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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FA2230 it is the complementary color #05DDCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FA2230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FA2230 shade: #FF222B, #FF343E, #FF4651, #FF5864 and #FF6A77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FA2230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FA2230 shade: #FA2230, #E9101D, #D8000A, #C70000 and #B60000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FA2230 shade: #FB2331 and #FB2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FA2230 shade: #FB2331, #FB236B, #FB23A5, #FB23DF and #DC23FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FA2230 shade matches the following richer shades: #FB2331

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FA2230 shade: #FB2331, #E83541, #D64751, #C45A60 and #B26C70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FA2230 shade: #FB23A4, #FB236B, #FB2331, #FB4E23 and #FB8823

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FA2230 shade: #C70411, #EF0514, #FB2331, #FB4C57 and #FC747D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FA2230 shade: #FA2230, #DEFB23 and #2388FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FA2230 shade: #FA2230, #31FB23 and #2331FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FA2230 shade: #FA2230, #DEFB23, #23FBEC and #4023FB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FA2230 shade: #FA2230, #9DFB23, #23FBEC and #8023FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 81 / 2

HEX #FA2230

RGB 250 34 48

HSL 356.11, 0.96%, 0.56%

LAB 53.69, 75.97, 49.28

 

Complementary color

CMYK 98 / 0 / 6 / 13

HEX #05DDCF

RGB 5 221 207

HSL 176.11, 0.96%, 0.44%

LAB 79.76, -47.06, -5.8

 

CMYK 0 / 87 / 83 / 0

HEX #FF222B

RGB 255 34 43

HSL 357.56, 1%, 0.57%

LAB 54.64, 77.12, 53.07

 

CMYK 0 / 80 / 76 / 0

HEX #FF343E

RGB 255 52 62

HSL 357.04, 1%, 0.6%

LAB 56.15, 73.84, 44.59

 

CMYK 0 / 73 / 68 / 0

HEX #FF4651

RGB 255 70 81

HSL 356.43, 1%, 0.64%

LAB 58.26, 69.37, 36.37

 

CMYK 0 / 65 / 61 / 0

HEX #FF5864

RGB 255 88 100

HSL 355.69, 1%, 0.67%

LAB 60.92, 63.91, 28.86

 

CMYK 0 / 58 / 53 / 0

HEX #FF6A77

RGB 255 106 119

HSL 354.77, 1%, 0.71%

LAB 64.08, 57.71, 22.18

 

CMYK 0 / 86 / 81 / 2

HEX #FA2230

RGB 250 34 48

HSL 356.11, 0.96%, 0.56%

LAB 53.69, 75.97, 49.28

 

CMYK 0 / 93 / 88 / 9

HEX #E9101D

RGB 233 16 29

HSL 356.41, 0.87%, 0.49%

LAB 49.23, 73.8, 53.42

 

CMYK 0 / 100 / 95 / 15

HEX #D8000A

RGB 216 0 10

HSL 357.22, 1%, 0.42%

LAB 45.11, 70.76, 56.24

 

CMYK 0 / 100 / 100 / 22

HEX #C70000

RGB 199 0 0

HSL 0, 1%, 0.39%

LAB 41.44, 66.47, 55.77

 

CMYK 0 / 100 / 100 / 29

HEX #B60000

RGB 182 0 0

HSL 0, 1%, 0.36%

LAB 37.74, 62.19, 52.16

 

CMYK 0 / 86 / 80 / 2

HEX #FB2331

RGB 251 35 49

HSL 356.11, 0.96%, 0.56%

LAB 53.96, 76.07, 49.08

 

CMYK 0 / 86 / 86 / 2

HEX #FB2323

RGB 251 35 35

HSL 0, 0.96%, 0.56%

LAB 53.85, 75.76, 55.88

 

CMYK 0 / 86 / 80 / 2

HEX #FB2331

RGB 251 35 49

HSL 356.11, 0.96%, 0.56%

LAB 53.96, 76.07, 49.08

 

CMYK 0 / 86 / 57 / 2

HEX #FB236B

RGB 251 35 107

HSL 340, 0.96%, 0.56%

LAB 54.84, 78.62, 16.51

 

CMYK 0 / 86 / 34 / 2

HEX #FB23A5

RGB 251 35 165

HSL 323.89, 0.96%, 0.56%

LAB 56.51, 83.32, -15.57

 

CMYK 0 / 86 / 11 / 2

HEX #FB23DF

RGB 251 35 223

HSL 307.78, 0.96%, 0.56%

LAB 59.01, 90.04, -45.08

 

CMYK 12 / 86 / 0 / 2

HEX #DC23FB

RGB 220 35 251

HSL 291.39, 0.96%, 0.56%

LAB 55.46, 88.83, -66.73

 

CMYK 0 / 86 / 80 / 2

HEX #FB2331

RGB 251 35 49

HSL 356.11, 0.96%, 0.56%

LAB 53.96, 76.07, 49.08

 

CMYK 0 / 86 / 80 / 2

HEX #FB2331

RGB 251 35 49

HSL 356.11, 0.96%, 0.56%

LAB 53.96, 76.07, 49.08

 

CMYK 0 / 77 / 72 / 9

HEX #E83541

RGB 232 53 65

HSL 355.98, 0.8%, 0.56%

LAB 51.93, 67.29, 36.98

 

