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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA353ACE it is the complementary color #05CAC5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA353ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA353ACE shade: #FF3535CE, #FF4748CE, #FF595BCE, #FF6B6ECE and #FF7D81CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA353ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA353ACE shade: #FA353ACE, #E92327CE, #D81114CE, #C70001CE and #B60000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA353ACE shade: #FA3338 and #FA3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA353ACE shade: #FA3338, #FA336E, #FA33A3, #FA33D9 and #E533FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA353ACE shade matches the following richer shades: #FA3338

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA353ACE shade: #FA3338, #E94448, #D85558, #C76668 and #B67778

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA353ACE shade: #FA33A4, #FA336F, #FA333A, #FA6133 and #FA9633

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA353ACE shade: #D5050B, #F90B11, #FA3338, #FB5B5F and #FC8487

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA353ACE shade: #FA353A, #D9FA33 and #3389FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA353ACE shade: #FA353A, #3AFA33 and #333AFA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA353ACE shade: #FA353A, #D9FA33, #33FAF3 and #5433FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA353ACE shade: #FA353A, #9DFA33, #33FAF3 and #9033FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 62 / 2

HEX #FA353ACE

RGBA 250 53 58 0.81

HSLA 358.48, 0.95%, 0.59%, 0.81

LABA 55.25, 72.08, 45.53, 0.81

 

Complementary color

CMYK 79 / 0 / 2 / 17

HEX #05CAC5CE

RGBA 5 202 197 0.81

HSLA 178.48, 0.95%, 0.41%, 0.81

LABA 73.74, -41.68, -9.34, 0.81

 

CMYK 0 / 64 / 64 / 0

HEX #FF3535CE

RGBA 255 53 53 0.81

HSLA 0, 1%, 0.6%, 0.81

LABA 56.15, 73.3, 49.41, 0.81

 

CMYK 0 / 58 / 58 / 0

HEX #FF4748CE

RGBA 255 71 72 0.81

HSLA 359.67, 1%, 0.64%, 0.81

LABA 58.26, 68.64, 41.43, 0.81

 

CMYK 0 / 53 / 52 / 0

HEX #FF595BCE

RGBA 255 89 91 0.81

HSLA 359.28, 1%, 0.67%, 0.81

LABA 60.92, 62.98, 33.98, 0.81

 

CMYK 0 / 47 / 46 / 0

HEX #FF6B6ECE

RGBA 255 107 110 0.81

HSLA 358.78, 1%, 0.71%, 0.81

LABA 64.08, 56.59, 27.29, 0.81

 

CMYK 0 / 41 / 40 / 0

HEX #FF7D81CE

RGBA 255 125 129 0.81

HSLA 358.15, 1%, 0.75%, 0.81

LABA 67.66, 49.74, 21.38, 0.81

 

CMYK 0 / 64 / 62 / 2

HEX #FA353ACE

RGBA 250 53 58 0.81

HSLA 358.48, 0.95%, 0.59%, 0.81

LABA 55.25, 72.08, 45.53, 0.81

 

CMYK 0 / 69 / 67 / 7

HEX #E92327CE

RGBA 233 35 39 0.81

HSLA 358.79, 0.82%, 0.53%, 0.81

LABA 50.3, 71.13, 49.52, 0.81

 

CMYK 0 / 75 / 74 / 12

HEX #D81114CE

RGBA 216 17 20 0.81

HSLA 359.1, 0.85%, 0.46%, 0.81

LABA 45.7, 69.27, 53.12, 0.81

 

CMYK 0 / 81 / 81 / 18

HEX #C70001CE

RGBA 199 0 1 0.81

HSLA 359.7, 1%, 0.39%, 0.81

LABA 41.44, 66.47, 55.4, 0.81

 

CMYK 0 / 81 / 81 / 23

HEX #B60000CE

RGBA 182 0 0 0.81

HSLA 0, 1%, 0.36%, 0.81

LABA 37.74, 62.19, 52.16, 0.81

 

CMYK 0 / 80 / 78 / 2

HEX #FA3338

RGB 250 51 56

HSL 358.49, 0.95%, 0.59%

LAB 55.05, 72.53, 46.4

 

CMYK 0 / 80 / 80 / 2

HEX #FA3333

RGB 250 51 51

HSL 0, 0.95%, 0.59%

LAB 55, 72.38, 49

 

CMYK 0 / 80 / 78 / 2

HEX #FA3338

RGB 250 51 56

HSL 358.49, 0.95%, 0.59%

LAB 55.05, 72.53, 46.4

 

CMYK 0 / 80 / 56 / 2

HEX #FA336E

RGB 250 51 110

HSL 342.21, 0.95%, 0.59%

LAB 55.9, 75.16, 16.15

 

CMYK 0 / 80 / 35 / 2

HEX #FA33A3

RGB 250 51 163

HSL 326.23, 0.95%, 0.59%

LAB 57.4, 79.62, -13.08

 

CMYK 0 / 80 / 13 / 2

HEX #FA33D9

RGB 250 51 217

HSL 309.95, 0.95%, 0.59%

LAB 59.62, 85.95, -40.74

 

CMYK 8 / 80 / 0 / 2

HEX #E533FA

RGB 229 51 250

HSL 293.67, 0.95%, 0.59%

LAB 57.97, 86.81, -62.07

 

CMYK 0 / 80 / 78 / 2

HEX #FA3338

RGB 250 51 56

HSL 358.49, 0.95%, 0.59%

LAB 55.05, 72.53, 46.4

 

CMYK 0 / 80 / 78 / 2

HEX #FA3338

RGB 250 51 56

HSL 358.49, 0.95%, 0.59%

LAB 55.05, 72.53, 46.4

 

