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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA40A0 it is the complementary color #05BF5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA40A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA40A0 shade: #FF409B, #FF52AE, #FF64C1, #FF76D4 and #FF88E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA40A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA40A0 shade: #FA40A0, #E92E8D, #D81C7A, #C70A67 and #B60054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA40A0 shade: #FA42A1, #FA426F and #FA4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA40A0 shade: #FA42A1, #FA42D3, #F042FA, #BE42FA and #8D42FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA40A0 shade matches the following richer shades: #FA42A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA40A0 shade: #FA42A1, #EA52A1, #DB61A0, #CB71A0 and #BB819F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA40A0 shade: #F142FA, #FA42D2, #FA42A1, #FA4270 and #FA4542

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA40A0 shade: #E40678, #F91A8D, #FA42A1, #FB6AB5 and #FC93C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA40A0 shade: #FA40A0, #FAC042 and #42EBFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA40A0 shade: #FA40A0, #A1FA42 and #42A1FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA40A0 shade: #FA40A0, #FAC042, #42FA9B and #427CFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA40A0 shade: #FA40A0, #FAF742, #42FA9B and #4245FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 36 / 2

HEX #FA40A0

RGB 250 64 160

HSL 329.03, 0.95%, 0.62%

LAB 58.54, 75.8, -9.62

 

Complementary color

CMYK 97 / 0 / 50 / 25

HEX #05BF5F

RGB 5 191 95

HSL 149.03, 0.95%, 0.38%

LAB 68.11, -61.43, 37.13

 

CMYK 0 / 75 / 39 / 0

HEX #FF409B

RGB 255 64 155

HSL 331.41, 1%, 0.63%

LAB 59.24, 76.56, -5.55

 

CMYK 0 / 68 / 32 / 0

HEX #FF52AE

RGB 255 82 174

HSL 328.09, 1%, 0.66%

LAB 61.96, 72.65, -12.52

 

CMYK 0 / 61 / 24 / 0

HEX #FF64C1

RGB 255 100 193

HSL 324, 1%, 0.7%

LAB 65.14, 67.98, -18.55

 

CMYK 0 / 54 / 17 / 0

HEX #FF76D4

RGB 255 118 212

HSL 318.83, 1%, 0.73%

LAB 68.73, 62.75, -23.74

 

CMYK 0 / 47 / 9 / 0

HEX #FF88E7

RGB 255 136 231

HSL 312.1, 1%, 0.77%

LAB 72.65, 57.19, -28.24

 

CMYK 0 / 74 / 36 / 2

HEX #FA40A0

RGB 250 64 160

HSL 329.03, 0.95%, 0.62%

LAB 58.54, 75.8, -9.62

 

CMYK 0 / 80 / 39 / 9

HEX #E92E8D

RGB 233 46 141

HSL 329.52, 0.81%, 0.55%

LAB 53.17, 74.64, -6.73

 

CMYK 0 / 87 / 44 / 15

HEX #D81C7A

RGB 216 28 122

HSL 330, 0.77%, 0.48%

LAB 48.05, 72.65, -3.18

 

CMYK 0 / 95 / 48 / 22

HEX #C70A67

RGB 199 10 103

HSL 330.48, 0.9%, 0.41%

LAB 43.27, 69.56, 1.17

 

CMYK 0 / 100 / 54 / 29

HEX #B60054

RGB 182 0 84

HSL 332.31, 1%, 0.36%

LAB 38.87, 65.23, 6.44

 

CMYK 0 / 74 / 36 / 2

HEX #FA42A1

RGB 250 66 161

HSL 329.02, 0.95%, 0.62%

LAB 58.78, 75.29, -9.83

 

CMYK 0 / 74 / 56 / 2

HEX #FA426F

RGB 250 66 111

HSL 345.33, 0.95%, 0.62%

LAB 57.43, 70.98, 17.65

 

CMYK 0 / 74 / 74 / 2

HEX #FA4242

RGB 250 66 66

HSL 0, 0.95%, 0.62%

LAB 56.7, 68.56, 42.73

 

CMYK 0 / 74 / 36 / 2

HEX #FA42A1

RGB 250 66 161

HSL 329.02, 0.95%, 0.62%

LAB 58.78, 75.29, -9.83

 

CMYK 0 / 74 / 16 / 2

HEX #FA42D3

RGB 250 66 211

HSL 312.72, 0.95%, 0.62%

LAB 60.71, 81.22, -35.63

 

CMYK 4 / 74 / 0 / 2

HEX #F042FA

RGB 240 66 250

HSL 296.74, 0.95%, 0.62%

LAB 61.07, 84.82, -57.02

 

CMYK 24 / 74 / 0 / 2

HEX #BE42FA

RGB 190 66 250

HSL 280.43, 0.95%, 0.62%

LAB 53.76, 75.39, -69.16

 

CMYK 44 / 74 / 0 / 2

HEX #8D42FA

RGB 141 66 250

HSL 264.46, 0.95%, 0.62%

LAB 47.57, 67.12, -79.49

 

CMYK 0 / 74 / 36 / 2

HEX #FA42A1

RGB 250 66 161

HSL 329.02, 0.95%, 0.62%

LAB 58.78, 75.29, -9.83

 

CMYK 0 / 74 / 36 / 2

HEX #FA42A1

RGB 250 66 161

HSL 329.02, 0.95%, 0.62%

LAB 58.78, 75.29, -9.83

 

CMYK 0 / 65 / 31 / 8

HEX #EA52A1

RGB 234 82 161

HSL 328.82, 0.78%, 0.62%

LAB 58.13, 65.44, -11.08

 

