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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA5470 it is the complementary color #05AB8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA5470. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA5470 shade: #FF546B, #FF667E, #FF7891, #FF8AA4 and #FF9CB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA5470. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA5470 shade: #FA5470, #E9425D, #D8304A, #C71E37 and #B60C24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA5470 shade: #FA526E and #FA5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA5470 shade: #FA526E, #FA529B, #FA52C9, #FA52F6 and #D052FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA5470 shade matches the following richer shades: #FA526E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA5470 shade: #FA526E, #EB6078, #DD6F81, #CE7D8B and #C08C94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA5470 shade: #FA52CA, #FA529D, #FA5271, #FA6052 and #FA8D52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA5470 shade: #F2072F, #F82A4D, #FA526E, #FB7A90 and #FCA2B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA5470 shade: #FA5470, #F7FA52 and #52B4FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA5470 shade: #FA5470, #71FA52 and #5271FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA5470 shade: #FA5470, #F7FA52, #52FADB and #5552FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA5470 shade: #FA5470, #C5FA52, #52FADB and #8752FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 55 / 2

HEX #FA5470

RGB 250 84 112

HSL 349.88, 0.94%, 0.65%

LAB 59.74, 64.73, 20.21

 

Complementary color

CMYK 97 / 0 / 16 / 33

HEX #05AB8F

RGB 5 171 143

HSL 169.88, 0.94%, 0.35%

LAB 62.63, -43.59, 4.04

 

CMYK 0 / 67 / 58 / 0

HEX #FF546B

RGB 255 84 107

HSL 351.93, 1%, 0.66%

LAB 60.48, 65.9, 24.25

 

CMYK 0 / 60 / 51 / 0

HEX #FF667E

RGB 255 102 126

HSL 350.59, 1%, 0.7%

LAB 63.56, 60.02, 17.48

 

CMYK 0 / 53 / 43 / 0

HEX #FF7891

RGB 255 120 145

HSL 348.89, 1%, 0.74%

LAB 67.08, 53.62, 11.55

 

CMYK 0 / 46 / 36 / 0

HEX #FF8AA4

RGB 255 138 164

HSL 346.67, 1%, 0.77%

LAB 70.95, 46.93, 6.38

 

CMYK 0 / 39 / 28 / 0

HEX #FF9CB7

RGB 255 156 183

HSL 343.64, 1%, 0.81%

LAB 75.11, 40.15, 1.87

 

CMYK 0 / 66 / 55 / 2

HEX #FA5470

RGB 250 84 112

HSL 349.88, 0.94%, 0.65%

LAB 59.74, 64.73, 20.21

 

CMYK 0 / 72 / 60 / 9

HEX #E9425D

RGB 233 66 93

HSL 350.3, 0.79%, 0.59%

LAB 54.04, 64.92, 23.23

 

CMYK 0 / 78 / 66 / 15

HEX #D8304A

RGB 216 48 74

HSL 350.71, 0.68%, 0.52%

LAB 48.52, 64.63, 26.83

 

CMYK 0 / 85 / 72 / 22

HEX #C71E37

RGB 199 30 55

HSL 351.12, 0.74%, 0.45%

LAB 43.28, 63.58, 31.13

 

CMYK 0 / 93 / 80 / 29

HEX #B60C24

RGB 182 12 36

HSL 351.53, 0.88%, 0.38%

LAB 38.44, 61.46, 36.09

 

CMYK 0 / 67 / 56 / 2

HEX #FA526E

RGB 250 82 110

HSL 350, 0.94%, 0.65%

LAB 59.42, 65.35, 20.94

 

CMYK 0 / 67 / 67 / 2

HEX #FA5252

RGB 250 82 82

HSL 0, 0.94%, 0.65%

LAB 58.94, 63.65, 36.43

 

CMYK 0 / 67 / 56 / 2

HEX #FA526E

RGB 250 82 110

HSL 350, 0.94%, 0.65%

LAB 59.42, 65.35, 20.94

 

CMYK 0 / 67 / 38 / 2

HEX #FA529B

RGB 250 82 155

HSL 333.93, 0.94%, 0.65%

LAB 60.54, 69.25, -3.73

 

CMYK 0 / 67 / 20 / 2

HEX #FA52C9

RGB 250 82 201

HSL 317.5, 0.94%, 0.65%

LAB 62.15, 74.66, -27.73

 

CMYK 0 / 67 / 2 / 2

HEX #FA52F6

RGB 250 82 246

HSL 301.43, 0.94%, 0.65%

LAB 64.17, 81.14, -49.78

 

CMYK 17 / 67 / 0 / 2

HEX #D052FA

RGB 208 82 250

HSL 285, 0.94%, 0.65%

LAB 58.36, 72.84, -61.61

 

CMYK 0 / 67 / 56 / 2

HEX #FA526E

RGB 250 82 110

HSL 350, 0.94%, 0.65%

LAB 59.42, 65.35, 20.94

 

CMYK 0 / 67 / 56 / 2

HEX #FA526E

RGB 250 82 110

HSL 350, 0.94%, 0.65%

LAB 59.42, 65.35, 20.94

 

CMYK 0 / 59 / 49 / 8

HEX #EB6078

RGB 235 96 120

HSL 349.64, 0.78%, 0.65%

LAB 59.33, 55.65, 14.6

 

