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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA4C7B it is the complementary color #05B384. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA4C7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA4C7B shade: #FF4C76, #FF5E89, #FF709C, #FF82AF and #FF94C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA4C7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA4C7B shade: #FA4C7B, #E93A68, #D82855, #C71642 and #B6042F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA4C7B shade: #FA4C7B and #FA4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA4C7B shade: #FA4C7B, #FA4CAA, #FA4CD9, #ED4CFA and #BE4CFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA4C7B shade matches the following richer shades: #FA4C7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA4C7B shade: #FA4C7B, #EC5B82, #DD6A89, #CE7990 and #BF8796

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA4C7B shade: #FA4CDA, #FA4CAC, #FA4C7D, #FA4C4F and #FA784C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA4C7B shade: #EE0645, #F9245D, #FA4C7B, #FB7499 and #FC9CB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA4C7B shade: #FA4C7B, #FAEC4C and #4CC3FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA4C7B shade: #FA4C7B, #7DFA4C and #4C7DFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA4C7B shade: #FA4C7B, #FAEC4C, #4CFAC9 and #4C5BFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA4C7B shade: #FA4C7B, #D5FA4C, #4CFAC9 and #724CFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 51 / 2

HEX #FA4C7B

RGB 250 76 123

HSL 343.79, 0.95%, 0.64%

LAB 58.9, 68.52, 12.62

 

Complementary color

CMYK 97 / 0 / 26 / 30

HEX #05B384

RGB 5 179 132

HSL 163.79, 0.95%, 0.36%

LAB 64.91, -49.66, 13.38

 

CMYK 0 / 70 / 54 / 0

HEX #FF4C76

RGB 255 76 118

HSL 345.92, 1%, 0.65%

LAB 59.65, 69.57, 16.72

 

CMYK 0 / 63 / 46 / 0

HEX #FF5E89

RGB 255 94 137

HSL 343.98, 1%, 0.68%

LAB 62.57, 64.32, 9.75

 

CMYK 0 / 56 / 39 / 0

HEX #FF709C

RGB 255 112 156

HSL 341.54, 1%, 0.72%

LAB 65.94, 58.44, 3.68

 

CMYK 0 / 49 / 31 / 0

HEX #FF82AF

RGB 255 130 175

HSL 338.4, 1%, 0.75%

LAB 69.7, 52.17, -1.59

 

CMYK 0 / 42 / 24 / 0

HEX #FF94C2

RGB 255 148 194

HSL 334.21, 1%, 0.79%

LAB 73.76, 45.71, -6.18

 

CMYK 0 / 70 / 51 / 2

HEX #FA4C7B

RGB 250 76 123

HSL 343.79, 0.95%, 0.64%

LAB 58.9, 68.52, 12.62

 

CMYK 0 / 75 / 55 / 9

HEX #E93A68

RGB 233 58 104

HSL 344.23, 0.8%, 0.57%

LAB 53.33, 68.26, 15.7

 

CMYK 0 / 81 / 61 / 15

HEX #D82855

RGB 216 40 85

HSL 344.66, 0.69%, 0.5%

LAB 47.97, 67.38, 19.43

 

CMYK 0 / 89 / 67 / 22

HEX #C71642

RGB 199 22 66

HSL 345.08, 0.8%, 0.43%

LAB 42.93, 65.61, 23.93

 

CMYK 0 / 98 / 74 / 29

HEX #B6042F

RGB 182 4 47

HSL 345.51, 0.96%, 0.36%

LAB 38.26, 62.74, 29.25

 

CMYK 0 / 70 / 51 / 2

HEX #FA4C7B

RGB 250 76 123

HSL 343.79, 0.95%, 0.64%

LAB 58.9, 68.52, 12.62

 

CMYK 0 / 70 / 70 / 2

HEX #FA4C4C

RGB 250 76 76

HSL 0, 0.95%, 0.64%

LAB 58.05, 65.58, 38.73

 

CMYK 0 / 70 / 51 / 2

HEX #FA4C7B

RGB 250 76 123

HSL 343.79, 0.95%, 0.64%

LAB 58.9, 68.52, 12.62

 

CMYK 0 / 70 / 32 / 2

HEX #FA4CAA

RGB 250 76 170

HSL 327.59, 0.95%, 0.64%

LAB 60.24, 73, -12.87

 

CMYK 0 / 70 / 13 / 2

HEX #FA4CD9

RGB 250 76 217

HSL 311.38, 0.95%, 0.64%

LAB 62.09, 78.9, -36.87

 

CMYK 5 / 70 / 0 / 2

HEX #ED4CFA

RGB 237 76 250

HSL 295.52, 0.95%, 0.64%

LAB 61.72, 81.06, -56.01

 

CMYK 24 / 70 / 0 / 2

HEX #BE4CFA

RGB 190 76 250

HSL 279.31, 0.95%, 0.64%

LAB 55.09, 71.59, -67

 

CMYK 0 / 70 / 51 / 2

HEX #FA4C7B

RGB 250 76 123

HSL 343.79, 0.95%, 0.64%

LAB 58.9, 68.52, 12.62

 

CMYK 0 / 70 / 51 / 2

HEX #FA4C7B

RGB 250 76 123

HSL 343.79, 0.95%, 0.64%

LAB 58.9, 68.52, 12.62

 

CMYK 0 / 61 / 45 / 7

HEX #EC5B82

RGB 236 91 130

HSL 343.86, 0.79%, 0.64%

LAB 58.91, 59.06, 8.2

 

