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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA5A0E it is the complementary color #05A5F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA5A0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA5A0E shade: #FF5A09, #FF6C1C, #FF7E2F, #FF9042 and #FFA255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA5A0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA5A0E shade: #FA5A0E, #E94800, #D83600, #C72400 and #B61200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA5A0E shade: #FA5B0F, #FA1B0F and #FA0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA5A0E shade: #FA5B0F, #FA9A0F, #FADA0F, #DBFA0F and #9CFA0F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA5A0E shade matches the following richer shades: #FA5B0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA5A0E shade: #FA5B0F, #E66223, #D26937, #BF704B and #AB775E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA5A0E shade: #FA0F42, #FA1B0F, #FA5A0F, #FA980F and #FAD70F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA5A0E shade: #B33C04, #DB4A04, #FA5B0F, #FB7638 and #FC9260

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA5A0E shade: #FA5A0E, #81FA0F and #0F23FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA5A0E shade: #FA5A0E, #0FFA5A and #5A0FFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA5A0E shade: #FA5A0E, #81FA0F, #0FB0FA and #890FFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA5A0E shade: #FA5A0E, #3AFA0F, #0FB0FA and #CF0FFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 94 / 2

HEX #FA5A0E

RGB 250 90 14

HSL 19.32, 0.96%, 0.52%

LAB 59.59, 58.5, 66.85

 

Complementary color

CMYK 98 / 32 / 0 / 5

HEX #05A5F1

RGB 5 165 241

HSL 199.32, 0.96%, 0.48%

LAB 64.4, -8.41, -47.75

 

CMYK 0 / 65 / 96 / 0

HEX #FF5A09

RGB 255 90 9

HSL 19.76, 1%, 0.52%

LAB 60.42, 60.14, 68.73

 

CMYK 0 / 58 / 89 / 0

HEX #FF6C1C

RGB 255 108 28

HSL 21.15, 1%, 0.55%

LAB 63.4, 52.62, 66.14

 

CMYK 0 / 51 / 82 / 0

HEX #FF7E2F

RGB 255 126 47

HSL 22.79, 1%, 0.59%

LAB 66.81, 44.54, 62.21

 

CMYK 0 / 44 / 74 / 0

HEX #FF9042

RGB 255 144 66

HSL 24.76, 1%, 0.63%

LAB 70.59, 36.2, 57.78

 

CMYK 0 / 36 / 67 / 0

HEX #FFA255

RGB 255 162 85

HSL 27.18, 1%, 0.67%

LAB 74.67, 27.84, 53.33

 

CMYK 0 / 64 / 94 / 2

HEX #FA5A0E

RGB 250 90 14

HSL 19.32, 0.96%, 0.52%

LAB 59.59, 58.5, 66.85

 

CMYK 0 / 69 / 100 / 9

HEX #E94800

RGB 233 72 0

HSL 18.54, 1%, 0.46%

LAB 53.98, 59.85, 65.01

 

CMYK 0 / 75 / 100 / 15

HEX #D83600

RGB 216 54 0

HSL 15, 1%, 0.42%

LAB 48.56, 60.79, 60.69

 

CMYK 0 / 82 / 100 / 22

HEX #C72400

RGB 199 36 0

HSL 10.85, 1%, 0.39%

LAB 43.37, 60.95, 56.5

 

CMYK 0 / 90 / 100 / 29

HEX #B61200

RGB 182 18 0

HSL 5.93, 1%, 0.36%

LAB 38.51, 59.97, 52.46

 

CMYK 0 / 64 / 94 / 2

HEX #FA5B0F

RGB 250 91 15

HSL 19.4, 0.96%, 0.52%

LAB 59.74, 58.1, 66.72

 

CMYK 0 / 89 / 94 / 2

HEX #FA1B0F

RGB 250 27 15

HSL 3.06, 0.96%, 0.52%

LAB 53.1, 76.52, 62.84

 

CMYK 0 / 94 / 94 / 2

HEX #FA0F0F

RGB 250 15 15

HSL 0, 0.96%, 0.52%

LAB 52.62, 77.92, 62.58

 

CMYK 0 / 64 / 94 / 2

HEX #FA5B0F

RGB 250 91 15

HSL 19.4, 0.96%, 0.52%

LAB 59.74, 58.1, 66.72

 

CMYK 0 / 38 / 94 / 2

HEX #FA9A0F

RGB 250 154 15

HSL 35.49, 0.96%, 0.52%

LAB 71.87, 27.71, 74.76

 

CMYK 0 / 13 / 94 / 2

HEX #FADA0F

RGB 250 218 15

HSL 51.83, 0.96%, 0.52%

LAB 87.24, -5.44, 85.84

 

CMYK 12 / 0 / 94 / 2

HEX #DBFA0F

RGB 219 250 15

HSL 67.91, 0.96%, 0.52%

LAB 93.22, -33.7, 89.28

 

CMYK 38 / 0 / 94 / 2

HEX #9CFA0F

RGB 156 250 15

HSL 84, 0.96%, 0.52%

LAB 89.61, -57.11, 84.91

 

CMYK 0 / 64 / 94 / 2

HEX #FA5B0F

RGB 250 91 15

HSL 19.4, 0.96%, 0.52%

LAB 59.74, 58.1, 66.72

 

CMYK 0 / 64 / 94 / 2

HEX #FA5B0F

RGB 250 91 15

HSL 19.4, 0.96%, 0.52%

LAB 59.74, 58.1, 66.72

 

CMYK 0 / 57 / 85 / 10

HEX #E66223

RGB 230 98 35

HSL 19.38, 0.8%, 0.52%

LAB 57.73, 48.27, 57.56

 

