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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA56BE it is the complementary color #05A941. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA56BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA56BE shade: #FF56B9, #FF68CC, #FF7ADF, #FF8CF2 and #FF9EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA56BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA56BE shade: #FA56BE, #E944AB, #D83298, #C72085 and #B60E72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA56BE shade: #FA57BE, #FA5792, #FA5766 and #FA5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA56BE shade: #FA57BE, #FA57EA, #DE57FA, #B257FA and #8657FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA56BE shade matches the following richer shades: #FA57BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA56BE shade: #FA57BE, #EC65BA, #DE73B7, #D081B3 and #C28FAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA56BE shade: #DC57FA, #FA57EC, #FA57C1, #FA5795 and #FA576A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA56BE shade: #F6089F, #F92FAF, #FA57BE, #FB7FCE and #FCA7DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA56BE shade: #FA56BE, #FAB057 and #57FAF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA56BE shade: #FA56BE, #C1FA57 and #57C1FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA56BE shade: #FA56BE, #FAB057, #57FA90 and #57A0FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA56BE shade: #FA56BE, #FAE157, #57FA90 and #576FFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 24 / 2

HEX #FA56BE

RGB 250 86 190

HSL 321.95, 0.94%, 0.66%

LAB 62.25, 71.77, -21.31

 

Complementary color

CMYK 97 / 0 / 62 / 34

HEX #05A941

RGB 5 169 65

HSL 141.95, 0.94%, 0.34%

LAB 60.6, -58.73, 42.56

 

CMYK 0 / 66 / 27 / 0

HEX #FF56B9

RGB 255 86 185

HSL 324.85, 1%, 0.67%

LAB 62.86, 72.47, -17.46

 

CMYK 0 / 59 / 20 / 0

HEX #FF68CC

RGB 255 104 204

HSL 320.26, 1%, 0.7%

LAB 66.15, 67.76, -23.21

 

CMYK 0 / 52 / 13 / 0

HEX #FF7ADF

RGB 255 122 223

HSL 314.44, 1%, 0.74%

LAB 69.83, 62.55, -28.17

 

CMYK 0 / 45 / 5 / 0

HEX #FF8CF2

RGB 255 140 242

HSL 306.78, 1%, 0.77%

LAB 73.82, 57.04, -32.45

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 0 / 66 / 24 / 2

HEX #FA56BE

RGB 250 86 190

HSL 321.95, 0.94%, 0.66%

LAB 62.25, 71.77, -21.31

 

CMYK 0 / 71 / 27 / 9

HEX #E944AB

RGB 233 68 171

HSL 322.55, 0.79%, 0.59%

LAB 56.48, 71.47, -19.42

 

CMYK 0 / 77 / 30 / 15

HEX #D83298

RGB 216 50 152

HSL 323.13, 0.68%, 0.52%

LAB 50.86, 70.63, -17.07

 

CMYK 0 / 84 / 33 / 22

HEX #C72085

RGB 199 32 133

HSL 323.71, 0.72%, 0.45%

LAB 45.45, 69, -14.13

 

CMYK 0 / 92 / 37 / 29

HEX #B60E72

RGB 182 14 114

HSL 324.29, 0.86%, 0.38%

LAB 40.37, 66.27, -10.4

 

CMYK 0 / 65 / 24 / 2

HEX #FA57BE

RGB 250 87 190

HSL 322.09, 0.94%, 0.66%

LAB 62.39, 71.39, -21.1

 

CMYK 0 / 65 / 42 / 2

HEX #FA5792

RGB 250 87 146

HSL 338.28, 0.94%, 0.66%

LAB 60.97, 66.46, 2.13

 

CMYK 0 / 65 / 59 / 2

HEX #FA5766

RGB 250 87 102

HSL 354.48, 0.94%, 0.66%

LAB 59.98, 62.87, 26.32

 

CMYK 0 / 65 / 65 / 2

HEX #FA5757

RGB 250 87 87

HSL 0, 0.94%, 0.66%

LAB 59.73, 61.97, 34.58

 

CMYK 0 / 65 / 24 / 2

HEX #FA57BE

RGB 250 87 190

HSL 322.09, 0.94%, 0.66%

LAB 62.39, 71.39, -21.1

 

CMYK 0 / 65 / 6 / 2

HEX #FA57EA

RGB 250 87 234

HSL 305.89, 0.94%, 0.66%

LAB 64.23, 77.52, -43.04

 

CMYK 11 / 65 / 0 / 2

HEX #DE57FA

RGB 222 87 250

HSL 289.69, 0.94%, 0.66%

LAB 61, 73.84, -57.28

 

CMYK 29 / 65 / 0 / 2

HEX #B257FA

RGB 178 87 250

HSL 273.5, 0.94%, 0.66%

LAB 55.26, 64.46, -66.8

 

CMYK 46 / 65 / 0 / 2

HEX #8657FA

RGB 134 87 250

HSL 257.3, 0.94%, 0.66%

LAB 50.44, 55.93, -74.85

 

CMYK 0 / 65 / 24 / 2

HEX #FA57BE

RGB 250 87 190

HSL 322.09, 0.94%, 0.66%

LAB 62.39, 71.39, -21.1

 

CMYK 0 / 65 / 24 / 2

HEX #FA57BE

RGB 250 87 190

HSL 322.09, 0.94%, 0.66%

LAB 62.39, 71.39, -21.1

 

CMYK 0 / 57 / 21 / 7

HEX #EC65BA

RGB 236 101 186

HSL 322.22, 0.78%, 0.66%

LAB 62.24, 61.23, -19.24

 