CMYK 0 / 67 / 62 / 16

HEX #D64751

RGB 214 71 81

HSL 355.8, 0.64%, 0.56%

LAB 51.15, 56.47, 25.93

 

CMYK 0 / 54 / 51 / 23

HEX #C45A60

RGB 196 90 96

HSL 356.6, 0.47%, 0.56%

LAB 51.72, 42.91, 17.26

 

CMYK 0 / 39 / 37 / 30

HEX #B26C70

RGB 178 108 112

HSL 356.57, 0.31%, 0.56%

LAB 53.34, 28.36, 9.69

 

CMYK 0 / 86 / 35 / 2

HEX #FB23A4

RGB 251 35 164

HSL 324.17, 0.96%, 0.56%

LAB 56.48, 83.22, -15.04

 

CMYK 0 / 86 / 57 / 2

HEX #FB236B

RGB 251 35 107

HSL 340, 0.96%, 0.56%

LAB 54.84, 78.62, 16.51

 

CMYK 0 / 86 / 80 / 2

HEX #FB2331

RGB 251 35 49

HSL 356.11, 0.96%, 0.56%

LAB 53.96, 76.07, 49.08

 

CMYK 0 / 69 / 86 / 2

HEX #FB4E23

RGB 251 78 35

HSL 11.94, 0.96%, 0.56%

LAB 58.11, 63.83, 59.32

 

CMYK 0 / 46 / 86 / 2

HEX #FB8823

RGB 251 136 35

HSL 28.06, 0.96%, 0.56%

LAB 68.2, 37.71, 67.43

 

CMYK 0 / 98 / 91 / 22

HEX #C70411

RGB 199 4 17

HSL 356, 0.96%, 0.4%

LAB 41.64, 66.24, 49.89

 

CMYK 0 / 98 / 92 / 6

HEX #EF0514

RGB 239 5 20

HSL 356.15, 0.96%, 0.48%

LAB 50.11, 76.06, 58.3

 

CMYK 0 / 86 / 80 / 2

HEX #FB2331

RGB 251 35 49

HSL 356.11, 0.96%, 0.56%

LAB 53.96, 76.07, 49.08

 

CMYK 0 / 70 / 65 / 2

HEX #FB4C57

RGB 251 76 87

HSL 356.23, 0.96%, 0.64%

LAB 58.38, 66.43, 32.94

 

CMYK 0 / 54 / 50 / 1

HEX #FC747D

RGB 252 116 125

HSL 356.03, 0.96%, 0.72%

LAB 65.49, 52.63, 20.61

 

CMYK 0 / 86 / 81 / 2

HEX #FA2230

RGB 250 34 48

HSL 356.11, 0.96%, 0.56%

LAB 53.69, 75.97, 49.28

 

CMYK 12 / 0 / 86 / 2

HEX #DEFB23

RGB 222 251 35

HSL 68.06, 0.96%, 0.56%

LAB 93.73, -32.63, 87.04

 

CMYK 86 / 46 / 0 / 2

HEX #2388FB

RGB 35 136 251

HSL 211.94, 0.96%, 0.56%

LAB 57.01, 13.63, -65.01

 

CMYK 0 / 86 / 81 / 2

HEX #FA2230

RGB 250 34 48

HSL 356.11, 0.96%, 0.56%

LAB 53.69, 75.97, 49.28

 

CMYK 80 / 0 / 86 / 2

HEX #31FB23

RGB 49 251 35

HSL 116.11, 0.96%, 0.56%

LAB 86.88, -81.47, 78.51

 

CMYK 86 / 80 / 0 / 2

HEX #2331FB

RGB 35 49 251

HSL 236.11, 0.96%, 0.56%

LAB 36.96, 65.1, -97.82

 

CMYK 0 / 86 / 81 / 2

HEX #FA2230

RGB 250 34 48

HSL 356.11, 0.96%, 0.56%

LAB 53.69, 75.97, 49.28

 

CMYK 12 / 0 / 86 / 2

HEX #DEFB23

RGB 222 251 35

HSL 68.06, 0.96%, 0.56%

LAB 93.73, -32.63, 87.04

 

CMYK 86 / 0 / 6 / 2

HEX #23FBEC

RGB 35 251 236

HSL 175.83, 0.96%, 0.56%

LAB 89.58, -50.59, -6.53

 

CMYK 75 / 86 / 0 / 2

HEX #4023FB

RGB 64 35 251

HSL 248.06, 0.96%, 0.56%

LAB 36.47, 71.84, -98.6

 

CMYK 0 / 86 / 81 / 2

HEX #FA2230

RGB 250 34 48

HSL 356.11, 0.96%, 0.56%

LAB 53.69, 75.97, 49.28

 

CMYK 37 / 0 / 86 / 2

HEX #9DFB23

RGB 157 251 35

HSL 86.11, 0.96%, 0.56%

LAB 89.99, -56.74, 82.41

 

CMYK 86 / 0 / 6 / 2

HEX #23FBEC

RGB 35 251 236

HSL 175.83, 0.96%, 0.56%

LAB 89.58, -50.59, -6.53

 

CMYK 49 / 86 / 0 / 2

HEX #8023FB

RGB 128 35 251

HSL 265.83, 0.96%, 0.56%

LAB 42.39, 76.64, -88.61

 

Description

Color code: HEX #FA2230 | qconv.com Color code: HEX #FA2230 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 34 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 34 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 81 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 81% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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