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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA5A2ACE it is the complementary color #05A5D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA5A2ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA5A2ACE shade: #FF5A25CE, #FF6C38CE, #FF7E4BCE, #FF905ECE and #FFA271CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA5A2ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA5A2ACE shade: #FA5A2ACE, #E94817CE, #D83604CE, #C72400CE and #B61200CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA5A2ACE shade: #FA5929 and #FA2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA5A2ACE shade: #FA5929, #FA9129, #FACA29, #F1FA29 and #B9FA29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA5A2ACE shade matches the following richer shades: #FA5929

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA5A2ACE shade: #FA5929, #E8633B, #D66C4D, #C4765E and #B37F70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA5A2ACE shade: #FA296B, #FA2934, #FA5629, #FA8E29 and #FAC529

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA5A2ACE shade: #CB3305, #F33D06, #FA5929, #FB7851 and #FC987A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA5A2ACE shade: #FA5A2A, #A3FA29 and #294FFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA5A2ACE shade: #FA5A2A, #29FA56 and #5629FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA5A2ACE shade: #FA5A2A, #A3FA29, #29CCFA and #8029FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA5A2ACE shade: #FA5A2A, #64FA29, #29CCFA and #BE29FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 67 / 2

HEX #FA5A2ACE

RGBA 250 90 42 0.81

HSLA 13.85, 0.95%, 0.57%, 0.81

LABA 59.71, 58.97, 57.67, 0.81

 

Complementary color

CMYK 79 / 18 / 0 / 13

HEX #05A5D5CE

RGBA 5 165 213 0.81

HSLA 193.85, 0.95%, 0.43%, 0.81

LABA 63.13, -18.49, -34.29, 0.81

 

CMYK 0 / 52 / 69 / 0

HEX #FF5A25CE

RGBA 255 90 37 0.81

HSLA 14.59, 1%, 0.57%, 0.81

LABA 60.52, 60.53, 60.76, 0.81

 

CMYK 0 / 47 / 63 / 0

HEX #FF6C38CE

RGBA 255 108 56 0.81

HSLA 15.68, 1%, 0.61%, 0.81

LABA 63.57, 53.32, 55.28, 0.81

 

CMYK 0 / 41 / 57 / 0

HEX #FF7E4BCE

RGBA 255 126 75 0.81

HSLA 17, 1%, 0.65%, 0.81

LABA 67.04, 45.6, 49.74, 0.81

 

CMYK 0 / 35 / 51 / 0

HEX #FF905ECE

RGBA 255 144 94 0.81

HSLA 18.63, 1%, 0.68%, 0.81

LABA 70.88, 37.66, 44.49, 0.81

 

CMYK 0 / 30 / 45 / 0

HEX #FFA271CE

RGBA 255 162 113 0.81

HSLA 20.7, 1%, 0.72%, 0.81

LABA 75.01, 29.71, 39.67, 0.81

 

CMYK 0 / 52 / 67 / 2

HEX #FA5A2ACE

RGBA 250 90 42 0.81

HSLA 13.85, 0.95%, 0.57%, 0.81

LABA 59.71, 58.97, 57.67, 0.81

 

CMYK 0 / 56 / 73 / 7

HEX #E94817CE

RGBA 233 72 23 0.81

HSLA 14, 0.83%, 0.5%, 0.81

LABA 54.05, 60.09, 59.31, 0.81

 

CMYK 0 / 61 / 80 / 12

HEX #D83604CE

RGBA 216 54 4 0.81

HSLA 14.15, 0.96%, 0.43%, 0.81

LABA 48.57, 60.83, 59.63, 0.81

 

CMYK 0 / 66 / 81 / 18

HEX #C72400CE

RGBA 199 36 0 0.81

HSLA 10.85, 1%, 0.39%, 0.81

LABA 43.37, 60.95, 56.5, 0.81

 

CMYK 0 / 73 / 81 / 23

HEX #B61200CE

RGBA 182 18 0 0.81

HSLA 5.93, 1%, 0.36%, 0.81

LABA 38.51, 59.97, 52.46, 0.81

 

CMYK 0 / 64 / 84 / 2

HEX #FA5929

RGB 250 89 41

HSL 13.78, 0.95%, 0.57%

LAB 59.55, 59.36, 57.96

 

CMYK 0 / 84 / 84 / 2

HEX #FA2929

RGB 250 41 41

HSL 0, 0.95%, 0.57%

LAB 54.1, 74.45, 53.2

 

CMYK 0 / 64 / 84 / 2

HEX #FA5929

RGB 250 89 41

HSL 13.78, 0.95%, 0.57%

LAB 59.55, 59.36, 57.96

 

CMYK 0 / 42 / 84 / 2

HEX #FA9129

RGB 250 145 41

HSL 29.86, 0.95%, 0.57%

LAB 69.99, 32.85, 66.91

 

CMYK 0 / 19 / 84 / 2

HEX #FACA29

RGB 250 202 41

HSL 46.22, 0.95%, 0.57%

LAB 83.3, 3.15, 78.07

 

CMYK 4 / 0 / 84 / 2

HEX #F1FA29

RGB 241 250 41

HSL 62.58, 0.95%, 0.57%

LAB 94.84, -24.37, 87.35

 

CMYK 26 / 0 / 84 / 2

HEX #B9FA29

RGB 185 250 41

HSL 78.66, 0.95%, 0.57%

LAB 91.16, -46.29, 82.78

 

CMYK 0 / 64 / 84 / 2

HEX #FA5929

RGB 250 89 41

HSL 13.78, 0.95%, 0.57%

LAB 59.55, 59.36, 57.96

 

CMYK 0 / 64 / 84 / 2

HEX #FA5929

RGB 250 89 41

HSL 13.78, 0.95%, 0.57%

LAB 59.55, 59.36, 57.96

 