CMYK 0 / 48 / 18 / 13

HEX #DE73B7

RGB 222 115 183

HSL 321.87, 0.62%, 0.66%

LAB 62.68, 49.97, -17.04

 

CMYK 0 / 38 / 14 / 18

HEX #D081B3

RGB 208 129 179

HSL 322.03, 0.46%, 0.66%

LAB 63.64, 37.55, -13.49

 

CMYK 0 / 26 / 10 / 24

HEX #C28FAF

RGB 194 143 175

HSL 322.35, 0.29%, 0.66%

LAB 65.13, 24.4, -9.17

 

CMYK 12 / 65 / 0 / 2

HEX #DC57FA

RGB 220 87 250

HSL 288.96, 0.94%, 0.66%

LAB 60.72, 73.4, -57.74

 

CMYK 0 / 65 / 6 / 2

HEX #FA57EC

RGB 250 87 236

HSL 305.15, 0.94%, 0.66%

LAB 64.32, 77.83, -44

 

CMYK 0 / 65 / 23 / 2

HEX #FA57C1

RGB 250 87 193

HSL 320.98, 0.94%, 0.66%

LAB 62.5, 71.78, -22.64

 

CMYK 0 / 65 / 40 / 2

HEX #FA5795

RGB 250 87 149

HSL 337.18, 0.94%, 0.66%

LAB 61.05, 66.75, 0.51

 

CMYK 0 / 65 / 58 / 2

HEX #FA576A

RGB 250 87 106

HSL 353.01, 0.94%, 0.66%

LAB 60.05, 63.14, 24.11

 

CMYK 0 / 97 / 35 / 4

HEX #F6089F

RGB 246 8 159

HSL 321.93, 0.94%, 0.5%

LAB 54.31, 84.75, -15.46

 

CMYK 0 / 81 / 30 / 2

HEX #F92FAF

RGB 249 47 175

HSL 321.98, 0.94%, 0.58%

LAB 57.34, 81.58, -20.2

 

CMYK 0 / 65 / 24 / 2

HEX #FA57BE

RGB 250 87 190

HSL 322.09, 0.94%, 0.66%

LAB 62.39, 71.39, -21.1

 

CMYK 0 / 49 / 18 / 2

HEX #FB7FCE

RGB 251 127 206

HSL 321.77, 0.94%, 0.74%

LAB 69.57, 56.5, -19.17

 

CMYK 0 / 34 / 12 / 1

HEX #FCA7DD

RGB 252 167 221

HSL 321.88, 0.93%, 0.82%

LAB 78.2, 38.98, -14.38

 

CMYK 0 / 66 / 24 / 2

HEX #FA56BE

RGB 250 86 190

HSL 321.95, 0.94%, 0.66%

LAB 62.25, 71.77, -21.31

 

CMYK 0 / 30 / 65 / 2

HEX #FAB057

RGB 250 176 87

HSL 32.76, 0.94%, 0.66%

LAB 77.32, 18.6, 55.18

 

CMYK 65 / 0 / 3 / 2

HEX #57FAF2

RGB 87 250 242

HSL 177.06, 0.94%, 0.66%

LAB 90.23, -43.42, -8.6

 

CMYK 0 / 66 / 24 / 2

HEX #FA56BE

RGB 250 86 190

HSL 321.95, 0.94%, 0.66%

LAB 62.25, 71.77, -21.31

 

CMYK 23 / 0 / 65 / 2

HEX #C1FA57

RGB 193 250 87

HSL 80.98, 0.94%, 0.66%

LAB 91.86, -41.07, 69.54

 

CMYK 65 / 23 / 0 / 2

HEX #57C1FA

RGB 87 193 250

HSL 200.98, 0.94%, 0.66%

LAB 74.23, -13.45, -37.14

 

CMYK 0 / 66 / 24 / 2

HEX #FA56BE

RGB 250 86 190

HSL 321.95, 0.94%, 0.66%

LAB 62.25, 71.77, -21.31

 

CMYK 0 / 30 / 65 / 2

HEX #FAB057

RGB 250 176 87

HSL 32.76, 0.94%, 0.66%

LAB 77.32, 18.6, 55.18

 

CMYK 65 / 0 / 42 / 2

HEX #57FA90

RGB 87 250 144

HSL 140.98, 0.94%, 0.66%

LAB 88.17, -64.71, 38.68

 

CMYK 65 / 36 / 0 / 2

HEX #57A0FA

RGB 87 160 250

HSL 213.13, 0.94%, 0.66%

LAB 65.02, 4.87, -51.58

 

CMYK 0 / 66 / 24 / 2

HEX #FA56BE

RGB 250 86 190

HSL 321.95, 0.94%, 0.66%

LAB 62.25, 71.77, -21.31

 

CMYK 0 / 10 / 65 / 2

HEX #FAE157

RGB 250 225 87

HSL 50.8, 0.94%, 0.66%

LAB 89.33, -6.66, 68.14

 

CMYK 65 / 0 / 42 / 2

HEX #57FA90

RGB 87 250 144

HSL 140.98, 0.94%, 0.66%

LAB 88.17, -64.71, 38.68

 

CMYK 65 / 56 / 0 / 2

HEX #576FFA

RGB 87 111 250

HSL 231.17, 0.94%, 0.66%

LAB 52.17, 34.31, -72.18

 

Description

Color code: HEX #FA56BE | qconv.com Color code: HEX #FA56BE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 86 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 86 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 24 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 24% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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