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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA47BF it is the complementary color #05B840. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA47BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA47BF shade: #FF47BA, #FF59CD, #FF6BE0, #FF7DF3 and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA47BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA47BF shade: #FA47BF, #E935AC, #D82399, #C71186 and #B60073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA47BF shade: #FA47BF, #FA478F, #FA475F and #FA4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA47BF shade: #FA47BF, #FA47F0, #D547FA, #A447FA and #7447FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA47BF shade matches the following richer shades: #FA47BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA47BF shade: #FA47BF, #EB56BA, #DC66B5, #CC75B0 and #BD84AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA47BF shade: #D347FA, #FA47F1, #FA47C2, #FA4792 and #FA4762

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA47BF shade: #E9069E, #F91FB1, #FA47BF, #FB6FCD and #FC97DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA47BF shade: #FA47BF, #FAA447 and #47FAEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA47BF shade: #FA47BF, #C2FA47 and #47C2FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA47BF shade: #FA47BF, #FAA447, #47FA80 and #479EFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA47BF shade: #FA47BF, #FAD947, #47FA80 and #4768FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 24 / 2

HEX #FA47BF

RGB 250 71 191

HSL 319.78, 0.95%, 0.63%

LAB 60.42, 77.12, -24.69

 

Complementary color

CMYK 97 / 0 / 65 / 28

HEX #05B840

RGB 5 184 64

HSL 139.78, 0.95%, 0.37%

LAB 65.5, -63.49, 48.54

 

CMYK 0 / 72 / 27 / 0

HEX #FF47BA

RGB 255 71 186

HSL 322.5, 1%, 0.64%

LAB 61.06, 77.73, -20.78

 

CMYK 0 / 65 / 20 / 0

HEX #FF59CD

RGB 255 89 205

HSL 318.07, 1%, 0.67%

LAB 64.01, 73.88, -27.06

 

CMYK 0 / 58 / 12 / 0

HEX #FF6BE0

RGB 255 107 224

HSL 312.57, 1%, 0.71%

LAB 67.39, 69.34, -32.48

 

CMYK 0 / 51 / 5 / 0

HEX #FF7DF3

RGB 255 125 243

HSL 305.54, 1%, 0.75%

LAB 71.14, 64.33, -37.14

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BF

RGB 250 71 191

HSL 319.78, 0.95%, 0.63%

LAB 60.42, 77.12, -24.69

 

CMYK 0 / 77 / 26 / 9

HEX #E935AC

RGB 233 53 172

HSL 320.33, 0.8%, 0.56%

LAB 54.92, 76.14, -22.4

 

CMYK 0 / 84 / 29 / 15

HEX #D82399

RGB 216 35 153

HSL 320.88, 0.72%, 0.49%

LAB 49.62, 74.41, -19.56

 

CMYK 0 / 91 / 33 / 22

HEX #C71186

RGB 199 17 134

HSL 321.43, 0.84%, 0.42%

LAB 44.61, 71.67, -16.03

 

CMYK 0 / 100 / 37 / 29

HEX #B60073

RGB 182 0 115

HSL 322.09, 1%, 0.36%

LAB 39.89, 67.89, -11.75

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BF

RGB 250 71 191

HSL 319.78, 0.95%, 0.63%

LAB 60.42, 77.12, -24.69

 

CMYK 0 / 72 / 43 / 2

HEX #FA478F

RGB 250 71 143

HSL 335.87, 0.95%, 0.63%

LAB 58.8, 71.94, 0.73

 

CMYK 0 / 72 / 62 / 2

HEX #FA475F

RGB 250 71 95

HSL 351.96, 0.95%, 0.63%

LAB 57.71, 68.32, 27.42

 

CMYK 0 / 72 / 72 / 2

HEX #FA4747

RGB 250 71 71

HSL 0, 0.95%, 0.63%

LAB 57.35, 67.11, 40.71

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BF

RGB 250 71 191

HSL 319.78, 0.95%, 0.63%

LAB 60.42, 77.12, -24.69

 

CMYK 0 / 72 / 4 / 2

HEX #FA47F0

RGB 250 71 240

HSL 303.35, 0.95%, 0.63%

LAB 62.61, 83.81, -48.92

 

CMYK 15 / 72 / 0 / 2

HEX #D547FA

RGB 213 71 250

HSL 287.6, 0.95%, 0.63%

LAB 57.61, 77.95, -62.77

 

CMYK 34 / 72 / 0 / 2

HEX #A447FA

RGB 164 71 250

HSL 271.17, 0.95%, 0.63%

LAB 51.04, 68.81, -73.72

 

CMYK 54 / 72 / 0 / 2

HEX #7447FA

RGB 116 71 250

HSL 255.08, 0.95%, 0.63%

LAB 45.8, 61.13, -82.49

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BF

RGB 250 71 191

HSL 319.78, 0.95%, 0.63%

LAB 60.42, 77.12, -24.69

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BF

RGB 250 71 191

HSL 319.78, 0.95%, 0.63%

LAB 60.42, 77.12, -24.69

 

CMYK 0 / 63 / 21 / 8

HEX #EB56BA

RGB 235 86 186

HSL 319.73, 0.79%, 0.63%

LAB 59.76, 67.27, -23.04

 

