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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA43B6 it is the complementary color #05BC49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA43B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA43B6 shade: #FF43B1, #FF55C4, #FF67D7, #FF79EA and #FF8BFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA43B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA43B6 shade: #FA43B6, #E931A3, #D81F90, #C70D7D and #B6006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA43B6 shade: #FA42B6, #FA4284, #FA4252 and #FA4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA43B6 shade: #FA42B6, #FA42E7, #DB42FA, #AA42FA and #7842FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA43B6 shade matches the following richer shades: #FA42B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA43B6 shade: #FA42B6, #EA52B2, #DB61AE, #CB71AA and #BB81A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA43B6 shade: #DB42FA, #FA42E8, #FA42B7, #FA4286 and #FA4254

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA43B6 shade: #E40691, #F91AA6, #FA42B6, #FB6AC5 and #FC93D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA43B6 shade: #FA43B6, #FAAA42 and #42FAF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA43B6 shade: #FA43B6, #B7FA42 and #42B7FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA43B6 shade: #FA43B6, #FAAA42, #42FA86 and #4292FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA43B6 shade: #FA43B6, #FAE242, #42FA86 and #425BFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 27 / 2

HEX #FA43B6

RGB 250 67 182

HSL 322.3, 0.95%, 0.62%

LAB 59.63, 77.29, -20.73

 

Complementary color

CMYK 97 / 0 / 61 / 26

HEX #05BC49

RGB 5 188 73

HSL 142.3, 0.95%, 0.38%

LAB 66.88, -63.64, 46.14

 

CMYK 0 / 74 / 31 / 0

HEX #FF43B1

RGB 255 67 177

HSL 324.89, 1%, 0.63%

LAB 60.29, 77.94, -16.76

 

CMYK 0 / 67 / 23 / 0

HEX #FF55C4

RGB 255 85 196

HSL 320.82, 1%, 0.67%

LAB 63.13, 74.19, -23.31

 

CMYK 0 / 60 / 16 / 0

HEX #FF67D7

RGB 255 103 215

HSL 315.79, 1%, 0.7%

LAB 66.42, 69.71, -28.97

 

CMYK 0 / 53 / 8 / 0

HEX #FF79EA

RGB 255 121 234

HSL 309.4, 1%, 0.74%

LAB 70.09, 64.72, -33.84

 

CMYK 0 / 45 / 1 / 0

HEX #FF8BFD

RGB 255 139 253

HSL 301.03, 1%, 0.77%

LAB 74.07, 59.39, -38.05

 

CMYK 0 / 73 / 27 / 2

HEX #FA43B6

RGB 250 67 182

HSL 322.3, 0.95%, 0.62%

LAB 59.63, 77.29, -20.73

 

CMYK 0 / 79 / 30 / 9

HEX #E931A3

RGB 233 49 163

HSL 322.83, 0.81%, 0.55%

LAB 54.2, 76.16, -18.21

 

CMYK 0 / 86 / 33 / 15

HEX #D81F90

RGB 216 31 144

HSL 323.35, 0.75%, 0.48%

LAB 49, 74.22, -15.11

 

CMYK 0 / 93 / 37 / 22

HEX #C70D7D

RGB 199 13 125

HSL 323.87, 0.88%, 0.42%

LAB 44.1, 71.22, -11.27

 

CMYK 0 / 100 / 42 / 29

HEX #B6006A

RGB 182 0 106

HSL 325.05, 1%, 0.36%

LAB 39.56, 67.03, -6.59

 

CMYK 0 / 74 / 27 / 2

HEX #FA42B6

RGB 250 66 182

HSL 322.17, 0.95%, 0.62%

LAB 59.52, 77.6, -20.89

 

CMYK 0 / 74 / 47 / 2

HEX #FA4284

RGB 250 66 132

HSL 338.48, 0.95%, 0.62%

LAB 57.93, 72.58, 5.94

 

CMYK 0 / 74 / 67 / 2

HEX #FA4252

RGB 250 66 82

HSL 354.78, 0.95%, 0.62%

LAB 56.91, 69.26, 33.95

 

CMYK 0 / 74 / 74 / 2

HEX #FA4242

RGB 250 66 66

HSL 0, 0.95%, 0.62%

LAB 56.7, 68.56, 42.73

 

CMYK 0 / 74 / 27 / 2

HEX #FA42B6

RGB 250 66 182

HSL 322.17, 0.95%, 0.62%

LAB 59.52, 77.6, -20.89

 

CMYK 0 / 74 / 8 / 2

HEX #FA42E7

RGB 250 66 231

HSL 306.2, 0.95%, 0.62%

LAB 61.65, 83.98, -45.43

 

CMYK 12 / 74 / 0 / 2

HEX #DB42FA

RGB 219 66 250

HSL 289.89, 0.95%, 0.62%

LAB 57.9, 80.78, -62.26

 

CMYK 32 / 74 / 0 / 2

HEX #AA42FA

RGB 170 66 250

HSL 273.91, 0.95%, 0.62%

LAB 51.09, 71.86, -73.61

 

CMYK 52 / 74 / 0 / 2

HEX #7842FA

RGB 120 66 250

HSL 257.61, 0.95%, 0.62%

LAB 45.35, 64.05, -83.22

 

CMYK 0 / 74 / 27 / 2

HEX #FA42B6

RGB 250 66 182

HSL 322.17, 0.95%, 0.62%

LAB 59.52, 77.6, -20.89

 

CMYK 0 / 74 / 27 / 2

HEX #FA42B6

RGB 250 66 182

HSL 322.17, 0.95%, 0.62%

LAB 59.52, 77.6, -20.89

 