CMYK 0 / 50 / 42 / 13

HEX #DD6F81

RGB 221 111 129

HSL 350.18, 0.62%, 0.65%

LAB 60.18, 44.65, 10.27

 

CMYK 0 / 39 / 33 / 19

HEX #CE7D8B

RGB 206 125 139

HSL 349.63, 0.45%, 0.65%

LAB 61.35, 33.13, 5.92

 

CMYK 0 / 27 / 23 / 25

HEX #C08C94

RGB 192 140 148

HSL 350.77, 0.29%, 0.65%

LAB 63.43, 20.95, 3.57

 

CMYK 0 / 67 / 19 / 2

HEX #FA52CA

RGB 250 82 202

HSL 317.14, 0.94%, 0.65%

LAB 62.19, 74.79, -28.24

 

CMYK 0 / 67 / 37 / 2

HEX #FA529D

RGB 250 82 157

HSL 333.21, 0.94%, 0.65%

LAB 60.6, 69.46, -4.8

 

CMYK 0 / 67 / 55 / 2

HEX #FA5271

RGB 250 82 113

HSL 348.93, 0.94%, 0.65%

LAB 59.48, 65.56, 19.27

 

CMYK 0 / 62 / 67 / 2

HEX #FA6052

RGB 250 96 82

HSL 5, 0.94%, 0.65%

LAB 61.04, 57.98, 38.96

 

CMYK 0 / 44 / 67 / 2

HEX #FA8D52

RGB 250 141 82

HSL 21.07, 0.94%, 0.65%

LAB 69.46, 36.54, 48.76

 

CMYK 0 / 97 / 81 / 5

HEX #F2072F

RGB 242 7 47

HSL 349.79, 0.94%, 0.49%

LAB 50.96, 77.14, 46.6

 

CMYK 0 / 83 / 69 / 3

HEX #F82A4D

RGB 248 42 77

HSL 349.81, 0.94%, 0.57%

LAB 54.18, 74.9, 33.43

 

CMYK 0 / 67 / 56 / 2

HEX #FA526E

RGB 250 82 110

HSL 350, 0.94%, 0.65%

LAB 59.42, 65.35, 20.94

 

CMYK 0 / 51 / 43 / 2

HEX #FB7A90

RGB 251 122 144

HSL 349.77, 0.94%, 0.73%

LAB 66.86, 51.22, 11.72

 

CMYK 0 / 36 / 30 / 1

HEX #FCA2B1

RGB 252 162 177

HSL 350, 0.94%, 0.81%

LAB 75.89, 35.21, 6.24

 

CMYK 0 / 66 / 55 / 2

HEX #FA5470

RGB 250 84 112

HSL 349.88, 0.94%, 0.65%

LAB 59.74, 64.73, 20.21

 

CMYK 1 / 0 / 67 / 2

HEX #F7FA52

RGB 247 250 82

HSL 61.07, 0.94%, 0.65%

LAB 95.48, -20.39, 76.27

 

CMYK 67 / 28 / 0 / 2

HEX #52B4FA

RGB 82 180 250

HSL 205, 0.94%, 0.65%

LAB 70.41, -7.2, -43.1

 

CMYK 0 / 66 / 55 / 2

HEX #FA5470

RGB 250 84 112

HSL 349.88, 0.94%, 0.65%

LAB 59.74, 64.73, 20.21

 

CMYK 55 / 0 / 67 / 2

HEX #71FA52

RGB 113 250 82

HSL 108.93, 0.94%, 0.65%

LAB 88.2, -66.76, 66.48

 

CMYK 67 / 55 / 0 / 2

HEX #5271FA

RGB 82 113 250

HSL 228.93, 0.94%, 0.65%

LAB 52.4, 32.37, -71.82

 

CMYK 0 / 66 / 55 / 2

HEX #FA5470

RGB 250 84 112

HSL 349.88, 0.94%, 0.65%

LAB 59.74, 64.73, 20.21

 

CMYK 1 / 0 / 67 / 2

HEX #F7FA52

RGB 247 250 82

HSL 61.07, 0.94%, 0.65%

LAB 95.48, -20.39, 76.27

 

CMYK 67 / 0 / 12 / 2

HEX #52FADB

RGB 82 250 219

HSL 168.93, 0.94%, 0.65%

LAB 89.52, -50.01, 2.31

 

CMYK 66 / 67 / 0 / 2

HEX #5552FA

RGB 85 82 250

HSL 241.07, 0.94%, 0.65%

LAB 45.45, 51.23, -83.16

 

CMYK 0 / 66 / 55 / 2

HEX #FA5470

RGB 250 84 112

HSL 349.88, 0.94%, 0.65%

LAB 59.74, 64.73, 20.21

 

CMYK 21 / 0 / 67 / 2

HEX #C5FA52

RGB 197 250 82

HSL 78.93, 0.94%, 0.65%

LAB 92.07, -39.92, 71.7

 

CMYK 67 / 0 / 12 / 2

HEX #52FADB

RGB 82 250 219

HSL 168.93, 0.94%, 0.65%

LAB 89.52, -50.01, 2.31

 

CMYK 46 / 67 / 0 / 2

HEX #8752FA

RGB 135 82 250

HSL 258.93, 0.94%, 0.65%

LAB 49.6, 58.66, -76.2

 

Description

Color code: HEX #FA5470 | qconv.com Color code: HEX #FA5470 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 84 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 84 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 55 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 55% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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