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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA4766CE it is the complementary color #05B899CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA4766CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA4766CE shade: #FF4761CE, #FF5974CE, #FF6B87CE, #FF7D9ACE and #FF8FADCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA4766CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA4766CE shade: #FA4766CE, #E93553CE, #D82340CE, #C7112DCE and #B6001ACE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA4766CE shade: #FA4766 and #FA4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA4766CE shade: #FA4766, #FA4796, #FA47C7, #FA47F7 and #CD47FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA4766CE shade matches the following richer shades: #FA4766

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA4766CE shade: #FA4766, #EB5670, #DC667A, #CC7584 and #BD848E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA4766CE shade: #FA47C7, #FA4798, #FA4768, #FA5647 and #FA8647

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA4766CE shade: #E9062D, #F91F45, #FA4766, #FB6F88 and #FC97A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA4766CE shade: #FA4766, #F7FA47 and #47B0FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA4766CE shade: #FA4766, #68FA47 and #4768FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA4766CE shade: #FA4766, #F7FA47, #47FAD9 and #4A47FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA4766CE shade: #FA4766, #C2FA47, #47FAD9 and #8047FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 48 / 2

HEX #FA4766CE

RGBA 250 71 102 0.81

HSLA 349.61, 0.95%, 0.63%, 0.81

LABA 57.84, 68.75, 23.5, 0.81

 

Complementary color

CMYK 79 / 0 / 14 / 23

HEX #05B899CE

RGBA 5 184 153 0.81

HSLA 169.61, 0.95%, 0.37%, 0.81

LABA 66.99, -46.33, 4.79, 0.81

 

CMYK 0 / 58 / 50 / 0

HEX #FF4761CE

RGBA 255 71 97 0.81

HSLA 351.52, 1%, 0.64%, 0.81

LABA 58.63, 69.89, 27.62, 0.81

 

CMYK 0 / 53 / 44 / 0

HEX #FF5974CE

RGBA 255 89 116 0.81

HSLA 350.24, 1%, 0.67%, 0.81

LABA 61.36, 64.61, 20.23, 0.81

 

CMYK 0 / 47 / 38 / 0

HEX #FF6B87CE

RGBA 255 107 135 0.81

HSLA 348.65, 1%, 0.71%, 0.81

LABA 64.58, 58.61, 13.74, 0.81

 

CMYK 0 / 41 / 32 / 0

HEX #FF7D9ACE

RGBA 255 125 154 0.81

HSLA 346.62, 1%, 0.75%, 0.81

LABA 68.21, 52.17, 8.07, 0.81

 

CMYK 0 / 36 / 26 / 0

HEX #FF8FADCE

RGBA 255 143 173 0.81

HSLA 343.93, 1%, 0.78%, 0.81

LABA 72.18, 45.5, 3.14, 0.81

 

CMYK 0 / 58 / 48 / 2

HEX #FA4766CE

RGBA 250 71 102 0.81

HSLA 349.61, 0.95%, 0.63%, 0.81

LABA 57.84, 68.75, 23.5, 0.81

 

CMYK 0 / 63 / 52 / 7

HEX #E93553CE

RGBA 233 53 83 0.81

HSLA 350, 0.8%, 0.56%, 0.81

LABA 52.39, 68.44, 27.03, 0.81

 

CMYK 0 / 68 / 57 / 12

HEX #D82340CE

RGBA 216 35 64 0.81

HSLA 350.39, 0.72%, 0.49%, 0.81

LABA 47.2, 67.44, 31.2, 0.81

 

CMYK 0 / 74 / 63 / 18

HEX #C7112DCE

RGBA 199 17 45 0.81

HSLA 350.77, 0.84%, 0.42%, 0.81

LABA 42.36, 65.48, 36.05, 0.81

 

CMYK 0 / 81 / 69 / 23

HEX #B6001ACE

RGBA 182 0 26 0.81

HSLA 351.43, 1%, 0.36%, 0.81

LABA 37.88, 62.55, 41.16, 0.81

 

CMYK 0 / 72 / 59 / 2

HEX #FA4766

RGB 250 71 102

HSL 349.61, 0.95%, 0.63%

LAB 57.84, 68.75, 23.5

 

CMYK 0 / 72 / 72 / 2

HEX #FA4747

RGB 250 71 71

HSL 0, 0.95%, 0.63%

LAB 57.35, 67.11, 40.71

 

CMYK 0 / 72 / 59 / 2

HEX #FA4766

RGB 250 71 102

HSL 349.61, 0.95%, 0.63%

LAB 57.84, 68.75, 23.5

 

CMYK 0 / 72 / 40 / 2

HEX #FA4796

RGB 250 71 150

HSL 333.52, 0.95%, 0.63%

LAB 59, 72.6, -3.08

 

CMYK 0 / 72 / 20 / 2

HEX #FA47C7

RGB 250 71 199

HSL 317.09, 0.95%, 0.63%

LAB 60.74, 78.12, -28.76

 

CMYK 0 / 72 / 1 / 2

HEX #FA47F7

RGB 250 71 247

HSL 301.01, 0.95%, 0.63%

LAB 62.97, 84.86, -52.24

 

CMYK 18 / 72 / 0 / 2

HEX #CD47FA

RGB 205 71 250

HSL 284.92, 0.95%, 0.63%

LAB 56.47, 76.4, -64.66

 

CMYK 0 / 72 / 59 / 2

HEX #FA4766

RGB 250 71 102

HSL 349.61, 0.95%, 0.63%

LAB 57.84, 68.75, 23.5

 

CMYK 0 / 72 / 59 / 2

HEX #FA4766

RGB 250 71 102

HSL 349.61, 0.95%, 0.63%

LAB 57.84, 68.75, 23.5

 