CMYK 0 / 65 / 24 / 8

HEX #EA52B2

RGB 234 82 178

HSL 322.11, 0.78%, 0.62%

LAB 58.73, 67.52, -20.02

 

CMYK 0 / 56 / 21 / 14

HEX #DB61AE

RGB 219 97 174

HSL 322.13, 0.63%, 0.62%

LAB 58.66, 56.36, -18.03

 

CMYK 0 / 44 / 16 / 20

HEX #CB71AA

RGB 203 113 170

HSL 322, 0.46%, 0.62%

LAB 59.35, 42.87, -14.89

 

CMYK 0 / 31 / 11 / 27

HEX #BB81A6

RGB 187 129 166

HSL 321.72, 0.3%, 0.62%

LAB 60.8, 28.13, -10.62

 

CMYK 12 / 74 / 0 / 2

HEX #DB42FA

RGB 219 66 250

HSL 289.89, 0.95%, 0.62%

LAB 57.9, 80.78, -62.26

 

CMYK 0 / 74 / 7 / 2

HEX #FA42E8

RGB 250 66 232

HSL 305.87, 0.95%, 0.62%

LAB 61.69, 84.12, -45.91

 

CMYK 0 / 74 / 27 / 2

HEX #FA42B7

RGB 250 66 183

HSL 321.85, 0.95%, 0.62%

LAB 59.56, 77.72, -21.41

 

CMYK 0 / 74 / 46 / 2

HEX #FA4286

RGB 250 66 134

HSL 337.83, 0.95%, 0.62%

LAB 57.98, 72.75, 4.84

 

CMYK 0 / 74 / 66 / 2

HEX #FA4254

RGB 250 66 84

HSL 354.13, 0.95%, 0.62%

LAB 56.94, 69.36, 32.83

 

CMYK 0 / 97 / 36 / 11

HEX #E40691

RGB 228 6 145

HSL 322.43, 0.95%, 0.46%

LAB 50.3, 79.88, -13.53

 

CMYK 0 / 90 / 33 / 2

HEX #F91AA6

RGB 249 26 166

HSL 322.33, 0.95%, 0.54%

LAB 55.72, 84.34, -17.4

 

CMYK 0 / 74 / 27 / 2

HEX #FA42B6

RGB 250 66 182

HSL 322.17, 0.95%, 0.62%

LAB 59.52, 77.6, -20.89

 

CMYK 0 / 58 / 22 / 2

HEX #FB6AC5

RGB 251 106 197

HSL 322.34, 0.95%, 0.7%

LAB 65.63, 64.84, -20.12

 

CMYK 0 / 42 / 15 / 1

HEX #FC93D5

RGB 252 147 213

HSL 322.29, 0.95%, 0.78%

LAB 73.78, 48, -16.66

 

CMYK 0 / 73 / 27 / 2

HEX #FA43B6

RGB 250 67 182

HSL 322.3, 0.95%, 0.62%

LAB 59.63, 77.29, -20.73

 

CMYK 0 / 32 / 74 / 2

HEX #FAAA42

RGB 250 170 66

HSL 33.91, 0.95%, 0.62%

LAB 75.74, 20.67, 62.78

 

CMYK 74 / 0 / 2 / 2

HEX #42FAF4

RGB 66 250 244

HSL 178.04, 0.95%, 0.62%

LAB 89.89, -45.49, -10.2

 

CMYK 0 / 73 / 27 / 2

HEX #FA43B6

RGB 250 67 182

HSL 322.3, 0.95%, 0.62%

LAB 59.63, 77.29, -20.73

 

CMYK 27 / 0 / 74 / 2

HEX #B7FA42

RGB 183 250 66

HSL 81.85, 0.95%, 0.62%

LAB 91.16, -46, 76.04

 

CMYK 74 / 27 / 0 / 2

HEX #42B7FA

RGB 66 183 250

HSL 201.85, 0.95%, 0.62%

LAB 70.82, -11.01, -42.5

 

CMYK 0 / 73 / 27 / 2

HEX #FA43B6

RGB 250 67 182

HSL 322.3, 0.95%, 0.62%

LAB 59.63, 77.29, -20.73

 

CMYK 0 / 32 / 74 / 2

HEX #FAAA42

RGB 250 170 66

HSL 33.91, 0.95%, 0.62%

LAB 75.74, 20.67, 62.78

 

CMYK 74 / 0 / 46 / 2

HEX #42FA86

RGB 66 250 134

HSL 142.17, 0.95%, 0.62%

LAB 87.61, -69.6, 42.73

 

CMYK 74 / 42 / 0 / 2

HEX #4292FA

RGB 66 146 250

HSL 213.91, 0.95%, 0.62%

LAB 60.44, 10.11, -58.91

 

CMYK 0 / 73 / 27 / 2

HEX #FA43B6

RGB 250 67 182

HSL 322.3, 0.95%, 0.62%

LAB 59.63, 77.29, -20.73

 

CMYK 0 / 10 / 74 / 2

HEX #FAE242

RGB 250 226 66

HSL 52.17, 0.95%, 0.62%

LAB 89.44, -8.18, 76.07

 

CMYK 74 / 0 / 46 / 2

HEX #42FA86

RGB 66 250 134

HSL 142.17, 0.95%, 0.62%

LAB 87.61, -69.6, 42.73

 

CMYK 74 / 64 / 0 / 2

HEX #425BFA

RGB 66 91 250

HSL 231.85, 0.95%, 0.62%

LAB 46.37, 43.84, -81.69

 

Description

Color code: HEX #FA43B6 | qconv.com Color code: HEX #FA43B6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 67 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 67 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 27 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 27% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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