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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA5FD6 it is the complementary color #05A029. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA5FD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA5FD6 shade: #FF5FD1, #FF71E4, #FF83F7, #FF95FF and #FFA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA5FD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA5FD6 shade: #FA5FD6, #E94DC3, #D83BB0, #C7299D and #B6178A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA5FD6 shade: #FA60D6, #FA60AD, #FA6083 and #FA6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA5FD6 shade: #FA60D6, #F460FA, #CB60FA, #A160FA and #7860FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA5FD6 shade matches the following richer shades: #FA60D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA5FD6 shade: #FA60D6, #EC6DCF, #DF7BC8, #D288C1 and #C595BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA5FD6 shade: #C960FA, #F260FA, #FA60D8, #FA60AF and #FA6087

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA5FD6 shade: #F710C1, #F838CC, #FA60D6, #FB88E0 and #FCB0EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA5FD6 shade: #FA5FD6, #FAA060 and #60FADD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA5FD6 shade: #FA5FD6, #D8FA60 and #60D8FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA5FD6 shade: #FA5FD6, #FAA060, #60FA81 and #60BAFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA5FD6 shade: #FA5FD6, #FACE60, #60FA81 and #608CFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 14 / 2

HEX #FA5FD6

RGB 250 95 214

HSL 313.94, 0.94%, 0.68%

LAB 64.45, 71.52, -31.5

 

Complementary color

CMYK 97 / 0 / 74 / 37

HEX #05A029

RGB 5 160 41

HSL 133.94, 0.94%, 0.32%

LAB 57.4, -58.54, 49.19

 

CMYK 0 / 63 / 18 / 0

HEX #FF5FD1

RGB 255 95 209

HSL 317.25, 1%, 0.69%

LAB 65, 72.11, -27.79

 

CMYK 0 / 56 / 11 / 0

HEX #FF71E4

RGB 255 113 228

HSL 311.41, 1%, 0.72%

LAB 68.51, 67.36, -32.97

 

CMYK 0 / 49 / 3 / 0

HEX #FF83F7

RGB 255 131 247

HSL 303.87, 1%, 0.76%

LAB 72.37, 62.19, -37.43

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 0 / 62 / 14 / 2

HEX #FA5FD6

RGB 250 95 214

HSL 313.94, 0.94%, 0.68%

LAB 64.45, 71.52, -31.5

 

CMYK 0 / 67 / 16 / 9

HEX #E94DC3

RGB 233 77 195

HSL 314.62, 0.78%, 0.61%

LAB 58.58, 71.43, -30.05

 

CMYK 0 / 73 / 19 / 15

HEX #D83BB0

RGB 216 59 176

HSL 315.29, 0.67%, 0.54%

LAB 52.8, 70.89, -28.25

 

CMYK 0 / 79 / 21 / 22

HEX #C7299D

RGB 199 41 157

HSL 315.95, 0.66%, 0.47%

LAB 47.19, 69.7, -25.96

 

CMYK 0 / 87 / 24 / 29

HEX #B6178A

RGB 182 23 138

HSL 316.6, 0.78%, 0.4%

LAB 41.83, 67.56, -23.02

 

CMYK 0 / 62 / 14 / 2

HEX #FA60D6

RGB 250 96 214

HSL 314.03, 0.94%, 0.68%

LAB 64.6, 71.12, -31.28

 

CMYK 0 / 62 / 31 / 2

HEX #FA60AD

RGB 250 96 173

HSL 330, 0.94%, 0.68%

LAB 63.1, 65.75, -10.31

 

CMYK 0 / 62 / 48 / 2

HEX #FA6083

RGB 250 96 131

HSL 346.36, 0.94%, 0.68%

LAB 61.94, 61.42, 12.21

 

CMYK 0 / 62 / 62 / 2

HEX #FA6060

RGB 250 96 96

HSL 0, 0.94%, 0.68%

LAB 61.25, 58.79, 31.39

 

CMYK 0 / 62 / 14 / 2

HEX #FA60D6

RGB 250 96 214

HSL 314.03, 0.94%, 0.68%

LAB 64.6, 71.12, -31.28

 

CMYK 2 / 62 / 0 / 2

HEX #F460FA

RGB 244 96 250

HSL 297.66, 0.94%, 0.68%

LAB 65.36, 75.23, -50.17

 

CMYK 19 / 62 / 0 / 2

HEX #CB60FA

RGB 203 96 250

HSL 281.69, 0.94%, 0.68%

LAB 59.86, 65.79, -59.25

 

CMYK 36 / 62 / 0 / 2

HEX #A160FA

RGB 161 96 250

HSL 265.32, 0.94%, 0.68%

LAB 54.91, 56.56, -67.46

 

CMYK 52 / 62 / 0 / 2

HEX #7860FA

RGB 120 96 250

HSL 249.35, 0.94%, 0.68%

LAB 50.99, 48.56, -74

 

CMYK 0 / 62 / 14 / 2

HEX #FA60D6

RGB 250 96 214

HSL 314.03, 0.94%, 0.68%

LAB 64.6, 71.12, -31.28

 

CMYK 0 / 62 / 14 / 2

HEX #FA60D6

RGB 250 96 214

HSL 314.03, 0.94%, 0.68%

LAB 64.6, 71.12, -31.28

 

CMYK 0 / 54 / 12 / 7

HEX #EC6DCF

RGB 236 109 207

HSL 313.7, 0.77%, 0.68%

LAB 64.38, 60.68, -27.84

 

