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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA5E76 it is the complementary color #05A189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA5E76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA5E76 shade: #FF5E71, #FF7084, #FF8297, #FF94AA and #FFA6BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA5E76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA5E76 shade: #FA5E76, #E94C63, #D83A50, #C7283D and #B6162A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA5E76 shade: #FA5C74 and #FA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA5E76 shade: #FA5C74, #FA5C9F, #FA5CC9, #FA5CF4 and #D55CFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA5E76 shade matches the following richer shades: #FA5C74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA5E76 shade: #FA5C74, #EC697E, #DF7787, #D18590 and #C3929A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA5E76 shade: #FA5CCA, #FA5CA0, #FA5C76, #FA6C5C and #FA965C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA5E76 shade: #F70C30, #F93452, #FA5C74, #FB8496 and #FCACB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA5E76 shade: #FA5E76, #F5FA5C and #5CB5FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA5E76 shade: #FA5E76, #76FA5C and #5C76FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA5E76 shade: #FA5E76, #F5FA5C, #5CFAE0 and #615CFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA5E76 shade: #FA5E76, #C5FA5C, #5CFAE0 and #905CFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 53 / 2

HEX #FA5E76

RGB 250 94 118

HSL 350.77, 0.94%, 0.67%

LAB 61.34, 61.17, 18.9

 

Complementary color

CMYK 97 / 0 / 15 / 37

HEX #05A189

RGB 5 161 137

HSL 170.77, 0.94%, 0.33%

LAB 59.28, -40.98, 2.56

 

CMYK 0 / 63 / 56 / 0

HEX #FF5E71

RGB 255 94 113

HSL 352.92, 1%, 0.68%

LAB 62.05, 62.38, 22.88

 

CMYK 0 / 56 / 48 / 0

HEX #FF7084

RGB 255 112 132

HSL 351.61, 1%, 0.72%

LAB 65.37, 56.1, 16.54

 

CMYK 0 / 49 / 41 / 0

HEX #FF8297

RGB 255 130 151

HSL 349.92, 1%, 0.75%

LAB 69.08, 49.44, 11

 

CMYK 0 / 42 / 33 / 0

HEX #FF94AA

RGB 255 148 170

HSL 347.66, 1%, 0.79%

LAB 73.12, 42.6, 6.16

 

CMYK 0 / 35 / 26 / 0

HEX #FFA6BD

RGB 255 166 189

HSL 344.49, 1%, 0.83%

LAB 77.4, 35.78, 1.91

 

CMYK 0 / 62 / 53 / 2

HEX #FA5E76

RGB 250 94 118

HSL 350.77, 0.94%, 0.67%

LAB 61.34, 61.17, 18.9

 

CMYK 0 / 67 / 58 / 9

HEX #E94C63

RGB 233 76 99

HSL 351.21, 0.78%, 0.61%

LAB 55.48, 61.68, 21.59

 

CMYK 0 / 73 / 63 / 15

HEX #D83A50

RGB 216 58 80

HSL 351.65, 0.67%, 0.54%

LAB 49.74, 61.83, 24.79

 

CMYK 0 / 80 / 69 / 22

HEX #C7283D

RGB 199 40 61

HSL 352.08, 0.67%, 0.47%

LAB 44.23, 61.41, 28.63

 

CMYK 0 / 88 / 77 / 29

HEX #B6162A

RGB 182 22 42

HSL 352.5, 0.78%, 0.4%

LAB 39.05, 60.11, 33.19

 

CMYK 0 / 63 / 54 / 2

HEX #FA5C74

RGB 250 92 116

HSL 350.89, 0.94%, 0.67%

LAB 60.99, 61.85, 19.59

 

CMYK 0 / 63 / 63 / 2

HEX #FA5C5C

RGB 250 92 92

HSL 0, 0.94%, 0.67%

LAB 60.56, 60.22, 32.78

 

CMYK 0 / 63 / 54 / 2

HEX #FA5C74

RGB 250 92 116

HSL 350.89, 0.94%, 0.67%

LAB 60.99, 61.85, 19.59

 

CMYK 0 / 63 / 36 / 2

HEX #FA5C9F

RGB 250 92 159

HSL 334.56, 0.94%, 0.67%

LAB 62.07, 65.81, -3.79

 

CMYK 0 / 63 / 20 / 2

HEX #FA5CC9

RGB 250 92 201

HSL 318.61, 0.94%, 0.67%

LAB 63.5, 70.9, -25.64

 

CMYK 0 / 63 / 2 / 2

HEX #FA5CF4

RGB 250 92 244

HSL 302.28, 0.94%, 0.67%

LAB 65.37, 77.2, -46.79

 

CMYK 15 / 63 / 0 / 2

HEX #D55CFA

RGB 213 92 250

HSL 285.95, 0.94%, 0.67%

LAB 60.52, 69.79, -58.12

 

CMYK 0 / 63 / 54 / 2

HEX #FA5C74

RGB 250 92 116

HSL 350.89, 0.94%, 0.67%

LAB 60.99, 61.85, 19.59

 

CMYK 0 / 63 / 54 / 2

HEX #FA5C74

RGB 250 92 116

HSL 350.89, 0.94%, 0.67%

LAB 60.99, 61.85, 19.59

 

CMYK 0 / 56 / 47 / 7

HEX #EC697E

RGB 236 105 126

HSL 350.38, 0.78%, 0.67%

LAB 61.17, 52.42, 13.71

 