CMYK 0 / 57 / 75 / 9

HEX #E8633B

RGB 232 99 59

HSL 13.87, 0.79%, 0.57%

LAB 58.41, 49.31, 47.41

 

CMYK 0 / 50 / 64 / 16

HEX #D66C4D

RGB 214 108 77

HSL 13.58, 0.63%, 0.57%

LAB 57.61, 39.14, 36.27

 

CMYK 0 / 40 / 52 / 23

HEX #C4765E

RGB 196 118 94

HSL 14.12, 0.46%, 0.57%

LAB 57.56, 28.08, 26.21

 

CMYK 0 / 29 / 37 / 30

HEX #B37F70

RGB 179 127 112

HSL 13.43, 0.31%, 0.57%

LAB 57.97, 18.16, 16.17

 

CMYK 0 / 84 / 57 / 2

HEX #FA296B

RGB 250 41 107

HSL 341.05, 0.95%, 0.57%

LAB 55.04, 77.23, 16.76

 

CMYK 0 / 84 / 79 / 2

HEX #FA2934

RGB 250 41 52

HSL 356.84, 0.95%, 0.57%

LAB 54.19, 74.73, 47.66

 

CMYK 0 / 66 / 84 / 2

HEX #FA5629

RGB 250 86 41

HSL 12.92, 0.95%, 0.57%

LAB 59.1, 60.57, 57.57

 

CMYK 0 / 43 / 84 / 2

HEX #FA8E29

RGB 250 142 41

HSL 29, 0.95%, 0.57%

LAB 69.35, 34.39, 66.36

 

CMYK 0 / 21 / 84 / 2

HEX #FAC529

RGB 250 197 41

HSL 44.78, 0.95%, 0.57%

LAB 82.06, 5.73, 77.05

 

CMYK 0 / 75 / 98 / 20

HEX #CB3305

RGB 203 51 5

HSL 13.94, 0.95%, 0.41%

LAB 45.74, 57.8, 56.54

 

CMYK 0 / 75 / 98 / 5

HEX #F33D06

RGB 243 61 6

HSL 13.92, 0.95%, 0.49%

LAB 54.45, 66.79, 64.94

 

CMYK 0 / 64 / 84 / 2

HEX #FA5929

RGB 250 89 41

HSL 13.78, 0.95%, 0.57%

LAB 59.55, 59.36, 57.96

 

CMYK 0 / 52 / 68 / 2

HEX #FB7851

RGB 251 120 81

HSL 13.76, 0.96%, 0.65%

LAB 65.39, 47.33, 44.64

 

CMYK 0 / 40 / 52 / 1

HEX #FC987A

RGB 252 152 122

HSL 13.85, 0.96%, 0.73%

LAB 72.6, 34.47, 31.74

 

CMYK 0 / 64 / 83 / 2

HEX #FA5A2A

RGB 250 90 42

HSL 13.85, 0.95%, 0.57%

LAB 59.71, 58.97, 57.67

 

CMYK 35 / 0 / 84 / 2

HEX #A3FA29

RGB 163 250 41

HSL 84.98, 0.95%, 0.57%

LAB 90.01, -54.13, 81.32

 

CMYK 84 / 68 / 0 / 2

HEX #294FFA

RGB 41 79 250

HSL 229.09, 0.95%, 0.57%

LAB 42.71, 49.04, -87.74

 

CMYK 0 / 64 / 83 / 2

HEX #FA5A2A

RGB 250 90 42

HSL 13.85, 0.95%, 0.57%

LAB 59.71, 58.97, 57.67

 

CMYK 84 / 0 / 66 / 2

HEX #29FA56

RGB 41 250 86

HSL 132.92, 0.95%, 0.57%

LAB 86.76, -78.57, 62.95

 

CMYK 66 / 84 / 0 / 2

HEX #5629FA

RGB 86 41 250

HSL 252.92, 0.95%, 0.57%

LAB 38.67, 70.83, -94.35

 

CMYK 0 / 64 / 83 / 2

HEX #FA5A2A

RGB 250 90 42

HSL 13.85, 0.95%, 0.57%

LAB 59.71, 58.97, 57.67

 

CMYK 35 / 0 / 84 / 2

HEX #A3FA29

RGB 163 250 41

HSL 84.98, 0.95%, 0.57%

LAB 90.01, -54.13, 81.32

 

CMYK 84 / 18 / 0 / 2

HEX #29CCFA

RGB 41 204 250

HSL 193.21, 0.95%, 0.57%

LAB 76.41, -24.37, -33.84

 

CMYK 49 / 84 / 0 / 2

HEX #8029FA

RGB 128 41 250

HSL 264.98, 0.95%, 0.57%

LAB 42.88, 74.69, -87.25

 

CMYK 0 / 64 / 83 / 2

HEX #FA5A2A

RGB 250 90 42

HSL 13.85, 0.95%, 0.57%

LAB 59.71, 58.97, 57.67

 

CMYK 60 / 0 / 84 / 2

HEX #64FA29

RGB 100 250 41

HSL 103.06, 0.95%, 0.57%

LAB 87.6, -72.36, 78.29

 

CMYK 84 / 18 / 0 / 2

HEX #29CCFA

RGB 41 204 250

HSL 193.21, 0.95%, 0.57%

LAB 76.41, -24.37, -33.84

 

CMYK 24 / 84 / 0 / 2

HEX #BE29FA

RGB 190 41 250

HSL 282.78, 0.95%, 0.57%

LAB 51.19, 82.82, -73.31

 

Description

Color code: HEX #FA5A2ACE | qconv.com Color code: HEX #FA5A2ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 90 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 90 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 67 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 67% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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