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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA3276 it is the complementary color #05CD89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA3276. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA3276 shade: #FF3271, #FF4484, #FF5697, #FF68AA and #FF7ABD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA3276. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA3276 shade: #FA3276, #E92063, #D80E50, #C7003D and #B6002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA3276 shade: #FA3377, #FA3341 and #FA3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA3276 shade: #FA3377, #FA33AC, #FA33E2, #DC33FA and #A733FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA3276 shade matches the following richer shades: #FA3377

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA3276 shade: #FA3377, #E9447C, #D85581, #C76687 and #B6778C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA3276 shade: #FA33E3, #FA33AE, #FA3379, #FA3344 and #FA5833

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA3276 shade: #D5054C, #F90B5C, #FA3377, #FB5B92 and #FC84AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA3276 shade: #FA3276, #FADC33 and #33C8FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA3276 shade: #FA3276, #79FA33 and #3379FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA3276 shade: #FA3276, #FADC33, #33FAB4 and #3351FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA3276 shade: #FA3276, #DCFA33, #33FAB4 and #5133FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 53 / 2

HEX #FA3276

RGB 250 50 118

HSL 339.6, 0.95%, 0.59%

LAB 56, 75.96, 11.51

 

Complementary color

CMYK 98 / 0 / 33 / 20

HEX #05CD89

RGB 5 205 137

HSL 159.6, 0.95%, 0.41%

LAB 73.22, -58.3, 22.18

 

CMYK 0 / 80 / 56 / 0

HEX #FF3271

RGB 255 50 113

HSL 341.56, 1%, 0.6%

LAB 56.81, 76.88, 15.76

 

CMYK 0 / 73 / 48 / 0

HEX #FF4484

RGB 255 68 132

HSL 339.47, 1%, 0.63%

LAB 59.03, 73.3, 7.63

 

CMYK 0 / 66 / 41 / 0

HEX #FF5697

RGB 255 86 151

HSL 336.92, 1%, 0.67%

LAB 61.78, 68.77, 0.51

 

CMYK 0 / 59 / 33 / 0

HEX #FF68AA

RGB 255 104 170

HSL 333.77, 1%, 0.7%

LAB 65.01, 63.5, -5.67

 

CMYK 0 / 52 / 26 / 0

HEX #FF7ABD

RGB 255 122 189

HSL 329.77, 1%, 0.74%

LAB 68.64, 57.75, -11.01

 

CMYK 0 / 80 / 53 / 2

HEX #FA3276

RGB 250 50 118

HSL 339.6, 0.95%, 0.59%

LAB 56, 75.96, 11.51

 

CMYK 0 / 86 / 58 / 9

HEX #E92063

RGB 233 32 99

HSL 340, 0.82%, 0.52%

LAB 50.99, 74.27, 15.51

 

CMYK 0 / 94 / 63 / 15

HEX #D80E50

RGB 216 14 80

HSL 340.4, 0.88%, 0.45%

LAB 46.3, 71.61, 20.29

 

CMYK 0 / 100 / 69 / 22

HEX #C7003D

RGB 199 0 61

HSL 341.61, 1%, 0.39%

LAB 41.97, 67.9, 25.84

 

CMYK 0 / 100 / 77 / 29

HEX #B6002A

RGB 182 0 42

HSL 346.15, 1%, 0.36%

LAB 38.04, 63, 32.08

 

CMYK 0 / 80 / 52 / 2

HEX #FA3377

RGB 250 51 119

HSL 339.5, 0.95%, 0.59%

LAB 56.11, 75.78, 11.07

 

CMYK 0 / 80 / 74 / 2

HEX #FA3341

RGB 250 51 65

HSL 355.78, 0.95%, 0.59%

LAB 55.15, 72.84, 41.55

 

CMYK 0 / 80 / 80 / 2

HEX #FA3333

RGB 250 51 51

HSL 0, 0.95%, 0.59%

LAB 55, 72.38, 49

 

CMYK 0 / 80 / 52 / 2

HEX #FA3377

RGB 250 51 119

HSL 339.5, 0.95%, 0.59%

LAB 56.11, 75.78, 11.07

 

CMYK 0 / 80 / 31 / 2

HEX #FA33AC

RGB 250 51 172

HSL 323.52, 0.95%, 0.59%

LAB 57.72, 80.55, -17.84

 

CMYK 0 / 80 / 10 / 2

HEX #FA33E2

RGB 250 51 226

HSL 307.24, 0.95%, 0.59%

LAB 60.05, 87.16, -45.13

 

CMYK 12 / 80 / 0 / 2

HEX #DC33FA

RGB 220 51 250

HSL 290.95, 0.95%, 0.59%

LAB 56.57, 85.24, -64.39

 

CMYK 33 / 80 / 0 / 2

HEX #A733FA

RGB 167 51 250

HSL 274.97, 0.95%, 0.59%

LAB 48.87, 76.64, -77.24

 

CMYK 0 / 80 / 52 / 2

HEX #FA3377

RGB 250 51 119

HSL 339.5, 0.95%, 0.59%

LAB 56.11, 75.78, 11.07

 

CMYK 0 / 80 / 52 / 2

HEX #FA3377

RGB 250 51 119

HSL 339.5, 0.95%, 0.59%

LAB 56.11, 75.78, 11.07

 

CMYK 0 / 71 / 47 / 9

HEX #E9447C

RGB 233 68 124

HSL 339.64, 0.79%, 0.59%

LAB 54.98, 66.57, 6.07

 