CMYK 0 / 52 / 38 / 13

HEX #DD6A89

RGB 221 106 137

HSL 343.83, 0.63%, 0.64%

LAB 59.42, 48, 4.56

 

CMYK 0 / 41 / 30 / 19

HEX #CE7990

RGB 206 121 144

HSL 343.76, 0.46%, 0.64%

LAB 60.61, 35.92, 1.98

 

CMYK 0 / 29 / 21 / 25

HEX #BF8796

RGB 191 135 150

HSL 343.93, 0.3%, 0.64%

LAB 62.17, 23.65, 0.6

 

CMYK 0 / 70 / 13 / 2

HEX #FA4CDA

RGB 250 76 218

HSL 311.03, 0.95%, 0.64%

LAB 62.13, 79.04, -37.37

 

CMYK 0 / 70 / 31 / 2

HEX #FA4CAC

RGB 250 76 172

HSL 326.9, 0.95%, 0.64%

LAB 60.31, 73.22, -13.92

 

CMYK 0 / 70 / 50 / 2

HEX #FA4C7D

RGB 250 76 125

HSL 343.1, 0.95%, 0.64%

LAB 58.95, 68.68, 11.51

 

CMYK 0 / 70 / 68 / 2

HEX #FA4C4F

RGB 250 76 79

HSL 358.97, 0.95%, 0.64%

LAB 58.09, 65.72, 37.09

 

CMYK 0 / 52 / 70 / 2

HEX #FA784C

RGB 250 120 76

HSL 15.17, 0.95%, 0.64%

LAB 65.18, 46.7, 46.95

 

CMYK 0 / 97 / 71 / 7

HEX #EE0645

RGB 238 6 69

HSL 343.71, 0.95%, 0.48%

LAB 50.38, 76.98, 33.09

 

CMYK 0 / 86 / 63 / 2

HEX #F9245D

RGB 249 36 93

HSL 343.94, 0.95%, 0.56%

LAB 54.23, 77.13, 24.03

 

CMYK 0 / 70 / 51 / 2

HEX #FA4C7B

RGB 250 76 123

HSL 343.79, 0.95%, 0.64%

LAB 58.9, 68.52, 12.62

 

CMYK 0 / 54 / 39 / 2

HEX #FB7499

RGB 251 116 153

HSL 343.56, 0.94%, 0.72%

LAB 65.98, 54.99, 5.37

 

CMYK 0 / 38 / 28 / 1

HEX #FC9CB6

RGB 252 156 182

HSL 343.75, 0.94%, 0.8%

LAB 74.73, 38.97, 1.82

 

CMYK 0 / 70 / 51 / 2

HEX #FA4C7B

RGB 250 76 123

HSL 343.79, 0.95%, 0.64%

LAB 58.9, 68.52, 12.62

 

CMYK 0 / 6 / 70 / 2

HEX #FAEC4C

RGB 250 236 76

HSL 55.17, 0.95%, 0.64%

LAB 92.06, -12.69, 75.11

 

CMYK 70 / 22 / 0 / 2

HEX #4CC3FA

RGB 76 195 250

HSL 198.97, 0.95%, 0.64%

LAB 74.49, -16.12, -36.76

 

CMYK 0 / 70 / 51 / 2

HEX #FA4C7B

RGB 250 76 123

HSL 343.79, 0.95%, 0.64%

LAB 58.9, 68.52, 12.62

 

CMYK 50 / 0 / 70 / 2

HEX #7DFA4C

RGB 125 250 76

HSL 103.1, 0.95%, 0.64%

LAB 88.57, -64.09, 69.2

 

CMYK 70 / 50 / 0 / 2

HEX #4C7DFA

RGB 76 125 250

HSL 223.1, 0.95%, 0.64%

LAB 55.18, 24.16, -67.34

 

CMYK 0 / 70 / 51 / 2

HEX #FA4C7B

RGB 250 76 123

HSL 343.79, 0.95%, 0.64%

LAB 58.9, 68.52, 12.62

 

CMYK 0 / 6 / 70 / 2

HEX #FAEC4C

RGB 250 236 76

HSL 55.17, 0.95%, 0.64%

LAB 92.06, -12.69, 75.11

 

CMYK 70 / 0 / 20 / 2

HEX #4CFAC9

RGB 76 250 201

HSL 163.1, 0.95%, 0.64%

LAB 88.98, -55.14, 10.85

 

CMYK 70 / 64 / 0 / 2

HEX #4C5BFA

RGB 76 91 250

HSL 234.83, 0.95%, 0.64%

LAB 46.87, 44.93, -80.85

 

CMYK 0 / 70 / 51 / 2

HEX #FA4C7B

RGB 250 76 123

HSL 343.79, 0.95%, 0.64%

LAB 58.9, 68.52, 12.62

 

CMYK 15 / 0 / 70 / 2

HEX #D5FA4C

RGB 213 250 76

HSL 72.76, 0.95%, 0.64%

LAB 93.03, -34.17, 75.16

 

CMYK 70 / 0 / 20 / 2

HEX #4CFAC9

RGB 76 250 201

HSL 163.1, 0.95%, 0.64%

LAB 88.98, -55.14, 10.85

 

CMYK 54 / 70 / 0 / 2

HEX #724CFA

RGB 114 76 250

HSL 253.1, 0.95%, 0.64%

LAB 46.51, 58.35, -81.34

 

Description

Color code: HEX #FA4C7B | qconv.com Color code: HEX #FA4C7B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 76 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 76 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 51 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 51% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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