CMYK 0 / 47 / 39 / 13

HEX #DF7787

RGB 223 119 135

HSL 350.77, 0.62%, 0.67%

LAB 62.19, 41.97, 9.71

 

CMYK 0 / 36 / 31 / 18

HEX #D18590

RGB 209 133 144

HSL 351.32, 0.45%, 0.67%

LAB 63.63, 30.59, 6.38

 

CMYK 0 / 25 / 21 / 24

HEX #C3929A

RGB 195 146 154

HSL 350.2, 0.29%, 0.67%

LAB 65.35, 19.67, 3.01

 

CMYK 0 / 63 / 19 / 2

HEX #FA5CCA

RGB 250 92 202

HSL 318.23, 0.94%, 0.67%

LAB 63.54, 71.03, -26.15

 

CMYK 0 / 63 / 36 / 2

HEX #FA5CA0

RGB 250 92 160

HSL 334.18, 0.94%, 0.67%

LAB 62.1, 65.91, -4.33

 

CMYK 0 / 63 / 53 / 2

HEX #FA5C76

RGB 250 92 118

HSL 350.13, 0.94%, 0.67%

LAB 61.03, 62, 18.49

 

CMYK 0 / 57 / 63 / 2

HEX #FA6C5C

RGB 250 108 92

HSL 6.08, 0.94%, 0.67%

LAB 63.2, 53.24, 36.07

 

CMYK 0 / 40 / 63 / 2

HEX #FA965C

RGB 250 150 92

HSL 22.03, 0.94%, 0.67%

LAB 71.49, 32.5, 46.08

 

CMYK 0 / 95 / 81 / 3

HEX #F70C30

RGB 247 12 48

HSL 350.81, 0.94%, 0.51%

LAB 52.12, 78, 47.55

 

CMYK 0 / 79 / 67 / 2

HEX #F93452

RGB 249 52 82

HSL 350.86, 0.94%, 0.59%

LAB 55.28, 73.03, 31.9

 

CMYK 0 / 63 / 54 / 2

HEX #FA5C74

RGB 250 92 116

HSL 350.89, 0.94%, 0.67%

LAB 60.99, 61.85, 19.59

 

CMYK 0 / 47 / 40 / 2

HEX #FB8496

RGB 251 132 150

HSL 350.92, 0.94%, 0.75%

LAB 68.91, 46.96, 11.24

 

CMYK 0 / 32 / 27 / 1

HEX #FCACB8

RGB 252 172 184

HSL 351, 0.93%, 0.83%

LAB 78.26, 30.9, 5.84

 

CMYK 0 / 62 / 53 / 2

HEX #FA5E76

RGB 250 94 118

HSL 350.77, 0.94%, 0.67%

LAB 61.34, 61.17, 18.9

 

CMYK 2 / 0 / 63 / 2

HEX #F5FA5C

RGB 245 250 92

HSL 61.9, 0.94%, 0.67%

LAB 95.39, -20.64, 72.38

 

CMYK 63 / 28 / 0 / 2

HEX #5CB5FA

RGB 92 181 250

HSL 206.2, 0.94%, 0.67%

LAB 71.03, -6.15, -42.12

 

CMYK 0 / 62 / 53 / 2

HEX #FA5E76

RGB 250 94 118

HSL 350.77, 0.94%, 0.67%

LAB 61.34, 61.17, 18.9

 

CMYK 53 / 0 / 63 / 2

HEX #76FA5C

RGB 118 250 92

HSL 110.13, 0.94%, 0.67%

LAB 88.45, -64.62, 62.87

 

CMYK 63 / 53 / 0 / 2

HEX #5C76FA

RGB 92 118 250

HSL 230.13, 0.94%, 0.67%

LAB 54.17, 30.82, -68.94

 

CMYK 0 / 62 / 53 / 2

HEX #FA5E76

RGB 250 94 118

HSL 350.77, 0.94%, 0.67%

LAB 61.34, 61.17, 18.9

 

CMYK 2 / 0 / 63 / 2

HEX #F5FA5C

RGB 245 250 92

HSL 61.9, 0.94%, 0.67%

LAB 95.39, -20.64, 72.38

 

CMYK 63 / 0 / 10 / 2

HEX #5CFAE0

RGB 92 250 224

HSL 170.13, 0.94%, 0.67%

LAB 89.87, -47.27, 0.24

 

CMYK 61 / 63 / 0 / 2

HEX #615CFA

RGB 97 92 250

HSL 241.9, 0.94%, 0.67%

LAB 48.38, 47.11, -78.33

 

CMYK 0 / 62 / 53 / 2

HEX #FA5E76

RGB 250 94 118

HSL 350.77, 0.94%, 0.67%

LAB 61.34, 61.17, 18.9

 

CMYK 21 / 0 / 63 / 2

HEX #C5FA5C

RGB 197 250 92

HSL 80.13, 0.94%, 0.67%

LAB 92.14, -39.25, 67.95

 

CMYK 63 / 0 / 10 / 2

HEX #5CFAE0

RGB 92 250 224

HSL 170.13, 0.94%, 0.67%

LAB 89.87, -47.27, 0.24

 

CMYK 42 / 63 / 0 / 2

HEX #905CFA

RGB 144 92 250

HSL 259.75, 0.94%, 0.67%

LAB 52.38, 55.19, -71.64

 

Description

Color code: HEX #FA5E76 | qconv.com Color code: HEX #FA5E76 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 94 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 94 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 53 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 53% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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