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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA48223F it is the complementary color #05B7DD3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA48223F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA48223F shade: #FF481D3F, #FF5A303F, #FF6C433F, #FF7E563F and #FF90693F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA48223F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA48223F shade: #FA48223F, #E9360F3F, #D824003F, #C712003F and #B600003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA48223F shade: #FB4923 and #FB2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA48223F shade: #FB4923, #FB8323, #FBBD23, #FBF723 and #C4FB23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA48223F shade matches the following richer shades: #FB4923

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA48223F shade: #FB4923, #E85535, #D66147, #C46C5A and #B2786C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA48223F shade: #FB2372, #FB2339, #FB4723, #FB8023 and #FBBA23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA48223F shade: #C72604, #EF2E05, #FB4923, #FB6A4C and #FC8C74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA48223F shade: #FA4822, #ACFB23 and #2355FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA48223F shade: #FA4822, #23FB47 and #4723FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA48223F shade: #FA4822, #ACFB23, #23D7FB and #7223FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA48223F shade: #FA4822, #6BFB23, #23D7FB and #B323FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 22 / 0

HEX #FA48223F

RGBA 250 72 34 0.25

HSLA 10.56, 0.96%, 0.56%, 0.25

LABA 57.15, 65.64, 58.88, 0.25

 

Complementary color

CMYK 24 / 4 / 0 / 3

HEX #05B7DD3F

RGBA 5 183 221 0.25

HSLA 190.56, 0.96%, 0.44%, 0.25

LABA 68.84, -25.07, -29.86, 0.25

 

CMYK 0 / 18 / 22 / 0

HEX #FF481D3F

RGBA 255 72 29 0.25

HSLA 11.42, 1%, 0.56%, 0.25

LABA 58.02, 67.08, 61.86, 0.25

 

CMYK 0 / 16 / 20 / 0

HEX #FF5A303F

RGBA 255 90 48 0.25

HSLA 12.17, 1%, 0.59%, 0.25

LABA 60.59, 60.8, 56.13, 0.25

 

CMYK 0 / 14 / 18 / 0

HEX #FF6C433F

RGBA 255 108 67 0.25

HSLA 13.09, 1%, 0.63%, 0.25

LABA 63.66, 53.73, 50.06, 0.25

 

CMYK 0 / 13 / 17 / 0

HEX #FF7E563F

RGBA 255 126 86 0.25

HSLA 14.2, 1%, 0.67%, 0.25

LABA 67.17, 46.17, 44.25, 0.25

 

CMYK 0 / 11 / 15 / 0

HEX #FF90693F

RGBA 255 144 105 0.25

HSLA 15.6, 1%, 0.71%, 0.25

LABA 71.03, 38.39, 38.91, 0.25

 

CMYK 0 / 18 / 22 / 0

HEX #FA48223F

RGBA 250 72 34 0.25

HSLA 10.56, 0.96%, 0.56%, 0.25

LABA 57.15, 65.64, 58.88, 0.25

 

CMYK 0 / 19 / 23 / 2

HEX #E9360F3F

RGBA 233 54 15 0.25

HSLA 10.73, 0.88%, 0.49%, 0.25

LABA 51.83, 66.03, 60.36, 0.25

 

CMYK 0 / 21 / 25 / 4

HEX #D824003F

RGBA 216 36 0 0.25

HSLA 10, 1%, 0.42%, 0.25

LABA 46.79, 65.76, 59.94, 0.25

 

CMYK 0 / 23 / 25 / 5

HEX #C712003F

RGBA 199 18 0 0.25

HSLA 5.43, 1%, 0.39%, 0.25

LABA 42.12, 64.52, 56.01, 0.25

 

CMYK 0 / 25 / 25 / 7

HEX #B600003F

RGBA 182 0 0 0.25

HSLA 0, 1%, 0.36%, 0.25

LABA 37.74, 62.19, 52.16, 0.25

 

CMYK 0 / 71 / 86 / 2

HEX #FB4923

RGB 251 73 35

HSL 10.56, 0.96%, 0.56%

LAB 57.46, 65.62, 58.79

 

CMYK 0 / 86 / 86 / 2

HEX #FB2323

RGB 251 35 35

HSL 0, 0.96%, 0.56%

LAB 53.85, 75.76, 55.88

 

CMYK 0 / 71 / 86 / 2

HEX #FB4923

RGB 251 73 35

HSL 10.56, 0.96%, 0.56%

LAB 57.46, 65.62, 58.79

 

CMYK 0 / 48 / 86 / 2

HEX #FB8323

RGB 251 131 35

HSL 26.67, 0.96%, 0.56%

LAB 67.17, 40.22, 66.61

 

CMYK 0 / 25 / 86 / 2

HEX #FBBD23

RGB 251 189 35

HSL 42.78, 0.96%, 0.56%

LAB 80.19, 10.16, 77.07

 

CMYK 0 / 2 / 86 / 2

HEX #FBF723

RGB 251 247 35

HSL 58.89, 0.96%, 0.56%

LAB 94.8, -18.98, 88.8

 

CMYK 22 / 0 / 86 / 2

HEX #C4FB23

RGB 196 251 35

HSL 75.28, 0.96%, 0.56%

LAB 92.07, -42.76, 84.99

 

CMYK 0 / 71 / 86 / 2

HEX #FB4923

RGB 251 73 35

HSL 10.56, 0.96%, 0.56%

LAB 57.46, 65.62, 58.79

 

CMYK 0 / 71 / 86 / 2

HEX #FB4923

RGB 251 73 35

HSL 10.56, 0.96%, 0.56%

LAB 57.46, 65.62, 58.79

 