CMYK 0 / 63 / 52 / 8

HEX #EB5670

RGB 235 86 112

HSL 349.53, 0.79%, 0.63%

LAB 57.55, 59.28, 16.81

 

CMYK 0 / 54 / 45 / 14

HEX #DC667A

RGB 220 102 122

HSL 349.83, 0.63%, 0.63%

LAB 58.15, 48, 11.45

 

CMYK 0 / 43 / 35 / 20

HEX #CC7584

RGB 204 117 132

HSL 349.66, 0.46%, 0.63%

LAB 59.18, 35.77, 6.8

 

CMYK 0 / 30 / 25 / 26

HEX #BD848E

RGB 189 132 142

HSL 349.47, 0.3%, 0.63%

LAB 61.02, 23.36, 3.47

 

CMYK 0 / 72 / 20 / 2

HEX #FA47C7

RGB 250 71 199

HSL 317.09, 0.95%, 0.63%

LAB 60.74, 78.12, -28.76

 

CMYK 0 / 72 / 39 / 2

HEX #FA4798

RGB 250 71 152

HSL 332.85, 0.95%, 0.63%

LAB 59.06, 72.8, -4.16

 

CMYK 0 / 72 / 58 / 2

HEX #FA4768

RGB 250 71 104

HSL 348.94, 0.95%, 0.63%

LAB 57.88, 68.88, 22.37

 

CMYK 0 / 66 / 72 / 2

HEX #FA5647

RGB 250 86 71

HSL 5.03, 0.95%, 0.63%

LAB 59.37, 61.58, 43.02

 

CMYK 0 / 46 / 72 / 2

HEX #FA8647

RGB 250 134 71

HSL 21.12, 0.95%, 0.63%

LAB 67.89, 39.54, 52.42

 

CMYK 0 / 97 / 81 / 9

HEX #E9062D

RGB 233 6 45

HSL 349.69, 0.95%, 0.47%

LAB 49.06, 75, 45.2

 

CMYK 0 / 88 / 72 / 2

HEX #F91F45

RGB 249 31 69

HSL 349.54, 0.95%, 0.55%

LAB 53.55, 76.89, 37.39

 

CMYK 0 / 72 / 59 / 2

HEX #FA4766

RGB 250 71 102

HSL 349.61, 0.95%, 0.63%

LAB 57.84, 68.75, 23.5

 

CMYK 0 / 56 / 46 / 2

HEX #FB6F88

RGB 251 111 136

HSL 349.29, 0.95%, 0.71%

LAB 64.69, 55.6, 13.22

 

CMYK 0 / 40 / 33 / 1

HEX #FC97A9

RGB 252 151 169

HSL 349.31, 0.94%, 0.79%

LAB 73.35, 39.89, 6.99

 

CMYK 0 / 72 / 59 / 2

HEX #FA4766

RGB 250 71 102

HSL 349.61, 0.95%, 0.63%

LAB 57.84, 68.75, 23.5

 

CMYK 1 / 0 / 72 / 2

HEX #F7FA47

RGB 247 250 71

HSL 61.01, 0.95%, 0.63%

LAB 95.41, -20.92, 79.98

 

CMYK 72 / 30 / 0 / 2

HEX #47B0FA

RGB 71 176 250

HSL 204.8, 0.95%, 0.63%

LAB 68.96, -6.55, -45.4

 

CMYK 0 / 72 / 59 / 2

HEX #FA4766

RGB 250 71 102

HSL 349.61, 0.95%, 0.63%

LAB 57.84, 68.75, 23.5

 

CMYK 58 / 0 / 72 / 2

HEX #68FA47

RGB 104 250 71

HSL 108.94, 0.95%, 0.63%

LAB 87.86, -69.77, 70.01

 

CMYK 72 / 58 / 0 / 2

HEX #4768FA

RGB 71 104 250

HSL 228.94, 0.95%, 0.63%

LAB 49.67, 36.47, -76.29

 

CMYK 0 / 72 / 59 / 2

HEX #FA4766

RGB 250 71 102

HSL 349.61, 0.95%, 0.63%

LAB 57.84, 68.75, 23.5

 

CMYK 1 / 0 / 72 / 2

HEX #F7FA47

RGB 247 250 71

HSL 61.01, 0.95%, 0.63%

LAB 95.41, -20.92, 79.98

 

CMYK 72 / 0 / 13 / 2

HEX #47FAD9

RGB 71 250 217

HSL 168.94, 0.95%, 0.63%

LAB 89.26, -51.96, 2.94

 

CMYK 70 / 72 / 0 / 2

HEX #4A47FA

RGB 74 71 250

HSL 241.01, 0.95%, 0.63%

LAB 42.56, 56.13, -87.94

 

CMYK 0 / 72 / 59 / 2

HEX #FA4766

RGB 250 71 102

HSL 349.61, 0.95%, 0.63%

LAB 57.84, 68.75, 23.5

 

CMYK 22 / 0 / 72 / 2

HEX #C2FA47

RGB 194 250 71

HSL 78.77, 0.95%, 0.63%

LAB 91.82, -41.68, 75.27

 

CMYK 72 / 0 / 13 / 2

HEX #47FAD9

RGB 71 250 217

HSL 168.94, 0.95%, 0.63%

LAB 89.26, -51.96, 2.94

 

CMYK 49 / 72 / 0 / 2

HEX #8047FA

RGB 128 71 250

HSL 259.11, 0.95%, 0.63%

LAB 46.97, 62.88, -80.53

 

Description

Color code: HEX #FA4766CE | qconv.com Color code: HEX #FA4766CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 71 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 71 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 48 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 48% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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