CMYK 0 / 61 / 40 / 15

HEX #D85581

RGB 216 85 129

HSL 339.85, 0.63%, 0.59%

LAB 54.74, 55.26, 2.39

 

CMYK 0 / 49 / 32 / 22

HEX #C76687

RGB 199 102 135

HSL 339.59, 0.46%, 0.59%

LAB 55.48, 42.19, -0.39

 

CMYK 0 / 35 / 23 / 29

HEX #B6778C

RGB 182 119 140

HSL 340, 0.3%, 0.59%

LAB 57.11, 27.65, -1.18

 

CMYK 0 / 80 / 9 / 2

HEX #FA33E3

RGB 250 51 227

HSL 306.93, 0.95%, 0.59%

LAB 60.1, 87.29, -45.62

 

CMYK 0 / 80 / 30 / 2

HEX #FA33AE

RGB 250 51 174

HSL 322.91, 0.95%, 0.59%

LAB 57.8, 80.77, -18.89

 

CMYK 0 / 80 / 52 / 2

HEX #FA3379

RGB 250 51 121

HSL 338.89, 0.95%, 0.59%

LAB 56.16, 75.93, 9.95

 

CMYK 0 / 80 / 73 / 2

HEX #FA3344

RGB 250 51 68

HSL 354.87, 0.95%, 0.59%

LAB 55.18, 72.95, 39.9

 

CMYK 0 / 65 / 80 / 2

HEX #FA5833

RGB 250 88 51

HSL 11.16, 0.95%, 0.59%

LAB 59.47, 60.04, 53.37

 

CMYK 0 / 98 / 64 / 16

HEX #D5054C

RGB 213 5 76

HSL 339.52, 0.95%, 0.43%

LAB 45.33, 71.49, 21.37

 

CMYK 0 / 96 / 63 / 2

HEX #F90B5C

RGB 249 11 92

HSL 339.58, 0.95%, 0.51%

LAB 53.12, 80.24, 23.17

 

CMYK 0 / 80 / 52 / 2

HEX #FA3377

RGB 250 51 119

HSL 339.5, 0.95%, 0.59%

LAB 56.11, 75.78, 11.07

 

CMYK 0 / 64 / 42 / 2

HEX #FB5B92

RGB 251 91 146

HSL 339.38, 0.95%, 0.67%

LAB 61.71, 65.17, 3.22

 

CMYK 0 / 48 / 32 / 1

HEX #FC84AC

RGB 252 132 172

HSL 340, 0.95%, 0.75%

LAB 69.6, 49.83, -0.11

 

CMYK 0 / 80 / 53 / 2

HEX #FA3276

RGB 250 50 118

HSL 339.6, 0.95%, 0.59%

LAB 56, 75.96, 11.51

 

CMYK 0 / 12 / 80 / 2

HEX #FADC33

RGB 250 220 51

HSL 50.95, 0.95%, 0.59%

LAB 87.85, -5.72, 79.26

 

CMYK 80 / 20 / 0 / 2

HEX #33C8FA

RGB 51 200 250

HSL 195.08, 0.95%, 0.59%

LAB 75.4, -21.54, -35.4

 

CMYK 0 / 80 / 53 / 2

HEX #FA3276

RGB 250 50 118

HSL 339.6, 0.95%, 0.59%

LAB 56, 75.96, 11.51

 

CMYK 52 / 0 / 80 / 2

HEX #79FA33

RGB 121 250 51

HSL 98.89, 0.95%, 0.59%

LAB 88.29, -66.69, 76.73

 

CMYK 80 / 52 / 0 / 2

HEX #3379FA

RGB 51 121 250

HSL 218.89, 0.95%, 0.59%

LAB 53.26, 23.79, -70.5

 

CMYK 0 / 80 / 53 / 2

HEX #FA3276

RGB 250 50 118

HSL 339.6, 0.95%, 0.59%

LAB 56, 75.96, 11.51

 

CMYK 0 / 12 / 80 / 2

HEX #FADC33

RGB 250 220 51

HSL 50.95, 0.95%, 0.59%

LAB 87.85, -5.72, 79.26

 

CMYK 80 / 0 / 28 / 2

HEX #33FAB4

RGB 51 250 180

HSL 158.89, 0.95%, 0.59%

LAB 88.15, -62.74, 20.44

 

CMYK 80 / 68 / 0 / 2

HEX #3351FA

RGB 51 81 250

HSL 230.95, 0.95%, 0.59%

LAB 43.49, 48.51, -86.44

 

CMYK 0 / 80 / 53 / 2

HEX #FA3276

RGB 250 50 118

HSL 339.6, 0.95%, 0.59%

LAB 56, 75.96, 11.51

 

CMYK 12 / 0 / 80 / 2

HEX #DCFA33

RGB 220 250 51

HSL 69.05, 0.95%, 0.59%

LAB 93.37, -32.52, 83.21

 

CMYK 80 / 0 / 28 / 2

HEX #33FAB4

RGB 51 250 180

HSL 158.89, 0.95%, 0.59%

LAB 88.15, -62.74, 20.44

 

CMYK 68 / 80 / 0 / 2

HEX #5133FA

RGB 81 51 250

HSL 249.05, 0.95%, 0.59%

LAB 39.61, 66.5, -92.79

 

Description

Color code: HEX #FA3276 | qconv.com Color code: HEX #FA3276 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 50 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 50 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 53 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 53% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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