / 1

HEX #F862FD

RGB 248 98 253

HSL 298.06, 0.97%, 0.69%

LAB 66.35, 75.86, -50.21

 

CMYK 0 / 61 / 14 / 1

HEX #FD62D9

RGB 253 98 217

HSL 313.94, 0.97%, 0.69%

LAB 65.46, 71.52, -31.6

 

CMYK 0 / 61 / 30 / 1

HEX #FD62B0

RGB 253 98 176

HSL 329.81, 0.97%, 0.69%

LAB 63.96, 66.14, -10.69

 

CMYK 2 / 93 / 0 / 1

HEX #F811FD

RGB 248 17 253

HSL 298.73, 0.98%, 0.53%

LAB 59.39, 95.81, -61.29

 

CMYK 2 / 77 / 0 / 1

HEX #F93AFD

RGB 249 58 253

HSL 298.77, 0.98%, 0.61%

LAB 61.88, 89.18, -57.31

 

CMYK 1 / 61 / 0 / 1

HEX #FA62FD

RGB 250 98 253

HSL 298.84, 0.97%, 0.69%

LAB 66.64, 76.33, -49.75

 

CMYK 1 / 45 / 0 / 0

HEX #FC8BFE

RGB 252 139 254

HSL 298.96, 0.98%, 0.77%

LAB 73.75, 58.72, -39.12

 

CMYK 0 / 29 / 0 / 0

HEX #FDB4FE

RGB 253 180 254

HSL 299.19, 0.97%, 0.85%

LAB 82.21, 38.15, -26.08

 

CMYK 1 / 62 / 0 / 1

HEX #FA61FD

RGB 250 97 253

HSL 298.85, 0.98%, 0.69%

LAB 66.49, 76.72, -49.97

 

CMYK 0 / 51 / 61 / 1

HEX #FD7C62

RGB 253 124 98

HSL 10.06, 0.97%, 0.69%

LAB 66.66, 47.13, 37.18

 

CMYK 61 / 0 / 26 / 1

HEX #62FDBA

RGB 98 253 186

HSL 154.06, 0.97%, 0.69%

LAB 90.04, -56.09, 20.13

 

CMYK 1 / 62 / 0 / 1

HEX #FA61FD

RGB 250 97 253

HSL 298.85, 0.98%, 0.69%

LAB 66.49, 76.72, -49.97

 

CMYK 0 / 2 / 61 / 1

HEX #FDF862

RGB 253 248 98

HSL 58.06, 0.97%, 0.69%

LAB 95.54, -16.12, 70.34

 

CMYK 61 / 0 / 2 / 1

HEX #62FDF8

RGB 98 253 248

HSL 178.06, 0.97%, 0.69%

LAB 91.52, -41.52, -9.79

 

CMYK 1 / 62 / 0 / 1

HEX #FA61FD

RGB 250 97 253

HSL 298.85, 0.98%, 0.69%

LAB 66.49, 76.72, -49.97

 

CMYK 0 / 51 / 61 / 1

HEX #FD7C62

RGB 253 124 98

HSL 10.06, 0.97%, 0.69%

LAB 66.66, 47.13, 37.18

 

CMYK 59 / 0 / 61 / 1

HEX #68FD62

RGB 104 253 98

HSL 117.68, 0.97%, 0.69%

LAB 88.96, -68.45, 60.85

 

CMYK 61 / 10 / 0 / 1

HEX #62E4FD

RGB 98 228 253

HSL 189.68, 0.97%, 0.69%

LAB 84.57, -28.51, -22.83

 

CMYK 1 / 62 / 0 / 1

HEX #FA61FD

RGB 250 97 253

HSL 298.85, 0.98%, 0.69%

LAB 66.49, 76.72, -49.97

 

CMYK 0 / 32 / 61 / 1

HEX #FDAB62

RGB 253 171 98

HSL 28.26, 0.97%, 0.69%

LAB 76.61, 23.13, 49.19

 

CMYK 59 / 0 / 61 / 1

HEX #68FD62

RGB 104 253 98

HSL 117.68, 0.97%, 0.69%

LAB 88.96, -68.45, 60.85

 

CMYK 61 / 28 / 0 / 1

HEX #62B5FD

RGB 98 181 253

HSL 207.87, 0.97%, 0.69%

LAB 71.38, -4.15, -43.18

 

Description

Color code: HEX #FA61FD | qconv.com Color code: HEX #FA61FD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 97 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 97 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 62 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 62% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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