CMYK 0 / 50 / 74 / 18

HEX #D26937

RGB 210 105 55

HSL 19.35, 0.63%, 0.52%

LAB 56.17, 37.92, 46.03

 

CMYK 0 / 41 / 61 / 25

HEX #BF704B

RGB 191 112 75

HSL 19.14, 0.48%, 0.52%

LAB 55.25, 27.75, 33.75

 

CMYK 0 / 30 / 45 / 33

HEX #AB775E

RGB 171 119 94

HSL 19.48, 0.31%, 0.52%

LAB 54.72, 17.28, 21.9

 

CMYK 0 / 94 / 74 / 2

HEX #FA0F42

RGB 250 15 66

HSL 346.98, 0.96%, 0.52%

LAB 53.01, 79.02, 38.56

 

CMYK 0 / 89 / 94 / 2

HEX #FA1B0F

RGB 250 27 15

HSL 3.06, 0.96%, 0.52%

LAB 53.1, 76.52, 62.84

 

CMYK 0 / 64 / 94 / 2

HEX #FA5A0F

RGB 250 90 15

HSL 19.15, 0.96%, 0.52%

LAB 59.59, 58.51, 66.63

 

CMYK 0 / 39 / 94 / 2

HEX #FA980F

RGB 250 152 15

HSL 34.98, 0.96%, 0.52%

LAB 71.43, 28.76, 74.46

 

CMYK 0 / 14 / 94 / 2

HEX #FAD70F

RGB 250 215 15

HSL 51.06, 0.96%, 0.52%

LAB 86.48, -3.93, 85.28

 

CMYK 0 / 66 / 98 / 30

HEX #B33C04

RGB 179 60 4

HSL 19.2, 0.96%, 0.36%

LAB 42.5, 46.38, 52.66

 

CMYK 0 / 66 / 98 / 14

HEX #DB4A04

RGB 219 74 4

HSL 19.53, 0.96%, 0.44%

LAB 51.8, 54.45, 61.62

 

CMYK 0 / 64 / 94 / 2

HEX #FA5B0F

RGB 250 91 15

HSL 19.4, 0.96%, 0.52%

LAB 59.74, 58.1, 66.72

 

CMYK 0 / 53 / 78 / 2

HEX #FB7638

RGB 251 118 56

HSL 19.08, 0.96%, 0.6%

LAB 64.76, 47.2, 56.26

 

CMYK 0 / 42 / 62 / 1

HEX #FC9260

RGB 252 146 96

HSL 19.23, 0.96%, 0.68%

LAB 70.94, 35.6, 43.43

 

CMYK 0 / 64 / 94 / 2

HEX #FA5A0E

RGB 250 90 14

HSL 19.32, 0.96%, 0.52%

LAB 59.59, 58.5, 66.85

 

CMYK 48 / 0 / 94 / 2

HEX #81FA0F

RGB 129 250 15

HSL 90.89, 0.96%, 0.52%

LAB 88.48, -65.55, 83.53

 

CMYK 94 / 86 / 0 / 2

HEX #0F23FA

RGB 15 35 250

HSL 234.89, 0.96%, 0.52%

LAB 34.41, 70.14, -101.53

 

CMYK 0 / 64 / 94 / 2

HEX #FA5A0E

RGB 250 90 14

HSL 19.32, 0.96%, 0.52%

LAB 59.59, 58.5, 66.85

 

CMYK 94 / 0 / 64 / 2

HEX #0FFA5A

RGB 15 250 90

HSL 139.15, 0.96%, 0.52%

LAB 86.61, -79.75, 61.13

 

CMYK 64 / 94 / 0 / 2

HEX #5A0FFA

RGB 90 15 250

HSL 259.15, 0.96%, 0.52%

LAB 36.78, 77.84, -97.48

 

CMYK 0 / 64 / 94 / 2

HEX #FA5A0E

RGB 250 90 14

HSL 19.32, 0.96%, 0.52%

LAB 59.59, 58.5, 66.85

 

CMYK 48 / 0 / 94 / 2

HEX #81FA0F

RGB 129 250 15

HSL 90.89, 0.96%, 0.52%

LAB 88.48, -65.55, 83.53

 

CMYK 94 / 30 / 0 / 2

HEX #0FB0FA

RGB 15 176 250

HSL 198.89, 0.96%, 0.52%

LAB 68.06, -10.99, -46.88

 

CMYK 45 / 94 / 0 / 2

HEX #890FFA

RGB 137 15 250

HSL 271.15, 0.96%, 0.52%

LAB 42.1, 81.26, -88.5

 

CMYK 0 / 64 / 94 / 2

HEX #FA5A0E

RGB 250 90 14

HSL 19.32, 0.96%, 0.52%

LAB 59.59, 58.5, 66.85

 

CMYK 77 / 0 / 94 / 2

HEX #3AFA0F

RGB 58 250 15

HSL 109.02, 0.96%, 0.52%

LAB 86.65, -80.66, 81.29

 

CMYK 94 / 30 / 0 / 2

HEX #0FB0FA

RGB 15 176 250

HSL 198.89, 0.96%, 0.52%

LAB 68.06, -10.99, -46.88

 

CMYK 17 / 94 / 0 / 2

HEX #CF0FFA

RGB 207 15 250

HSL 289.02, 0.96%, 0.52%

LAB 52.41, 89.44, -71.22

 

Description

Color code: HEX #FA5A0E | qconv.com Color code: HEX #FA5A0E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 90 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 90 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 94 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 94% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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