CMYK 0 / 71 / 69 / 9

HEX #E94448

RGB 233 68 72

HSL 358.55, 0.79%, 0.59%

LAB 53.95, 63.06, 35.39

 

CMYK 0 / 61 / 59 / 15

HEX #D85558

RGB 216 85 88

HSL 358.63, 0.63%, 0.59%

LAB 53.81, 51.66, 25.33

 

CMYK 0 / 49 / 48 / 22

HEX #C76668

RGB 199 102 104

HSL 358.76, 0.46%, 0.59%

LAB 54.7, 38.69, 16.71

 

CMYK 0 / 35 / 34 / 29

HEX #B67778

RGB 182 119 120

HSL 359.05, 0.3%, 0.59%

LAB 56.58, 24.84, 9.67

 

CMYK 0 / 80 / 34 / 2

HEX #FA33A4

RGB 250 51 164

HSL 325.93, 0.95%, 0.59%

LAB 57.44, 79.72, -13.61

 

CMYK 0 / 80 / 56 / 2

HEX #FA336F

RGB 250 51 111

HSL 341.91, 0.95%, 0.59%

LAB 55.93, 75.22, 15.59

 

CMYK 0 / 80 / 77 / 2

HEX #FA333A

RGB 250 51 58

HSL 357.89, 0.95%, 0.59%

LAB 55.07, 72.6, 45.34

 

CMYK 0 / 61 / 80 / 2

HEX #FA6133

RGB 250 97 51

HSL 13.87, 0.95%, 0.59%

LAB 60.88, 56.27, 54.72

 

CMYK 0 / 40 / 80 / 2

HEX #FA9633

RGB 250 150 51

HSL 29.85, 0.95%, 0.59%

LAB 71.13, 30.55, 64.32

 

CMYK 0 / 98 / 95 / 16

HEX #D5050B

RGB 213 5 11

HSL 358.27, 0.95%, 0.43%

LAB 44.63, 69.58, 55.34

 

CMYK 0 / 96 / 93 / 2

HEX #F90B11

RGB 249 11 17

HSL 358.49, 0.95%, 0.51%

LAB 52.31, 78.02, 61.69

 

CMYK 0 / 80 / 78 / 2

HEX #FA3338

RGB 250 51 56

HSL 358.49, 0.95%, 0.59%

LAB 55.05, 72.53, 46.4

 

CMYK 0 / 64 / 62 / 2

HEX #FB5B5F

RGB 251 91 95

HSL 358.5, 0.95%, 0.67%

LAB 60.62, 61.13, 31.19

 

CMYK 0 / 48 / 46 / 1

HEX #FC8487

RGB 252 132 135

HSL 358.5, 0.95%, 0.75%

LAB 68.71, 45.8, 19.39

 

CMYK 0 / 79 / 77 / 2

HEX #FA353A

RGB 250 53 58

HSL 358.48, 0.95%, 0.59%

LAB 55.25, 72.08, 45.53

 

CMYK 13 / 0 / 80 / 2

HEX #D9FA33

RGB 217 250 51

HSL 69.95, 0.95%, 0.59%

LAB 93.17, -33.7, 82.95

 

CMYK 80 / 45 / 0 / 2

HEX #3389FA

RGB 51 137 250

HSL 214.07, 0.95%, 0.59%

LAB 57.56, 13.91, -63.56

 

CMYK 0 / 79 / 77 / 2

HEX #FA353A

RGB 250 53 58

HSL 358.48, 0.95%, 0.59%

LAB 55.25, 72.08, 45.53

 

CMYK 77 / 0 / 80 / 2

HEX #3AFA33

RGB 58 250 51

HSL 117.89, 0.95%, 0.59%

LAB 86.76, -79.39, 74.74

 

CMYK 80 / 77 / 0 / 2

HEX #333AFA

RGB 51 58 250

HSL 237.89, 0.95%, 0.59%

LAB 38.95, 61.19, -93.94

 

CMYK 0 / 79 / 77 / 2

HEX #FA353A

RGB 250 53 58

HSL 358.48, 0.95%, 0.59%

LAB 55.25, 72.08, 45.53

 

CMYK 13 / 0 / 80 / 2

HEX #D9FA33

RGB 217 250 51

HSL 69.95, 0.95%, 0.59%

LAB 93.17, -33.7, 82.95

 

CMYK 80 / 0 / 3 / 2

HEX #33FAF3

RGB 51 250 243

HSL 177.89, 0.95%, 0.59%

LAB 89.65, -47.15, -10.06

 

CMYK 66 / 80 / 0 / 2

HEX #5433FA

RGB 84 51 250

HSL 249.95, 0.95%, 0.59%

LAB 39.84, 66.75, -92.41

 

CMYK 0 / 79 / 77 / 2

HEX #FA353A

RGB 250 53 58

HSL 358.48, 0.95%, 0.59%

LAB 55.25, 72.08, 45.53

 

CMYK 37 / 0 / 80 / 2

HEX #9DFA33

RGB 157 250 51

HSL 88.04, 0.95%, 0.59%

LAB 89.76, -55.78, 78.6

 

CMYK 80 / 0 / 3 / 2

HEX #33FAF3

RGB 51 250 243

HSL 177.89, 0.95%, 0.59%

LAB 89.65, -47.15, -10.06

 

CMYK 42 / 80 / 0 / 2

HEX #9033FA

RGB 144 51 250

HSL 268.04, 0.95%, 0.59%

LAB 45.91, 73.37, -82.2

 

Description

Color code: HEX #FA353ACE | qconv.com Color code: HEX #FA353ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 53 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 53 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 62 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 62% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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