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Color name
HEX #FA239B

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA239B it is the complementary color #05DC64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA239B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA239B shade: #FF2396, #FF35A9, #FF47BC, #FF59CF and #FF6BE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA239B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA239B shade: #FA239B, #E91188, #D80075, #C70062 and #B6004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA239B shade: #FB239B, #FB2361, #FB2327 and #FB2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA239B shade: #FB239B, #FB23D5, #E623FB, #AB23FB and #7123FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA239B shade matches the following richer shades: #FB239B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA239B shade: #FB239B, #E83599, #D64797, #C45A95 and #B26C93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA239B shade: #E523FB, #FB23D7, #FB239D, #FB2364 and #FB232A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA239B shade: #C70471, #EF0588, #FB239B, #FB4CAE and #FC74C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA239B shade: #FA239B, #FBAC23 and #23F3FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA239B shade: #FA239B, #9DFB23 and #239DFB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA239B shade: #FA239B, #FBAC23, #23FB80 and #2372FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA239B shade: #FA239B, #FBEC23, #23FB80 and #2331FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 38 / 2

HEX #FA239B

RGB 250 35 155

HSL 326.51, 0.96%, 0.56%

LAB 55.98, 82.14, -10.51

 

Complementary color

CMYK 98 / 0 / 55 / 14

HEX #05DC64

RGB 5 220 100

HSL 146.51, 0.96%, 0.44%

LAB 77.36, -69.91, 46.07

 

CMYK 0 / 86 / 41 / 0

HEX #FF2396

RGB 255 35 150

HSL 328.64, 1%, 0.57%

LAB 56.75, 82.79, -6.32

 

CMYK 0 / 79 / 34 / 0

HEX #FF35A9

RGB 255 53 169

HSL 325.54, 1%, 0.6%

LAB 58.67, 80.9, -14.58

 

CMYK 0 / 72 / 26 / 0

HEX #FF47BC

RGB 255 71 188

HSL 321.85, 1%, 0.64%

LAB 61.13, 77.97, -21.81

 

CMYK 0 / 65 / 19 / 0

HEX #FF59CF

RGB 255 89 207

HSL 317.35, 1%, 0.67%

LAB 64.09, 74.15, -28.07

 

CMYK 0 / 58 / 11 / 0

HEX #FF6BE2

RGB 255 107 226

HSL 311.76, 1%, 0.71%

LAB 67.48, 69.64, -33.46

 

CMYK 0 / 86 / 38 / 2

HEX #FA239B

RGB 250 35 155

HSL 326.51, 0.96%, 0.56%

LAB 55.98, 82.14, -10.51

 

CMYK 0 / 93 / 42 / 9

HEX #E91188

RGB 233 17 136

HSL 326.94, 0.86%, 0.49%

LAB 51.27, 79.19, -6.55

 

CMYK 0 / 100 / 46 / 15

HEX #D80075

RGB 216 0 117

HSL 327.5, 1%, 0.42%

LAB 46.82, 75.34, -1.93

 

CMYK 0 / 100 / 51 / 22

HEX #C70062

RGB 199 0 98

HSL 330.45, 1%, 0.39%

LAB 42.8, 70.12, 3.63

 

CMYK 0 / 100 / 57 / 29

HEX #B6004F

RGB 182 0 79

HSL 333.96, 1%, 0.36%

LAB 38.74, 64.88, 9.46

 

CMYK 0 / 86 / 38 / 2

HEX #FB239B

RGB 251 35 155

HSL 326.67, 0.96%, 0.56%

LAB 56.17, 82.36, -10.21

 

CMYK 0 / 86 / 61 / 2

HEX #FB2361

RGB 251 35 97

HSL 342.78, 0.96%, 0.56%

LAB 54.63, 78.03, 22.24

 

CMYK 0 / 86 / 84 / 2

HEX #FB2327

RGB 251 35 39

HSL 358.89, 0.96%, 0.56%

LAB 53.88, 75.84, 54.04

 

CMYK 0 / 86 / 86 / 2

HEX #FB2323

RGB 251 35 35

HSL 0, 0.96%, 0.56%

LAB 53.85, 75.76, 55.88

 

CMYK 0 / 86 / 38 / 2

HEX #FB239B

RGB 251 35 155

HSL 326.67, 0.96%, 0.56%

LAB 56.17, 82.36, -10.21

 

CMYK 0 / 86 / 15 / 2

HEX #FB23D5

RGB 251 35 213

HSL 310.56, 0.96%, 0.56%

LAB 58.52, 88.75, -40.18

 

CMYK 8 / 86 / 0 / 2

HEX #E623FB

RGB 230 35 251

HSL 294.17, 0.96%, 0.56%

LAB 57.07, 90.42, -64.07

 

CMYK 32 / 86 / 0 / 2

HEX #AB23FB

RGB 171 35 251

HSL 277.78, 0.96%, 0.56%

LAB 48.04, 81.7, -79.13

 

CMYK 55 / 86 / 0 / 2

HEX #7123FB

RGB 113 35 251

HSL 261.67, 0.96%, 0.56%

LAB 40.7, 75.21, -91.47

 

CMYK 0 / 86 / 38 / 2

HEX #FB239B

RGB 251 35 155

HSL 326.67, 0.96%, 0.56%

LAB 56.17, 82.36, -10.21

 

CMYK 0 / 86 / 38 / 2

HEX #FB239B

RGB 251 35 155

HSL 326.67, 0.96%, 0.56%

LAB 56.17, 82.36, -10.21

 