CMYK 0 / 45 / 10 / 13

HEX #DF7BC8

RGB 223 123 200

HSL 313.8, 0.61%, 0.68%

LAB 64.98, 48.95, -23.14

 

CMYK 0 / 35 / 8 / 18

HEX #D288C1

RGB 210 136 193

HSL 313.78, 0.45%, 0.68%

LAB 65.87, 36.82, -17.99

 

CMYK 0 / 24 / 6 / 23

HEX #C595BA

RGB 197 149 186

HSL 313.75, 0.29%, 0.68%

LAB 67.21, 24.09, -12.19

 

CMYK 20 / 62 / 0 / 2

HEX #C960FA

RGB 201 96 250

HSL 280.91, 0.94%, 0.68%

LAB 59.6, 65.33, -59.67

 

CMYK 3 / 62 / 0 / 2

HEX #F260FA

RGB 242 96 250

HSL 296.88, 0.94%, 0.68%

LAB 65.08, 74.76, -50.63

 

CMYK 0 / 62 / 14 / 2

HEX #FA60D8

RGB 250 96 216

HSL 313.25, 0.94%, 0.68%

LAB 64.68, 71.4, -32.27

 

CMYK 0 / 62 / 30 / 2

HEX #FA60AF

RGB 250 96 175

HSL 329.22, 0.94%, 0.68%

LAB 63.16, 65.99, -11.36

 

CMYK 0 / 62 / 46 / 2

HEX #FA6087

RGB 250 96 135

HSL 344.81, 0.94%, 0.68%

LAB 62.03, 61.78, 10.03

 

CMYK 0 / 94 / 22 / 3

HEX #F710C1

RGB 247 16 193

HSL 314.03, 0.94%, 0.52%

LAB 56.08, 87.94, -32.59

 

CMYK 0 / 77 / 18 / 3

HEX #F838CC

RGB 248 56 204

HSL 313.75, 0.93%, 0.6%

LAB 59.11, 82.63, -34.18

 

CMYK 0 / 62 / 14 / 2

HEX #FA60D6

RGB 250 96 214

HSL 314.03, 0.94%, 0.68%

LAB 64.6, 71.12, -31.28

 

CMYK 0 / 46 / 11 / 2

HEX #FB88E0

RGB 251 136 224

HSL 314.09, 0.93%, 0.76%

LAB 71.89, 54.88, -25.6

 

CMYK 0 / 30 / 7 / 1

HEX #FCB0EA

RGB 252 176 234

HSL 314.21, 0.93%, 0.84%

LAB 80.56, 36.43, -17.85

 

CMYK 0 / 62 / 14 / 2

HEX #FA5FD6

RGB 250 95 214

HSL 313.94, 0.94%, 0.68%

LAB 64.45, 71.52, -31.5

 

CMYK 0 / 36 / 62 / 2

HEX #FAA060

RGB 250 160 96

HSL 24.94, 0.94%, 0.68%

LAB 73.75, 27.55, 46.72

 

CMYK 62 / 0 / 12 / 2

HEX #60FADD

RGB 96 250 221

HSL 168.7, 0.94%, 0.68%

LAB 89.9, -47.35, 1.85

 

CMYK 0 / 62 / 14 / 2

HEX #FA5FD6

RGB 250 95 214

HSL 313.94, 0.94%, 0.68%

LAB 64.45, 71.52, -31.5

 

CMYK 14 / 0 / 62 / 2

HEX #D8FA60

RGB 216 250 96

HSL 73.25, 0.94%, 0.68%

LAB 93.37, -31.78, 68.03

 

CMYK 62 / 14 / 0 / 2

HEX #60D8FA

RGB 96 216 250

HSL 193.25, 0.94%, 0.68%

LAB 81.02, -23.81, -26.67

 

CMYK 0 / 62 / 14 / 2

HEX #FA5FD6

RGB 250 95 214

HSL 313.94, 0.94%, 0.68%

LAB 64.45, 71.52, -31.5

 

CMYK 0 / 36 / 62 / 2

HEX #FAA060

RGB 250 160 96

HSL 24.94, 0.94%, 0.68%

LAB 73.75, 27.55, 46.72

 

CMYK 62 / 0 / 48 / 2

HEX #60FA81

RGB 96 250 129

HSL 132.86, 0.94%, 0.68%

LAB 88.18, -65.3, 45.98

 

CMYK 62 / 26 / 0 / 2

HEX #60BAFA

RGB 96 186 250

HSL 204.94, 0.94%, 0.68%

LAB 72.57, -8.19, -39.71

 

CMYK 0 / 62 / 14 / 2

HEX #FA5FD6

RGB 250 95 214

HSL 313.94, 0.94%, 0.68%

LAB 64.45, 71.52, -31.5

 

CMYK 0 / 18 / 62 / 2

HEX #FACE60

RGB 250 206 96

HSL 42.86, 0.94%, 0.68%

LAB 84.64, 3.54, 59.23

 

CMYK 62 / 0 / 48 / 2

HEX #60FA81

RGB 96 250 129

HSL 132.86, 0.94%, 0.68%

LAB 88.18, -65.3, 45.98

 

CMYK 62 / 44 / 0 / 2

HEX #608CFA

RGB 96 140 250

HSL 222.86, 0.94%, 0.68%

LAB 60.02, 18.19, -59.52

 

Description

Color code: HEX #FA5FD6 | qconv.com Color code: HEX #FA5FD6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 95 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 95 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 14 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 14% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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