CMYK 0 / 56 / 27 / 14

HEX #DB61A0

RGB 219 97 160

HSL 329.02, 0.63%, 0.62%

LAB 58.18, 54.45, -10.67

 

CMYK 0 / 44 / 21 / 20

HEX #CB71A0

RGB 203 113 160

HSL 328.67, 0.46%, 0.62%

LAB 59.02, 41.34, -9.64

 

CMYK 0 / 31 / 15 / 27

HEX #BB819F

RGB 187 129 159

HSL 328.97, 0.3%, 0.62%

LAB 60.58, 26.95, -6.94

 

CMYK 4 / 74 / 0 / 2

HEX #F142FA

RGB 241 66 250

HSL 297.07, 0.95%, 0.62%

LAB 61.22, 85.02, -56.77

 

CMYK 0 / 74 / 16 / 2

HEX #FA42D2

RGB 250 66 210

HSL 313.04, 0.95%, 0.62%

LAB 60.67, 81.08, -35.13

 

CMYK 0 / 74 / 36 / 2

HEX #FA42A1

RGB 250 66 161

HSL 329.02, 0.95%, 0.62%

LAB 58.78, 75.29, -9.83

 

CMYK 0 / 74 / 55 / 2

HEX #FA4270

RGB 250 66 112

HSL 345, 0.95%, 0.62%

LAB 57.45, 71.05, 17.09

 

CMYK 0 / 72 / 74 / 2

HEX #FA4542

RGB 250 69 66

HSL 0.98, 0.95%, 0.62%

LAB 57.05, 67.58, 43.12

 

CMYK 0 / 97 / 47 / 11

HEX #E40678

RGB 228 6 120

HSL 329.19, 0.95%, 0.46%

LAB 49.47, 77.7, 0.4

 

CMYK 0 / 90 / 43 / 2

HEX #F91A8D

RGB 249 26 141

HSL 329.06, 0.95%, 0.54%

LAB 54.87, 82.04, -3.88

 

CMYK 0 / 74 / 36 / 2

HEX #FA42A1

RGB 250 66 161

HSL 329.02, 0.95%, 0.62%

LAB 58.78, 75.29, -9.83

 

CMYK 0 / 58 / 28 / 2

HEX #FB6AB5

RGB 251 106 181

HSL 328.97, 0.95%, 0.7%

LAB 65.08, 62.76, -11.88

 

CMYK 0 / 42 / 20 / 1

HEX #FC93C9

RGB 252 147 201

HSL 329.14, 0.95%, 0.78%

LAB 73.4, 46.22, -10.62

 

CMYK 0 / 74 / 36 / 2

HEX #FA40A0

RGB 250 64 160

HSL 329.03, 0.95%, 0.62%

LAB 58.54, 75.8, -9.62

 

CMYK 0 / 23 / 74 / 2

HEX #FAC042

RGB 250 192 66

HSL 41.09, 0.95%, 0.62%

LAB 80.97, 9.17, 67.94

 

CMYK 74 / 6 / 0 / 2

HEX #42EBFA

RGB 66 235 250

HSL 184.89, 0.95%, 0.62%

LAB 85.74, -37.06, -19.55

 

CMYK 0 / 74 / 36 / 2

HEX #FA40A0

RGB 250 64 160

HSL 329.03, 0.95%, 0.62%

LAB 58.54, 75.8, -9.62

 

CMYK 36 / 0 / 74 / 2

HEX #A1FA42

RGB 161 250 66

HSL 89.02, 0.95%, 0.62%

LAB 90.02, -53.7, 74.55

 

CMYK 74 / 36 / 0 / 2

HEX #42A1FA

RGB 66 161 250

HSL 209.02, 0.95%, 0.62%

LAB 64.6, 1.3, -52.28

 

CMYK 0 / 74 / 36 / 2

HEX #FA40A0

RGB 250 64 160

HSL 329.03, 0.95%, 0.62%

LAB 58.54, 75.8, -9.62

 

CMYK 0 / 23 / 74 / 2

HEX #FAC042

RGB 250 192 66

HSL 41.09, 0.95%, 0.62%

LAB 80.97, 9.17, 67.94

 

CMYK 74 / 0 / 38 / 2

HEX #42FA9B

RGB 66 250 155

HSL 149.02, 0.95%, 0.62%

LAB 87.92, -66.04, 32.83

 

CMYK 74 / 50 / 0 / 2

HEX #427CFA

RGB 66 124 250

HSL 221.09, 0.95%, 0.62%

LAB 54.53, 23.5, -68.41

 

CMYK 0 / 74 / 36 / 2

HEX #FA40A0

RGB 250 64 160

HSL 329.03, 0.95%, 0.62%

LAB 58.54, 75.8, -9.62

 

CMYK 0 / 1 / 74 / 2

HEX #FAF742

RGB 250 247 66

HSL 59.02, 0.95%, 0.62%

LAB 94.84, -18.47, 81.11

 

CMYK 74 / 0 / 38 / 2

HEX #42FA9B

RGB 66 250 155

HSL 149.02, 0.95%, 0.62%

LAB 87.92, -66.04, 32.83

 

CMYK 74 / 72 / 0 / 2

HEX #4245FA

RGB 66 69 250

HSL 239.02, 0.95%, 0.62%

LAB 41.71, 56.49, -89.35

 

Description

Color code: HEX #FA40A0 | qconv.com Color code: HEX #FA40A0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 64 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 64 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 36 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 36% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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