CMYK 0 / 77 / 34 / 9

HEX #E83599

RGB 232 53 153

HSL 326.48, 0.8%, 0.56%

LAB 54.03, 73.78, -12.59

 

CMYK 0 / 67 / 29 / 16

HEX #D64797

RGB 214 71 151

HSL 326.43, 0.64%, 0.56%

LAB 52.99, 62.95, -13.28

 

CMYK 0 / 54 / 24 / 23

HEX #C45A95

RGB 196 90 149

HSL 326.6, 0.47%, 0.56%

LAB 53.19, 49.06, -12.07

 

CMYK 0 / 39 / 17 / 30

HEX #B26C93

RGB 178 108 147

HSL 326.57, 0.31%, 0.56%

LAB 54.34, 33.37, -9.41

 

CMYK 9 / 86 / 0 / 2

HEX #E523FB

RGB 229 35 251

HSL 293.89, 0.96%, 0.56%

LAB 56.9, 90.26, -64.34

 

CMYK 0 / 86 / 14 / 2

HEX #FB23D7

RGB 251 35 215

HSL 310, 0.96%, 0.56%

LAB 58.62, 89, -41.16

 

CMYK 0 / 86 / 37 / 2

HEX #FB239D

RGB 251 35 157

HSL 326.11, 0.96%, 0.56%

LAB 56.23, 82.55, -11.29

 

CMYK 0 / 86 / 60 / 2

HEX #FB2364

RGB 251 35 100

HSL 341.94, 0.96%, 0.56%

LAB 54.69, 78.2, 20.52

 

CMYK 0 / 86 / 83 / 2

HEX #FB232A

RGB 251 35 42

HSL 358.06, 0.96%, 0.56%

LAB 53.9, 75.9, 52.6

 

CMYK 0 / 98 / 43 / 22

HEX #C70471

RGB 199 4 113

HSL 326.46, 0.96%, 0.4%

LAB 43.39, 70.96, -4.9

 

CMYK 0 / 98 / 43 / 6

HEX #EF0588

RGB 239 5 136

HSL 326.41, 0.96%, 0.48%

LAB 52.1, 81.44, -5.19

 

CMYK 0 / 86 / 38 / 2

HEX #FB239B

RGB 251 35 155

HSL 326.67, 0.96%, 0.56%

LAB 56.17, 82.36, -10.21

 

CMYK 0 / 70 / 31 / 2

HEX #FB4CAE

RGB 251 76 174

HSL 326.4, 0.96%, 0.64%

LAB 60.55, 73.71, -14.71

 

CMYK 0 / 54 / 24 / 1

HEX #FC74C0

RGB 252 116 192

HSL 326.47, 0.96%, 0.72%

LAB 67.27, 60, -14.8

 

CMYK 0 / 86 / 38 / 2

HEX #FA239B

RGB 250 35 155

HSL 326.51, 0.96%, 0.56%

LAB 55.98, 82.14, -10.51

 

CMYK 0 / 31 / 86 / 2

HEX #FBAC23

RGB 251 172 35

HSL 38.06, 0.96%, 0.56%

LAB 76.15, 19.04, 73.82

 

CMYK 86 / 3 / 0 / 2

HEX #23F3FB

RGB 35 243 251

HSL 182.22, 0.96%, 0.56%

LAB 87.69, -42.89, -17.18

 

CMYK 0 / 86 / 38 / 2

HEX #FA239B

RGB 250 35 155

HSL 326.51, 0.96%, 0.56%

LAB 55.98, 82.14, -10.51

 

CMYK 37 / 0 / 86 / 2

HEX #9DFB23

RGB 157 251 35

HSL 86.11, 0.96%, 0.56%

LAB 89.99, -56.74, 82.41

 

CMYK 86 / 37 / 0 / 2

HEX #239DFB

RGB 35 157 251

HSL 206.11, 0.96%, 0.56%

LAB 62.87, 1.07, -55.62

 

CMYK 0 / 86 / 38 / 2

HEX #FA239B

RGB 250 35 155

HSL 326.51, 0.96%, 0.56%

LAB 55.98, 82.14, -10.51

 

CMYK 0 / 31 / 86 / 2

HEX #FBAC23

RGB 251 172 35

HSL 38.06, 0.96%, 0.56%

LAB 76.15, 19.04, 73.82

 

CMYK 86 / 0 / 49 / 2

HEX #23FB80

RGB 35 251 128

HSL 145.83, 0.96%, 0.56%

LAB 87.44, -74.05, 45.31

 

CMYK 86 / 55 / 0 / 2

HEX #2372FB

RGB 35 114 251

HSL 218.06, 0.96%, 0.56%

LAB 51.1, 27.33, -74.56

 

CMYK 0 / 86 / 38 / 2

HEX #FA239B

RGB 250 35 155

HSL 326.51, 0.96%, 0.56%

LAB 55.98, 82.14, -10.51

 

CMYK 0 / 6 / 86 / 2

HEX #FBEC23

RGB 251 236 35

HSL 55.83, 0.96%, 0.56%

LAB 91.96, -13.65, 86.52

 

CMYK 86 / 0 / 49 / 2

HEX #23FB80

RGB 35 251 128

HSL 145.83, 0.96%, 0.56%

LAB 87.44, -74.05, 45.31

 

CMYK 86 / 80 / 0 / 2

HEX #2331FB

RGB 35 49 251

HSL 236.11, 0.96%, 0.56%

LAB 36.96, 65.1, -97.82

 

Description

Color code: HEX #FA239B | qconv.com Color code: HEX #FA239B | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 35 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 35 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 38 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 38% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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