CMYK 0 / 63 / 77 / 9

HEX #E85535

RGB 232 85 53

HSL 10.73, 0.8%, 0.56%

LAB 56, 55.31, 47.92

 

CMYK 0 / 55 / 67 / 16

HEX #D66147

RGB 214 97 71

HSL 10.91, 0.64%, 0.56%

LAB 55.38, 44.26, 36.89

 

CMYK 0 / 45 / 54 / 23

HEX #C46C5A

RGB 196 108 90

HSL 10.19, 0.47%, 0.56%

LAB 55.28, 33.1, 25.5

 

CMYK 0 / 33 / 39 / 30

HEX #B2786C

RGB 178 120 108

HSL 10.29, 0.31%, 0.56%

LAB 56.07, 21.19, 15.82

 

CMYK 0 / 86 / 55 / 2

HEX #FB2372

RGB 251 35 114

HSL 338.06, 0.96%, 0.56%

LAB 55, 79.07, 12.53

 

CMYK 0 / 86 / 77 / 2

HEX #FB2339

RGB 251 35 57

HSL 353.89, 0.96%, 0.56%

LAB 54.03, 76.3, 44.85

 

CMYK 0 / 72 / 86 / 2

HEX #FB4723

RGB 251 71 35

HSL 10, 0.96%, 0.56%

LAB 57.21, 66.31, 58.59

 

CMYK 0 / 49 / 86 / 2

HEX #FB8023

RGB 251 128 35

HSL 25.83, 0.96%, 0.56%

LAB 66.57, 41.72, 66.12

 

CMYK 0 / 26 / 86 / 2

HEX #FBBA23

RGB 251 186 35

HSL 41.94, 0.96%, 0.56%

LAB 79.47, 11.72, 76.49

 

CMYK 0 / 81 / 98 / 22

HEX #C72604

RGB 199 38 4

HSL 10.46, 0.96%, 0.4%

LAB 43.56, 60.47, 55.3

 

CMYK 0 / 81 / 98 / 6

HEX #EF2E05

RGB 239 46 5

HSL 10.51, 0.96%, 0.48%

LAB 52.19, 69.83, 63.63

 

CMYK 0 / 71 / 86 / 2

HEX #FB4923

RGB 251 73 35

HSL 10.56, 0.96%, 0.56%

LAB 57.46, 65.62, 58.79

 

CMYK 0 / 58 / 70 / 2

HEX #FB6A4C

RGB 251 106 76

HSL 10.29, 0.96%, 0.64%

LAB 62.79, 53.63, 44.28

 

CMYK 0 / 44 / 54 / 1

HEX #FC8C74

RGB 252 140 116

HSL 10.59, 0.96%, 0.72%

LAB 69.97, 40.12, 31.58

 

CMYK 0 / 71 / 86 / 2

HEX #FA4822

RGB 250 72 34

HSL 10.56, 0.96%, 0.56%

LAB 57.15, 65.64, 58.88

 

CMYK 31 / 0 / 86 / 2

HEX #ACFB23

RGB 172 251 35

HSL 81.94, 0.96%, 0.56%

LAB 90.73, -51.58, 83.33

 

CMYK 86 / 66 / 0 / 2

HEX #2355FB

RGB 35 85 251

HSL 226.11, 0.96%, 0.56%

LAB 43.97, 45.46, -86.23

 

CMYK 0 / 71 / 86 / 2

HEX #FA4822

RGB 250 72 34

HSL 10.56, 0.96%, 0.56%

LAB 57.15, 65.64, 58.88

 

CMYK 86 / 0 / 72 / 2

HEX #23FB47

RGB 35 251 71

HSL 130, 0.96%, 0.56%

LAB 86.9, -80.69, 68.63

 

CMYK 72 / 86 / 0 / 2

HEX #4723FB

RGB 71 35 251

HSL 250, 0.96%, 0.56%

LAB 36.94, 72.2, -97.81

 

CMYK 0 / 71 / 86 / 2

HEX #FA4822

RGB 250 72 34

HSL 10.56, 0.96%, 0.56%

LAB 57.15, 65.64, 58.88

 

CMYK 31 / 0 / 86 / 2

HEX #ACFB23

RGB 172 251 35

HSL 81.94, 0.96%, 0.56%

LAB 90.73, -51.58, 83.33

 

CMYK 86 / 14 / 0 / 2

HEX #23D7FB

RGB 35 215 251

HSL 190, 0.96%, 0.56%

LAB 79.57, -29.88, -29.52

 

CMYK 55 / 86 / 0 / 2

HEX #7223FB

RGB 114 35 251

HSL 261.94, 0.96%, 0.56%

LAB 40.81, 75.3, -91.28

 

CMYK 0 / 71 / 86 / 2

HEX #FA4822

RGB 250 72 34

HSL 10.56, 0.96%, 0.56%

LAB 57.15, 65.64, 58.88

 

CMYK 57 / 0 / 86 / 2

HEX #6BFB23

RGB 107 251 35

HSL 100, 0.96%, 0.56%

LAB 88.08, -71.27, 80.02

 

CMYK 86 / 14 / 0 / 2

HEX #23D7FB

RGB 35 215 251

HSL 190, 0.96%, 0.56%

LAB 79.57, -29.88, -29.52

 

CMYK 29 / 86 / 0 / 2

HEX #B323FB

RGB 179 35 251

HSL 280, 0.96%, 0.56%

LAB 49.19, 82.77, -77.2

 

Description

Color code: HEX #FA48223F | qconv.com Color code: HEX #FA48223F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 72 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 72 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 22 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 22% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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