CMYK 0 / 54 / 18 / 14

HEX #DC66B5

RGB 220 102 181

HSL 319.83, 0.63%, 0.63%

LAB 59.94, 55.35, -20.1

 

CMYK 0 / 43 / 14 / 20

HEX #CC75B0

RGB 204 117 176

HSL 319.31, 0.46%, 0.63%

LAB 60.51, 42.07, -16.56

 

CMYK 0 / 30 / 10 / 26

HEX #BD84AA

RGB 189 132 170

HSL 320, 0.3%, 0.63%

LAB 61.85, 27.86, -11.3

 

CMYK 16 / 72 / 0 / 2

HEX #D347FA

RGB 211 71 250

HSL 286.93, 0.95%, 0.63%

LAB 57.33, 77.56, -63.25

 

CMYK 0 / 72 / 4 / 2

HEX #FA47F1

RGB 250 71 241

HSL 303.02, 0.95%, 0.63%

LAB 62.66, 83.96, -49.4

 

CMYK 0 / 72 / 22 / 2

HEX #FA47C2

RGB 250 71 194

HSL 318.77, 0.95%, 0.63%

LAB 60.54, 77.49, -26.22

 

CMYK 0 / 72 / 42 / 2

HEX #FA4792

RGB 250 71 146

HSL 334.86, 0.95%, 0.63%

LAB 58.89, 72.22, -0.91

 

CMYK 0 / 72 / 61 / 2

HEX #FA4762

RGB 250 71 98

HSL 350.95, 0.95%, 0.63%

LAB 57.76, 68.5, 25.74

 

CMYK 0 / 97 / 32 / 9

HEX #E9069E

RGB 233 6 158

HSL 319.82, 0.95%, 0.47%

LAB 51.75, 82.17, -19

 

CMYK 0 / 88 / 29 / 2

HEX #F91FB1

RGB 249 31 177

HSL 319.82, 0.95%, 0.55%

LAB 56.38, 84.78, -22.82

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BF

RGB 250 71 191

HSL 319.78, 0.95%, 0.63%

LAB 60.42, 77.12, -24.69

 

CMYK 0 / 56 / 18 / 2

HEX #FB6FCD

RGB 251 111 205

HSL 319.71, 0.95%, 0.71%

LAB 66.74, 63.75, -22.93

 

CMYK 0 / 40 / 13 / 1

HEX #FC97DB

RGB 252 151 219

HSL 319.6, 0.94%, 0.79%

LAB 74.79, 46.91, -18.43

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BF

RGB 250 71 191

HSL 319.78, 0.95%, 0.63%

LAB 60.42, 77.12, -24.69

 

CMYK 0 / 34 / 72 / 2

HEX #FAA447

RGB 250 164 71

HSL 31.17, 0.95%, 0.63%

LAB 74.4, 24.04, 59.29

 

CMYK 72 / 0 / 6 / 2

HEX #47FAEB

RGB 71 250 235

HSL 174.97, 0.95%, 0.63%

LAB 89.72, -47.35, -5.75

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BF

RGB 250 71 191

HSL 319.78, 0.95%, 0.63%

LAB 60.42, 77.12, -24.69

 

CMYK 22 / 0 / 72 / 2

HEX #C2FA47

RGB 194 250 71

HSL 78.77, 0.95%, 0.63%

LAB 91.82, -41.68, 75.27

 

CMYK 72 / 22 / 0 / 2

HEX #47C2FA

RGB 71 194 250

HSL 198.77, 0.95%, 0.63%

LAB 74.08, -16.26, -37.41

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BF

RGB 250 71 191

HSL 319.78, 0.95%, 0.63%

LAB 60.42, 77.12, -24.69

 

CMYK 0 / 34 / 72 / 2

HEX #FAA447

RGB 250 164 71

HSL 31.17, 0.95%, 0.63%

LAB 74.4, 24.04, 59.29

 

CMYK 72 / 0 / 49 / 2

HEX #47FA80

RGB 71 250 128

HSL 139.11, 0.95%, 0.63%

LAB 87.62, -69.81, 45.63

 

CMYK 72 / 37 / 0 / 2

HEX #479EFA

RGB 71 158 250

HSL 210.84, 0.95%, 0.63%

LAB 63.91, 3.67, -53.37

 

CMYK 0 / 72 / 24 / 2

HEX #FA47BF

RGB 250 71 191

HSL 319.78, 0.95%, 0.63%

LAB 60.42, 77.12, -24.69

 

CMYK 0 / 13 / 72 / 2

HEX #FAD947

RGB 250 217 71

HSL 48.94, 0.95%, 0.63%

LAB 87.19, -3.45, 72.15

 

CMYK 72 / 0 / 49 / 2

HEX #47FA80

RGB 71 250 128

HSL 139.11, 0.95%, 0.63%

LAB 87.62, -69.81, 45.63

 

CMYK 72 / 58 / 0 / 2

HEX #4768FA

RGB 71 104 250

HSL 228.94, 0.95%, 0.63%

LAB 49.67, 36.47, -76.29

 

Description

Color code: HEX #FA47BF | qconv.com Color code: HEX #FA47BF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 71 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 71 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 24 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 24% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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